Baci Perugina Chocolate: From Giovanni To DonGiovanni

from_giovanni

Advertising Agency: ARMANDO TESTA Turin, ITALY
Media Agency: MAXUS Milan, ITALY
Maurizio Sala Armando Testa Creative Director
Marco Faccio Testawebedv Creative Director
Nicola Lampugnani Armando Testa Copywriter
Francesco Milanesio Testawebedv Copywriter
Francesco Guerrera Armando Testa Art Director
Alessandro Pierobon Armando Testa Client Director
Ilaria Dogliotti Testawebedv Account Supervisor
Ilaria Radice Armando Testa Account
Loredana Ambrogi Armando Testa Account Supervisor

Results and Effectiveness:
People soon became fond of the story. In 10 days it has been recorded: 50,000 mails. 151,841 visitors to the Baci Perugina site. 26,678 contacts on YouTube. 5,400,000 impressions on MSN. Sales + 11% in an a-8 market. Giovanni’s story was spontaneously talked about on TG1, the most important national TV news.

Creative Execution:
The campaign was planned on different media: viral videos, the community engagement through YouTube, Facebook and the Perugina community, an interactive outdoor and a local event.

Insights, Strategy and the Idea:
Baci Perugina is one of the most important brands of chocolate in Italy, belonging to the Nestlè Group. To capitalise on Baci Perugina’s awareness during the period around Valentine’s Day, it was decided to make an integrated campaign able to get people talking using the only language that has always distinguished Baci Perugina: love. The idea was an impossible love story born online between the shy Giovanni and his beautiful neighbour Gaia. The plot: Gaia says to Giovanni that if 50,000 people would ask her to kiss him, she will do. So Giovanni makes a video, loads it on YouTube and opens a group on Facebook asking for help. Baci Perugina doesn’t come into the scene from the beginning, but it figures as an “independent supporter” of Giovanni’s initiative. At the end 50,000 mails arrive and Gaia has to kiss Giovanni. 8 videos show the big moments of the story.

IKEA: STAIRCASE DRAWER

stairikea

Advertising Agency: LOWE & PARTNERS KUALA LUMPUR, MALAYSIA
Executive Creative Director: Ng Heok Seong
Creative Director: Ng Heok Seong
Copywriter: Mohan Prabhakar
Advertiser’s Supervisor: Yeong Tze Kuen
Account Supervisor: Ong Bee Lin/Nicole Wong
Producer: Eddie Lee
Art Director: Joseph Lee
Illustrator: Desmond Phang
Photographer: Hoch/Studio Pashe

RODNEY DISTRICT COUNCIL: HAUNTING GIRL

girl

Advertising Agency: COLENSO BBDO Auckland, NEW ZEALAND
Executive Creative Director: Nick Worthington
Copywriter: Kimberley Ragan/Rebecca Johnson-Pond
Account Manager: Janelle Van Wonderen
Account Supervisor: Scott Coldham, Janelle Van Wonderen
Producer: Paul Courtney
Art Director: Rebecca Johnson-Pond/Kimberley Ragan
Photographer: Mat Baker
Dop/Photographer: Phil Newman/Gemma Heyes; Editor: Aliesha Staples

GLOBAL COALITION FOR PEACE: MISSILES

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tank

grenade

Advertising Agency: BIG ANT INTERNATIONAL New York, USA
Creative Director: Alfred Sewon Park
Copywriter: William Tran/Francisco Hui

Tourism Queensland: Best Job In The World

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Advertising Agency: CUMMINSNITRO Brisbane, AUSTRALIA
Merrin Mccormick CumminsNitro Copywriter
Ralph Barnett CumminsNitro Art Director
Cristian Staal CumminsNitro Art Director
Darren Mccoll CumminsNitro National Strategy/Planning Director
Anne-Maree Wilson CumminsNitro Account Director
Edwina Gilmour CumminsNitro Account Director
Nancy Hartley CumminsNitro Creative Director
James Burchill CumminsNitro Creative Director
Jason Kibsgaard CumminsNitro Senior Digital Producer
Adam Ford CumminsNitro Account Director
Matt Farrugia CumminsNitro Senior Digital Producer
Horia Traian CumminsNitro Head Of Technology
Glen Peterson CumminsNitro Senior Developers
Anton Ward CumminsNitro Senior Developers

Describe the brief from the client:
The target audience were new customers, with a vague awareness of the Great Barrier Reef (and Australia), but no awareness of the islands. Our goal was to raise international awareness of the Islands of the Great Barrier Reef (a new brand for Tourism Queensland) and transform a popular day-trip destination into an international tourist’s dream holiday. Classified press ads, a PR campaign, in-store posters, online recruitment listings and display ads worked together to drive traffic to the website. Visiting and engaging with the website would drive visitation to the islands in the long term.

