Five years ago, Breaking Bad took a victory lap at the Emmys, winning five awards for its final season, including outstanding drama series, and acting trophies for stars Bryan Cranston, Aaron Paul and Anna Gunn. Sunday night, the show once again found itself in the Emmy spotlight–this time because Netflix unveiled footage from its upcoming…
When the 2018-19 TV season began a year ago, ABC only premiered half of its fall shows during that first week, choosing instead to stagger its fall rollouts over a month. That decision was made in part to give some breathing room to the seven new shows it was rolling out and also because ABC…
Today I work in two industries–tech and advertising–that care deeply about diversity, but where old habits have held back progress. We have made progress but, like many in the industry, the journey is ongoing. For instance, sitting in creative reviews over the last year, there was more diversity in our casting. We have been auditing…
From Rent the Runway to Adorn, rental companies are all over Instagram feeds. But why are consumers renting instead of buying, and who is part of this trend? According to new data from market research firm Lab42, most renters are Gen Zers and millennials looking to make practical choices. The most common reason for renting…
Since May 2018, General Data Protection Regulations (GDPR) have been enforceable across the EU, with ad-tech companies both big and small now facing fundamental questions over their core functions. The main questions focus on how the online ad ecosystem transfers audience data between players and casts doubt over their value proposition. While some data protection…
It’s not easy being an ad agency these days. Changing models, consultancies, procurement, performance-based marketing, in-housing, project work versus agency of record. And yet, Adweek’s inaugural Fastest Growing Agencies list proves that it’s still possible to not only rise to these challenges but to succeed wildly. On average, the first class of Fastest Growing Agencies…
It’s the final night for two longtime Emmy favorites, “Veep” and “Game of Thrones,” but it may not be a lock for either show.
Who wrote the 1971 song’s opening passage, Jimmy Page and Robert Plant or Randy Wolfe? The music industry is hoping to get an answer on what makes a song original.
Former researchers for a “food computer” initiative at the lab say the project’s leader misled outsiders about how it was going.
Hollywood’s nicest C.E.O. satellite-dishes on Katzenberg, Murdoch and why he, too, is disturbed by Twitter.
(TrendHunter.com) With the September 2019 unique trends, some outlandish concepts and combinations come to our attention. Amid the bizarre products that will certainly cause some to raise an eyebrow is Branston Pickle&…
(TrendHunter.com) The September 2019 life stages trends have something for everyone. The list boasts the AKO bicycle which adjusts to the rider’s growing. This enables parents to spend money on a children’…
Entre “Hereditário” e “Midsommar”, os dois projetos que o introduziram no formato dos longas-metragens, Ari Aster parece ter como norte maior de seu cinema o entendimento de que há na sociedade contemporânea uma desconexão do indivíduo com seus laços emocionais maiores, uma noção que obviamente ele vem buscando converter como proposta de horror. Não à …
O post Em “Midsommar”, o horror está na desconexão dos laços afetivos apareceu primeiro em B9.
Baseado no livro de David Morrell “First Blood”, “Rambo: Programado Para Matar” se tornou um clássico eternizado no cinema de ação dos anos 80. O que faz da obra de 1982 um longa tão icônico, porém, não é somente a ação em si, mas também sua contextualização política: o filme de Ted Kotcheff foi lançado …
O post “Rambo: Até o Fim” não percebe o próprio potencial que possui apareceu primeiro em B9.
(TrendHunter.com) This 1979 Airstream Argosy has been completely renovated by Kyle and Olivia Brady of Drivin’ & Vibin’ into a well-appointed living space for the nomadic couple to live as they travel….
competitive:
Cox Media Group:
Gamut (www.gamut.media) is a digital media services company backed by Cox Media Group (a multibillion dollar media conglomerate). Our mission is to ma
Remote City, Florida
The actress and comedian served as the on-camera host and narrator for the enormously popular show for nearly a decade starting in 1999.
Tension has grown among a 6,000-person work force as it waits to sell company shares, people with knowledge of the situation said.
The popular “Game of Thrones” and the critically adored “Fleabag” are among the nominees at a time of canceled parties and a legal fight between TV writers and their agents.
Em mais uma empreitada para mostrar que seu aplicativo vai além dos matches entre casais, o Tinder anunciou o lançamento da série “Swipe Night”, que apresentará uma narrativa na qual os usuários fazem uma série de escolhas para prosseguir, formato que a Netflix já explorou com o episódio especial de “Black Mirror: Bandersnatch”. Os episódios …
O post Tinder cria série em que usuários fazem sua própria narrativa – aos moldes de “Black Mirror: Bandersnatch’ apareceu primeiro em B9.
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