Brazilian Brands Invade New York With BeBrasil Festival


Brazil is coming to Manhattan this week with a concept space showcasing the country’s lively culture of creativity and innovation. Starting Wednesday, the 10,000-foot former Tommy Hilfiger store in SoHo will be filled with 40 Brazilian brands and services offering a pop-up festival from food to fashion called BeBrasil.

The Brazilian Trade and Promotion Agency, APEX, was inspired by a partnership last year with Macy’s to do a country tribute to Brazil at the department store. APEX worked with Profero, and later signed a deal with the digital agency to develop a strategy to promote Brazil in the U.S., leading to this week’s BeBrasil.

“We wanted to inspire New York and Americans to see Brazil in a more creative, sustainable way,” said Mauricio Borges, president of APEX. “The main goal is to improve our relationship.”

Continue reading at AdAge.com

Leo Burnett Makes Nifty Use of ‘Skip Ad’ to Symbolize Ex-Offender Struggles

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Leo Burnett Change has launched a new campaign for the charity Business in the Community, highlighting the difficulties and discrimination ex-offenders face on the job market for the “Ban the Box” project. “Ban the Box,” is a project “calling on UK employers to remove the default criminal-record disclosure tick box from job application forms.” To call attention to this issue, Leo Burnett Chance took an innovative and thought-provoking approach to express the prejudice faced by ex-offenders on the job market.

The interactive spot “Second Chance” (after the jump), directed by Dougal Wilson, puts the viewer in the position of an employer interviewing an ex-offender. Just after the potential employee reveals that he was released from prison six months ago, the “skip ad” button appears. But this isn’t to skip through the rest of the video. The employee in this case is the ad. Leo Burnett equates the hasty discrimination many employers apply to ex-offenders interviewing for a job with viewers hastily pressing the “skip ad” button to get to their desired content. This is where the video gets interactive. If the viewer presses the “skip ad” button he or she is brought back to the video, this time with a more dejected, less articulate ex-offender. This can go on for several clicks of the “skip ad” button until the job applicant becomes fully dejected and says “I’m sorry that you didn’t want to listen. I hope you can find time in the future to give an ex-offender like me a second chance.” If the viewer does not press the skip ad button, the ex-offender becomes more confident and articulate as the video progresses, eventually expressing gratitude to the viewer for listening to him.

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European adspend falters as rest of world posts increases

Global adspend increased by 2.8 per cent year on year in the first half of 2013. However, the majority of European markets, including the UK, declined, according to figures from Nielsen.

Carat Global appoints BBC’s Sanjay Nazerali as strategy chief

Carat Global has appointed the BBC’ global director of marketing, communications and audiences, Sanjay Nazerali, as chief strategy officer.

Publicis and Omnicom Prep Integration Committee to Steer Mega Merger


Publicis Groupe and Omnicom are both feeling good about their prospects for a merger of the two ad behemoths to be approved by regulators across global markets. And now, the companies are trying to get their ducks in a row to plan just how the two companies will come together.

Maurice Levy, Publicis Groupe’s chairman-CEO — while addressing analysts and press about the company’s third quarter earnings on Wednesday — said that an integration committee will be set up shortly, and co-chaired by Mr. Levy and Omnicom Group’s CEO John Wren.

This task force will be made up of equal numbers of executives from both Omnicom and Publicis. Their job will be to look at all areas of integration and to co-ordinate specific teams to plan ahead and to deal with any issues that arise. The names of the people on the core team — giving a clue as to who will lead the merged group — will be announced at a management meeting of senior execs being held this week at The Four Seasons hotel in Miami. The meeting “Is all about trying to know and understand each other cultures, processes, and assets and starting to build the process for integration,” Mr. Levy said.

Continue reading at AdAge.com

Google Maps ajuda indiano a reencontrar família após 25 anos de separação

Quase que diariamente, pessoas ao redor do mundo usam o Google Maps para localizar um endereço ou para descobrir como ir de um lugar a outro – a pé, de carro ou de transporte público. E isso quebra um galhão. Agora, imagine um cara que, aos cinco anos de idade se perdeu de sua família na Índia, depois de adormecer no vagão de um trem, e acabou se mudando para a Austrália, depois de ser adotado.  Essa é a história de Saroo Brierley, que divide a busca por sua família biológica – e o encontro com eles após 25 anos – em Homeward Bound, novo filme do Google Maps.

