Azaad Ke Rang Safed by YUWEUS, Kolkata

Title: AZAADI KA RANG SAFED BY YUWEUS, KOLKATA
Agency: YUWEUS, Kolkata, India
Creative Heads: Sanjeev Dassani & Aanton Mookherjee

Fortnite court fight heats up and TikTok may have a new suitor: Tuesday Wake-Up Call

Meanwhile, Cardi B meets Joey B; Hulu wants more small business advertisers; and DoorDash jams with NBA.

Kruger Products: Unapologetically Human

Crisis: #HomeForAll

Crisis Integrated Ad - #HomeForAll
Crisis Integrated Ad - #HomeForAll

Back in March, in the wake of the COVID-19 pandemic, the effort to provide all those sleeping rough or in crowded night shelters with hotel and emergency accommodation undoubtedly saved lives. During this time, the UK made unprecedented progress toward ending homelessness. In England alone, nearly 15,000 people experiencing homelessness, including the majority of people sleeping rough, were provided with safe accommodation in a matter of days. However, as we continue to near the end of lockdown, the charity is galvanising the British public to join the cause, building off the achievements and momentum of the past few months to unite the public under the belief that the end of homelessness is within our reach.

Crisis’s #HomeForAll campaign, developed by newly appointed FCB Inferno, is a commitment to see that the temporary measures that were put in place to help people experiencing homelessness are built upon and made permanent so that no one has to return to the streets. The campaign itself is a rallying cry for the public to join arms in creating a home for all from now on.

The integrated campaign has a distinctive look and feel which was developed to reflect all the ways we as a society could help to end homelessness, with graphics that bring to life the tangible actions and ways of communicating that will ultimately lead to us achieving our goal. A social film also brings to light just how much has been achieved and puts a spotlight on the tangible ways that the public can help end homelessness for good.

Six artists have been enlisted to bring to life a series of statements and the unifying ‘Home for All’ declaration that help reframe the issue of homelessness. A group of artists with differing styles have been assembled, infusing each design with its own distinct personality. The artists include James Daw, Olivia Rose Southern, Ailsa Yexley, Hattie Fellowes, Luke Smile and Ashley LeQuere.

The resulting suite of statements have huge tonal variance, shifting from optimism to frustration to compassion. Social media users will be asked to share the messages that happen to resonate with them on their own social channels to help show their support.

Aviation Gin’s Big Buyer; Tushy Wins With Butt Health and Humor: Tuesday’s First Things First

Welcome to First Things First, Adweek’s daily resource for marketers. We’ll be publishing the content to First Things First on Adweek.com each morning (like this post), but if you prefer that it come straight to your inbox, you can sign up for the email here. Diageo Is Buying Aviation Gin, Will Keep Ryan Reynolds as…

Fortnite court fight heats up and TikTok taps Zenith: Tuesday Wake-Up Call

Meanwhile, Cardi B meets Joey B; Hulu wants more small business advertisers; and DoorDash jams with NBA.

RSM Australia: We Understand

Perth creative agency, Lateral Aspect, have created a new campaign for global business services provider, RSM Australia’. There are two spots in the ‘We Understand’ campaign, that aims to raise national awareness of the brand. Both were shot in stunning areas of regional Western Australia.

jbs: Too Soft to Take Off

jbs Integrated Ad - Too Soft to Take Off

Made of bamboo JBS has created a line of underwear you don’t want to take off – no matter what, where, and when. JBS has joined forces with &Partner to create a campaign aiming to make us all understand just how soft their underwear is. Simply ‘Too Soft to Take Off’.

Tata Pravesh: #DoosriAzaadi

After what felt like a never ending period of lockdown, unlock is now underway. The country is setting foot outside the door, savouring freedom after many months of confinement. But with independence comes responsibility. Are we being socially responsible when we venture outside?

The answer is a resounding NO. Many of us are violating two of the three cardinal rules. We are neither maintaining social distance nor are we wearing a mask. And, to make matters worse, we are often stepping out not because we must but just to catch up with friends or visit relatives. It seems that we are taking Unlock as the license to mingle.

