Vimto ditches ‘mixed up’ fruit characters for new Vimtoad
Posted in: UncategorizedVimto has ditched its misbehaving fruit characters in its new “Seriously mixed up fruit” campaign, introducing a “Vimtoad” brand mascot in their place.
Vimto has ditched its misbehaving fruit characters in its new “Seriously mixed up fruit” campaign, introducing a “Vimtoad” brand mascot in their place.
AOL UK has launched AOL On, its premium video network in the UK, with content partners Endemol beyond, Channel 4 News, ITN, Scripps Networks International, Little Dot Studios, MyMovies, Videojug, Trinity Mirror, Telegraph Media Group and TalkTalk.
Finalmente uma vuvuzela poderá ser usada para o bem. Pelo menos segundo o ponto de vista do canal beIN Sports, que resolveu transformar a inesquecível (e insuportável) corneta-símbolo da Copa da África do Sul em uma espécie de controle-remoto. É claro que GAMECHANGER, protótipo criado pela TBWA\Chiat\Day de Nova York é capaz de mudar para um único canal.
A vuvuzela modificada usa uma plataforma de prototipagem Arduíno, e tem seu som reconhecido por um pequeno microfone por meio de um microchip de 32 bit, que emite sinais para receptores de TV a cabo, que forçam a televisão a sintonizar o beIN Sports.
É claro que o “controle-remoto” funciona apenas com algumas operadoras, mas ainda assim, o site oficial conta com uma seção onde os fãs de futebol (e do canal, é claro) poderão entrar na fila para receber seu GAMECHANGER. Já pensou na Copa?
Para quem quiser ter uma ideia melhor de como a vuvuzela foi adaptada, vale o play no vídeo abaixo.
Post originalmente publicado no Brainstorm #9
Twitter | Facebook | Contato | Anuncie
Samuel L Jackson reprises his role as Nick Fury, an agent of S.H.I.E.L.D, the fictional spy agency from Marvel comics, to promote Sky’s online safety product.
Marketers who are reaping outsize rewards from U.S. Hispanic consumers are helping Univision spread the word. In an ad campaign breaking March 24, Nissan, Subway and Post Foods’ Honey Bunches of Oats tout these achievements: Hispanics bought 30% of Nissan Sentras in 2013. And 100% of the Post cereal brand’s growth is from Hispanics.
The claims may seem startling. But that’s the point. Univision did research to understand why some marketers don’t make the Hispanic market a strategic priority, and what’s holding them back. Cynthia Ashworth, Univision Communications’ SVP, innovation marketing, said three big ideas emerged: Those marketers didn’t understand the Hispanic market, or the effectiveness of advertising in Spanish, or Univision.
Tassimo, Mondelez’s answer to the Nespresso machine, has released a pan-European ad campaign, its largest since launching a decade ago.
Print
Santa Casa De Misericordia De Sao Paulo
Obesity kills more people than Aids. Prevent it by exercising often.
Obesity kills more people than Hepatitis. Prevent it by exercising often.
Obesity kills more people than Pneumonia. Prevent it by exercising often.
Advertising Agency:Y&R, São Paulo, Brazil
Executive Creative Director:Rui Branquinho, Flávio Casarotti
Art Director:Rafael Goulart
Copywriter:Bruno Souto
Photographer:Marcelo Ribeiro
Twinings, the tea brand, is aiming to “make work wonderful” for women through its first ever content partnership, a deal with The Huffington Post beginning today.
Gravity Road, the content agency, has hired Joanna Osborn, the content business director at Bartle Bogle Hegarty London, in the new role of head of creative services.
Arcadia boss Sir Philip Green has vowed to challenge the UK’s biggest supermarkets with BHS’ new food offering, by getting “competitive” on price.
La lampe Kolo est un objet cylindrique réalisée par le designer polonais Pani Jurek et Piotr Musia?owski. Le réglage de l’intensité lumineuse se fait aux besoins et humeurs de son utilisateur et est obtenue à l’aide d’un jeu tactile. Le sable recouvre lentement le cercle de lumière et la luminosité s’estompe lentement.
The decline stems mostly from a move by Congress to eliminate the media budget for the Office of National Drug Control Policy. The office had been funding anti-drug ads aimed at teens since 1998, including a 2002 Super Bowl ad that linked drugs to terrorism, and boasted a media budget of $100 million as recently as 2007. But the government program was constantly under assault by critics who said it was ineffective, and the effort endured a series of budget cuts before it was altogether axed from the 2012 federal budget.
To the rescue
Ever since Colorado and Washington state voters legalized recreational marijuana use, Partnership at Drugfree.org has been lobbied to run ads criticizing the decision. But that’s the last thing the group wants to do. “A public-service ad that says: ‘By the way, voters of Colorado, you don’t know what you are doing.’ Come on,” said Steve Pasierb, the partnership’s CEO. Pot legalization is “happening in America,” he added.
Pot’s popularity has been steadily growing, even before the two states voted to legalize it. From 2002 to 2010, marijuana consumption in the U.S. jumped 40% while cocaine use fell by half, according to recently released estimates from Rand Corp. published in a report to the White House. The report found that collective total spending on cocaine, heroin, marijuana and meth has remained relatively flat in recent years at $100 billion annually.
The Partnership is taking a practical approach in Colorado and Washington with an educational PR effort. In July the group hosted a panel discussion in Denver to discuss what pot legalization will mean for kids. Parents have a “critical role to play to ensure that the readily available marijuana in these states do not result in higher levels of use by … their children and young teens,” the group said in August.
For decades, the ad industry has helped wage a war on drugs with commercials created for by Partnership at Drugfree.org and its predecessor group. But with government funding now dried up, young kids are seeing a lot fewer ads like these ten classics we’ve chosen here.
A know-it-all boy has an answer for everything a playground drug pusher peddles in this classic ad believed to be from 1970 and created by Compton.
Millions of Americans are eagerly awaiting April 6, the season premiere of “Game of Thrones.” Sprint thinks it can tap this same sort of mania in its ads.
On Monday evening, the third-place U.S. wireless carrier will unveil two national TV spots introducing a sprawling ensemble of characters, which Sprint hopes will carry on like a riveting TV episodes.
“It’s the golden age of television — broad stories that are told over time. What you really come to is the characters,” said Mark Figliulo, CEO of Figliulo&Partners, which created the new spots. “We’re bringing that to advertising.”
A group of graffiti artists have been enlisted by Depaul UK, the youth homelessness charity, to create street art that tells homeless young peoples’ stories to help them off the streets.
Now that the launch of its A3 sedan — and the accompanying “Stay Uncompromised” marketing campaign — is here, Audi’s ridiculous Super Bowl spot makes a little more sense. “Doberhuaha,” if you might remember, was meant to depict the perils of compromise. I gave it 1.5 stars at the time.
The gag — a plague of Doberman-headed Chihuahuas terrorizing the populace — made little sense, and the CGI was crude. More important, who was accusing Audi of compromise? Or who was Audi accusing of compromise? Why was compromise even a talking point?
Now we know. The A3 is meant to be an entry-level luxury offering, an Audi for under $30K. Is such a concept an oxymoron? Can you do luxury on the cheap?
Marketing has been a hot topic for CEOs of late.
How hot? Leaders of Procter & Gamble Co., L’Oral, Mondelez and General Mills were going so far as to divulge how much of their media outlays go toward digital at the recent Consumer Analyst Group of New York Conference in Florida.
Clorox Co. Chairman-CEO Don Knauss didn’t get so deep into the marketing weeds as others in his CAGNY presentation, but in an interview with Advertising Age beforehand, he said it’s been on his mind.