A Índia é o sétimo maior país do mundo em extensão territorial – são 3.287.263 km² – e o segundo maior em população, com mais de 1,2 bilhão de habitantes. Estes números poderiam até ter desanimado o jovem Saroo, mas não foi o que aconteceu. A mãe adotiva foi compreensiva o bastante para apoiá-lo desde o primeiro momento, dando a ele um mapa de seu país natal, que foi devidamente pendurado no quarto do menino.

“Eu acordava todas as manhãs e via aquele mapa e, por conta disso, mantive minhas lembranças vivas.”

Saroo tinha flashes de lugares que costumava ir e dos rostos de suas famílias. Um dia, já adulto, ele percebeu que poderia usar o Google Earth para tentar encontrar a região onde morava e, combinando o Google Maps com suas lembranças, traçar o caminho que o trem fez, do lugar onde ele foi encontrado até a casa onde ele nasceu.

No ano passado, um Saroo já crescido e homem feito embarcou na viagem de sua vida, refazendo a rota traçada com o aplicativo. Encontrou sua mãe biológica – que o reconheceu e chamou o restante da família em seguida.

“Tudo que nós temos no mundo está ao toque de um botão, mas é preciso ter a vontade e a determinação para querer isso.”

Apesar de ser fangirl assumida da Apple, eu preciso admitir: ainda bem que Saroo não usou o Apple Maps. Senão, essa história poderia ter tido um final bem diferente.

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JWT NY Makes Handful of Creative, Account Hires

JWTnewIt’s been some time since we’ve covered staffing news at JWT New York, but the agency has now sent word out that it’s welcomed some senior staffers, both in creative and account management. On the creative front, toplining the new hire list is Robert Frost (he must have fun with that), a 13-year ad vet who’s made the rounds in senior creative roles at the likes of Y&R and TBWA Chiat\Day but spent the majority of his career at McCann.

During his last stint at said agency, which lasted six years, Frost served as SVP/GCD on MasterCard among other accounts. Now at JWT, he will served as executive creative director on the Vonage account, which the agency won at the beginning of the year. Along with Frost, JWT NY has also brought on RAPP alum Bryan Gaffin to serve as GCD on its healthcare accounts including Johnson & Johnson and Bristol-Myers Squibb as well as Kimberly Samskin-Barger, former creative lead on AmEx OPEN at Digitas, as a CD.

On the account side, meanwhile, Sherri Chambers, who most recently served as group brand director on Carl’s Jr. and Hardees at 72andSunny, joins JWT NY as global business director a yet-to-be-named “new account.” Hmm.

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Sky signs up for new Nielsen multiplatform ad measurement tool

Nielsen has formally launched its multiplatform ad measurement service in the UK, which allows brands such as BSkyB to measure the combined audience of TV and online campaigns.

Oral-B. The Power of a smile.

Study: Subway’s Advertising Most Effective in Restaurant Space


Looks like Jared and Subway’s Famous Fans have made the chain the most effective advertising brand in the restaurant industry.

That’s according to a new study by restaurant consultant Technomic’s Consumer Brand Metrics, which monitors 120 restaurant brands on more than 60 attributes, 13 of which are related to brand image, brand fit and customer loyalty.

The study, called “Perceptions of Restaurant Advertising: Consumer Assessments of the Leading Chain Brands,” measures chains on three attributes for advertising: “has memorable advertising,” “has advertising I can relate to” and has “advertising that makes me hungry.” In a survey of 78,743 respondents ages 18 and over, conducted from first quarter 2012 to second quarter 2013, consumers were asked to indicate their opinion on a scale of one to five, where one is “strongly disagree” and five is “strongly agree.” Scores were presented on a percent basis.

Continue reading at AdAge.com

john st. Revives ‘Wiserhood’ Campaign, with Covertly Dickish Boyfriend Theme Intact

Back in 2011, john st. unveiled this spot for Corby Distilleries Limited, part of their “Wiserhood” campaign promoting Wiser’s Whisky brand, in which a dickish guy makes a big deal over holding his girlfriend’s purse for a minute. He drops the bag on the ground, potentially damaging the contents within, and uses a plastic bag to pick it up, which he then turns inside out — as if the purse was, in fact, a steaming dog turd. Now john st. has resurrected the somewhat sexist “Wiserhood” campaign with a new spot featuring another boyfriend of the year.

In “Swan Song,” a couple are at the movies when the guy sees a display ad for a new action movie called “Swan Song” that contains the tagline “Death is back for an encore.” When his significant other returns (presumably from the bathroom or something) she asks if he’s picked a movie for them. They look at the movie titles currently showing and the woman says “Hmm…’Swan Song,’ sounds romantic.” The guy enthusiastically agrees, in all likelihood knowing fully well that his significant other is going to utterly hate the movie for the next couple of hours. What a dick.

