Banco Itaú / Fundación Itaú Paraguay: Writing is living forever

Banco Itaú Print Ad - Writing is living forever
Banco Itaú Print Ad - Writing is living forever
Banco Itaú Print Ad - Writing is living forever

The Week Ahead: NBA Playoffs begin, and Target, Kohl’s give business updates

A look at some of the happenings over the next five days of interest to marketers, agencies and media players.

 

How Microsoft and Michelob Ultra brought NBA fans 'Courtside' in the Orlando Bubble

A breakdown of how the National Basketball Association has welcomed audiences into the hermetically-sealed sports complex

What Historical Moment Is Leon Neyfakh Learning From Now?

The creators of “Slow Burn” have a new podcast.

Mucinex: Back to normal is up to you

Print
Mucinex

Advertising Agency:McCann Health, New York, USA

Hanbel: Hand History

Print
Hanbel

Delete history.

Advertising Agency:Nexus BBDO, La Paz, Bolivia
Ceo:Gabriela Álvarez
Client:David Morales
Creative Director:Israel Blanco
Digital Creative Director:Gerardo Vaca L.
Head Of Art:Christian Morales
Art Director:Mauricio Fernandez
Account Director:Marcelo Cossio
Account Executive:Sindel Góngora

Magnum: Summer Towel Collection


Direct Marketing
Magnum

Advertising Agency:LOLA MullenLowe, Spain

Oakley: One Love, ft Celeste


Film
Oakley

Oakley® unveils a powerful remake of Bob Marley’s iconic anthem – One Love – as part of the brand’s 2020 For the Love of Sport Campaign. The official release aims to inspire hope and positivity during a time of uncertainty by celebrating sport, and how it can enlighten and uplift.

The reworked verses were co-written by Oakley Athletes including Diamond DeShields, Ryan Sheckler, Oksana Masters, Caroline Buchanan and Ítalo Ferreira. This reinterpretation evolves the classic song into a modern-day love story, amplified by an official music video that showcases a dynamic display of passion and determination as viewers follow athletes’ individual journeys and the way sport has impacted their lives and the people around them.

American-born, British-Jamaican singer-songwriter, Celeste, was selected to perform the song because of her ability to convey a message through her soulful-tones and her mantra to create meaningful music that can make a difference.

Advertising Agency:AKQA, USA
European Managing Director:Romain Lartigue
Chief Creative Officer:Peter Ammentorp Lund
Creative Directors:Mads Rasmussen, Clement Vidal
Writers:Harriet McGregor, Barne Heimbucher, Divya Bala
Account Director:Martin Cochet
Senior Strategist:Marwan El Adrham
Production Director:Quentin Bernard
Producer:Amandine Winter, Théo Gall
Motion Designers:Yann Moszynski, Lucas Perret
Production Company:Division
Director:Valentin Petit
Executive Producer:Jules De Chateleux
Editor:Yorgos Lamprinos, Maxime Caro
Line Producer:Alliocha Madeuf
Colorist:Arthur Paux
Dp:Shawn Kim
Steadicam:Teva Vasseur
Post Production Company:Machine Molle
Sound Studio:Chut on vous écoute
Marketing Director:Ben Goss
Creative Director:Laura Vandenbergh

TV8: Banknote of the Stolen Billion

Print
Tv8

2014, Republic of Moldova. Three banks. Several public faces involved, including the Government. One billion $ – vanished into thin air. What has been stolen and transferred to offshore accounts has to be returned by every citizen of Moldova by 2041. The fraud is equivalent to 12% of Moldova’s GDP. As time passed and information was hidden from the public eye, the scandal entered both international media and pop culture. Up until this day, we are all still asking #undeimiliardul? (where’s the billion?) Thus, on the 5th anniversary of the theft, we launched the first ever billion dollar banknote. The project was commissioned by an independent TV channel TV8 and the investigative journalist Mariana Ra??, in order to promote the TV show Cutia Neagr?. On the banknote, we illustrated the operation of the theft, the political faces that got involved, some elements and critically important dates, maintaining the original design of the American dollar. In total, there are around 35 hidden symbols on the illustration. The idea was to leave the viewer to decide for himself what each one of the element meant.

