Saatchi & Saatchi Creative Duo Launches ‘Shoot First’

Shoot First

Juan Leguizamon and Dave Gordon, two creatives at Saatchi & Saatchi New York, put together a project called Shoot First, driven by the philosophy that “the best way to do something is to stop talking about it and do it” and “speed is everything when you want to do something [that’s] never been done before.” Together, the duo has worked with brands such as Intel, Best Buy, Mattel, Microsoft, Electronic Arts, Air New Zealand, Procter & Gamble and General Mills.

Shoot First shares the duo’s reel, biographical info and work philosophy, in which they stress that Shoot First is not about creating without thinking but the drive to follw your “instincts and to never fear failure.” The creative duo also share their contact info for those interested in asking questions later.

 

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Op-Ed: The Evolution of the Community Manager

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We’ll try to take a quick breather from the Super Bowl madness and provide this op-ed from Natalie Marsan, media director/community management at MRY. As you can gather, community management is the topic at hand and we will let our newest scribe drop some science.

Community Management is no longer a job title. It is a discipline. In fact, it is a new discipline born out of disruption. So, four years into Community Management Appreciation Day, where does this discipline fit in the industry? What does the career ladder look like? Why should you care?

As Community Management evolves, so must the roles within the discipline. If you can say ‘yes’ to any of the following statements, the likelihood that one community manager (CM) will be able to do the job is erroneous. An entire Community Management department might be in your business’s future.

?        Your brand has a large customer base and communities spread over multiple owned channels.

?        You service multiple markets, potentially in different regions of the world.

?        You are seeking new forms and innovative solutions for capturing customer insights, and you think social media is a likely place for gathering those insights.

?        You have diverse customer segmentations.

?        Your brand has a broad share of voice in your industry.

?        You think the future of customer service is more sophisticated than just solving issues as they emerge.

A Community Management department will include not only CM’s and a Director of Community, but most likely a senior CM and potentially a supervisor, as well. While the CM’s themselves have the unique position of being on the frontlines with customers, they also need to remain at ground level. More senior roles within the discipline will have the sensibility of a CM, but also the hindsight of what works and what doesn’t – as well as the luxury of the bigger picture perspective. The most senior team member will need to maintain a bird’s eye view of the health of a community, as well as where the brand stands in broader conversations online.

Ultimately, the most senior role ensures, or more accurately obsesses, that the community is driving value to the brand and that the brand is driving value to the community members. These CM leaders also:

?        Bring a strategic focus to the community management discipline; ensuring insights from the community are driving strategic decisions over time.

?        Set new standards and further enhance best practices uniquely tailored to their (or their client’s) business.

?        Draw out key insights from the highest-yielding content and trends in community voices and sentiment. Conceptualize and optimize content accordingly.

?        Ensure that relevant team members are getting the information they need, deciding on roles and responsibilities, and overseeing day-to-day operations. They keep a close watch on the frontline to make sure the entire team is adhering to strategy.

continued…

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Zeller Joins Up with Possible

zellerdentsuYes, to quell the Spy line, we can confirm that Evan Zeller, who has spent the last two years on the freelance circuit, working with Microsoft for Razorfish among other duties, has landed a full-time gig as director of strategy at Possible Worldwide, which he’s actually been working with for the past several months. In his new official role, Zeller’s working with Mitsubishi and new business efforts for Possible, the global network that was launched by WPP three years ago. Prior to his freelance gig, Zeller worked on the strategy side with the likes of Goodness Mfg., Modernista! and Night Agency.

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We Hear: Is Brian Wallace Out at Motorola?

Brian-Wallace We’ve reached out to the Motorola camp on multiple tries and haven’t succeeded but sources tell that Brian Wallace, who joined the Google-owned company barely a year ago, is no longer there. Here is one of several comments we’ve received: “Razorfish took on Motorola when Brian Wallace went there, while still working on Samsung. They did the Motorola work under the name Digitas (and still are).  Media planning/buying is being done by the real Digitas (NYC office) but the rest is Razorfish Chicago and Austin. Some key individuals were working on both at the same time [names redacted]. Samsung was not happy about this. Legal got involved. Went on for a while; Razorfish knew that Samsung would wind down the biz and move on, and it was so.”

