Leo Burnett Settles with U.S. Army in Whistleblower Suit

cash.jpg

Leo Burnett Chicago is going to paying the U.S. Army a whopping $15.5 million as settlement for a lawsuit alleging that the agency over-billed the Army.

The announcement came via the Justice Department, and an accompanying article on Chicago Breaking News that states, “The allegations surrounded Burnett’s work on its “Army of One” recruiting campaign. The suit charged that Burnett unfairly increased its profit by billing for services of its own units as if they were independent contractors and inflating subcontractors’ hourly rates.”

Oh damn! Mothas were raising their rates thinking they could go all Halliburton but then the Army was like, “no way, bitch” and that was that. LB settled because to, “to avoid the expense and uncertainty of litigation.” You mean, they settled because they knew they had been caught red handed. Two staffers apparently blew the whistle on the agency in the first place. According to a press release those two employees, now removed VP Greg Hamilton and controller, Michelle Casey, will be taking home almost $3M of that settlement money.

Right now you’re thinking – “I should blow the whistle on my agency. I could be set for life.” Something to consider as you head home today, no?

More: Watchyaback Bitches: The SEC Makes IPG/McCann Pay Up

Comments (View)

New Career Opportunities Daily: The best jobs in media

Photo Retouching

Des superbes exemples de photographies retouchées par l’agence Saddington and Baynes : des créations d’images depuis 1991 et un studio de post-production spécialisé et complet pour le print, la vidéo et le web-design.

Square Pegs: Innovating Advertising Agency Hiring Practices In A Recession

sqaurepegs.jpg

Physics will tell you that all these lay-offed bodies have to go somewhere and right now, they are flooding the market with their talent and it’s not the rinky-dink kind either. Hiring managers should be psyched. It’s an employers market, which means that now is the time for innovation in staffing. There have long been complaints about how hiring practices at agencies from staffers. Meanwhile, hiring managers often highlight that their pool of selection is limited. To quote from Dan Goldgeier’s editorial about HR execs: “Maybe you’re not looking in the right places or doing what it takes to recruit them. Or you’re not evaluating skills, resumes or talent properly. Or you don’t know how to find the right place for someone you can’t automatically peg.”

It’s this latter point we’re going to address today. Everyone talks about the ad business needing some serious innovation, but we stand by and watch as specialty firms and tech start-ups steal dollars. Yet, we consistently shun those people who don’t seamlessly fall into our antiquated niches. The very people who may help the industry “think differently.” Agencies need to consider the future of culture, the internet, television, mobile and gaming. It’s time we started being creative leaders and futurists for real. In order to do that, we have to break the assigned roles that CEOs, ECDs and HR Directors live by.

In today’s world, their are slew of people who have a variety of experience that blurs the lines of job titles. Everyone knows an ex-cool hunter who has also launched an amazing Faceboook application with friends, has a video show, used to run a zine and does a bit of copywriting on the side. So, what is this person? An HR manager may throw their hands up. He’s not a planner, but he’s got an eye for consumer behavior. He’s not a creative director by definition. He’s neither on the account side nor the creative end. So, where do you put him? Traditionally? Nowhere. He’s regulated to either being a hired gun on projects or forced into a limited role within an agency, when clearly he can input across a variety of disciplines.

And this is where many, many people get fed up with advertising and exit stage left. Even with folks getting the axe, Agency Spy has received frustrated emails from creative types. One reader wrote: “I have a lot of account management experience on my CV, but also spend time creating web tools for friends who have start-ups. When I lost my job, I wanted to move into creative programing for agencies rather than continue writing. One HR type said she wished she could hire me, but there was no position for me in the agency since they didn’t do that. Shouldn’t all agencies be interested in developing their own proprietary systems that they can sell to the clients? I’m going to the tech side. See ya”

We want fresh bodies in the system, right? We want to keep high level talent, no? The plug and play method is no longer working. Yet, it keeps getting enforced even at mid-sized and smaller shops. The way we slot bodies into old roles is hurting the industry’s ability innovate and grow the business, as well as keep up with the fast paced movements in culture. This is one reason why any agency who even remotely looks like its staffing or billing practices is off the beaten path grabs press lines and blog mentions. We all get excited that maybe – the game has changed. But often, it hasn’t.