Creative Execution:
The best aspect of ‘The Best Job in the World’ is its location, and although the generous salary is appealing, the real reward is in spending six months living above the reef and exploring the region. The ‘Best Job in the World’ idea was born out of the brand’s positioning – Life Above and provokes Global Experience Seekers to engage with a unique brand asset – the Great Barrier Reef. This would be one of the only integrated international recruitment campaigns, and the only recruitment campaign used to launch a tourism brand.

Describe the creative solution to the brief/objective.
We tapped into a universal desire and created a job that sounded too good to be true – anyone from anywhere in the world could apply. The Islands Caretaker role is a completely genuine employment opportunity within Tourism Queensland, living on the Islands of the Great Barrier Reef and reporting back to the world. To apply, candidates had to create a persuasive and entertaining video application demonstrating their knowledge of the region. Tourism Queensland wanted to achieve 14,000 application videos from 8 key markets, plus news coverage in mass media and popular social networking sites.

Describe the results in as much detail as possible.
No single tourism campaign (and potentially no single campaign) has ever had such a significant global reach across the spectrum of media and generated such a high volume and highly impassioned response from consumers. – 34,684 applicants from 201* countries created 610 hours of video content which passionately promotes our product. – Over 450,000 votes for the Wild Card applicant. – In 56 days islandreefjob.com had 6,849,504 visits, 47,548,514 page views with an average of 8.62 minutes spent on the site. – Media coverage has been estimated at over $US100M from a campaign budget of $US1.2M. *Value of media coverage estimated by Tourism Queensland, as at 19/3/09. **Web-coded countries (only 195 countries are recognised by the UN).

Hariri Foundation: Khede Kasra

khede_kasra

Advertising Agency: LEO BURNETT BEIRUT, LEBANON
Bechara Mouzannar Leo Burnett Beirut Regional Executive Creative Director
Chermine Assadian Leo Burnett Beirut Creative Director
Tania Saleh Leo Burnett Beirut Art Director
Nayla Baaklini Leo Burnett Beirut Art Director
Reem Kotob Leo Burnett Beirut Art Director
Roula Asmar Leo Burnett Beirut Art Director/Designer
Yasmina Baz Leo Burnett Beirut Art Director
Rana Najjar Leo Burnett Beirut Copywriter
Rana Khoury Leo Burnett Beirut Copywriter
Nada Abi Saleh Leo Burnett Beirut Deupty Md
Dima Kfouri Leo Burnett Beirut Account Executive
Ghada Oueidat The Post Office Director
Ahmad Awad The Post Office Music
Marwan Ziadeh The Post Office Editor
Farah Fayed The Post Office Editor
Details
Describe the campaign/entry:
A simple “kasra” accent was used to inspire Lebanese women to bring about gender equality in society.
Describe the brief from the client:
The client, The Hariri Foundation, wanted to address the imbalance of gender roles in Lebanese society through their “Women Empowerment Program”, by raising awareness on women’s status and rights in Lebanon and incorporating gender equality in the social culture.
Results:
With increased buzz and the heightened interest of reporters, the campaign enjoyed substantial share of newspaper and magazine coverage with articles appearing in major regional publications. The result was a total estimated PR value of $1,814,235. Bloggers online adopted the campaign. Articles appeared in the press. It became the talk of the town and many adopted the “Khede Kasra” phrase in their everyday conversations. The campaign sparked debates and roundtables about female regulations in the Lebanese judicial system. All in all, awareness on gender inequality was spread.
Execution:
The integrated campaign demonstrated how all men and women read words as being automatically addressed to men. The “kasra” accents on revealers twisted their meanings. To reach the whole country geographically and all women demographically, a moving interactive billboard as well as posters were set up, whilst stickers were distributed, in rural and upscale areas on the streets of Lebanon throughout November, to engage the public and physically get them involved. The campaign also hit the digital circuit, through emails, YouTube, and Facebook, reaching the Lebanese internet population, who found the forum an outlet for their opinions. On the occasion of International Women’s Day (March 8, 2009), TV personalities were contacted to wear the “kasra” on air and endorse the campaign during that week. As the highlight of the campaign, during a filmed event, the Minister of Education distributed stickers and encouraged prominent women in society to get metaphorically involved with the interactive billboard as well as literally involved on the ground.
The Situation:
Lebanese women cannot give their nationality to their children if married to a foreigner. Lebanese women automatically lose custody of their children above 9 years of age in any divorce battle. Domestic violence against women is widespread. Lebanese women need to actively participate in society and stand up for themselves. We designed a campaign that would help to raise awareness about the inequalities and disadvantages suffered by women that would hopefully lead to widespread cultural reform.
The Strategy:
The agency chose to tackle gender inequality in the Arabic language. Spoken and written words in the media which would otherwise be addressed to men by default, were altered with a “kasra” accent, making them addressed to women. This was extremely relevant to the client which had been heavily researching the depiction of women in the media. With a call for action line that encouraged women to “make your mark”, the target audience that included every Lebanese woman from every possible demographic, was inspired by such a simple idea. The meaning behind literally changing the word empowered them to actually change their reality with their own hands. Knowing that the Lebanese watch a lot of television, their favorite shows were used as yet another channel to communicate the campaign.