Oy, if you recall, Wallace’s relationship with Razorfish dates back a few years, during the time he worked at RIM and served as VP/global digital marketing and media for the latter brand. Prior to his most recent gig, Wallace served in a similar VP/strategic marketing role at Samsung.

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Jaguar’s Debut Big Game Ad ‘Rendezvous’ is Really Bloody British

About two weeks ago, we shared the teaser trailer for Jaguar’s Super Bowl ad, which features Ben Kingsley, Mark Strong, and Tom Hiddleston (although only Kingsley was featured in the trailer). Today, Jaguar and their in-house agency, Spark44, have debuted the full 60 second spot, “Rendezvous.”

“Have you ever noticed how in Hollywood movies, all the villains are played by Brits?” Kingsley asks at the opening of “Rendezvous,” featuring the three star British actors as vaguely defined villains who all drive Jaguars. Filmed in London by Oscar-winning British director, Tom Hooper (The King’s Speech), in collaboration with Smuggler, Spark44 and Jaguar clearly threw a lot into “Rendezvous” to make the spot cinematic, also employing Alexandre Desplat, who worked with Hooper on The King’s Speech, to compose the ad’s original soundtrack, which was recorded by The London Symphony Orchestra at Abbey Road studios. “‘Rendezvous’ was filmed with the realization that many of today’s television viewers have access to beautifully sharp picture screens and multi-channel surround sound not unlike the best movie theaters,” explained Brand Vice President of Jaguar North America, Jeff Curry.

“Rendezvous” marks Jaguar’s debut Super Bowl advertisement, and also launches their straightforwardly-titled “British Villains” campaign, which promotes the new Jaguar F-TYPE Coupe (available spring, 2014) and will run through July. The spot features the campaign’s #GoodToBeBad hashtag (a line also spoken by Kingley during the ad, which honestly sounds a little forced), but that’s only the tip of the iceberg in terms of Jaguar’s online and social engagement. They’ve launched a campaign landing page, that “hosts information about the F-TYPE Coupe, the commercial and some unique video content including teasers starring each of the three actors.” Jaguar is also hosting an event with Deadspin as part of their partnership with the latter’s parent, Gawker, as well as two co-sponsored events with Sports Illustrated, including during the magazine’s Super Saturday event the night before Super Bowl Sunday.

What’s more, Jaguar “aims to be the most real-time engaged advertiser during the Super Bowl through a unique physical space calledThe Loop,’  developed by Mindshare, where multiple screens will monitor real-time consumer data and translate it into actionable insights, and ultimately, rapid marketing decisions…” Jaguar claims “The Loop” is “the first real-time marketing tool to impact paid media – whereby media dollars can be quickly shifted and redeployed to leverage opportunities uncovered by the data.” It will be interesting to see how Jaguar’s first Super Bowl advertisement, and their “The Loop” strategy plays out this Sunday. Stick around for behind the scenes footage of “Rendezvous” after the jump. continued…

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W+K’s New ‘This is Sportscenter’ Ad Showcases Big Game Mascot Rivalry

More from W+K, as W+K New York have unveiled their latest “This is Sportscenter” offering.

The 30 second spot, “Long Week,” celebrates Super Bowl XLVIII with a fun look at the rivalry between Denver Broncos’ mascot Miles and Seattle Seahawks’ mascot Blitz. Set in an elevator on ESPN’s Bristol, Connecticut campus, the spot stars SportsCenter hosts Jay Crawford and Steve Levy, who witness a tense, awkward exchange between the rival mascots. Credit has to go to director Jim Jenkins and the guys playing the mascots for perfect comedic timing. At the end of the spot, Everett and Levy reveal that the two mascots have been engaging in such behavior all week. Hopefully Miles and Blitz don’t kill each other before the big game.

