Sabra "Hands of Humanity" (2017) 2:30 (USA)

Handy, apparently, is a branded content series via Comedy Central. In this episode, sponsored by Sabra hummus, hand model extraordinaire Erik Thomas Layne perfects the sweep and scoop (not dip and scoop) for Sabra hummus.
It’s more or less a very realistic depiction of what it’s like to be on the set of a food commercial for those who don’t know, straight down to the director who is phoning it in. What this isn’t a realistic depiction of however, is something funny. Not even remotely. This is trying so hard to be a mockumentary but it feels like they for got the mock part. They just have a somewhat dopey character who eats a lot of hummus and never shuts up.
I could perhaps have seen this working if there were better jokes and if it was shorter, but at more than three minutes long it’s interminable.
Perhaps the worst criticism of this branded content is that it feels more like a straight ahead spot the client would have made in-house than branded content. But I suspect that’s why they liked it. After all, we mentioned the brand name three times, four if you count the logo. Also, we’re staring at the packaging for 80% of the time.
Like most branded content from channels that specialize in comedy, I expected it to be somewhat of a let down. First, because the client almost always buys into this idea but then gets cold feet. Clients compartmentalize humor. It’s one thing if Stephen “C**kholster” Colbert makes a homophobic joke during a late night monologue. But they won’t risk him doing something similar in their spot, with very few exceptions. All you need to do is see how toothless the sponsored stories from The Onion are to know this. And Spoiler Alert: even though the logo says Comedy Central, sorry kids, they aren’t putting the Daily Show writers on your branded content. They’re not going to waste the top talent on it, so you’re getting the b or c listers. Or interns for all I know.
The silver lining in all of this? For those of us who still work in advertising agencies, our jobs are still safe for a few more years.

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Roll Call Reporter Says F.C.C. Security Pinned Him to a Wall

A commissioner apologized after two security officials blocked a journalist from asking questions in a public hallway after a hearing and made him leave the building.

NHL: Spelling

“Spelling” – The Stanley Cup Final

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Varka: Are you curious?

The ad is based on a true story – three of the master-brewers of Ariana Beer decided to make an experiment on a Sunday morning – a new taste for beer that they would love to drink. The result of their craft was quite nice so they decided to call it Varka 7 (“varka” is an old Bulgarian word for beer brewing and 7 because it was made on Sunday).

Varka7 beer – “Are You Curious?”

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Porsche: Father's Day

This online film celebrates dads who pass the love of sports cars on to their children. It debuted on Porsche’s social channels on Father’s Day.

Porsche “Father’s Day”

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Syoss: Dinner

Huntington, Ralston-Good and Leonard trade theories on marrying art and science in advertising

Science has enormous potential for advertising, but at what point does it detract from human intelligence and insight?

Media360 audience crowns radio the king of media

In an incredibly tight contest, radio pipped TV to be named the channel most capable of building and amplifying brand fame in the final session of Media360.

DAVID Miami and Burger King Love ’90s R&B Even More Than You Do

It’s Friday, the world is blowing up, and people are still arguing about whether the ad industry is innovative or lazy.

We do, however, take comfort in the clean, soothing production of mid-’90s R&B. Burger King and its agency of record DAVID Miami—or the world’s most Brazilian agency office not located in Brazil—feel the same way.

In order to promote a product that demands a ridiculous presentation, they turned to one of the era’s true classics, Mark Morrison’s one and only hit “Return of the Mack” from 1996.

Gotta be straight with you guys, our first response to this spot was, “Holy shit that is dumb.”

But it kind of grew on us. And you can’t really appreciate it without noting how closely DAVID replicated the original video.

As Mr. Morrison himself reminded us, “Return of the Mack” turned legal yesterday.

Now you know which song comes next on that playlist.

We would post the full credits for this campaign, but the PDF was arranged in such a way as to make that quite literally impossible.

Use a simple vertical list. It’s not that hard!

Publicis Groupe Denies Allegations of Inappropriate Accounting

Publicis Groupe has issued a statement adamantly denying allegations of inappropriate accounting brought against it by French advisory group Gouvernance en Action, Gouvernance en Action director Fabrice Remon and French magazine L’Obs.

The contention is related to the treatment of €130m in cash and €20m in software credits from German software publisher SAP which accrued from a delay in installing SAP’s software.