HAAGEN-DAZS: HONEY, LET’S LICK THE PROBLEM

honey

Advertising Agency: KETCHUM San Francisco, USA
2nd PR/Advertising Agency: GOODBY SILVERSTEIN & PARTNERS San Francisco, USA
Ching-Yee Hu The Häagen-Dazs Brand Brand Manager
Crystal Hubbard The Häagen-Dazs Brand Communications Coordinator
Diane McIntyre The Häagen-Dazs Brand Senior Public Relations Manager
Dori Sera Bailey The Häagen-Dazs Brand Director, Consumer Communications
Josh Gellert The Häagen-Dazs Brand Brand Manager
Katty Pien The Häagen-Dazs Brand Brand Director
Kerry Hopkins The Häagen-Dazs Brand Brand Manager
Tonya Iles The Häagen-Dazs Brand Manager Interactive
Allyson Savage Ketchum Vice President, Group Manager
Anna Tiedeman Irwin Ketchum Account Supervisor
Daniel Acker Ketchum Interactive Specialist
Dave Chapman Ketchum Partner/Director, Ketchum West
Erica Saviano Ketchum Senior Media Specialist
Jean Ziliani Ketchum Vice President, Senior Media Specialist
Jen Parsons Ketchum Media Specialist
Jon Bellinger Ketchum Senior Account Executive/Interactive Strategist
Margo Schneider Ketchum Vice President, Senior Media Specialist
Matt Stearns Ketchum Vice President, Media Strategist
Nick Ragone Ketchum Associate Director
Rita Gorenberg Ketchum Account Executive
Sara Kerns Ketchum Senior Account Executive
Andrew Bancroft Goodby, Silverstein & Partners Copywriter
Asya Soloian Goodby, Silverstein & Partners Creative Coordinator
Brooks Jackson Goodby, Silverstein & Partners Copywriter
Christine Chen Goodby, Silverstein & Partners Deputy Director of Communication Strategy
Corinne Wolford Goodby, Silverstein & Partners Senior Communication Strategist
Cris Logan Goodby, Silverstein & Partners Designer
Dharnesh Kaur Goodby, Silverstein & Partners Communication Strategist
Erin Fromherz Goodby, Silverstein & Partners Account Manager
Hilary Coate Goodby, Silverstein & Partners Senior Broadcast Producer
James Horner Goodby, Silverstein & Partners Executive Broadcast Producer
Jenny Taich Goodby, Silverstein & Partners Senior Print Producer
Jim Elliot Goodby, Silverstein & Partners Group Creative Director
John Thorpe Goodby, Silverstein & Partners Director of Brand Strategy, Associate Partner
Joshua Spanier Goodby, Silverstein & Partners Director of Communication Strategy
Kelsie Van Deman Goodby, Silverstein & Partners Interactive Producer
Leslie Barrett Goodby, Silverstein & Partners Group Account Director
Margaret Johnson Goodby, Silverstein & Partners Art Director
Matt Rivitz Goodby, Silverstein & Partners Copywriter
Mike Geiger Goodby, Silverstein & Partners Director of Interactive Production
Rebecca Stambanis Goodby, Silverstein & Partners Co-Deputy Head of Brand Strategy
Stephanie Charlebois Goodby, Silverstein & Partners Communication Strategist
Tanner Shea Goodby, Silverstein & Partners Art Director
Tyler Magnusson Goodby, Silverstein & Partners Art Director
Details
Describe the campaign/entry:
The Häagen-Dazs brand (HD) was getting stung by stagnating sales and declining consumer interest. To reconnect with its consumers, HD decided to make its first foray into cause marketing. It found a highly relevant cause upon which 40% of its all-natural ingredients depended for their very existence: honey bees. HD would champion the “disappearing honey bees” by raising awareness of and trying to help solve the underreported issue known as Colony Collapse Disorder. HD loves HB (Honey Bees) was launched with a new flavour dedicated to honey bees, a new logo on all products dependent on the tiny pollenators, a new consumer education website, and print and TV advertising. But the biggest lever was public relations. The PR program added gravitas to the campaign’s tone, formed an expert advisory board, directed donations to research and created a way for thousands to plant bee-friendly habitats to help save bees. The campaign exceeded all expectations. HD saw its highest sales increase in 12 months, garnered 277+ million impressions with $1.5 million in advertising equivalencies, and increased consumer brand advocacy by 13%, reaching 69%, the highest level among 19 different ice cream brands measured.