The timely “Long Week” is designed to promote ESPN’s weeklong coverage of Super Bowl XLVIII, which began yesterday with ESPN Radio’s Mike & Mike kicking off 115 hours of TV and radio programming from New York City. ESPN’s programming originates from their Herald Square and Times Square Studios all week, up until Superbowl Sunday. Keep an eye out for “Long Week” during that coverage. Credits after the jump. continued…

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David&Goliath Reveals Teaser for Kia K900 Super Bowl Ad

With the big game less than a week away, the folks at El Segundo, CA-based David&Goliath have released a teaser for their Kia K900 Super Bowl spot.

The “Official K900 Game Day 2014 Teaser” sees Laurence Fishburne reprising his role as Morpheus from The Matrix trilogy. Morpheus returns to the Construct, where he fiddles with a classic Radiola TV set in an attempt to kick back with some chips and watch the big game. The trailer doesn’t really let us know what to expect on Sunday, other than Fishburne as Morpheus sometime in the third quarter, as it’s designed to keep us guessing. The spot won’t be the first featuring Fishburne promoting the K900, as he narrated December’s “Preconceived Notions” ad, which may offer more clues to the Super Bowl spot than the teaser itself. Stick around for credits after the jump. continued…

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Lubar Assumes Global CMO Role at McCann Worldgroup

alexlubar1After spending just 18 months as chief marketing officer, North America for McCann, Alex Lubar is quickly moving up the ranks as he’s now assumed the newly created position of global CMO at the Worldgroup. Prior to joining McCann, Lubar spent well over three years at Grey, last serving as SVP/new business. Says McCann CEO/chairman Harris Diamond in a statement, “What makes Alex so effective in business development, in addition to tenacity, is that he relishes the complexity of brand challenges in today’s complex business environment and he knows how to harness resources to create innovative multiplatform solutions.”

Along with Lubar’s promotion, McCann has also brought on fellow Grey alum Chioma Aduba as new business group director in its New York office.

 

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Hey, Stephen Goldblatt, Are You Still at Mullen?

goldblattmullenJust want to find out, man, as we’ve been hearing from the Spy line that you may have parted ways with Mullen, the agency you joined and took on the post of chief digital officer like a year ago. We’re just Curious George-ing because a couple of calls to the agency left us nowhere, and we’re just trying to find if it’s true and all.

Shit, while we keep shoegazing, let us reminisce on a career where you spent five years at Evolution Burea–oh shit–sorry, EVB to us and last served as partner/ECD (who can forget “Mob the Rainbow” for Skittles?). Oh yeah, almost forgot that you spent nearly seven years as GCD/AD at Goodby after toiling as an art director at the likes of BSSP and DDB Dallas. Anyways, bro, just reaching out, give me a holler when you can, you know, and–oh shit, my laces are untied (*cue Slowdive*).

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Here Are a Couple of Notes on Tribal NY

joshtribalLet’s start the party by addressing Tribal Worldwide’s New York office and its relationship with eyecare brand Alcon, which a few tipsters have brought up. Here’s what we hear: sources familiar with the matter tell us that the agency-client relationship varies from year-to-year. Tribal has been working with Alcon for the past five and it looks like the partnership will continue in 2014 “and beyond”–though in what terms, we’re not sure. Tribal deferred all official comment to Alcon, which we’re checking with.

Switching Tribal topics, said agency’s NY office has also bumped up Josh McGuire and Hunter Simms to creative directors. During his career, which has basically consisted of time at Tribal NY, McGuire (pictured) moved up the ranks from art director to senior AD to his most recent post. As for Simms, the new DDB NY CD previously served as senior writer at JWT Dubai for clients including Kleenex, Band-Aid, Wendy’s, Audi, Nokia and more.

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Justin Timberlake Stars in ‘Priceless Surprises’ for MasterCard During Grammys

If you were watching the Grammys last night, you might have caught this spot launching Mastercard’s “Priceless Surprises” campaign. The 45 second ad features Grammy-nominee Justin Timberlake surprising a fan by showing up at her door to hang out.

A 30: teaser for the spot rolled out last Friday, debuting the new campaign, ending with Justin ringing one lucky fan’s doorbell. The new spot picks up where the teaser left off, recycling some of the audio from the teaser about how Timberlake is excited about sharing a few moments with a fan. The “Priceless Surprises” recipient reacts about how you’d expect, shouting “Holy fuck!” after opening the door. Timberlake spends some time with his fan, even jamming out with her for a bit while she plays guitar. Obviously, Mastercard couldn’t have picked a more appropriate time to launch this campaign.