“Publicis had to treat these 130 million as an exceptional product because it is non-recurring, and does not come from contracts won in the course of its operations,” Remon told More About Advertising. He contends that Publicis, with agreement form its auditors, instead treated the compensation as write-downs and operating income in an effort to improve its organic growth numbers.

Publicis contends it did not handle the accounting of the transaction inappropriately and claims it “provided all required clarifications to the charge in a letter addressed to Mr Fabrice Ramon, director of Governance en Action, on 31 March.”

“Publicis Groupe had a dispute with a software and IT services supplier,’ Publicis wrote in a statement. “This dispute was arbitrated and resulted in a settled resolution, covered by a confidentiality agreement, whereby Publicis Groupe would be compensated for the costs of the delays and difficulties it sustained.”

In the statement Publicis claims that the “accounting treatment has been validated by Group’s auditors, who confirmed that it was not necessary to mention this information in the notes to the financial statements relating to 2014 accounts nor in the annual report” and that “The Group communicated all this information to Mr. Fabrice Rémon as well as the journalist of L’Obs who questioned us in this respect.”

It concludes with Publicis stating it will reserve “all our rights for any damages that such publications may have on our stock price, the company or our shareholders.”

This all makes sense, because it’s not like Publicis has been accused of financial improprieties in the very recent past or anything like that.

Here is the statement in full:

Publicis Groupe [Euronext Paris: FR0000130577, CAC 40] would like to provide some clarifications regarding claims made by Gouvernance en Action publicized on 17 May 2017.

On 31 March 2017, the Group replied to a letter sent by Mr. Fabrice Rémon, Director of Gouvernance en Action, and provided him all required clarifications.

Publicis Groupe had a dispute with a software and IT services supplier. This dispute was arbitrated and resulted in a settled resolution, covered by a confidentiality agreement, whereby Publicis Groupe would be compensated for the costs of the delays and difficulties it sustained.

The compensation received by Publicis Groupe was allocated in Publicis Groupe’s accounts in part to the reduction of the book value of the balance sheet assets corresponding to the project, in part to the neutralization in the 2014 income statement of the extra costs incurred as a result of the delays, and in part to cover forecasted extra costs in the coming years as a result of the delays known by the Group.

This accounting treatment has been validated by Group’s auditors, who confirmed that it was not necessary to mention this information in the notes to the financial statements relating to 2014 accounts nor in the annual report.

The Group communicated all this information to Mr. Fabrice Rémon as well as the journalist of L’Obs who questioned us in this respect. We reserve all our rights for any damages that such publications may have on our stock price, the company or our shareholders.

Periscope Showcases Gnome Town, Meat Raffle and More ‘#OnlyinMN’ Attractions for the Minnesota State Lottery

Periscope recently launched a new campaign for the Minnesota State Lottery emphasizing the unique quirks and charms of that state.

Entitled “#OnlyinMN,” the campaign promotes a state-themed scratch off with a look at some of the attractions which you can only find in the “Land of 10,000 Lakes.” One spot takes a look at Dawson, Minnesota’s “Gnome Town,” whose residents include Gerry, Areta and Mayor Al.

Other efforts focus on the 1029’s “Meat Raffle,” the Norwegian imports of Lefse ( a flatbread) and the phrase, “Uff da.” According to Wikipeida, it’s used to express “bafflement, surprise or dismay.” In Minnesota the phrase adorns such items as hats, mousepads and mugs.

The point is to tie the quirky charms of the distinctly Minnesotan to the “#OnlyinMN” scratch game, which likewise relies on the state’s unique charm.

Credits:
Advertising Agency: Periscope, Minneapolis, Minnesota, USA
Production Company: Committee Films
Editorial: Periscope
Color: Nice Shoes
Audio: Babble-On
Music: In The Groove

GroupM Names First 'Chief Transformation Officer'


Lindsay Pattison, global CEO of Maxus, is taking on a wider role as the first-ever chief transformation officer to lead change programs at WPP’s GroupM.

Pattison’s new gig is the latest in a string of high-profile hires and changes at the the world’s largest media buyer since last year, including the naming of global CEO Kelly Clark and the introduction of technology suite mPlatform. Pattison will continue as global CEO of Maxus, a role she’s held since 2014.

So exactly what is she going to transform?

