How Ad Agencies Do Less With More

Robin Williams once said cocaine was God’s way of saying you make too much money. Something tells me he’d say the same about ad agencies’ current fascination with turning even the smallest task into a gigantic group project.

You’d think in these days of tight budgets, rapidly changing media and constant connectivity, agencies would not only be doing things faster but with fewer people. Especially after all the crazy mergers, consolidation and downsizing. Sadly though, in today’s ad world there’s just no project too small to involve way too many people.

concentrate write it down

Notice I used the word involve. That’s important because the number of people actually doing the work hasn’t really changed. Just the number of people involved. For example, if we were talking about a crew of city utility workers, these would be the six guys standing around the edge of the hole doing nothing but watching the two guys who are actually down in the hole digging. (And if they were agency-types, they’d be constantly emailing the poor saps while they dug.)

Naturally, these peripheral peeps insist their Too-Many-Meetings process be given a new name, so as to sound less stupid and more innovative I guess. Scrum seems to be the latest moniker they’ve latched onto, a surprisingly apt descriptor given the way workplace overthink can invade your personal space. As buzzwords go, scrum may soon prove to be the next crowdsourcing. And no wonder, considering it has a much better ring to it than the other name they were considering, Opening The Oven Door Every Other Minute To See If The Cookies Are Done.

I may be getting out of my element here, but I always thought one of the easiest ways for an agency to make money was to do more with less. Considering that people are an agency’s greatest expense, the fewer people you pay per task, the more money you have left over, no? Especially if your revenue comes from a fixed monthly fee.

Yet it seems like the goal in most agencies today is to require more people than ever to hold as many meetings as possible to accomplish what could just as easily happen in about half the time with 1/3 of the manpower. (With that 1/3 feeling much happier and vital and empowered and other stuff the Human Resources Dept. says we should care about along the way, too.)

Of course, I can hear the scrum-mers now: It’s all about collaboration! The wisdom of the crowd! The hive! Great ideas can come from anywhere, etc, etc.

Fine, great ideas are everywhere. So is gold and oil technically, but it doesn’t take a genius to realize we’re not all equally adept at finding it. And sure, collaboration is important, but at a certain point we’re simply getting in each others’ way.

So what say we all pick up our Scrum Participation Trophies then go back to our desks and spend some of this precious meeting time actually thinking instead?

Who knows, maybe some of us will actually get some work done.

(Thanks to Brian Morrissey @bmorrissey for pointing out the rise of scrum. So many buzzwords, so little time.)

The post How Ad Agencies Do Less With More appeared first on AdPulp.

Hovis Best of Both: Better, 3

Now tastes even better.

Creative agency: JWT, London, UK
Executive Creative Director / Creative Director: Russell Ramsey
Creatives: Claudia Southgate, Verity Fenner
Art Buyer: Sue Clifford
Planner: Lola Finney
Account Director: Adrian Ash
Media agency: Starcom
Media planner: Ben Dalton
Photographer: Kelvin Murray
Illustrator: Alison Carmichael

Hovis Best of Both: Better, 2

Now tastes even better.

Creative agency: JWT, London, UK
Executive Creative Director / Creative Director: Russell Ramsey
Creatives: Claudia Southgate, Verity Fenner
Art Buyer: Sue Clifford
Planner: Lola Finney
Account Director: Adrian Ash
Media agency: Starcom
Media planner: Ben Dalton
Photographer: Kelvin Murray
Illustrator: Alison Carmichael

Hovis Best of Both: Better, 1

Now tastes even better.

Creative agency: JWT, London, UK
Executive Creative Director / Creative Director: Russell Ramsey
Creatives: Claudia Southgate, Verity Fenner
Art Buyer: Sue Clifford
Planner: Lola Finney
Account Director: Adrian Ash
Media agency: Starcom
Media planner: Ben Dalton
Photographer: Kelvin Murray
Illustrator: Alison Carmichael

McDonald’s Names Atif Rafiq Its First Chief Digital Officer


McDonald’s has named Amazon and Yahoo veteran Atif Rafiq its first chief digital officer.

