Watch the Newest Ads on TV From Bose, Bud Light, Xbox and More


Every weekday, we bring you the Ad Age/iSpot Hot Spots, new TV commercials tracked by iSpot.tv, the real-time TV ad measurement company with attention and conversion analytics from more than seven million smart TVs. The ads here ran on national TV for the first time over the weekend.

A few highlights: Bud Light serves up a parody ad featuring colonial New England Patriots fans. An “SNL” veteran stars in ad that’s part of Common Sense Media’s #DeviceFreeDinner campaign (Ann-Christine Diaz previewed the spot last week: “Will Ferrell Is a Different Kind of Deadbeat Dad in Funny-Sad Campaign From Common Sense Media”). And Atlanta Falcons’ wide receiver Julio Jones stars in a Bose ad that shows off both Bose SoundSport Free wireless headphones and Bose QuietComfort 35 II headphones.

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MCM Comic Con acquired by ReedPop

MCM Comic Con has been acquired by ReedPop, the US-based division of Reed Exhibitions.

next, banco digital do Bradesco, vai estrear primeira campanha com Ken Jeong

Mr. Chow, de “Se Beber, Na?o Case”, avisa que está vindo para o Brasil

> LEIA MAIS: next, banco digital do Bradesco, vai estrear primeira campanha com Ken Jeong

Com “Stranger Things”, Netflix aprimora táticas de marketing global

Empresa divide usuários em 2 mil grupos diferentes que recebem divulgações personalizadas

> LEIA MAIS: Com “Stranger Things”, Netflix aprimora táticas de marketing global

Campanha “Facts First” da CNN faz graça de Trump

Atacada constantemente pelo atual presidente dos Estados Unidos, a rede de notícias CNN decidiu hoje que já era hora de responder. A empresa lançou uma campanha chamada “Facts First” em que faz graça com a maneira como Donald Trump ataca a rede e todos os demais veículos que vão de encontro a ele. Assista acima. […]

> LEIA MAIS: Campanha “Facts First” da CNN faz graça de Trump

Russian Radio Journalist Is Stabbed, Renewing Fears of Attacks on News Media

The deputy editor of the prominent station, Echo of Moscow, was assaulted by a knife-wielding man. The station said her injuries were not life threatening.

Bill O’Reilly Goes on the Counterattack Against Megyn Kelly

With Glenn Beck at his side, the former Fox News personality says, ‘I never had any problem with Megyn Kelly.’

Mistress Hires Creative Duo Alfredo Adán Rosés and Alberto Portas

Los Angeles independent agency Mistress welcomed creative duo Alfredo Adán Rosés (pictured left) and Alberto Portas (pictured right).

At Mistress, the duo will work with clients including American Apparel, Qdoba, Brown-Forman, Campbell’s Fresh, Amazon, AT&T, Los Angeles Tourism, and Univision.

Rosés and Portas arrive from Saatchi & Saatchi Los Angeles, where they served as senior art director and senior copywriter, respectively, and worked on the Toyota account. Prior to that they spent over two years as art director and copywriter with R/GA L.A., working with brands such as Nike, Beat by Dre, the NFL and Western Digital. After beginning their career in their native Spain, they left Lola Madrid to join Leo Burnett Chicago on the Samsung account in September of 2013.

“Alfredo and Alberto are wildly talented and passionate,” Mistress creative partner Damien Eley said in a statement. “Yes they look almost identical, but they are both uniquely talented. It took us almost a year of searching to find creatives of their experience and caliber. They also add to the global dimension of Mistress which is core to our DNA.

“We’re excited to begin this new chapter with Mistress,” addedRosés and Portas. “Mistress is the most exciting agency on the West Coast, or any coast. She moves so much faster than other agencies, and is plugged directly into modern media. We hope to learn from the very talented people here, make clients successful, win awards and have fun on the way. Because advertising without fun is not advertising.”

Fake News: Figliulo & Partners’ First Spot for CNN Reminds Us That an Apple Is Not a Banana

So you may have heard about a debate in this country over media coverage and confirmation bias, or the ability to report on politics without bringing opinion into it, or one very fat man’s tendency to scream at everyone who isn’t telling him exactly what he wants to hear.

Today, CNN’s creative marketing department launched a new campaign under what will be the network’s new tagline, “Facts First.”

It marks the first work from new creative agency Figliulo&Partners, and it makes a very abstract point with a simple piece of fruit … which is not in any way related to another kind of fruit. They’re two completely different things, see??