Describe the brief from the client:
Business: Increase overall revenue growth by 1% over 2007. Awareness: Increase branded media impressions by 25% over 2007 levels (total goal of 125 million impressions in year one; increase awareness of the issue and the campaign). Behaviour: Motivate consumers to plant one million bee-friendly flowers; drive visitors to helpthehoneybees.com; increase brand advocacy over Q1 levels. Research: No major food brand had adopted the issue. The best target audience would be highly educated, active, affluent urban/suburban parents, 35-54 people who support brands that help them and their children learn and practice sustainable living.
Results:
Business: • April sales spiked 5.2% (largest in one year). Sustained 4% revenue growth (April-July 2008). Awareness: • 277 million earned media impressions with paid advertising equivalency of $1.5 million • 1,097+ unique news placements (CNN, AP, NPR, WSJ, Today, NYT, Everyday with Rachael Ray) • 93% of media coverage was overwhelmingly favourable; 100% mentioned brand name • 12-point increase in PR and “buzz” level over previous quarters • In one year, 8-point increase in consumer awareness of issue; 6-point increase in identification of issue; and highest unaided consumer brand recall among companies working to help bees (Omnibus) Behaviour: • 1.2 million Consumers planted bee-friendly habitats with free seeds • 469,798 unique visitors swarmed helpthehoneybees.com (76% above industry average); average of eight page views per visit (82% above average) • Brand advocacy rating jumped 13% between Q1 & Q2 to 69% (highest in category, exceeding rival Ben and Jerry’s).
Execution:
Donation: Awarded $250,000 to Pennsylvania State University (PSU) and the University of California, Davis (UCD) for CCD research; and $10,000 to The Pollenator Partnership. Bee Board: The brand created an advisory board of PSU/UCD scientists and two beekeepers to guide communications and serve as media spokespeople. Industry outreach: Prior to launch, the brand announced the campaign to beekeepers/scientists at an industry conference, engaging experts who became brand ambassadors. Media Outreach: As a media multiplier, the team first went to CNNMoney.com, feeding hundreds of Web outlets and driving local broadcast/print. Million Seeds Challenge: The team challenged supporters to help HD plant one million seeds for bee-friendly habitats, giving enthusiasts “HD loves HB” seed packets. Ice Cream Social on Capitol Hill: During Pollinator Week, the brand and The Pollinator Partnership hosted a Capitol Hill briefing and ice cream social; the HD Brand Director testified before Congress on behalf of CCD.
The Situation:
The iconic HD brand is distinguished by its long standing commitment to all-natural ingredients. For years, HD had enjoyed 7-10% annual sales growth, but by 2007 it was at risk of becoming just another mature brand with stagnating sales and a host of new competitors. As several competitors were proving, brand advocates were becoming increasingly important in the industry. HD needed a long term business solution, something that would make it relevant again to consumers and re-ignite sales. Cause marketing seemed like a smart answer, but HD had no experience in the area.
The Strategy:
Overall Strategy 1) Give target consumers compelling ways to engage frequently with the brand, educating them about the honey bee plight, HD’s concern and the brand’s authentic reliance on honey bees 2) Establish HD as the first national consumer brand to support the issue and put the cause on consumers’ radar in a major way; strategically use the brand name to raise awareness and underscore the brand’s “all natural” brand essence by inextricably linking honey bees with HD. Media Strategy: To expedite mass awareness, launch the story with a “media multiplier.” Expand media targets beyond the usual food and lifestyle outlets to include scientific, agricultural, environmental, gardening and beekeeping trade outlets.