In the newly created role, Mr. Rafiq will lead McDonald’s global digital strategy focusing on future growth in e-commerce, modernizing the restaurant experience and engaging with consumers across the digital landscape. Rafiq will report to Chief Brand Officer Steve Easterbrook, who rejoined McDonald’s in April. Mr. Easterbrook was global chief brand officer for a brief stint in 2010, before becoming president of McDonald’s European division; he left McDonald’s in 2011.

“Consumers visit and interact with our brand in multiple ways — and digital continues to grow increasingly important to them,” said Mr. Easterbrook in a statement. “Atif will lead a more coordinated and comprehensive digital strategy for our global organization as we deepen our connection with our customers. His cutting-edge thinking, background and expertise will help us drive even greater innovation in this arena.”

Continue reading at AdAge.com

NABS: Vintage Intern Auction, 3

Advertising Agency: Zulu Alpha Kilo, Canada
Executive Creative Dircetor: Ron Smrczek
Art Director / Designer: Grant Cleland
Copywriters: Nick Asik, George Ault
Agency Producer: Bette Minott
Print Manager Kari Macknight Dearborn
Account Manager: Nevena Djordjevic
Production Company: Partners Film
Director: Neil Tardio
Executive Producer / Producer: Gigi Realini
Producer: Sandy Kelly
Director of Photography: Jonny Cliff
Editorial:Panic & Bob
Editor: Daneil Reis
Executive Producer: Sam McLaren
Music and Sound Design: Pirate Toronto
Audio Director: Chris Tait
Producer: Taissa Callaghan

NABS: Vintage Intern Auction, 2

Advertising Agency: Zulu Alpha Kilo, Canada
Executive Creative Dircetor: Ron Smrczek
Art Director / Designer: Grant Cleland
Copywriters: Nick Asik, George Ault
Agency Producer: Bette Minott
Print Manager Kari Macknight Dearborn
Account Manager: Nevena Djordjevic
Production Company: Partners Film
Director: Neil Tardio
Executive Producer / Producer: Gigi Realini
Producer: Sandy Kelly
Director of Photography: Jonny Cliff
Editorial:Panic & Bob
Editor: Daneil Reis
Executive Producer: Sam McLaren
Music and Sound Design: Pirate Toronto
Audio Director: Chris Tait
Producer: Taissa Callaghan

NABS: Vintage Intern Auction, 1

Advertising Agency: Zulu Alpha Kilo, Canada
Executive Creative Dircetor: Ron Smrczek
Art Director / Designer: Grant Cleland
Copywriters: Nick Asik, George Ault
Agency Producer: Bette Minott
Print Manager Kari Macknight Dearborn
Account Manager: Nevena Djordjevic
Production Company: Partners Film
Director: Neil Tardio
Executive Producer / Producer: Gigi Realini
Producer: Sandy Kelly
Director of Photography: Jonny Cliff
Editorial:Panic & Bob
Editor: Daneil Reis
Executive Producer: Sam McLaren
Music and Sound Design: Pirate Toronto
Audio Director: Chris Tait
Producer: Taissa Callaghan

NABS: Vintage Intern Auction

Advertising Agency: Zulu Alpha Kilo, Canada
Executive Creative Dircetor: Ron Smrczek
Art Director / Designer: Grant Cleland
Copywriters: Nick Asik, George Ault
Agency Producer: Bette Minott
Print Manager Kari Macknight Dearborn
Account Manager: Nevena Djordjevic
Production Company: Partners Film
Director: Neil Tardio
Executive Producer / Producer: Gigi Realini
Producer: Sandy Kelly
Director of Photography: Jonny Cliff
Editorial:Panic & Bob
Editor: Daneil Reis
Executive Producer: Sam McLaren
Music and Sound Design: Pirate Toronto
Audio Director: Chris Tait
Producer: Taissa Callaghan

Geox Makes It Rain In Barcelona To Test Waterproof Shoes


Last year, Geox promoted its waterproof Amphibiox shoes with a digital experience set in the “rainiest place on the planet” — Cherrapunjee in Northern India.

That project won a Gold Lion at Cannes, and as a follow up, the brand and its agency, Norway-based SMFB, decided to test the shoes in an urban environment. The chosen city was Barcelona, and because the city isn’t known for its wet weather, Geox and SMFB created an artificial rain cloud.