Unless you’ve been living in the world’s deepest, darkest cave for the past two years or so, it should be pretty clear what they’re alluding to here. The copy does offer some additional framing, though:

Facts are facts. They aren’t colored by emotion or bias. They are indisputable. There is no alternative to a fact. Facts explain things. What they are, how they happened. Facts are not interpretations. Once facts are established, opinions can be formed. And while opinions matter, they don’t change the facts. That’s why, at CNN, we start with the facts first.

From the release, which notes that the spot used the apple to keep things visually simple and compelling: “this work sounds a clear and relatable reminder to all that facts are fixed, finite in nature and fundamentally different than opinion.”

Of course that’s true. But one might argue that there’s a larger problem: many, many Americans want the media they consume to reinforce their existing opinions, not challenge them to reconsider any personal beliefs or even force them to spend time and effort trying to better understand a complicated story.

F&P partner and chief creative officer Scott Vitrone, who came aboard in February, kind of addresses this in his quote:

“It’s no secret that the line between opinion and fact is becoming increasingly blurred for Americans. It would have been easy to just fire another shot in this increasingly hazy debate, but we wanted this campaign to strike right at the heart of the issue. This is what a fact is; plain and simple. Only after that basic understanding reestablished can we move on meaningfully into the specifics of today’s issues.”

Again, this is true. But CNN’s most significant contribution to American politics and society at large may well be the standard hour-long talking head panel program, in which self-appointed experts or “influencers” vie for attention by providing viewers with … their opinions. And most of them get paid more than the reporters behind those facts, too, because advertisers, aka your clients, want to get in front of prime time viewers eager to see people yell over one another.

This is our media model.

Nestlé Names Indie Agency Reach as AOR for Butterfinger and Crunch

Snack giant Nestlé has chosen Santa Monica-based “social first” agency Reach as AOR for its Butterfinger and Crunch brands after a formal review.

The win includes social, digital and TV work. Moving forward, the independent shop will work with media shop MVM // Metavision Media on strategy for the two brands, each of which has an annual paid media spend of around $2 million.

Reach began working on some social media projects for Nestlé earlier this year and won the review, in part, on the strength of that relationship.

From co-founder Gabe Gordon: “These are iconic brands, it’s an honor to be their creative agency. We’re going to make them top of mind for a new digital-facing generation of consumers.”

The client’s US senior brand manager for chocolate and confections Maleeda Wagner cited Reach’s “agile and collaborative approach” in explaining the win.

Dailey & Associates of L.A. had been creative AOR on Butterfinger for several years and created the brand’s 2014 Super Bowl spot. Threshold Interactive won the digital part of the business in the big consolidation that occurred the same year, though we heard from several parties that 360i picked it up in late 2015.

It’s not clear whether any of those agencies were involved in the review, but none of them will be working on Butterfinger now.

Reach, which was founded by Gordon and fellow WME brand marketing veteran Frank Catapano, is unique in its lack of creative directors, with every employee allegedly working on strategy, creative, production and analytics.

Its first work as Butterfinger AOR will be “a specialized Halloween campaign,” with “an all new campaign, tagline and visual identity for the [Crunch] brand” set to launch in January after seven ad-free years from the brand. A new product should debut early next year as well.

Ogilvy’s Heads of Planning, Content, Experiential Depart Amid More U.S. Restructuring

Ogilvy has seen a few department leaders leave in recent months as it moves through a large-scale reorganization of its North American network.

Most prominently, head of planning Colin Drummond went to Omnicom’s dedicated AT&T division in Los Angeles last month.

As reported in Adweek today, he will co-lead strategy on that account along with Angela Jones, who led planning on all West Coast accounts at WPP’s Maxus.

According to a leader of the AT&T account, BBDO, Hearts & Science and Organic have been building this team gradually since the client acquired DirecTV and consolidated its U.S. creative and media business with Omnicom. He described it as “a  new model based on what we created post-pitch in terms of our service model for AT&T.”

Drummond’s departure followed the summer hire of Steve Zaroff, a McCann veteran who is now chief strategy officer. He has essentially taken over for the departed New York strategy chief, with US head of planning Antonis Kocheilas reporting to Zaroff and a team of 8 or 9 as-yet-unannounced strategy leads reporting to him.

It also preceded former head of experiential work Kim DeNapoli’s September move to FCB, where she is now running the FCBX practice.

We’ve also learned that executive director of content production Jenny Gadd, who formerly led that department at Johannes Leonardo, resigned last week. It’s not yet clear where she’s headed, though the agency is actively looking to replace both her and DeNapoli.

The Ogilvy organization has spent much of this year following up on CEO John Seifert’s January announcement that it would be going through a “next chapter” restructuring designed to unite international teams under four “functions” while arranging the U.S. network under a single leadership team and a unified P&L model in an attempt to become more “client-centric.”

