Intermarche: Failed lemon

Intermarche’s inglorious fruits and vegetables: a glorious fight against food waste.

Advertising Agency: Marcel, Paris, France
Chief Creative Officers: Erik Vervroegen, Anne de Maupeou
Executive Creative Director: Dimitri Guerassimov
Creative Director: Julien Benmoussa
Copywriters: Julien Benmoussa, Gaëtan Du Peloux, Youri Guerassimov
Art Directors: Youri Guerassimov, Gaëtan Du Peloux, Anais Boileau
Account Supervisor: Blandine Mercier
Account Manager: Lou de Keyzer
Project Manager: Noëlla Neffati
Strategic Planning: Guillaume Le Gorrec, Leoda Esteve
Global Print Manager: Jean Luc Chirio
Art Buyer: Soone Riboud
Producer: Justine Beaussart
Photographer: Patrice de Villiers
Retouching: L’asile Paris

Intermarche: Ridiculous potato

Intermarche’s inglorious fruits and vegetables: a glorious fight against food waste.

Advertising Agency: Marcel, Paris, France
Chief Creative Officers: Erik Vervroegen, Anne de Maupeou
Executive Creative Director: Dimitri Guerassimov
Creative Director: Julien Benmoussa
Copywriters: Julien Benmoussa, Gaëtan Du Peloux, Youri Guerassimov
Art Directors: Youri Guerassimov, Gaëtan Du Peloux, Anais Boileau
Account Supervisor: Blandine Mercier
Account Manager: Lou de Keyzer
Project Manager: Noëlla Neffati
Strategic Planning: Guillaume Le Gorrec, Leoda Esteve
Global Print Manager: Jean Luc Chirio
Art Buyer: Soone Riboud
Producer: Justine Beaussart
Photographer: Patrice de Villiers
Retouching: L’asile Paris

Toyota Taps Droga5 to Hype Hydrogen Fuel Cell Vehicle

Earlier this week, Toyota announced the consumer release of a new Hydrogen Fuel Cell vehicle in Japan, the U.S. and Europe slated for 2015. Now, AdAge reports, Toyota has chosen New York agency Droga5 for the car’s pre-launch campaign.

The move marks the first auto marketer on Droga5?s roster. Although Saatchi & Saatchi LA is Toyota’s agency of record, the company looked to other agencies for new ideas for the breakthrough vehicle. “We approached Droga5 to give us some ideas, and they came back with something that blew us out of the water, said Kimberley Gardiner, director-digital marketing strategy for Toyota Motor Sales USA. “It ended up being a full campaign pre-launch proposal.”

“The opportunity was very much in our wheelhouse,” Droga5 Creative Chairman David Droga said. “If you get a call from Toyota asking, ‘Do you want to help launch the new generation of vehicles?,’ that’s about as juicy an opportunity as you can get, so we took that very seriously, and here we are. It’s very validating to have a chance to work with a brand like this.”

Gardiner didn’t reveal any details about the campaign, but, according to AdAge,”pre-launch will begin in the coming months, rolling out initially in the U.S. in digital and non-traditional media” and will last from 12-18 months.

New Career Opportunities Daily: The best jobs in media.

WAWA "Hoagiefest– Crank Up The Summer Time" (2014) :30 (USA)

I’m digging the 70’s Saturday Morning Cartoon vibe of these spots. Although I have to say I’m surprised they’re as earnest as they are. I thought they’d be dripping with irony.

Country: 

Commercials: 

WAWA "Summer of Hoagiefest love" (2014) :30 (USA)

WAWA is a trippy place, man. Whatever they’re putting in those hoagies, it causes a vaguely psychedelic land to appear. Not a total freak out, mind you. More like the first day of recording the Beach Boy’s “Pet Sounds.”