Working with production company MediaMonks, the brand followed Tom, its test subject, as he traversed the city under his own private rain cloud, creating relentless rain and constant humidity in the middle of a sunny city. Each rainy day was laid out to replicate common urban activities; spending a day as a tourist, working at a day job, and going on a date. Three different artificial clouds were used while a “shoe cam” captured the shoes with slow-motion macro Phantom shots, demonstrating that they managed to stay dry throughout the week.

Continue reading at AdAge.com

Five Things I Learned During Advertising Week 2013


About 90,000 people gathered in New York City this past week for Advertising Week. You may not have even noticed the extra thousands of people in the middle of the always-busy Times Square, but for those of us in the advertising industry, the event was hard to avoid.

Those looking for the latest trends or cutting edge innovations likely reflected over the weekend that our primary focus and “reason for being” as an industry hasn’t changed all that much, despite the insanely rapid changes in technology and consumer behavior. At the end of the day, marketers want to make sure they are focusing on the customer, getting the right message to the right person at the right time, and driving growth.

Here are some of my key observations from Advertising Week as a speaker and attendee.

Continue reading at AdAge.com

Goose – Your Ways

Le français Thomas Rhazi a réalisé ce superbe clip pour illustrer le morceau ‘Your Ways’ de Goose. Produite par Wanda, cette vidéo envoutante nous dévoile avec des images en noir et blanc les tourments d’une jeune femme perdue dans un monde froid et oppressant. Plus d’images et la vidéo dans la suite de l’article.

Goose - Your Ways6
Goose - Your Ways5
Goose - Your Ways4
Goose - Your Ways3
Goose - Your Ways7
Goose - Your Ways1
Goose - Your Ways8

The Ten New Fall TV Shows with the Most Word-of-Mouth Buzz Right Now


Given that we’re in the thick of a fall TV premiere season, you might expect that we’d serve up some stats on how the new shows are doing in social media, as we’ve done in previous years. But a funny thing happened on the way to this moment in the so-called social-TV sector: consolidation, and lots of it, with Ad Age’s former editorial partners, Bluefin Labs and Trendrr, both getting acquired by Twitter.

Both companies had contracts with brands, agencies and networks, and also generated data for Ad Age. Twitter bought them to build out its analytic technologies and to help it get some of that sweet, sweet Big TV advertising money. So Bluefin has been winding down its contracts to supply social-media data to clients, and now Trendrr is too (in fact, Trendrr just shut down its public Trendrr.tv charts yesterday).

SocialGuide, which was acquired by Nielsen last year, releases a weekly top 10 list of the most social TV programs, but a spokesperson declined Ad Age’s request for social-buzz data on TV’s new series. It’s worth noting that all the shows in SocialGuide’s most recent chart, which covers Sept. 23-29, are well-established shows, from “Breaking Bad” at No. 1 to “Once Upon a Time” (not to be confused with that show’s upcoming spin-off, “Once Upon a Time in Wonderland”) at No. 10.

Continue reading at AdAge.com

Man Who Supposedly Lived in the Astor Place Cube Is Just an Ad for Something

Surprise. That video about a guy living inside the giant metal cube at Astor Place was a marketing stunt all along. And by surprise, we mean, of course, duh. No New Yorker could live in that thing—it's way too big.

Still, a couple of bloggers got suckered into writing about the documentary-style spot as though it might be true. Maybe if they'd been real journalists they would have viewed it with more skepticism. Just kidding. Real journalists are super gullible, too.

Other, rational people, meanwhile, instantly recognized the clip—which features a writer supposedly crammed into a DIY hipster's version of a collapsible Ikea home—as an ad. For what? Nothing you've ever heard of: Whil, which is a free, anti-technology meditation technique created by the founders of Lululemon Athletica. Now you've heard of it, so we guess the spot, created by the viral ad pranksters at Thinkmodo, worked.

The video itself is kind of charming. The 60-second meditation technique, meant to be quick and easy for anyone to practice, also sounds nice. But really … who has the time for that?


    

Seven Clever Musical Marketing Stunts


Advertisers’ quest to get attention for their products is reaching some new hair-raising dimensions– quite literally, as you’ll see from the list we’ve compiled below.

Knowing that audio is a great medium to connect with consumers, marketers these days are transforming even the most mundane goods into music. Among the many stunts marketers have conceived to promote their brands are these amazing transformations that turn their wares into instruments. Here are seven that struck a chord with us.

