Craig Leffel Joins Filmworkers for Color Projects

Veteran colorist will pursue color work through Filmworkers while continuing as executive producer of his boutique creative studio Big Spoon Industries.

CHICAGO—Filmworkers today announces that it has reached an agreement with veteran colorist Craig Leffel to represent him for color correction projects in the Midwest. Leffel will continue to serve as executive producer of Big Spoon Industries, the creative production studio he formed last fall, while handling color correction assignments through Filmworkers.

Leffel has been practicing the craft of color correction in Chicago for more than 20 years. He has worked with all of the city’s top advertising agencies for accounts including Coors Lite, American Family Insurance, Kraft, Coca-Cola, the Illinois Board of Tourism, Chicago Blackhawks and many others.
“Craig is a longtime friend and a pillar of the Chicago advertising community,” said Filmworkers president Reid Brody. “We’re very excited to provide him with a venue to service his customers through Filmworkers.”

Leffel’s background includes a 15-year run as senior colorist at Optimus and three years as director of production of its production arm, ONE at Optimus. He also was a partner in the company. He left Optimus last fall to launch Big Spoon Industries, a collective of directors, artists and designers focused on producing work directly for brands, digital agencies, marketing firms and others.

Leffel said that his agreement with Filmworkers allows him to continue to pursue his passion for production and storytelling, while meeting demand for his skill as a colorist. “It’s a great opportunity,” he observed. “I’ve had a long relationship with Reid, and we share a similar respect for color correction. I like the people at Filmworkers and the support they give to their artists. They are a perfect ally.”

“Color correction, for me, is a very iterative process,” he said. “It’s about interpreting the thinking of the creative team and interpreting what was captured on the set, and turning it into something people want to see on screen. In the best scenario, it goes beyond what anyone hoped or imagined.”

Leffel complements a well-rounded color correction staff at Filmworkers that includes senior colorists Michael Mazur and Fred Keller, and colorists Matt Harger and Jeff Altman, who recently located to Chicago from New York.

Filmworkers is located at 232 E. Ohio St. Penthouse, Chicago, IL 60611. For more information, call (312) 664-9333 or visit www.filmworkers.com.

View Craig Leffel’s reel here: http://wdrv.it/1aQtlpY

Fieldtrip Signs Acclaimed Filmmaker Maxime Bruneel

London-based production company Fieldtrip is pleased to sign Maxime Bruneel for UK representation. Fieldtrip works via 1stAveMachine in the U.S.

Dividing his time between Paris, London and New York since 2009, Bruneel is a prolific and diverse international talent who ceaselessly moves between commercial and personal projects. Whether it’s shooting a music video for a band or creating stop-frame animation for a commercial client, his drive to create new work is never-ending. Consistently looking for new ways to express himself on the screen, Bruneel works in many mediums including live action, 2D animation, CG, or a combination of the three.
Starting out, Bruneel collaborated with acclaimed music video director Ruffmercy, via international record label Ministry of Sound, resulting in a major music video and tour visuals for DJ Aston Shuffle.
To date, Bruneel’s well known projects include an awareness film for Amnesty International and stylish music promos for artists including Alain Bashung and Punks Jump Up.
Recent projects include a viral promo for artist TT, Diplo and Swick titled “Dat A Freak,” two stunning in-camera spots for Nespresso, and a live action :30 and associated music promo for French brand Mennen.
About Fieldtrip:
Welcome to Fieldtrip! We are led by a diverse array of award-winning directorial talent, all of whom have one thing in common, the ability to work across disciplines to create content with impact and style. We are located in the heart of London’s Soho with a superb production team and first class design and animation studio here to serve our clients.
Fieldtrip is headed up by Executive Producer Michael Adamo. Well-known in the industry both in the UK and internationally, Michael previously worked at Passion Pictures as Executive Producer.
About 1stAveMachine:
1stAveMachine is a mixed media production company and storytelling outfit. They create video, digital, and experimental content for TV, print, web, and mobile, all with a unified singular vision. They have won numerous awards since their formation, including Gold, Silver, and Bronze Cannes Lions, AICP, One Show, and ANDY awards, and many others. Their work has been featured across the globe and during the Super Bowl.

