Syfy Erects Pop-Up Hotel at SXSW

syfy_hotel_%20interior.jpg

As we wander around Austin during SXSW we love to spot unique marketing stunts brands activate. One such stunt comes to us courtesy of Syfy Channel. Reacting (in a way) to the lack of housing available during SXSW, the cable channel erected a pop-up hotel. Constructed out of containers (those big ones you see on ships and behind 18 wheelers), the “hotel rooms” were decked out in as posh-like a manner as is possible with, well, a metal container.

Located on San Jacinto and 4th Street, the pop-up hotel was called Defiance Cntainer Village and was created to promote the channel’s upcoming futuristic drama Defiance debuting April 15. It’s the first time Syfy has had a presence at SXSW.

The hotel, which did not charge guests to stay, included blogger Curt Johnson, Defiance actor Jessie Rath and Forbes’ Jeff Bercovici. Rooms were not available until around March 10, at which time SXSW had already began and most people would have already found a place to stay. So it wasn’t exactly a solution to the housing crunch but, hey, it’s just a marketing stunt after all so we won’t hold it against them.

SPCA Malaysia: Cat

There’s more play in a pet.

Advertising Agency: M&C Saatchi, Kuala Lumpur, Malaysia
Executive Creative Director: Henry Yap
Art Directors: James Seet, Kin Leong
Copywriter: Neil Leslie
Photographer: Loh / Image Rom
Account Servicing: Diyana Abbas
Published: March 2011

SPCA Malaysia: Dog

There’s more play in a pet.

Advertising Agency: M&C Saatchi, Kuala Lumpur, Malaysia
Executive Creative Director: Henry Yap
Art Directors: James Seet, Kin Leong
Copywriter: Neil Leslie
Photographer: Loh / Image Rom
Account Servicing: Diyana Abbas
Published: March 2011

Surreal Pop Culture Portraits – Casey Weldon Turns Character Icons Into Surreal Pop Culture Art (GALLERY)

(TrendHunter.com) Casey Wheldon turns beloved film and television into intriguing and witty drawings with his surreal pop culture art.

It might be difficult to decipher some of his references as he sometimes picks…

How SwiftKey Gets Millions of Android Users to Buy Something None of Them Need


No Android users need SwiftKey. In fact, SwiftKey, an alternative keyboard system for Android-based smartphones, seems like one of the least-necessary apps in the Android ecosystem.

After all, every smartphone comes with a keyboard and at least some rudimentary language technology. Yet Swiftkey–a smartphone keyboard that adapts to how users write and predicts what they want to say–is the top ranked paid app in Google Play and is also licensed by top-tier phone makers, including BlackBerry.

At SXSW this past weekend, I caught up with SwiftKey CMO Joe Braidwood in the Austin Hilton lobby to find out what if any traditional marketing the tech company does to get Android users to pony up $3.99 for a better smartphone keyboard. Answer: not much. In fact, his trip to SXSW cost more than any media buy he’s made — and is more effective.

Continue reading at AdAge.com

We’ll Do it Live…SXSWi Style: Come Join Us for a Google+ Hangout Chat at 4EST

As we mentioned yesterday via Twitter, we’re doing a Google+ Hangout chat that’s essentially a post-game analysis of SXSWi. Instead of my usual chatter, we’ll pick the brains of the likes of Craig Elimeliah, VP, director of technology at RAPP, and creative technology director, Alexander Rea, who’s worked with the likes of Vitro and Anomaly, to get their thoughts from this year’s event. Watch as it unfolds below.

New Career Opportunities Daily: The best jobs in media.

How the New Facebook News Feed Changes Your Content Strategy

how-the-new-facebook-news-feed-changes-your-content-strategy-hubspot.png

Working tirelessly through the night following yesterday’s Facebook announcement about its new News Feed, two diligent HubSpotters, Anum Hussain and Brittany Leaning, have published a new report, How Facebook’s New News Feed Changes Your Content Strategy. The 35 page (don’t worry, there’s lots of pictures) report that aims to educate marketers on how they need to approach content creation for Facebook’s redesigned news feed.

Download the report now and learn how these changes will affect your Facenbook marketing.