“Pricelss Surprises” will continue to roll out as an integrated campaign featuring “social, print, radio, television and digital platforms to inspire cardholders to give, get and share #PricelessSurprises.” Timberlake will stick around to surprise Mastercard holders who use the #PricelessSurprises hashtag, spending a day with a few more lucky winners. Cardholders will be automatically entered for a chance to win a slew of other, lesser prizes, such as trips and concert tickets, when using their Mastercard or tweeting with the #PricelessSurprises hashtag as well. Stick around for the teaser spot after the jump. continued…

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DDB Chicago Lands New CCO

johnmaxhamDDB Chicago has appointed a new chief creative officer in John Maxham, who rejoins the agency after spending the last four years as executive creative director/partner at Seattle-based Cole & Weber United. Maxham, who originally served as SVP/GCD on all things AT&T at DDB Chi for two years, will now oversee the creative product and 100 staffers, working with clients including McDonald’s, State Farm, Mars Inc., Capital One and Safeway in the process. Maxham’s arrival will fill a six-month void left when Ewan Paterson and DDB Chicago parted ways.

His new boss, DDB Chicago CEO Paul Gunning, says in a statement, “I looked very hard to find a partner that would share in my passion for DDB and the iconic American brands we work on. I wanted a true leader with a diverse creative skill set who could not only work across media channels, but also flex from B2C to B2B. This was not an easy task but John is uniquely qualified.”

During his ad career, Maxham (who *shameless plug* talked to us about Super Bowl a couple of years ago) served as a creative director at Team One and an ACD at Lowe.

 

 

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Production Duo Celebrates ‘Gran Turismo’ 15th Anniversary by Honoring its Creator

Producers Tamir Moscovici and Paul Proulx, the creative production team behind Urban Outlaw and Painting Coconuts , decided to mark the 15th anniversary of Sony’s landmark Gran Turismo series (and recent release of Gran Turismo 6) with a documentary profiling “the single-minded genius behind Gran Turismo’s birth and breathtaking 15-year evolution,” Kazunori Yamauchi.

KAZ: Pushing the Virtual Divide is a one hour, 24 minute documentary examining the drive and devotion Yamauichi has put into Gran Turismo from its birth through its incredible evolution over the past 15 years. Since the first Gran Turismo game in 1997, the game Yamauchi had wanted to make since he was fifteen years old, he has always gone above and beyond expectations in creating the best games possible. Yamauchi has been one of the most important and interesting figures in gaming over the past 15 years, with a singular devotion to giving gamers the ultimate driving experience. His insane devotion to detail in his racing simulation series can be traced to his love for racing and all things automotive — he really races himself, and often wins. This offers him a unique understanding of what racing is all about, something he brings into each of his games.

If you’re a gamer, and especially if you’re a fan of the Gran Turismo series, it’s a really intriguing — and sometimes nostalgic — look at one of Sony’s most iconic gaming series and the incredible man behind them. Check out the trailer above, and, if you’re interested, head on over to Hulu for the complete documentary. Credits after the jump. continued…

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Dawn Winchester: Out at R/GA?

DawnWinchester_LeadershipPageAs with all tips, we check, and a phone call to “the agency for the digital age” seems to say as much as Dawn Winchester is apparently no longer in R/GA’s directory. Winchester has been with R/GA since 1999, moving up the ladder from director of client services to EVP/client services to her most recent position as EVP/global chief marketing services officer, working out of the agency’s NYC hub. Prior to her lengthy stay at R/GA, Winchester spent two years as VP/management supervisor at Ammirati Puris Lantis Digital and before that, founded the interactive offshoot of New York agency, BK&S.

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DDB Oslo Recruiting Young Talent via ‘Snapchat Pitch’

DDB is taking to Snapchat to hire new young talent with “The Snapchat Pitch.” The student contests invites entrants to pitch their idea to DDB in 10 seconds, operating under the assumption that “Great ideas can be explained in a sentence.”