Advertising Agency:Piko, Chisinau, Moldova
Creative Director:Constantin Sarcov
Art Directors:Constantin Sarcov, Alex Burets
Copywriter:Beatrice Tabacari
Executive Producer:Ana Mirza
Bank robber:Nastea Colesnicov
Social Media:Gramatic
Web Development:Amigo
Illustrator:Tatiana Trikoz

High Caliber Guns: Take Your Best Shot

High Caliber Guns Outdoor Ad - Take Your Best Shot
High Caliber Guns Outdoor Ad - Take Your Best Shot
High Caliber Guns Outdoor Ad - Take Your Best Shot
High Caliber Guns Outdoor Ad - Take Your Best Shot
High Caliber Guns Outdoor Ad - Take Your Best Shot
High Caliber Guns Outdoor Ad - Take Your Best Shot
High Caliber Guns Outdoor Ad - Take Your Best Shot

High Caliber in Long Beach, MS is one of the region’s most knowledgeable firearms resellers. With plans to open a shooting range by 2020, the company turned to Cerberus to advise them on a complete, systemic rebranding effort. Rebranded as High Caliber Guns in 2019, the pawn and gun store worked with Cerberus to introduce a new brand mark, inventory access website, print and billboard advertising campaign, and a complete line of High Caliber merchandise for sale on-premises.

Compeed: Protection Before Infection

Compeed Print Ad - Protection Before Infection
Compeed Print Ad - Protection Before Infection
Compeed Print Ad - Protection Before Infection

Gels contained in Compeed dressings are not recommended on open wounds. They are dressings to be used beforehand to avoid blistering and it is the role of Compeed to be a second skin. Idea is simple, buy and put your Compeed on fragile areas before a blistering situation. Protection before Infection.

Hanbel: Hand History

Hanbel Print Ad - Hand History

V&V Real Estate Group: Connected

V&V Real Estate Group Print Ad - Connected
V&V Real Estate Group Print Ad - Connected
V&V Real Estate Group Print Ad - Connected

The New Yorker: The Right Question

Dave Maruchniak directed this stunning new animated spot for The New Yorker, which incorporates black-and-white 2D, 3d, procedural animation, and real-life testimonials from the victims of Harvey Weinstein in an impassioned call for activist journalism.

Havas Media Is the First Agency to Join Prebid

Marketers will now have a larger voice in Prebid, a coalition of ad-tech companies that standardizes programmatic monetization. Havas Media Group is the first media agency to join the coalition’s ranks. Prebid is mostly made up of sell-side ad-tech companies and publishers, so adding a buy-side member can help guide the design and implementation of…

Mucinex: Back to normal is up to you

Mucinex Print Ad - Back to normal is up to you
Mucinex Print Ad - Back to normal is up to you
Mucinex Print Ad - Back to normal is up to you
Mucinex Print Ad - Back to normal is up to you
Mucinex Print Ad - Back to normal is up to you
Mucinex Print Ad - Back to normal is up to you

Smart Fit: Hormones of happiness

Smart Fit Print Ad - Hormones of happiness
Smart Fit Print Ad - Hormones of happiness
Smart Fit Print Ad - Hormones of happiness

The practice of sports is a great ally in the treatment of depression, anxiety and in improving the quality of life. The hormones of happiness make us happy and motivated, however they are only released during physical activity, it is not possible to simply buy them at the pharmacy. During the pandemic, fear and uncertainty took over, thus reinforcing the importance of not abandoning the gym and practicing physical activities, since they bring numerous benefits to physical and mental health.

Hellmann's: Hellmann's vs. Virtual Food Waste

Hellmann’s Canada is turning virtual food waste into real meals for people in need. For each spoiled turnip that Animal Crossing players drop off on Hellmann’s Island, Hellmann’s will donate a meal to Second Harvest. The goal: 25,000 virtual spoiled turnips/real meals. Hellmann’s believes food is too good to be wasted. Even virtual food. Hellmann’s created the first-ever branded 5-star Animal Crossing island for the virtual activation.

Shruti Anand : Illustrator, Graphic Designer

Shruti Anand is a Visual Communication Designer based in Delhi, India and a Co-founder of LSD, Learn Something Different. LSD is a platform where one nurtures the inner creative hidden inside each one of us and is a space where all aspects of creativity come together to celebrate the diversity in articulation and expression. She is also an ardent adorer of all animals, a budding sculptor who likes creating funky ceramic masks and has a second degree black belt in karate!

A little about yourself:

I am a Visual Communication Designer based in Delhi, India and a Co-founder of LSD, Learn Something Different. LSD is a platform where one nurtures the inner creative hidden inside each one of us and is a space where all aspects of creativity come together to celebrate the diversity in articulation and expression. Also, I am an ardent adorer of all animals, a budding sculptor who likes creating funky ceramic masks and has a second degree black belt in karate!