ACNE Welcomes Managing Director and Broadcast EP Line Postmyr

Integrated production company ACNE is thrilled to announce the addition of Swedish Managing Director and Broadcast Executive Produ

TEDx Taipei 2013

Le studio Bito TV a imaginé cette superbe vidéo d’animation d’une grande fraîcheur pour la conférence TEDx qui aura lieu à TaiPei les 28 et 29 septembre 2013. Une création reprenant visuellement les 6 thèmes abordés durant cet évènement à découvrir en vidéo dans la suite de l’article.

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Researcher.se becomes Researcher DIGG clone.

I interrupt this Friday to bring you what I was tinkering on most of the night – Researcher DIGG. Researcher is a Swedish advertising/planning/strategy blog that’s been around for a long time, but its founder Niclas is finding less and less time to spend there. I suggested that I’d make a Digg-clone + blog, and he (SUCKER) let me have at it. Now, any Swedish net-head (it helps if you know the language) can sign in and post links to the upcoming page – if they get enough votes from other users, they end up on the front page.

I know, it’s not the prettiest at the moment, but it works, so bite me. Also, I managed to import every post Niclas has made since 2003 to it, and keep the URL’s they were posted to (like this one) intact, so *raspberry*. I was originally working on this dealio to make Adland a digg-clone, but then jesus, this place is so big it gives me a headache already. ;9

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Xtract, Innovator in Social Advertising Intelligence Raises EUR 7.5 Million

London, UK and Helsinki, Finland: Xtract, the leader and innovator in social advertising intelligence today announced that it has closed its series B round of funding with EUR 7,5 Million ($11.74M) from leading early-stage technology investors Creandum, ETF III advised by Eqvitec Partners and InnovationsKapital.

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Capital Insurance Group Launches “Think Twice” Campaign– Ground-breaking Departure in Insurance Messaging

Home insurance company Capital Insurance Group has started an imaginative new “Think Twice” advertising campaign in California magazines. The new creative uses the iconic two-finger cultural symbol to represent CIG’s unique “double coverage” for homeowners.

The two-finger sign is meant to resound with viewers on multiple levels, according to Harvey Kraft, Head of Marketing & Business Development for Capital Insurance Group. “It says peace, love, victory – and now it also represents ‘think twice.’”

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Chanel’s new face: Emma Watson

Hermione Granger, sorry, Emma Watson – the eighteen year old starlet has been signed as the new face of the Chanel fragrance Coco Mademoiselle. Did the 23 year old Keira Knightley get too old for Coco? Perhaps, her contract ends this summer but Brandrepublic says “Knightley will be given a new role at Chanel when Watson takes over.” Oooh, maybe she’ll do Allure or Chance ads?
Making Emma Watson fit to be a Chanel icon has been in the works for some time already, and the stylish image on the left is from In Style magazine where Emma looks more lady than teen.:

“Chanel have been dressing Emma for film premieres and parties in recent months to integrate her into the brand”

The previous Coco girl was Kate Moss, who was replaced by Keira in 2007.

Just last month it was reported that Audrey Tautou, star of ‘Amelie’ and ‘The Da Vinci Code’, has been signed up to appear in the next Chanel No 5 perfume ad, due to air in 2009 – which makes total sense since she plays Chanel herself in the movie “Coco Before Chanel”, directed by Anne Fontain. Expect big bucks four minute short film style advertising when that one comes out.

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Bold is now thin

.. and thin is the new Bold. Hey, I’m on a fontroll today. It’s an official word now.

I mentioned the Bold font in passing again when the Bold forum announced its imminent demise (*sob*) – but Kenneth Pilo who founded Bold as an advertising and design forum as well as site in Sweden isn’t the lazy type (he’s even managed to spawn four times though I hear his missus did a lot of the grunt work, pun intented and seriously bad) so he created the Bold font as well as the now skinny version of it. Pilo thin is what happens if you remove the meat from the bold, yes, it’s the line left. I like that. Like the size 0 of famous fonts. Check it.