CAMARA DE COMERCIO DE COSTA RICA/ASOCIACION DE FAMILIARES VICTIMAS DE HOMICIDIO: BRING BACK PEACE

bring_back

Advertising Agency: DDB COSTA RICA, San José, COSTA RICA
Creative Credits
Name Company Position
Manuel Travisany Ddb General Creative Director
Carlos Redondo Ddb Art Director
Jose Manuel Chacon Ddb Copywriter
Ariel Arburola Ddb Designer
Esteban Mcclean Ddb Copywriter
David Tencio Omd Media Planning
Aixa Saborio Porter Novelli Public Relations
Details
Describe the campaign/entry:
Rarely can you witness a public relations campaign that changes a country’s legislation and actively involves more than a third of its population. This is one of them. We started off with a campaign that included graffiti, brochures, and some mass media. The intention was to wake up people to the reality that Costa Rica lived under the laws of fear. This struck the entire nation; demonstrations began taking place. Organisations got together to protect the families of crime victims. The voice of twenty four rock bands could be heard through a series of concerts all over the country. Art exhibits with famous painters, photographers, musicians, and poets toured the nation. Their work was shared with everyone who entered the Bring Back Peace site. By the end, we accomplished our objectives: the government reformed Costa Rica’s Criminal Law; in a country of 4.5 million – the “Bring Back Peace” registered 1.5 million clicks in only one month; and most important, crime rates began to decrease.
Describe the brief from the client:
We needed to create a social phenomenon that could influence a government while breeding a change in attitude and behaviour among the people. This would in turn, foster peace and respect for life. Our audience was the entire world. Our ultimate client was the country of Costa Rica. We needed to generate a massive PR campaign for a country whose image was plummeting due to crime. Thus, we needed to involve the people and the media in Costa Rica in order to make them feel that our cause was their cause. The fact that the country’s Criminal Law was obsolete was more than evident: one person in Costa Rica died every day due to violence caused by crime. Immediate action was needed.
Results:
A year after the government signed the Bring Back Peace bill: – The budget for security increased 80% – The law to protect victims and witnesses was approved to combat retaliation – Criminal sentences, for criminals caught red-handed are now decided immediately. Sentencing used to take two years – A new traffic law was approved mandating for the first time that a drunk driver be sent to jail after killing someone – During the first “Bring Back the Peace” march, the Victims’ Family Relatives Association was formed to support the victims – 14 out of the 15 cases presented in “The Value of Life” exhibit were brought to investigation – The laws against terrorism and organized crime are about to be approved – At all times the campaign received free support from the media and from all parties involved – The Government, which initially distanced itself from the campaign, in the end supported and recognized its contribution towards the solution of the problem. – And the most important accomplishment: a year ago… there was nothing.
Execution:
Stage 1. Up to the Head (The Authorities). Everything began when we launched the message “We live under the laws of the criminals”. The message was embraced by the media and it brought people to demand the right for peace in such manner that the government signed the “Bring Back Peace” Bill. Stage 2. Straight to the Heart (The Artists). To involve the younger crowd (crucial in every social movement) we invited local and international artists, to donate their work to the Bring Back Peace cause. Their artwork could be downloaded for free from the Bring back Peace website. In only one month, the site registered 1.5 million clicks, an impressive figure considering the country has 4.5 million people. Stage 3. Down to the Body (The People). Finally, we inaugurated a series of exhibit where the lives of 15 crime victims were showcased. These claimed the respect for life as the central principle to bringing back peace. The most important exhibit took place in Costa Rica’s National Gallery. The exhibits are still touring the nation.
The Situation:
Costa Rica, historically peaceful, was the first nation not to have an army. However, crime, from being almost inexistent, was now taking over people’s lives. The government, led by Nobel Peace Prize Oscar Arias, ironically blamed the legislative power for the increasing crime rates.
The Strategy:
Business strategy: Force the national government (the Supreme Court of Justice, the House of Representatives, and the President) to strengthen laws against crime. Marketing Strategy: To generate an influential campaign where a social wave could pressure the government to sign a new bill against crime. Communication Strategy: Tell people upfront, that Costa Rica was no longer a peaceful nation and that if people wanted to Bring Back Peace, they needed to fight for it. Describe the target audience and their relationship with the brand: We speak to every Costa Rican who is proud about the country’s peace and natural landscapes. Explain the unique insight that shaped the idea – How was it relevant to both the client and the target audience? The core insight of the campaign was “we live under the laws of the criminals”, a very powerful concept that touched people’s hearts. It got the government to assume its responsibility. Furthermore, it made everyone aware that sadly, the spontaneity of every Costa Rican was shadowed by the laws of fear.