For example, one only needs look at the media buying firms that are just getting around to creating systems through which clients can buy online media. Or, take a look at how late we were late to the game of social media, blogging, ARGs. Yes, some digital shops do a great job of churning out new applications and tech for clients, but it’s a minority. Why can’t advertising develop software for clients? Why can’t we generate exciting off beat games and tools for established properties? Why can’t we do operate our own Google Creative Labs? Agencies keep complaining about limited revenue streams. So why aren’t we all going big or going home?

We are telling clients not to cut budgets, not to stop developing products and investing in their business just because the recession is on. Maybe we need to listen to our own wise words. Now is the time for agencies to gather some odd ball troops to truly create some mind blowing work. Use these think tanks to poach clients, to keep the ones you have or to build systems that have monetary value outside of your current roster. Maybe you pay them a small wage and then a percentage of the wins. Maybe you pay them in IP. Maybe you pay them like a regular employee. Depends on the size of your shop and its revenue, but it can be worked out. In this market, you’ve got talent sitting around and unknown talent begging to be let in. Why not give them six months to see what they can do? If you set it up right, you won’t be losing a thing and the potential gain could be awesome. Give it a go. Give it a go.

More: David Eastman Gets An Even Bigger Gig For Some Reason

Comments (View)

New Career Opportunities Daily: The best jobs in media

The truth about pollution with the energy efficient light bulb by WWF

WWF is back online for the good cause with a brilliant film to answer the question:
How many resources and pollutants does it take to make a light bulb?
“Light Bulb” follows the production and shipping process of an energy efficient light bulb.
The spot was shot over three days utilizing […]

Trust Me. It’s A Modern Day Mad Men. Seriously.

trust_me_tnt.jpg

Written by actual creatives, Hunt Baldwin and John Coveny, TNT’s Trust Me will, one hopes, bring life to the tired scenario of family man working with single slacker.

The Ads That Most Angered Aussies

Australia's ad regulators have released a list of the ads that brought in the most consumer complaints in 2008. At its top was a spot from the tampon brand Kotex that featured an snimated beaver.

Recession? What Recession?

receipt.jpg

Well, at least someone on Madison Ave. has got some ching in the bank. Apparently, this was found on the street. Stop tossing crap on the ground, you rich jackass!

Via ImNotBoredAnymore

Comments (View)

New Career Opportunities Daily: The best jobs in media

Will You Watch TNTs Ad-Drama, Trust Me?

In the video to your left, two cast members from TNT’s upcoming show, ‘Trust Me’ give a tour of the faux agency (Rothman, Greene & Moore in Chicago) that acts as they central scene point in the program. Set to air January 26, we thought taking a look at this behind-the-scenes video would give us a better idea of whether or not we should watch.

Generally speaking, Rothman, Greene & Moore ain’t no JWT NY, but as tour guide/cast member Geoffrey Arend

Trust Me is no MadMen, but we’re confident that since the creators at least got the vibe down, it’ll be worth a watch. Just look at the flannel shirt Arend is wearing &#151 right now at this very moment no less than half of the advertising world that’s under 30 is wearing a flannel shirt, so that’s pretty spot on of Arend.

And in case you’re not sure who’s in this thing, you’ve got Will (Eric McCormack) from Will and Grace and Ed (Tom Cavanagh) from…Ed.

What we didn’t hear about was whether or not the part of a mysterious anonymous blogger would be written in, or that of a cantankerous old adman whose role is to slam the very industry that pays for his bread and whiskey. Here’s hoping. God help us ’em the mainstream trades make an appearance &#151 then we’ll know without a doubt that the show is a dud.