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Pony seen through Simon Wakelin’s lens – updated.

Twothousand and five (or do you say twohundrend and five? I mean it was nineteenhundred, right?) was when we posted about Pony seen through Simon Wakelin’s lens – and I’m here just to point out that two of those images have been updated a tad. Simon made them prettier see, and if I didn’t say anything, y’all won’t notice that I replaced them. 🙂

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Drive Agency for St. Louis Symphony

While guerilla marketing is usually associated with hip, edgy brands, the St. Louis Symphony and Drive Agency are out to change that perception. Using massive stencils and some spray chalk, crosswalks all over the city were transformed into sheet music to promote upcoming concerts and attract a new, younger demographic.

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Exemplar – an exemplary typeface fresh out of the oven

Exemplar Pro is now available – a typeface that took a long time to get here, but good things come to those who wait…. Göran Söderström tells the story:

I had just finished my calligraphic studies when I made the first sketches of Exemplar in 1994. Inspired by the beauty and perfection of several typefaces and the art of calligraphy, I got started on my first attempts to create a new typeface. My goal was to create a typeface that was traditional yet unconventional, a balanced combination that felt both old and new. Respectful of the art of typography, I turned to history for inspiration and placed equal attention towards taking a step into the future. Two years later, the designs for both regular and italic versions were complete. A first attempt to make Exemplar a fully functional font took place in 1997. But years passed and a general lack of time needed forced the project into a deep sleep for about nine years. In the first days of 2006, Exemplar experienced its revival when Psy/Ops signed a distribution deal for the typeface.

take a closer look at it on this pdf. Buy it now at the introductory price as it’ll eventually rise somewhat.

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Local Matters and Apptus Announce a Technology Solution that Integrates Quebecor MediaPages Print and Online Directories

DENVER, USA & LUND, SWEDEN, June 12 2008 – Local Matters, Inc. and Apptus, announced the successful completion of a unique solution enabling Quebecor MediaPages, a Quebecor Media subsidiary that publishes print and online directories across Canada, to integrate its print and online directories into one website, Canoe411.ca.

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New shop: Holiday Films open its doors in Toronto.

Executive producers Derek Sewell (formerly of Blink, Toronto) and Josefina Nadurata (formerly of Reginald Pike) and have opened Holiday Films in Toronto.

Holiday Films has an intimate roster of eight directors with diverse skill sets suitable for the changing needs within the advertising market. “Before we even started meeting with directors we met with various agencies to find out what their needs were,” says Derek Sewell. “Holiday is set up to address the changing creative, production and budgetary needs of the market while still maintaining a very hands on creative environment,” continues Sewell.

All of the directors on Holiday’s roster bring extra skill sets to the table. “Holiday is not only a production company”, says Nadurata. “Our mandate is to be a creative resource within our market and provide original creative solutions to our clients,” continues Nadurata.

Neil Abramson is also a still photographer and cinematographer; Sorrel Ahlfeld is a writer, short film maker, editor and animator; Scott Corbett is a former agency copywriter and short film director; Georgie Greville began her career at MTV New York and also directs music videos and spots for fashion brands; Kenan Moran began his career at MTV New York writing, producing and directing, and wrote 3 of the 7 spots for Comedy Central; Aaron Ruell is an award-winning photographer; Edward Schumacher was a writer and producer at numerous US ad agencies including DDB Worldwide; Craig Tanimoto was the creator of Apple’s “Think Different” campaign and was senior creative at TBWA Chiat Day/LA..

View a compilation reel of the Holiday Film director’s work here

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Firebrand still sending out press releases as attached word docs. Gag.

So, firebrand aren’t dead yet, they reckon, and are again sending us press releases as attached word documents (which we hate – email was designed to carry text stop being so cumbersome). Their email teases “If you have been wondering what’s next for Firebrand…” which quite frankly, I have not – but for once, I opened their doc.