Here’s how it works: First, connect with DDB_OSLO on Snapchat. Then, pitch your idea in 10 seconds or less in any way you deem fit. The creatives at DDB have pledged to watch every single pitch, and, if yours is sufficiently brilliant, they’ll fly you out to Oslo for an interview. The winners of the contest will be announced on April 3rd. Head on over to “The Snapchat Pitch” site for more details if you’d like to enter. Good luck.

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Huge Welcomes New CMO

pezzullohugeIt didn’t take too long for Huge to find a successor for chief marketing officer Chris Hayes, who left the agency in December and subsequently joined Critical Mass (along with fellow ex-Huge cohort/CCO, Conor Brady) earlier this month. Taking over as Huge CMO is Jessica Pezzullo, who arrives from SelectResources International, where she’s spent the last eight years and most recently served as senior partner. From what we’ve been told, Pezzullo will handle CMO responsibilities out of Huge’s Los Angeles office. During her career, the exec has also served as senior partner/group account director at the likes of Digitas and Ogilvy.

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Hypnotizing Slow-Motion in NYC

Le photographe hongrois Adam Magyar vit à Berlin et est fasciné par le quotidien. Cette vidéo, extraite de son projet « Stainless », montre par le biais d’un travelling en slow-motion des visages de passants pris d’un fou rire ou à la mine maussade qui nous emporte au bout du quai de métro et fait défiler New York en noir et blanc.

Slow Motion in Berlin

Slow Motion in Tokyo

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Razorfish Alum Bonn Joins JWT NY to Head Up Digital Creative

bonnjwtJWT New York has added another executive creative director to its flagship office following the hiring of Andy Carrigan and Jon Zast in December. Frederic Bonn, ECD at Razorfish NY, has joined in the same role at JWT NY and will oversee digital creative across the office, which has won new biz from Puma and Google as of late. Bonn spent well over four years in all at Razorfish, working on efforts for Mercedes-Benz, Uniqlo  and Citibank among other accounts. During his career, served as a creative director of the London and New York offices of what Euro RSCG 4D as well as Ogilvy Interactive, Paris.

His new boss, JWT North America CCO Jeff Benjamin says in a statement, ““Here we are in 2014 and it seems almost backwards to be hiring an ECD for digital. The reality is that digital simply moves too fast to expect everyone to have the expertise brands demand. It is hard to imagine, but the next 10 years will dwarf the innovation we’ve seen from the last. In this evolving world of real-time marketing, platforms, newsrooms, apps, social, invention and whatever happened today — you need digital leaders who can help brands and agencies stay ahead of the pace and places digital is pushing. Frederic brings a selfless talent and wisdom that is too rare in this industry, but necessary to succeed,”

 

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POSSIBLE Digital Strategist Creates ‘What The F**k Is My Wearable Strategy?’

WTF Is My Werable Strategy?Daniel O’Connell, a digital strategist at POSSIBLE, has created a website called “What The Fuck Is My Wearable Strategy?” as a response to shit like this ridiculous dancing Cadbury jacket.

The site is basically a compendium of ridiculous wearable tech ideas. Once you’re done reading one of them, simply click the pink colored text for the next ludicrous suggestion. Some highlights include: “T-shirt that posts to Facebook when you need a shit,” “Umbrella that glistens when it’s going to rain,” “Pair of earbuds that glows green when your ex is in the building,” and “Heart rate monitor that makes a vine when you’ve got a hangover.” O’Connell created the site, inspired by shitprideas.com, using WTF engine. Feel free to share some of your favorite entries in the comments section.

 

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Pullum Leaving AKQA SF

pullumakqaSources familiar with the matter confirm that come this month’s end, AKQA vet will be leaving the agency. No word yet on where he’s headed to next, but Pullum has spent the last dozen years at the agency, most recently serving as group creative director out of its San Francisco. As GCD, a position he’s held for seven years Pullum first led digital marketing efforts on Visa but has spent the last two-and-a-half years leading digital creative on Audi of America including the redesign of AudiUSA.com.

During his nearly 25 years in the biz, Pullum had stints as an art director at the likes of W+K and Hal Riney before moving up the creative ranks.

 

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