Why are you a Graphic Designer?
It has always been quite intriguing what emotions and thoughts the first cave painter’s prehistoric art piece evoked in the people around her/him/them. It is absolutely mind blowing the infinite range of emotions graphics can evoke in humans and animals. There is just something art does that words can’t convey. Like Edward Hopper once said, “If I could say it in words there would be no reason to paint.”

Graphic Design quite literally means visual communication. All designers and artists are the bridges between thoughts and words. To be able to design the perfect visuals to translate the client’s thoughts into the vivid words they want to convey is the creative process that excites me the most and which is why I chose the path of a Graphic Designer.

Did you attend school for fine art or design?
Yes, I graduated from Srishti Institute of Art, Design and Technology with a degree in Visual Communication and Strategic Branding in 2016.

You have a distinct style of Design. How long did it take you to develop your style?
It has definitely been a relatively long and interesting process. My parents had a huge role to play in it as they have been extremely supportive of this creative journey. I remember as kids they would give my sister and I big markers and let us, nay, encourage us to scribble on everything possible. The walls, furniture, doors, dogs and even they were scribbled upon! 

I was a complete introvert growing up in a house full of extroverts and art was my voice. When we had guests over, I used to sit with my sketchbook and pencil, listen to fascinating conversations, absorb and express through my art. It was quite liberating as I was able to be part of conversations that I probably did not understand at that time but which really helped shape me into the person I am today. My mom also brought some amazing and inspiring people into our lives and their conversations were always exceptionally mentally stimulating. What is most fascinating is that when I look back at my childhood drawings I can link and recall each conversation that happened with every tiny stroke. 

How did you focus so much on graphic illustrations? When did you realise you loved doing it and wanted more of it?
In most of the illustrations that I create for personal explorations, I draw directly with any pen. That is a technique that really helped me gain confidence in my work and develop the skill further. When there is no way to erase the “mistakes”, you end up finding a way to work around them or with them and create something which you would have never thought of. Different mediums bring out different styles. When I use a thick graphite pencil I always create big sketches with bold strokes but when I have a fine tip pen I end up creating intricate illustrations. 

I always knew I wanted to go into the creative field but did not know what I would be specializing in. I am glad I chose Graphic Designing as I love what I do and wouldn’t want it any other way.

Your designs have incredible amount of vivid detailing. There also seems to be influences from traditional Indian tribal art. Can you please talk a little about it?
It was never clear to me why I adopted a style that was so detail oriented. I understood it the day my Violin teacher asked me if I knew what my name meant. I always had a vague idea that it had something to do with sound but wasn’t sure. He then explained that it is the smallest interval of pitch that the human ear can detect and a singer or musical instrument can produce. It was a big moment of revelation as I then understood why I loved going into the finer details of each artwork as all of our names do eventually define a very strong characteristic of our personalities.

My mother is extremely passionate about art and I am so grateful for the exposure she has given me. We grew up knowing several wonderful artists and visited art galleries, art fairs and craft bazaars regularly. One day, I remember we had gone to NGMA and my eyes glanced towards a painting by Jamini Roy. I stood there mesmerized by the eyes of the women in the painting for hours. His work felt so bold and graphic. There was such powerful freedom in his strokes. Apart from that we had some really inspiring works in our house – prints of Gustav Klimt’s paintings, French movie posters, Friedensreich Hundertwasser’s paintings, African sculptures and some stunning traditional Madhubanis and Thangkas which I am sure have strongly influenced my style in different ways.

Were there any particular role models for you when you grew up?
Definitely! I am so grateful for having such strong role models growing up. One of my biggest role models till date is Anjali Gopalan. I don’t think she needs any introduction as she is phenomenal. I could not emphasize enough how much I love and respect everything she is and all that she stands for. The way she has woven her life around helping animals and people selflessly is something I strongly aspire to do in this lifetime. Apart from her, there are of course my parents who have been too cool, open, accepting and strict where they had to be. Also, the countless other role models to whom I am ever so grateful.

Who was the most influential personality on your career in graphic design?
In college we had the most brilliant faculties and out of them my favorite was Alison Byrnes. For my final year at Srishti, I was lucky to have her as my faculty all year round. Two of my favorite projects, Cosmythology and Knots & Crosses were done under her guidance. Alison’s way of teaching was so intricate, meticulous, exciting and fun that you genuinely looked forward to each class. I remember no matter how ridiculous your project proposal was, she would find a way to guide you into a direction that turned it into something incredible. That is truly a mark of a brilliant teacher who does not force their ideas upon you but guides you into carving your own path. The amount of knowledge we gained in every class was infinite. She really helped form a solid base to my journey as a Graphic designer.

