Thursday Wake-Up Call: Walmart vs. Amazon. Plus, what Crock-Pot can teach you about crisis management


Welcome to Ad Age’s Wake-Up Call, our daily roundup of advertising, marketing, media and digital news. What people are talking about today: A new study looks at gender parity in advertising from a new angle by examining how many brand mascots are male. Just think about it: There’s Mr. Clean and Mr. Peanut, the Michelin Man and the Pillsbury Doughboy. It’s harder to think of the women (besides, say, the pigtailed lass of Wendy’s and the Chiquita banana lady with the basket of fruit on her head.) According to the study by the The Geena Davis Institute on Gender in Media, “male mascots outnumber female mascots two-to-one.” The report also looks at how mascots fuel racial stereotypes, too. As Ad Age staffers write in this week’s Marketer’s Brief, “the study was done in partnership with the The Jel Sert Company, whose Otter Pops brand recently added three new female otter mascots to achieve gender parity.” As Jezebel writes, “Could it be that the calls for diversity in popsicles were finally being heard?”

Walmart vs. Amazon

Walmart, trying to battle Amazon on many fronts, just offered up $16 billion for a majority stake in India’s e-commerce giant, Flipkart. Flipkart is the biggest e-commerce company in India, though Amazon is a strong player there too. Walmart surely sees the untapped potential in a country where only 5 to 10 percent of people have ever bought something online, a figure noted by The Economist. But investors were skeptical about Walmart’s move, especially given the pricetag. India’s e-commerce market hasn’t fulfilled early expectations and “as a whole is worth a puny $15bn or so, compared with nearly $500bn in America and double that in China,” as The Economist writes. Plus, Walmart seems constantly to be making incursions into Amazon territory, such as by buying Jet.com. Scott Mushkin, a retail analyst at Wolfe Research, told The New York Times that Walmart seems “to be somewhat Amazon obsessed.”

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Google in review: A look back on the innovations of Cannes Lions' Creative Marketer of the Year


Seven years after Google earned its first Grand Prix at the Cannes Lions International Festival of Creativity, it has earned the title of Cannes’ 2018 Creative Marketer of the Year.

The company joins a lineup of past honorees that includes Burger King, Samsung, McDonald’s and Heineken. Since Google’s first top honor at Cannes, for a groundbreaking interactive experience for the band Arcade Fire, it’s won six other Grand Prix spanning a range of categories, including mobile, cyber and product design, among its 127 Lions in total.

“Alongside its obvious achievements as a technology company, Google as a brand has crafted a reputation for marketing campaigns that are bold, courageous and creative,” said Jose Papa, managing director, Cannes Lions in a statement. “We’re proud to be able to honour them with this prestigious award and also look forward to launching the Google Creative Campus at this year’s Festivalanother testament to their commitment to furthering creativity.”

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WPP's new 'Team Energy' retains global BP account


As the industry watches WPP following the exit of chief executive Martin Sorrell, the world’s largest advertising holding company notched a success, retaining the global work for BP’s corporate, fuels and Castrols businesses. It’s a new style of relationship with its longtime client.

“As we enter the third decade of our relationship, we have agreed on a completely new way of working to enable easy access to the best talent and ideas that WPP has to offer,” Geoff Morrell, group head of communications and external affairs at BP said in a release.

“Team Energy” will provide advertising, media investment management, digital media, marketing communications, branding, PR and brand research from WPP agencies including VML, Ogilvy, Mindshare, Grey, Essence and others, WPP said in a statement. Its new “flexible media model,” called “EnergyMedia,” will also combine talent from WPP agencies.

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Lyft’s Poppy, Colorful New Look, Signature Font and Icons Are Meant to Energize the Growing Brand

Lyft has a new look. The company created a signature font, icons and expanded its color palette–adding “a dynamic secondary palette,” according to Lyft creative director Jesse McMillin–as a way to energize and elevate the growing ride-sharing company. Created by the company’s in-house creative team, the new look is part of a broader strategy to…

San Miguel's 'Rich list' campaign is back with a social experiment

San Miguel, the Spanish lager brand owned by Carlsberg UK, is helping people find out whether material goods or experiences matter most to them.

WWII-Inspired Electric Bikes – Vintage Electric's 'Scrambler S' Takes Cues from Mid-Century Bikes (GALLERY)

(TrendHunter.com) The motorcycles of the past have given way to speed-centric sportbikes and ostentatious choppers, so the new ‘Scrambler S’ from Vintage Electric is looking back to some classic designs….

Catholic-Inspired Haute Couture Exhibitions – The Metropolitan Museum of Art's Exhibit is Heavenly (GALLERY)

(TrendHunter.com) The celebrated Metropolitan Museum of Art in New York City artistically exhibits the strong impact the Catholic church has on the stylistic development of haute couture. In a rich line-up of…

Alexa and Siri Can Hear This Hidden Command. You Can’t.

Researchers can now send secret audio instructions undetectable to the human ear to Apple’s Siri, Amazon’s Alexa and Google’s Assistant.

If the pitch process is broken, what is the alternative?

Brands and agencies are in agreement that the traditional pitch process is no longer “fit for purpose”. What is less clear is what will replace it as a means of marketers selecting agency partners.

ITV expects 2% ad revenue rise thanks to World Cup and digital growth

ITV is expecting ad revenues to rise 2% in the first half of the year thanks to strong online growth and the World Cup in June which should offset a plunge in April.

Brands 'missing out on £3bn profit' by ignoring newsbrands

Advertisers are underspending on newsbrands to such an extent that they are losing out on £3bn of potential profit, the latest effectiveness research from Newsworks has found.

Animal Planet: Love is natural

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Animal Planet

Advertising Agency:Y&R, Istanbul, Turkey
Executive Creative Director:Ay?e Ayd?n Erdo?an
Creative Directors:Mehmet Güney
Creative Group Head:Ozan Aslan
Art Director:Ozan Aslan
Copywriter:Can Y?ld?z
Client Services Director:A?k?n Ba?
Brand Manager:Fadime Pekta?
Retoucher:P Blok, Onur Aynagoz
Agency Producer:Alihan Dobada
Strategic Planner:Burak Kaçi

Pitch update: Butlin's, Mercedes-Benz, GSK, BP, and more

The Butlin’s creative account review has moved to chemistry stage, while GSK and Godiva have launched global reviews. Elsewhere, WPP and Dentsu have retained big global accounts.

Campaign Diary: hot grumpy MPs, furry friends and rude restaurants

The Advertising Association’s chief faced some snark in Parliament, while Uncommon’s Nils Leonard went back to basics in his attempts to find new staff.

Secret Cinema debuts Romeo and Juliet summer festival

Secret Cinema is bringing Baz Luhrmann’s adaptation of Romeo and Juliet to life for an estimated audience of 5,000.

Correlation does not imply causation

How the world's first Twitter bot helped London's commuters on the go

In 2015, the Twitter platform changed, with tweets no longer appearing in chronological order. This presented a problem for Transport for London (TfL) – its approach of providing real-time, minute-by-minute information no longer worked.

One-word answers with Sainsbury's Mark Given

The supermarket’s marketing director reveals which aisle he heads for first when doing the shopping and what he looks for in agency partners

Turkey of the week: Co-op's bank holiday ad lacks imagination

Everyone loves a bank holiday, especially when the sun comes out.

Pick of the week: Mother made a comedy song with a serious message to fight trolling

Mother took the right approach in a campaign fighting back against online trolls.