More:MadMen Opening Eerily Representative of State of Industry

Comments (View)

New Career Opportunities Daily: The best jobs in media

The Carcass Of Online Ad Buys

littlepiggybank.jpg
Agencies are notoriously late to the carcass of online media buying. Mediabrands only now offers targeted buys with analytics across a broad spectrum of websites. Meanwhile, WPP, Havas and everyone else is diligently grinding out their own software and analytical systems. This is a natural extension of their business considering that agencies have long been buying print and broadcast time for their clients.

But, seriously, where were they five years ago? Oh right. They were waiting for smaller companies to due to their work for them. All the while, they were losing dollars, market share and projecting an image of naivety above the internet to clients. Rob Norman, chief executive of WPP’s digital-media unit, Group M Interaction Worldwide told the WSJ that tech firms “got there first and dealt with the science before we did.”

Yeah. Yup. You snooze you lose. Now, all these big guys are going to be fighting for market share not only among themselves, but with established players in the game like Big Mama Google. Agencies need to think forward from here on out if they want to survive. Let’s not be afraid of technology. Let’s use it to our own ends and actually create the carcass to be picked over, rather than waiting to be the vultures hovering, hungrily at the end.

More: New Agency Alert: Seisser And Landsberg’s Grok

Comments (View)

New Career Opportunities Daily: The best jobs in media

Edward Jones Co. Names Cramer-Krasselt Agency of Record


NEW YORK (AdAge.com) — St. Louis-based brokerage Edward Jones & Co. has named independent Cramer-Krasselt, Chicago, its advertising agency of record, following a review.

How Many Humans Does it Take to Save the Planet?

The World Wildlife Foundation (of Canada) hired DraftFCB Toronto to get you to think about what goes into making those fancy energy efficient light bulbs (and other “energy efficient” products) we’ve been told to use over the last few years. Sometimes, as they note in the ad above, the companies that produce such products aren’t environmentally friendly themselves. Learn more at this place.

It’s Armageddon week this week on the History Channel, and if you don’t think worrying about this stuff is important, we recommend you take a moment to watch one of this week’s programs on the matter. We’re all gonna burn baby, once our sweet sweet ozone is blown away by solar winds and the sun scorches everything. Or the earth is flooded, or hit by a big rock, or you know God crushes us with his massive thumb.

Video source

More:Ad Execs: The New Environmental Power Rangers

Comments (View)

New Career Opportunities Daily: The best jobs in media

Angry Whopper Bites Back.

angry-onion-farmer.jpg

Fast on the heels of its unscrupulous Whopper Virgin campaign (and the melodramatic responses it inspired), Crispin Porter + Bogusky introduce us to Burger King’s Angry Whopper.

CEO Colasanti To Leave Carmichael Lynch

quit.jpg

CEO of Carmichael Lynch, John Colasanti, is out the door as of April 1 according to Adweek. Mike Lescarbeau, president and CCO, and Mark Feriancek, CFO and COO, will be taking over at that point.

This must be an amicable split, because no one hangs around for another four months if the shit has hit the fan. After fifteen years, Colasanti is supposedly “considering brand marketing opportunities outside of the agency.” Whatever that means. Sometimes, you just need a change of venue. Congrats to Colasanti for fifteen years of hard work. You’re free dude!

The agency recently cut 5% of its staff. However, the agency still holds Subaru beneath its belt which is one of the few car makers to be posting a profit this year. Our guess is that $150M account ain’t going anywhere, which certainly help the shop weather the storm.

More: Mike Fetrow Joins space150

Comments (View)

New Career Opportunities Daily: The best jobs in media

RKCR/Y&R scoops fire safety ad brief

LONDON – The Department of Communities and Local Government has appointed Rainey Kelly Campbell Roalfe/Y&R to its £4 million Fire Kills fire safety account.