When did you start freelancing?
Straight out of college! I really wanted to experience what freelancing was like since the idea of working on projects from scratch and handling all aspects of it was something that really excited me. While I was applying and heading for full time job interviews I was also trying to fetch some freelance projects on the side. I had, like a super enthusiastic graduate, applied to hundreds of places and expected some immediate responses. When in the first few days only 2-3 reverted, I applied to more. Little did I know that these things take time. Suddenly there was an excessive inflow of opportunities and I was thrilled and frightened at the same time. Thus for the first six months out of college, I was working on these freelance projects which helped me gain so much knowledge into how real life Graphic Designing actually worked. The amount freelance taught me was next level. I started working at Green Goose Design after these six months but eventually went back to freelancing as I enjoyed it too much.

Was there any time when you wanted to quit graphic design?
Quit? Never! Sure, like other freelancers, I initially doubted whether to take up a full time job or continue with freelancing but whenever I went through a time where work was slow, I would work on creating and uploading my portfolio online and that helped me get right back on track.

Are many advertising agencies hiring graphic designers? Do you work more with agencies or publishers or direct clients?
For my first internship, I interned with McCann Erickson and was blown away how fast paced the world of advertising was. It was exhilarating but scary at the same time. There are many advertising agencies who hire graphic designers for full time positions as I do receive such opportunities via mail.

I prefer taking on direct clients, however, I am always open to all sorts of new opportunities. 

Do you have clients who give you steady work or do you advertise for new clients often?
Yes! I do have clients who give steady work but I still keep an eye out for new projects as well. Freelancing is very unpredictable and it is best to take on as many projects as you can handle because you don’t know when or where the next one will come from.

How do you market yourself?
Usually, I depend on sites like Behance, instagram, linkedin, dribbble and direct mail but most of the projects I get are through behance so I put all my efforts into that.

Any other Indian graphic designers who you admire?Thousands! I don’t even know where to begin but currently I have been obsessed with these super talented sisters, illustrators and Graphic Designers – Sandhya and Chaaya Prabhat. 

What advice do you have for aspiring creative professionals? Would you advise them to take on graphic design as a career option?

  1. Always patiently explain to the client what the specific service you are providing entails. Most clients have little to no clue of the design process because that is the reason why they are approaching you but that doesn’t mean you keep them in the dark. Explain in detail the design process, timelines, deliverables, rounds of modifications, payment structures and the terms and conditions.
  2. Fix timings. I can not emphasize this enough. Work from 10-6 (Monday to Friday) and request the clients to drop an email post those timings. If you are freelancing you need to segregate work time and personal time for your mental health. 
  3. This is a given – never work for free. If you don’t value your work why would anybody else? Only if the project is something you are extremely passionate about and you feel it would be a great addition in your portfolio, only then consider it. There will be several such opportunities in your first year and only you can be the best judge of whether you should take it up or not. 
  4. Set monetary goals for each year. If you are freelancing, it is very easy to fall back and give excuses such as work is slow, market is down, client took time to respond etc. You can even set per project goals like “I will only take up projects above 50k for the coming 6 months”. It can be challenging but very satisfying when you are able to achieve those goals. Afterall you are your best cheerleader in the world of freelancing.
  5. Lastly, I remember how confusing it was to set design charges initially. If I asked my seniors they would suggest charges based on their experience and I would feel uncomfortable with that amount. Only you can know your true worth. In your first few years, yes, ask for advice but never charge an amount that you would be uncomfortable working under. Be confident, know your worth and feel free to reach out if you ever want to understand anything. Always happy to help.

Do you think Clients are opening up to keeping aside a decent respectable budget for design work? Do you think clients are understanding that they need to invest in Design as a communication tool and also to cut the clutter, and that good design comes at a price?
Definitely. Few years ago, I remember, clients would approach for design work 2 weeks before launching their product! Now, I have seen a drastic shift in clients actually keeping a decent amount of time and funds for Graphic designing.

Mac or PC?
PC! Just kidding, I succumbed to the beauty of Apple products when I got my iMac. Now, I am really looking forward to buying the 12.9-inch iPad Pro with Mini-LED | 2021

Who would you like to take out for dinner?
During this pandemic? The person who develops the permanent cure to Corona, please. 

What’s on your iPod? Spotify?
Recent 5 artists on loop – Pink Sweat$, Leon Bridges, Sawyer Fredericks, Billie Eilish and Darkside.

What’s your Twitter Handle? Instagram?
Instagram: shrutiannand | https://www.instagram.com/shrutiannand/

Shruti Anand Illustration, Graphic Design

The Week Old Hollywood Finally, Actually Died

The streaming services are in charge, and bringing a ruthless new culture with them.