Media Decoder Blog: The Breakfast Meeting: Regulating Mexico’s Telecom Industry and Fox’s Push for College Sports

Mexican politicians introduced legislation to regulate telecom giants, Fox Sports 1 has accumulated the broadcast rights for many college conferences and Lisa Pulitzer has cornered the literary marketplace for memoirs of escaped cultists.

SXSW Stereotypes As Represented by Cats

sxswcats_bigdatacruncher.jpg

What would SXSW be without a cat meme to accompany it? Thanks to Traction, we have one. Or at least a stereotypical representation of SXSW themes represented by cats. We have Big Data Cruncher, I Can Haz Mowr BBQ, Inappropriately Hot Booth Babe, The Futurist Keynoter and more. Check them all out here.

sxswcats_futurist.jpg

sxswcats_boothbabe.jpg

sxswcats_bbq.jpg

Swiss Mobiliar: Risk, 3

Some things others do better. When it comes to risk insurance, we’re the experts.

Advertising Agency: KOMET, Switzerland
Creative Director: Thom Pfister
Copywriters: Antonia Bekiaris, Christoph Albrecht
Art Directors: Joël Weber, Roland Zenger
Photographer: Maurice Haas
Graphic Designer: Natalia Funariu
Advisory Service: Suzanne Scherer, Simon Schatzmann, Emma Isolini

Swiss Mobiliar: Risk, 2

Some things others do better. When it comes to risk insurance, we’re the experts.

Advertising Agency: KOMET, Switzerland
Creative Director: Thom Pfister
Copywriters: Antonia Bekiaris, Christoph Albrecht
Art Directors: Joël Weber, Roland Zenger
Photographer: Maurice Haas
Graphic Designer: Natalia Funariu
Advisory Service: Suzanne Scherer, Simon Schatzmann, Emma Isolini

Swiss Mobiliar: Risk, 1

Some things others do better. When it comes to risk insurance, we’re the experts.

Advertising Agency: KOMET, Switzerland
Creative Director: Thom Pfister
Copywriters: Antonia Bekiaris, Christoph Albrecht
Art Directors: Joël Weber, Roland Zenger
Photographer: Maurice Haas
Graphic Designer: Natalia Funariu
Advisory Service: Suzanne Scherer, Simon Schatzmann, Emma Isolini

Brothers and Sisters wins £5m Center Parcs account

Center Parcs has appointed Brothers and Sisters to handle its £5m advertising account.

Brothers & Sisters wins £5m Center Parcs account

Center Parcs has appointed Brothers & Sisters to handle its £5m advertising account.

Brothers & Sisters wins Center Parcs £5m ad account

Center Parcs has appointed Brothers & Sisters to handle its £5m advertising account.

Media Agency Leaders Clash at 4A’s Industry Confab

An on-stage conversation among the half-dozen heads of the biggest media agency groups on Tuesday became the most confrontational panel yet at the 4A’s Transformation conference in New Orleans.

Moderator David Verklin of Calera Capital kicked off his probing with a pointed question about the trading desks where agencies increasingly buy digital media. Some agencies arbitrage that inventory, applying their own data and insights to the media they’ve secured and then charging clients a higher price than they paid. “If you agree that clients’ business comes first, where do you stand on transparency?” Mr. Verklin asked Group M Chairman-CEO Irwin Gotleib. “How can trading desks be fair to your clients?”

Mr. Gotlieb, who has been an advocate of arbitrage in digital trading, said: “We have to be transparent with the client on what the business model is and we have to execute that way. But it doesn’t say in Genesis that everything we do has to be on a fully disclosed basis to clients. We have to make massive investments in the business and those don’t lend themselves to overhead charges of 200-300%.”

Continue reading at AdAge.com

Media Agency Leaders Clash at 4As Industry Confab

An on-stage conversation among the half-dozen heads of the biggest media agency groups on Tuesday became the most confrontational panel yet at the 4As Transformation conference in New Orleans.

Moderator David Verklin of Calera Capital kicked off his probing with a pointed question about the trading desks where agencies increasingly buy digital media. Some agencies arbitrage that inventory, applying their own data and insights to the media they’ve secured and then charging clients a higher price than they paid. “If you agree that clients’ business comes first, where do you stand on transparency?” Mr. Verklin asked Group M Chairman-CEO Irwin Gotleib. “How can trading desks be fair to your clients?”