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Jerry Della Femina is still Crazy after all these years – induction into the One Show Creative Hall of Fame

Mary Warlick, Chief Executive Officer of The One Club, has announced the induction of the newest member of its Creative Hall of Fame: Jerry Della Femina. This is the first time since 1972 that the One Show has bestowed this honor to a solo recipient.

This legendary creative genius will be honored with a retrospective of original Jerry Della Femina work on June 10 at The One Club Gallery. On view will be 40 years of advertising from Jerry Della Femina & Partners, Della Femina Travisano & Partners, Della Femina McNamee, Inc., Della Femina McNamee WCRS, Inc., Jerry Inc., Jerry & Ketchum, Della Femina Jeary & Partners and Della Femina Rothschild Jeary & Partners. “Still Crazy After All These Years” will be on display at The One Club Gallery, 21 East 26th Street, through June 18.

“To capture Jerry’s funny, irreverent and maverick self and also honor his contribution to changing the face of advertising, The One Club felt it was important to honor him in a unique way,” said Warlick. “We are thrilled to discover that Jerry is ‘still crazy after all these years.’ What better way to acknowledge his genius than with a first time ever gallery exhibit of his work on the same night he’ll be inducted into the One Club Creative Hall of Fame?”

If you are in New York City the Jerry Della Femina exhibit will be up until July 18th at The One Show gallery: open to the public Mon-Thurs from 10 am to 5 pm and Fridays 10 am-1 pm.

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It has been two years since we switched URL’s back to our old one.

It has now been over two years since we switched back to commercial-archive.com from ad-rag.com but only a handful of people that link to us have actually changed their blogrolls.

The reason we switched in short: ad blockers blocked the URL ad-rag.com. We thought this was kind of sucky and fought it tooth and nail, but alas, we can not make every ad blocker out there make an exception for us, so we simply switched URL’s back to our 1999 one.

We’d really really appreciate it if you, who carry our link in a blogroll or something like that, corrected the link as people who surf with ad blockers on can not even see it, defeating the whole purpose of you showing off the link.

Today I shut off the redirects for our old feed URL as well. If you want to subscribe to our feed, it’sbest you use the new one(s):
 The full enchilada
 Commercial feed only
 Badland feed only
 Adland feed only
Adland twitter

Subscribe with Bloglines

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An update on “the biggest drawing in the world”

Erik who was rocking our hall of fame last week with 12620 hits on The biggest drawing in the world: One part GPS, one part DHL, add creativity and stir gently now clarifies in bright red text on the biggest drawing in the world: “This is my graduation project on advertising and graphic design at Beckmans college of design. This is fictional work. DHL did not transport the GPS at any time”

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Bold.se is dead, long live Bold!

The graphics/advertising/typography community Bold.se which even spawned it’s own font available at Veer came with the sudden announcement yesterday that Bold will be closed. Kenneth Pilo, the founder and driving force behind Bold has found that running a community on unpaid time after work is hard (and really under appreciated) work, that is stealing too much time away from his family and real job, so he decided to close Bold the forum as it is today and have a rethink about Bold the brand over the summer. It seems that it won’t die completely, but the forum community itself will be closed, and the members very lost for a while, god knows I’ll be confused as to where I can chat advertising in Swedish (yeah I’m a sick twisted adgrunt). We’ll miss you Bold, kudos to Pilo for making it possible. Thanks for all the fish.


Bold.se began as 99reklam in 2002 and changed the name to Bold in 2004. I have personally made over 2 634 posts at Bold.

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Time Cover by Euro RSCG junior creatives.

Go to the The TIME 100 special issue to see the series of special issue covers designed for TIME by a handful of acclaimed graphic designers, and a few jammy junior creatives at Euro RSCG New York. Who said that juniors never get to do anything fun?


Euro RSCG was the lone ad agency involved in this project, which also includes cover designs by Neville Brody, Chip Kidd and James Victore. So what did Euro do? Cut horizontal stripes of the faces of each of the top 100 people profiled by TIME this year and put them back together again. Cute.

Kudos to the kids at Euro: Ben Thoma, Katie Anne Naylon, Patrik Bolocek. North American CCO Jose Cabaco and New York ECD Hal Wolverton oversaw the project.

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