The number of infected people are rising everyday. Yet we are oblivious to the exponential increase in numbers. One of the reasons for the spurt in cases is get togethers of friends and relatives. This is a high-risk activity as it takes place usually in an enclosed space and can therefore lead to further spread of the virus..

In the new normal, freedom more than ever before, expects more from us. It’s imperative to be socially responsible for a safer tomorrow. This is one message that had to be delivered and what better time to put this across than on our 74th Independence Day.

India had to be reminded that it should set foot outside the door only when it’s absolutely necessary. And who best to remind our countrymen than Tata Pravesh, a brand of steel doors from Tata Steel – a company whose steel built the nation and who has always kept the welfare of the nation and the well-being of our countrymen at the top of its agenda.

Tata Pravesh has always endeavoured to open minds through its thought provoking films for Mother’s Day, World Environment Day, World AIDS Day and Election Day. A film for digital media was the perfect way to drive home the message that freedom and responsibility are two sides of the same coin.

The film, created by Wunderman Thompson in association with SVF Brands, revolves around the interaction between a father and son in the morning of Independence Day. They are played by the real life father-son duo – noted Bengali actors Kaushik & Riddhi Sen. The son is about to step out to spend time with his friends. He has grown tired of being confined to the four walls of his home and is looking forward to bonding with his buddies. His father catches him leaving out of the corner of his eye and enquires what he is up to. When the son tries to justify his action saying how he is bored just setting at home for months on end, his father gives him examples of freedom fighters like Gandhiji, Netaji & Nehru who spent months in confinement, at home or in prison, just so the country could gain freedom.

Unable to figure out where his father is going with this, the son asks exasperatedly, “So what papa?!”. To which the father replies that sometimes we need to make sacrifices for the greater good of the nation. The son is now totally confused and enquires aloud what freedom could the nation possibly gain if he chooses to stay inside. The father replies, “Ek doosri azaadi…Iss mahamari se.”

That’s when the penny drops. The son finally gets the point his father is making and shuts the door. The film ends with the super ‘Step out, only if you have to. Let’s sacrifice our freedom to set the nation free.’ as a reminder to us to leave home only if it’s absolutely essential.

Gay Times / Amplifund: It can happen, it does happen, it will happen

Gay Times Outdoor Ad - It can happen, it does happen, it will happen
Gay Times Outdoor Ad - It can happen, it does happen, it will happen
Gay Times Outdoor Ad - It can happen, it does happen, it will happen

The campaign centres around three phrases, ‘it can happen,’ ‘it does happen,’ and ‘it will happen,’ to challenge how we perceive queer livelihoods, and features stories from LGBTQ+ individuals living in Jamaica, Iraq and Armenia. Their words are displayed in a unique and striking fashion with the personal stories mixed in emotions, from inspirational and uplifting to a solemn tone, allowing the audience an exclusive insight into the everyday experiences. These experiences are enlightening, encouraging LGBTQ+ audiences here in the UK to challenge how they perceive the lives of their LGBTQ+ siblings in other countries.

GAY TIMES Amplifund is working tirelessly to educate media outlets in the best ways to talk about and promote LGBTQ+ stories, as well as handing over UK media spaces to partner charities to share their points of view in the western world too. The latest social and digital images from Grey London drive audiences to the online hub where they can read of experiences and perspectives that differ from their own.

Casting alone won't cut it: Is your brand just paying lip service to multicultural marketing?

Nine experts weigh in on why ads targeted toward Blacks and Hispanics aren’t authentic enough.

Arm & Hammer: More Power To You

The spot showcases AbsorbX, the first cat litter that uses odor-absorbing “Desert Dry” minerals, by taking a trip to a desert dry outpost in the Old West. Bringing a sense of humor and practicality to the subject of cat litter, these spots offer a fresh take on the ‘expected’ cat litter ad. For a new approach in a typically straightforward and “icky” category, The Arm & Hammer and VIA teams partnered with the CGI powerhouse Moving Picture Company (the force behind the live action The Lion King movie) to bring these western cats to life. This campaign is a cinematic, surreal and an adorable metaphor for what cat owners will really experience – which is a litter that will absorb and dry the stuff that smells faster than any other litter they’ve used.