CEO Colasanti Leaves Carmichael Lynch

NEW YORK (AdAge.com) — Carmichael Lynch CEO John Colasanti is leaving the Minneapolis ad agency after 15 years. He departs the Interpublic Group of Cos.-owned agency after a solid new-business run in the past year.

Breakfast Cereal Club, Sam L. J. Pushes Broadband, Cuts at Ogilvy

breakfast-cereal-club.jpg

– Jack Morton Worldwide, Almighty, Weber Shandwick and Google join Citizen Schools to help kids succeed.

The Whopper Virgins Got Their Aid … But Who Will Serve the Perrier Virgins?

nike-virgins.jpg

A Humanitarian Lion supporter produced a video riffing off Burger King’s Whopper Virgins campaign, where documentarians engage Third World inhabitants in hamburger taste tests — and incidentally pop their hamburger-free cherries.

Honda Fit vs. BMW Z4

Mais um caso impressionante de coincidência criativa, com pouco menos de um mês de diferença entre as idéias.

O comercial mais recente do Honda Fit aqui no Brasil veio antes, em novembro, e lá pela metade de dezembro saiu um filme bem parecido para o conversível BMW Z4.

Os dois partem da mesma premissa: um carro que desenha formas no chão com tinta. Compare:

| Honda Fit

| BMW Z4

| Via e*ideias

Boguskys Diet-tribe Connundrum

9_inch_diet.jpg

In what may be the ad-world’s most counter-intuitive (or sadistically genius) move, CP+B magnate Alex Bogusky launched his new book, The 9-inch Diet, this week. He even got a write up in the Post. Snazzy!

The book focuses on…wait for it…portion control. Bogusky says the “idea” to write it spawned when he realized his 12-inch dinner plates wouldn’t fit into the cupboards of a 1940s cabin he bought (possibly with the money he got for making Americans fat by way of Burger King and Domino’s?). Apparently, the average dinner plate was 8.5 inches in diameter back in the day. Today, they’re much bigger &#151 and we are all fatasses because of it. Damn you, Bed Bath & Beyond!

Bla bla it’s for sale on Amazon. Now on to the WTF part.

What the fuck is this your damage, man? We’re all for entrepreneurship, creativity, and all that &#151 to be sure. And of course Adweek named CP+B agency of the year, snarf snarf, so we’re not out to malign Bogus(ky) &#151 but for reals this is some grade A poop.

Let’s take a moment to discuss the issue. Burger King, weight loss, meat cologne, portion control. Domino’s pizza, tiny plates, nasty grease-covered cheese slop, book on how not to get fat from aforementioned nasty grease-covered cheese slop. If I was Louis Black, I’d call up Jon Stewart and insist he let me rant for 3 minutes.

Nothing we can imagine demonstrates so perfectly everything that is wrong with advertising than the CP+B machine. Their work is all at once amazing and appalling. It’s like IcyHot on testicles &#151 one second it’s great, and the next you’re running around screaming about the inhumanity of it all.

Yeah, sure, fine, the book isn’t a CP+B work. But puh lease, Bogus is the front man &#151 who else, even at 45, looks like a 27 year-old and runs his agency with so much panache? Audacious flagrance?

Dude, you can’t tell America to eat this whopper, drink that Sprite, gnaw that pizza and then give them the book to help them lose the 50 pounds they just crammed into their Dungarees. You’re like the Reagan administration during and after the Contra ordeal &#151 selling guns, then dropping relief supplies from a plane 36,000 feet up.

Well, apparently you can do that. And you did. But, that doesn’t mean you should. Riding your mountain bike all day probably makes you tired, but for reals &#151 how do you sleep at night?

Via Denver Egotist

More:The Ten Worst Ads Of 2008: CP+B, Saatchi, KB+P And More

Comments (View)

New Career Opportunities Daily: The best jobs in media

Anne Hathaway and Kate Hudson Assault Website

bride_wars_page_takeover.jpg

Wait, there’s a website underneath all those ads?