Country: 

Commercials: 

A War Against 'Fear, Uncertainty and Doubt About BlackBerry' Opens Oddly


Those are boxing gloves, I’m guessing? (Will the gloves, having been put on, come off at some point? Given that BlackBerry is a Canadian company, maybe not; perhaps they’re just too nice to actually want to break someone’s nose.)

Anyway, loud fact-checking efforts have proven to be effective PR strategies in the past. And I’m definitely pro-facts … which is why I hope the BlackBerry Fact Check Portal takes on this opening line in Wilson’s post:

“BlackBerry has been in the limelight for many reasons, with people talking about everything from the unmatched reputation of our security to the latest device rumors to our vision for the Internet of Things. We expect this; we know we’re one of the most watched brands out there and our transformation is on public display.”

Continue reading at AdAge.com

A Year Later, NSA Revelations Haunt Verizon in Germany


Germany favors Deutsche Telekom to replace Verizon Communications as a network provider after deciding to end the American company’s contract in the wake of reports about spy surveillance by the U.S.

“The federal government wants to win back more technological sovereignty and therefore prefers to work with German companies,” Tobias Plate, an interior ministry spokesman, said today at a press conference in Berlin.

Germany is using an option in the current Verizon contract to end the arrangement next year, Mr. Plate said, declining to confirm whether the government had any evidence that the provider handed information from the network to the U.S. National Security Agency.

Continue reading at AdAge.com

Futuristic Goth Lookbooks – The BLACK’D Fall/Winter 2014/2015 Collection is Darkly Demure (GALLERY)

(TrendHunter.com) The BLACK’D Fall/Winter 2014/2015 collection embodies a darkly demure visual vibe. The gothic womenswear catalog paints a bold vision of our future and pairs and all-black wardrobe with a platinum…

Noisli cria som ambiente para estimular a criatividade

Algumas pessoas precisam de silêncio absoluto para trabalhar, outros só conseguem se concentrar se houver um barulhinho que crie uma sensação de bem-estar. E não precisa ser, necessariamente, música, mas o som de chuva, pessoas conversando em um café ou ainda vento e mar. É aí que entra o Noisli, um aplicativo que promete estimular a criatividade das pessoas com uma coleção de sons ambiente.

Apesar de haver vários aplicativos que seguem esta linha, o Noisli chama a atenção pelo seu belo design minimalista e conta com uma versão mobile, para iOS, e para desktop – nesta última, é possível usar um editor de textos à prova de distrações que ainda por cima muda as cores da tela de fundo para oferecer aos usuários os benefícios da cromoterapia. Tentar não tira pedaço…

noisili1

Brainstorm9Post originalmente publicado no Brainstorm #9
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Peugeot: Blind

God is watching. Peugeot panoramic roof.

Advertising Agency: Y&R, Sao Paulo, Brazil
Chief Creative Officer: Rui Branquinho
Executive Creative Director: Flavio Casarotti
Creative Directors: Rui Branquinho, Flavio Casarotti, Victor Sant’ Anna
Creatives: Leandro Câmara, Fábio Tedeschi
Art Buyers: Monica Beretta, Stephanie Wang
Production Director: Elaine Carvalho
Agency Producer: Ronaldo Cavalcante
Group Account Director: Alessandro Cardoni
Account Director: Waleska Pimenta Bueno
Account Supervisor: Marina Freitas
Planning: David Laloum, Ana Kuroki
Media: Gustavo Gaion, Inajá Ramos, Rafael Leal
Photographer: Lucio Cunha

Peugeot: Brother

God is watching. Peugeot panoramic roof.

Advertising Agency: Y&R, Sao Paulo, Brazil
Chief Creative Officer: Rui Branquinho
Executive Creative Director: Flavio Casarotti
Creative Directors: Rui Branquinho, Flavio Casarotti, Victor Sant’ Anna
Creatives: Leandro Câmara, Fábio Tedeschi
Art Buyers: Monica Beretta, Stephanie Wang
Production Director: Elaine Carvalho
Agency Producer: Ronaldo Cavalcante
Group Account Director: Alessandro Cardoni
Account Director: Waleska Pimenta Bueno
Account Supervisor: Marina Freitas
Planning: David Laloum, Ana Kuroki
Media: Gustavo Gaion, Inajá Ramos, Rafael Leal
Photographer: Lucio Cunha

Peugeot: Grandma

God is watching. Peugeot panoramic roof.