In August,  Joe Sciarrotta and Alfonso Marian were named co-chief creative officers in the U.S.

Monday Odds and Ends

-McGarrybowen London channels Red Riding Hood in its first work for chocolate brand Green & Black’s (video above).

-BBDO New York CCO Greg Hahn explains “Why This Second Grade Handout Should Be Your New Creative Manifesto.”

-Dallas-based sour cream and cottage cheese maker Daisy Brand appointed independent, Chicago-based agency Blue Chip Marketing as its agency of record.

-Directing team (and great Seinfeld reference) Jerk Store (Ben Weinberg and Pat Andrews, both former advertising creatives) joined the roster of creative production studio Tool. Their first work for the studio was on Havas’ recent “One is not a choice” spot  for mattress company Tulo.

-Subway appointed McCann Worldgroup as its agency of record for the Asia Pacific region.

-Commercial production company 1stAveMachine is launching a talent management company.

-The Drum takes a look at “the shifting role of advertising’s directors.”

-Santa Monica-based creative editing and VFX boutique Cabin Editing Company welcomed Sam Ostrove as partner/editor.

Chloe: Chloé Signature

Chloé’s signature Eau de Parfum

Video of Chloé’s signature Eau de Parfum

TUI: U In The Middle

TUI: U In The Middle

Video of TUI: U In The Middle

Swinton Insurance: Nagging Doubt – Brand

Our research showed 71% of people weren’t exactly sure what they were covered for after they bought insurance.

Meet ‘Nagging Doubt’. He’s the physical embodiment of our insurance worries – that little niggle at the back of our minds – and the ‘anti-hero’ in these ads for Swinton Insurance. He appears at the very moment in our adverts when people start to question their insurance, and is then ‘removed’ in a number of unconventional scenarios.

Alongside the strapline ‘Turn Nagging Doubt into nothing-to-worry about’, the character showcases Swinton’s ability to put the nation’s minds at ease, so customers feel more confident about their insurance decisions.

Swinton Insurance – Brand

Video of Swinton Insurance – Brand

Swinton Insurance: Nagging Doubt – Home

Our research showed 71% of people weren’t exactly sure what they were covered for after they bought insurance.

Meet ‘Nagging Doubt’. He’s the physical embodiment of our insurance worries – that little niggle at the back of our minds – and the ‘anti-hero’ in these ads for Swinton Insurance. He appears at the very moment in our adverts when people start to question their insurance, and is then ‘removed’ in a number of unconventional scenarios.

Alongside the strapline ‘Turn Nagging Doubt into nothing-to-worry about’, the character showcases Swinton’s ability to put the nation’s minds at ease, so customers feel more confident about their insurance decisions.

Swinton Insurance – Home

Video of Swinton Insurance – Home

Swinton Insurance: Nagging Doubt – Car

Our research showed 71% of people weren’t exactly sure what they were covered for after they bought insurance.

Meet ‘Nagging Doubt’. He’s the physical embodiment of our insurance worries – that little niggle at the back of our minds – and the ‘anti-hero’ in these ads for Swinton Insurance. He appears at the very moment in our adverts when people start to question their insurance, and is then ‘removed’ in a number of unconventional scenarios.

Alongside the strapline ‘Turn Nagging Doubt into nothing-to-worry about’, the character showcases Swinton’s ability to put the nation’s minds at ease, so customers feel more confident about their insurance decisions.

Swinton Insurance – Car

Video of Swinton Insurance – Car

Synoptik: One in five drivers

Imagine yourself sitting behind the wheel of your car. Then imagine that you count all the cars going in the opposite direction. One, two, three, four… but before counting the fifth car you should be aware that the driver with statistical probability has critically poor vision. This means that he or she poses a danger both to you and to others on the road. To shed some light on this fact the Swedish optician Synoptik has produced this film together with The National Vehicle Safety Inspection, ”Bilprovningen.”

One in five drivers

Video of One in five drivers

SurveyMonkey: Avoid Awkward Customer Experiences – Shoulda Used SurveyMonkey!

Avoid Awkward Customer Experiences – Shoulda Used SurveyMonkey

Video of Avoid Awkward Customer Experiences – Shoulda Used SurveyMonkey

SurveyMonkey: Avoid Messy Marketing Mistakes – Shoulda Used SurveyMonkey!

Avoid Messy Marketing Mistakes – Shoulda Used SurveyMonkey

Video of Avoid Messy Marketing Mistakes – Shoulda Used SurveyMonkey