Adobe CS4: DTP Job Vacancy

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Brief: To get the most talented DTPer (studio designer) in a highly competitive market where it’s hard to stand out among all the job vacancy ads in this sector. To execute the idea for the same price as a normal ad, but then with a lot of free publicity.

Creative Execution: This creative execution was relevant because DTPers were waiting for the authentic ADOBE CS4 software which was about to be launched. DTPers are working with this software, and therefore this Trojan horse attracted their attention immediately. The design had to look as real as possible. The Box had to look real, but at a second glance it would make you smile. Also the special made programme had to make the DTPer smile.

Creative solution: Infiltrate in companies by delivering a box to the desk of targeted DTPers. The box looked like the new ADOBE CS4 software, but it was a Trojan horse called ABODE CS4, meaning Ad for most Brilliant and Outstanding DTPer Ever. A special courier delivered the packages. Each package contained a DVD and guidebook. The DVD describes the Marketing Agency 2008 and the current vacancy. It includes a software programme we designed so that people could create their own personal letter of application. With one click they could send this letter to 2008. We also designed a special website www.abodecs4.com.

Results: The response of this campaign was overwhelming. We delivered 70 boxes, but received over a 100 applications. The news of our action was spreading everywhere, from our own website www.abodecs4.com to blogs, advertising magazines, computer magazines and even job magazines. We did 20 job interviews and finally we got the guy who was perfect for the job. The box became a product that every DTPer wanted to have. The costs were less than a 1/2 traditional ad in a trade paper (5000 Euro). We got our DTPer and a lot of free publicity for the new company.

Advertising Agency: 2009, Amsterdam
Creative Director Art: Mischa Schreuder
Creative Director Copy: Ramon Stalenhoef
Art Director: Liat Azulay
Copywriter: Jeroen De Korte
Designer: Harm-Jan Van Der Mark, Donnie De Meijer
Technology Director: Remko Postuma

Yubari Resort: City campaign

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With a debt of $353 million, Yubari City in Hokkaido, Japan, went bankrupt in 2007. Our challenge was to promote Yubari, reenergize its citizens, and help erase the debt burden. Our PR strategy focused on the fact that Yubari boasted the lowest divorce rate in the whole of Japan and as such we created the idea, ‘Yubari, no money but love.’ In expanding this idea we created a couple of loveable, yet slightly ironic characters called ‘Yubari Fusai’. “Fusai” means both “debt” and “married couple” in Japanese. Then we collaborated with the City Government to create a series of schemes positioning the city as a destination for happy couples – one of the many promotional schemes we initiated was the formation of Department of Happily Married Couples issued official Happily Married Certificates. Important to our strategy was the need to be upbeat and positive, protecting the sensitivities of the local residents, ensuring that our efforts didn’t demean them in any way. The idea of “no money but love” was an honest, yet endearing articulation of the situation they faced. Added to which, and in a country obsessed by cute characters such as Hello Kitty, the Yubari Fusai icon, proved to be a potent vehicle in generating WOM, print and broadcast PR.

Advertising Agency: Beacon Communication, Japan
Creative Director: Masato Mitsudera
Art Director: Naoki Nishimura
Account Management: Go Suzuki, Hideki Soraoka, Tomoko Shigetome
PR: Mika Archer

Prime TV: Weekend murder scene

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“Weekend Murders. Feature length UK drama, Saturdays 8:30pm on Prime. Summer is a season of volatile TV ratings. How do we promote our show ‘Weekend Murders’ when everyone’s at the beach? We followed them there…and murdered them! Or rather, we gave out pool-of-blood shaped beach towels so that when people lay on them, they looked murdered.”