Mr. Gotlieb, who has been an advocate of arbitrage in digital trading, said: “We have to be transparent with the client on what the business model is and we have to execute that way. But it doesn’t say in Genesis that everything we do has to be on a fully disclosed basis to clients. We have to make massive investments in the business and those don’t lend themselves to overhead charges of 200-300%.”

Continue reading at AdAge.com

Hey Ad Man, What Business Are You In? #Rhetorical

I don’t know if ad grunts are any more likely to complain about work than any other profession, but I do know we find plenty to complain about: unreasonable timelines and budgets, long hours, okay pay, testy clients and account directors, unnecessary attitudes from the creative department, mindless focus on the minutia, and so on.

But all that is the glass half-empty view of the agency business. For the glass half-full version we turn to former CEO of Leo Burnett Singapore, John Kyriakou.

Writing for Campaign Asia-Pacific says, Kyriakou extolls our virtues, while challenging us to reach higher.

I still hear people say ‘we’re in the ad business’. At some point we need to realise that the success of our business is entirely based on the success of our clients’ business. Entirely.

If we at least begin to accept that, then we should be developing ideas, not just ads, that help strengthen the spreadsheets of our clients. We need to become, you guessed it, thinkers and innovators.

Businesses need to be more creative now than ever, not more conservative. They need new ways to stimulate people, whether it be through product development, packaging innovation, new distribution channels. People do not need more of the same, they need difference in their lives. Agencies have everything at their disposal to supply it.

It’s funny, I was in the “ad making” business for awhile, and it was a me-centered universe. What mattered was selling the best creative, regardless of what the client thought of it, or if it actually might work in the marketplace. Because those things didn’t matter. What mattered was a better book for me, so I could get a better job and more pay. If my clients and their customers were also happy, all the better.

Thankfully, I managed to grow up and get past this limited POV, but I am well aware that the conditions which created it remain in place. We are human beings and we like to follow formulas. Even the best agencies follow formulas. Take W+K. It might be a stretch to say their work is suffering, but I will say it is increasingly formulaic. And there’s a reason for it, which has everything to do with following formulas.

The formula W+K and other elite agencies use looks like this: Hire only the people we know, or know of, people with strikingly similar books and backgrounds, and keep them busy doing what the agency is best at — delivering TV campaigns.

Why do you think digital is such a challenge for W+K and other leading traditional shops? Digital is outside the formula. So, right now a new digitally-enhanced formula is being made, which will theoretically create new digital hits. Yet, for digital to jump the direct marketing shark and emerge as a brand building platform, we need radical disruption, not another formula.

The post Hey Ad Man, What Business Are You In? #Rhetorical appeared first on AdPulp.

Adidas: Better Together, #mygirls in Brazil

Advertising Agency: TBWA\Chiat\Day, USA
Chief Creative Officer: John Norman
Global Group Creative Director: Brent Anderson
Creative Director: Linda Knight
Art Director: Hillary Coe
Copywriters: Linda Knight, Richard Beesening
Executive Producer: Mila Davis
Assistant Producer: Micah Kawaguchi-Ailetcher
Managing Director: Nick Drake
Global Account Director: Caroline Britt
Account Supervisor: Catherine Fishback
Group Planning Director: Scott MacMaster
Planner: Rebecca Harris
Jr. Planner: Katie Acosta
Director of Business Affairs: Linda Daubson
Senior Business Affairs Manager: Lisa Lipman

Adidas: Better Together, #mygirls in Nigeria

Advertising Agency: TBWA\Chiat\Day, USA
Chief Creative Officer: John Norman
Global Group Creative Director: Brent Anderson
Creative Director: Linda Knight
Art Director: Hillary Coe
Copywriters: Linda Knight, Richard Beesening
Executive Producer: Mila Davis
Assistant Producer: Micah Kawaguchi-Ailetcher
Managing Director: Nick Drake
Global Account Director: Caroline Britt
Account Supervisor: Catherine Fishback
Group Planning Director: Scott MacMaster
Planner: Rebecca Harris
Jr. Planner: Katie Acosta
Director of Business Affairs: Linda Daubson
Senior Business Affairs Manager: Lisa Lipman