Advertising Agency: Y&R, Sao Paulo, Brazil
Chief Creative Officer: Rui Branquinho
Executive Creative Director: Flavio Casarotti
Creative Directors: Rui Branquinho, Flavio Casarotti, Victor Sant’ Anna
Creatives: Leandro Câmara, Fábio Tedeschi
Art Buyers: Monica Beretta, Stephanie Wang
Production Director: Elaine Carvalho
Agency Producer: Ronaldo Cavalcante
Group Account Director: Alessandro Cardoni
Account Director: Waleska Pimenta Bueno
Account Supervisor: Marina Freitas
Planning: David Laloum, Ana Kuroki
Media: Gustavo Gaion, Inajá Ramos, Rafael Leal
Photographer: Lucio Cunha

ALDI: Bear

Advertising Agency: BMF, Australia
Managing Partner: Stephen McArdle
Executive Creative Director: Cam Blackley
Creative Directors: Alex Booker, Philip Sicklinger
Art Directors: Patrick Chambers, Alex Booker
Copywriter: Mark Carbone
Planning: Christina Aventi
Director: Jeff Low
Producer: Lucas Jenner
Production Company: Rabbit Content
Post Production: The Editors / White Chocolate
Agency Producer: Mel Herbert
Editor: Bernard Garry
Music / Sound Production: Rumble Studios
DoP: Peter Eastgate
Group Account Director: Jonny Bucknall
Account Director: Aisling Salmaggi
Account Managers: Siena Shuttler, Katie Loverich

ALDI: Trout

Advertising Agency: BMF, Australia
Managing Partner: Stephen McArdle
Executive Creative Director: Cam Blackley
Creative Directors: Alex Booker, Philip Sicklinger
Art Directors: Patrick Chambers, Alex Booker
Copywriter: Mark Carbone
Planning: Christina Aventi
Director: Jeff Low
Producer: Lucas Jenner
Production Company: Rabbit Content
Post Production: The Editors / White Chocolate
Agency Producer: Mel Herbert
Editor: Bernard Garry
Music / Sound Production: Rumble Studios
DoP: Peter Eastgate
Group Account Director: Jonny Bucknall
Account Director: Aisling Salmaggi
Account Managers: Siena Shuttler, Katie Loverich

Howard's Auto Body: Sports car

Fast car repair.

Advertising Agency: Fitzgerald+CO, Atlanta, USA
Chief Creative Officer: Noel Cottrell
Group Creative Director / Art Director: Wes Whitener
Group Creative Director / Copywriter: Mitch Bennett
Designer: Heath Beeferman
Art Producer: Callie Householder
Director Digital Creative Services: Brian Wallace
Production Manager: Cris Tally
Photographer: Clive Stewart
Producer: Amanda Bertany
Prop and Wardrobe Stylist: Courtney Watkins
Hair and Makeup: Kara Ramos
1st Camera Assistant: Bain Coffman
2nd Camera Assistant: Chris Pinel
Retoucher: Adrian Grant Smith

Howard's Auto Body: Vintage car

Fast car repair.

Advertising Agency: Fitzgerald+CO, Atlanta, USA
Chief Creative Officer: Noel Cottrell
Group Creative Director / Art Director: Wes Whitener
Group Creative Director / Copywriter: Mitch Bennett
Designer: Heath Beeferman
Art Producer: Callie Householder
Director Digital Creative Services: Brian Wallace
Production Manager: Cris Tally
Photographer: Clive Stewart
Producer: Amanda Bertany
Prop and Wardrobe Stylist: Courtney Watkins
Hair and Makeup: Kara Ramos
1st Camera Assistant: Bain Coffman
2nd Camera Assistant: Chris Pinel
Retoucher: Adrian Grant Smith

Howard's Auto Body: Truck

Fast car repair.