Advertising Agency: DraftFCB, Auckland, New Zealand
Creative Directors: James Mok, Chris Schofield, Billy McQueen
Art Director: Leisa Wall
Copywriter: Jane Jamieson
Account Director: Jane Wardlaw
Account Manager: Katie Loverich
Production Manager: Mason Clarke
Released: March 2009

Cadbury BournVita: Peeping Kid

BOURNVITA

The fact is, most Indians don’t grow very tall and height of children is a major concern among parents. The Ogilvy & Mather Mumbai challenge was to communicate and demonstrate a very popular health drink, Bournvita’s growth-inducing properties in an interesting manner.

Advertising Agency: Ogilvy & Mather, Mumbai, India
Executive Creative Director: Abhijit Avasthi
Creative Director: Manoj Shetty, Siddhartha Dutta
Art Director: Sreejith Kodoth
Copywriter: Sreejith Kodoth
Photographer: Avadhut

ACAT: Back of seats

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“Victims are people just like you and me. acat.ch Christian campaign to abloish torture.

Advertising Agency: Advico Y&R, Zurich, Switzerland

WorkSafe Victoria: Body-O-Matic

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Unfortunately, there’s no easy fix when it comes to work place incidents. There are no panel beaters, precision painters, restorations or cheap and readily available replacement body parts. When you damage your body in a serious work place incident, the injury is for life. To highlight the consequences of poor work safety practices, WorkSafe Victoria brought to life the terrifying nature of work place incidents with this striking installation. A vending machine designed to sell spare body parts. The Body-O-Matic.

Advertising Agency: Lifelounge, Melbourne, Australia
Creative Director / Copywriter: Daniel Pollock
Associate Creative Director/Art Director: David Ponce de León
Designer: Michael Pham
Model makers: Odd Studio, Sydney
Account Executives: Luke Veale, Richard Hayes
Released: April 2009

MediMax: Shave on the go

MediMaxShaveontheGo

Advertising Agency: BBDO, Dusseldorf, Germany
Chief Creative Officer: Jan Leube
Copywriter: Douglas Tracy
Art Director: Shelley Lui
Account Executive: Steffen Schumann
Account Apprentice: Danae Strauss
Photographer: Ugur Orhanuglu
Editor: Astrid Krause

Jimmy Channel: Two-way mirror

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To introduce the TV show “The Practice” a two-way mirror effect was created in the restrooms of movie theatres.

Advertising Agency: Marcel, Paris, France.

VW Caddy Maxi Life: Quintuplets

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“Caddy Maxi Life. The roomier family car.”

Advertising Agency: Ruth Advertising, Stockholm, Sweden
Art Director: Henrik Täppmark
Copywriter: Tosse Sund
Photographer: C2
Typographer: Anders Nilsson
Model: Nike Claesson
Published: January 2009

FedEx: Mud

FEDEX_MUD

This billboard, complete with fake mud, was put up during the rainy season to show how FedEx puts your package first.

Advertising Agency: BBDO Guerrero/ Proximity, Philippines
Chief Creative Officer: David Guerrero
Executive Creative Director: Joel Limchoc
Executive Creative Director: Simon Welsh
Copywriter: Meggy De Guzman
Art Director: Dale Lopez
Retoucher: Dale Lopez
Retoucher: Manny Vailoces
Producer: Al Salvador

Vick: Boogers

nybooger

“Shoulda used Vicks. NyQuil is #1 pharmacist recommended. Available at your local supercenter.”

Advertising Agency: Saatchi & Saatchi X, Springdale, USA
Executive Creative Director: Dan Streety
Creative Director: Andy Tyer
Art Director: Vincent Straszewski
Copywriter: Sean O’Dell
Designer: Justin V. Leland
Released: December 2008

AMI Sichuan: Earthquake

amiearthquake

AMI is a NGO that sends doctors and nurses to areas hit by natural disasters or wars. To do so it always asks for the public’s contributions. This Y&R Portugal poster that is made of “your turn” tickets. The whole of the poster shows a picture of the destructed Sichuan town in China but when you take off a ticket you both eliminate the image and get a thank you message and the account number to where you should send your contribution. The poster appeared at pharmacies and drugstores.

Advertising Agency: Y&R, Lisbon, Portugal
Creative Directors: Pedro Ferreira, Judite Mota
Art Director: Pedro Ferreira
Copywriter: Judite Mota
Photographer: Corbis news
Released: October 2008