Kickin’ Kicks

Continue reading at AdAge.com

Interlude lança ferramenta para construção de vídeo interativo

Acostumado com intensa interatividade, imersão em universos e construção de seu próprio labirinto, o usuário hoje espera ter uma maior participação em qualquer coisa que consume. Frutos destes pensamentos convergentes e não-lineares gerados a partir do caráter líquido do ambiente em que vivemos, vídeos que permitem interações e intervenções já não são mais novidade.

O usuário quer tomar decisões, o que exige novos caminhos para se conseguir realizar processos de comunicação.

Foi baseado neste princípio que a startup Interlude, de Israel, foi fundada em 2009. Com metodologia e tecnologias próprias, a empresa já coleciona alguns prêmios em filmes, videoclipes e campanhas audiovisuais inovadoras. Suas entregas? Vídeos com elementos interativos que permitem que o usuário transforme a narrativa apresentada em não-linear, escolhendo sua própria direção a partir de indicações e gráficos na tela.

Apesar de tais funções e características não serem incomuns em projetos lançados hoje, visto a necessidade de criar constantes links e respostas com o público, a vantagem da Interlude está no serviço que ela passou a oferecer estes dias: Treehouse.

interlude-treehouse-2

Frames do vídeo “Sound Of Energy”, para Shell

Para criativos, artistas, agências e demais entusiastas que queiram arriscar um vídeo interativo, não é preciso mais se submeter aos links simplistas que o Youtube permite, nem envolver programadores ou se aventurar com softwares livres como Processing ou Isadora.

O vídeo interativo passa a ser mais uma fonte para criar experiências e entender o que motiva o usuário e como ele interage.

Com a ferramenta online disponibilizada pela empresa, qualquer usuário pode criar histórias baseadas em uma estrutura fluída como a de video games, inovar no design de interface e de interação, embedar o vídeo em qualquer ambiente online e acompanhar as métricas de visualizações, cliques e engajamento em um dashboard exclusivo.

O processo é bastante interessante não apenas para explorar novas experiências de interação e imersão, mas também para aprender com a sua construção. Aqui, o roteiro precisa ser pensando em regras, totalmente multimídia, devendo sustentar um universo de possibilidades para que, de fato, o usuário queira interagir. Do contrário, os gráficos e botões serão enfeites, e o vídeo rodará como todos os outros, sem que o usuário deixe sua marca e construa qualquer caminho. Ou seja, sem engajamento.

 

Brainstorm9Post originalmente publicado no Brainstorm #9
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Reuters Plans to Lay Off 5% of Newsroom Staff

The cuts, expected to affect about 150 employees, follows an announcement last month that the company would scrap plans to expand into consumer news.

    



Affectionately Romantic Pillow Cases – These His and Her Pillows are a Romantic Way to Decorate

(TrendHunter.com) Lots of couples enjoy the His and Her trends from coffee mugs to towels, and now they can continue the trend with the Love Birds pillowcase. Designed by Xentotees, this pillow set features a simple…

Why the Big Freak-Out Over That 31-Second Flaming-Tesla Video Is Dumb


As viral videos go, this 31-second clip packs a lot of firepower or heat or [insert your own pun here]. Posted by YouTube user Aj Gill on Tuesday with the title “Tesla car on fire” and a description reading “tesla car on fire off ramp on 2167 willies t. exit in kent, wa.,” the video has gone viral, earning more than 400,000 views as of this writing — and contributing to a stock dive for electric-car company Tesla.

Yesterday, as the video took off — Gawker Media’s Jalopnik blog helped popularize it — Tesla stock lost $12.05 in value to close at $180.95. Today, TSLA has continued its descent.

Keep in mind, though, that yesterday morning R.W. Baird analyst Ben Kallo downgraded his rating on Tesla’s white-hot (until now) stock to “neutral” from “outperform” — a move unrelated to the flaming-Tesla video. His target price for TSLA: $187 — which means that you can now arguably regard TSLA as a bargain, given where it’s trading today. (UPDATE: As of 1:21 p.m. ET, TSLA is in the $171-172 range.)

Continue reading at AdAge.com

Novel by Michael Hastings to Be Published Posthumously

The journalist and author, who died in a car crash in June, had been working on a novel based on his own life, which will be released next summer.