McDonald's: Happy Meal Bird Box

Every third species of birds in Finland is endangered. Especially small forest birds have a hard time finding a safe place to build nests. To support the community, as well as the nature around us, the Happy Meal Bird Box campaign is bringing over 1,400 Happy Meal box look-a-like nest boxes to Finnish forests. McDonald’s Finland is giving out Happy Meal Bird Box DIY sets to families buying Happy Meals, so they can easily build their own nest boxes. The set includes all the needed parts to put together a Happy Meal Bird Box.

Now even the smallest families will have a place to eat together.

Hanbel: Virus Vs. Virus

The Warehouse: Heart Is Where The Home Is

The Warehouse, New Zealand’s largest retailer has products that are integral to every Kiwi home. So, to reinvigorate a connection with the brand and customers, it felt right to center around home and the feeling it provides: a safe haven in current times. Partnering with Ruby Jones allows us to tap into her iconic illustrative style which is known for its kindness, diversity and inclusion. And tapping into a child’s mind allows our imagination to fly. While in a dream like state a young girl journeys around her room, encountering all the toys, characters and objects within it, which all come to life and play a part in her adventure.

Asos: Cool kids forever

Asos Print Ad - Cool kids forever
Asos Print Ad - Cool kids forever
Asos Print Ad - Cool kids forever
Asos Print Ad - Cool kids forever

“Asos Market place” is a website where you can find vintage clothing worn by young adults in the 90s. The young adults of the 90s had children. These children are now 20 years old and are wearing the clothes their parents used to wear in the 90s. Asos celebrates the cool kids of yesterday and today. They are cool kids forever.

Carey: Life doesn’t need balance

As we celebrate International Women’s Day, Carey is launching a new campaign that supports women’s liberation from all the pressure imposed by society. This personal care brand wants them to let go of that perfect balance and impulses them to care less about what they have to do, should do or can do with their lives. It’s from this thought that the following powerful message was born: “Life doesn’t need balance. Your skin does.” An invitation to be free and to get rid of all the prejudice and rules about the role of a woman.

Mercedes-Benz: Charge to Change

The volume of PHEV sold in Thailand has increased significantly since its first introduction. However, the technology’s perk as being able to reduce PM 2.5 emission is excessively underutilized. Digging into the matter, one of the root cause is that the owners of PHEVs are not acquainted to the habit of charging their vehicle, daily. With that in mind, Mercedes-Benz Thailand and Publicis Emil Thailand set out on a campaign to create a new habit of charging the vehicle, believing the simple act from every PHEV owners’ effort will accumulate and create significant change in the air condition, hence the name of the campaign “Charge to Change”.

SmartWay: SmartWay – Rube Goldberg machine

Everything that moves you in one app. One single touch is enough to see every possible way of transport – SmartWay connects every vehicle seemlessly. This is dramatized in a 1-minute-one-take-film with a real handmade Rube Goldberg machine.

Brizo: Jason Wu for Brizo

Brizo Integrated Ad - Jason Wu for Brizo
Brizo Integrated Ad - Jason Wu for Brizo
Brizo Integrated Ad - Jason Wu for Brizo

Brizo and its agency of record, Young & Laramore, who have announced the launch of a new kitchen faucet line with esteemed fashion designer, Jason Wu. While this may seem like an unlikely pairing, the agency (which helped create Brizo in 2006) has always maintained that Brizo isn’t a faucet company, it’s a fashion label. This led to the agency introducing the brand to a young fashion designer named Jason Wu that same year. As his label rose to prominence, so did Brizo. The brand has been a key sponsor of his runway shows, and in 2012, the two made headlines by collaborating on the Jason Wu for Brizo Bath Collection.

The 2012 Bath Collection was renowned for its matte black finish. Black fittings weren’t popular yet in the interior design world, but Jason and Brizo’s vision quickly caught on and the collection became an instant classic. For the Kitchen launch this year, they chose something equally groundbreaking, but completely different from the Bath collection – a matte white finish. And with fashion at the heart of the brand, Y&L focused on bringing to life a vision as stunning as the collection itself in the launch campaign. The team took cues from Jason’s own inspiration and Fashion Week shows, using florals to showcase the collection’s distinctive matte white finish.