Here’s my problem with this spot, putting the sexism aside for a moment: Who goes to the movies these days without knowing what they’re going to see? Going to the movies is freaking expensive. Too expensive to go into all willy-nilly “I’ll see whatever” and just walk into a terrible movie. Plus, people tend to know what’s playing from advertising and the Internet. If they don’t know what’s playing, they look it up and pick something out before going to the theater. It’s not 1994. While I understand that this is a short ad, and isn’t all that considered with verisimilitude, this still bothered me. It makes the spot seem like it’s from a different time, which I would guess is not what they were going for. Credits after the jump. continued…

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100 Victorian Steampunk-Inspired Looks – From Steampunk Cover Shoots to Lace-Up Top Hats (TOPLIST)

(TrendHunter.com) This collection of Victorian Steampunk looks range from beautiful and romantic outfits to macabre and twisted accessories. Whether you want to be a Victorian vampire or a survivor of the apocalypse,…

Saatchi & Saatchi hires Allan Stevenson

Saatchi & Saatchi London has bolstered its creative department with the appointment of Allan Stevenson, a former art director from the Chicago agency The Escape Pod.

Global Radio hires CBS Outdoor’s Kate Rutter for insight role

Global Radio, the owner of the Capital and Heart brands, has hired Kate Rutter, currently the head of marketing and business development at CBS Outdoor, as its head of commercial insight.

Penn, Braun Out at MRM NY

tinabraunWell, it looks like folks on the Spy line were on to something with this one as a little digging shows that Tina Braun and Danielle Penn are both no longer with MRM New York. We hear it was the agency that parted ways last week with Braun and Penn, who served as VP/account director and senior integrated project manager, respectively. No word yet on Braun’s next endeavor, but she spent over a decade at McCann Erickson and MRM, moving up the charts from account exec to her most current role, working with brands including USPS and Nestle. Penn, who worked at McGarryBowen as senior digital project manager prior to MRM, has already moved on to the client side, taking on a similar project management role at Prudential. No word yet from MRM on if there are plans to replace, but folks on the Spy line are telling us there may be “more cuts to come.”

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Vintage Industrial Lights – The ‘1950s Shop-Floor Pendant’ is a Beautifully Restored Vintage Light (GALLERY)

(TrendHunter.com) Finding amazing items like this vintage light and restoring them to prime condition is one of the ways design is able to be cyclical. The ‘1950s Shop-Floor Pendant’ light is an…

Omnicom UK’s organic revenue climbs 7.5%

Omnicom, the owner of the BBDO and OMD networks, has reported pre-tax profits of $336.6 million (£210.7 million) in the three months to the end of September, down three per cent year on year, despite the UK reporting 7.5 per cent organic revenue growth.

Flora Pro-Activ ads banned for unjustified claims

Unilever has been banned from running two Flora ads that make unjustified claims about its Pro-Activ spread.

Sadhu in India

Passionné par la photographie depuis son premier voyage à Petra avec l’appareil argentique de son père, Alexis Pazoumian s’est récemment intéressé aux Sâdhus, hommes vivant en Inde qui ont reconcé à la vie en société pour se consacrer à la spiritualité. Des clichés d’une grande beauté à découvrir dans l’article.

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Øvingshotellet: 15 Seconds on Air

‘Øvingshotellet is a rehearsal hotel with 48 fully equipped rooms of different sizes in the middle of Oslo. 15 seconds on air is a project aimed at putting Øvingshotellet and the people who rehearse there in the spotlight. The idea: Jingles for øvingshotellet performed by bands that need to practice. Any genre, any skill level any instrument. The result is an ongoing campaign taken over by the bands themselves. Both on air and online promoting the name and personality of øvingshotellet and last but not least: getting their 15 seconds on air.’

URL: www.15secondsonair.com

Advertising Agency: Saatchi & Saatchi, Oslo, Norway
Creative Director: Oyvind Waage, Eiliv Gunleiksrud
Art Director: Snorre Martinsen
Copywriter: Oyvind Waage
Illustrator: Linus Hjellstrom
Programming: Almir Busevac
VFX and Photography, Joe Langdon
Agency Producer, Haakon Fretheim
Sound Production, BådeOg Radiobyrå
Intern Copywriter, Mats Onsum – Westerdals
Intern Art Director, Kristoffer Damskau – Westerdals
Intern Art Director, Anna Berg Gjendem – Berghs