Advertising Agency: Fitzgerald+CO, Atlanta, USA
Chief Creative Officer: Noel Cottrell
Group Creative Director / Art Director: Wes Whitener
Group Creative Director / Copywriter: Mitch Bennett
Designer: Heath Beeferman
Art Producer: Callie Householder
Director Digital Creative Services: Brian Wallace
Production Manager: Cris Tally
Photographer: Clive Stewart
Producer: Amanda Bertany
Prop and Wardrobe Stylist: Courtney Watkins
Hair and Makeup: Kara Ramos
1st Camera Assistant: Bain Coffman
2nd Camera Assistant: Chris Pinel
Retoucher: Adrian Grant Smith

We Hear: Layoffs at Razorfish North America

The tips have been pouring in this week, and they all tell of staffing changes at Razorfish North America.

Several tips claim that 20 to 25 staffers have been dismissed from the agency’s Chicago office alone.

Others report layoffs at the agency’s Atlanta and West Coast offices, listing the total of North American employees dismissed at 100.

On the plus side: one tipster claims that, while confirming the downsizing, the agency’s CEO also announced that employees will receive merit-based pay increases on August 1st.

To date, we have no confirmation from the agency itself. Updates as they arrive.

New Career Opportunities Daily: The best jobs in media.

McCann NY Takes Unique Approach to Gun Safety PSA

You might not associate a sex toy battle with gun safety, but McCann New York ties the two together in a new 30-second video entitled “Playthings” that (finally) takes a different approach to the familiar gun safety PSA, created for gun responsibility organization Evolve.

In the spot, a woman goes to pick up her son at a friend’s house and finds him locked in heated sex toy battle with his friend. The friend’s mother, of course, looks horrified, and just when you thought things couldn’t get any more awkward one of the kids turns on the vibration feature. Around this time the voiceover intones the message, “If they find it, they’ll play with it. So always lock up your guns.”

The humorous approach is a welcome departure from the typical gun safety PSAs — which we see a lot of. “Playthings” is a lot more memorable than those efforts, and a lot harder to ignore, which makes it more likely to effectively communicate its message and even reach people who might just tune out the more serious, stern warnings of other gun safety PSAs. Of course, some of those people will just find the suggestive humor packed on “liberal propaganda” that much more offensive. But then McCann and Evolve didn’t really have any hope of reaching them anyway. While this isn’t the first time Evolve has employed humor in its PSAs — Saatchi & Saatchi New York’s February effort “The Bill of Rights for Dumbasses” took a similarly lighthearted approach — it is definitely the most effective. “Playthings” has already generated a fair share of buzz, approaching one million views since being released Wednesday and eliciting mentions in myriad media outlets.

New Career Opportunities Daily: The best jobs in media.

No Situation Is Too Odd or Physically Impossible for These Strange Lending Ads

Insanity reigns in this campaign for Australian short-term lending service Nimble, which is apparently the perfect solution for man pregnancy and other unexpected life events.

Created by agencies Proximity Brisbane and ColensoBBDO Auckland, along with production company The Sweet Shop, the ads won silver in the Film category at Cannes last week, and with good reason. They’re entertaining, creatively cut and actually make a weird kind of sense. Babies, breakdowns, and vet visits are all plausible—sympathetic, even—as unexpected expenses. The hyperbolic twists in the scenarios actually work as pretty reasonable metaphors for the stress of not necessarily understanding how you got in the hole, but needing money quickly anyways.

While the brand will judge your ability to repay (plus a 20 percent base fee and 4 percent interest), it apparently won’t scrutinize your reason for borrowing too closely.