Continue reading at AdAge.com

Here's Why You'll See Plenty of Heineken on 'Late Late Show'


If James Corden’s “The Late Late Show” guests look happier than normal, it might be because they were swigging a few Heinekens backstage. The imported brew is being served in the green room as part of a new sponsorship deal with the CBS program that includes plenty of aggressive on-air promotions.

The pact quietly began in March when Heineken signage began appearing on Mr. Corden’s on-set bar. (Bud Light was the program’s initial beer sponsor when Mr. Corden took took the reins of the “Late Late Show” in March 2015.) Heineken’s deal ramped up last night with on on-air bit featuring a parody of a recent Heineken ad starring Benicio Del Toro. Here is that segment, compared with the actual ad.

Continue reading at AdAge.com

Should Johnny Depp Take Over for Alec Baldwin as Trump on 'SNL'?


Ad Age “Media Guy” columnist Simon Dumenco’s media roundup for the morning of Friday, May 19:

I came thisclose to being able to make this a Trump-free edition of your daily media scan, but then, well, see Nos. 5 and 6, below. (Sorry!) Anyway, let’s get started …

1. More evidence that Jeff Bezos & Co. know everything about us: “Amazon has introduced a weekly best seller list that ranks books by what readers are actually reading — not just what they’ve bought,” USA Today’s Elizabeth Weise reports. “The new list, called Amazon Charts, also has a most-sold component that incorporates sales of its Kindle e-books and audio, as well as print books.”

Continue reading at AdAge.com

Three Ways Alibaba and Tencent Are Courting Consumers and Marketers


Like the United States, China is seeing bidding wars erupt for streaming video, data picking winners and losers among marketers and online shopping reshape retail at a rapid clip.

That’s the takeway from this week’s quarterly earnings reports by internet giants Tencent and Alibaba, China’s most valuable companies by market value and among the global top five for digital ad revenue, according to eMarketer. The behemoths have reshaped how China’s consumers shop, keep in touch and entertain themselves.

Chinese consumers on the rise

Continue reading at AdAge.com

Quirky Cocktail Vessels – The Cocktail Trading Company Playfully Presents Underappreciated Drinks (GALLERY)

(TrendHunter.com) The iconic martini glass or the curvy cup that is typically used to serve a piña colada are not some of the tried-and-true vessels that are being used to serve the newest drinks from The Cocktail…

The Invisibles: The book you cannot read at home

During winter, temperatures drop to even minus 30 degrees Celsius. This is why in 2017 as many as 116 people froze to death. Mainly the homeless ones. Mainly because no one cared to help them. People think “If homeless do not care about themselves, why should I? It is not my business.” INVISIBLE. This is what the homeless are to us.

Having looked all around Poland, we found three homeless writers. We prepared a selection of their works. We published a book containing their documentaries, poems, stories, and a play. We printed the book using ink, only visible in the cold. To read the book, you have to take it where it was created. Outside in the cold.

THE INVISIBLES – this book you cannot read at home

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Jagermeister: Jäm Bot

Jägermeister stands for friendship. The brand is active wherever friendship is celebrated. But how can you reach people right where they chat to their friends on a daily basis? On their smartphones. In Messengers.

The idea: Jägermeister “Jäm Bot” – the first chat bot, that raps. Featuring two of Germany’s most popular rappers, Eko Fresh and Ali As, the bot turns a regular Facebook Messenger message into the most personal rap video ever made.

Using artificial intelligence, the chat bot asks the user some essential questions for the message: The name and gender of the recipient, and the purpose of the message. Jäm Bot then sent this information live into a recording studio to the rappers. They transformed it into a personalized music video. Finally, Jäm Bot sent the video back to the users.

Chat Bots are programs in messenger apps that offer services via a human-like dialogue. Currently, chat bots are used for example to configure products, book flights and subscribe to news services.

At the heart of the campaign was the live event on December 6th, 2016 with Eko Fresh and Ali As in the recording studio. Working together with the bot, the artists turned countless chat messages into rap videos. Jäm Bot offered the fitting occasions by itself. What should your message say?: A toast to friends? Apologize for leaving a party? Or just tease somebody a little? These are just some of the many possibilities offered.

The event was broadcasted from the recording studio on Facebook Live. A mix of blog posts by influencers, Facebook messenger ads, video ads and Instagram ads completed the campaign by creating buzz and winning lots of new participants.

Jägermeister “Jäm Bot” – the first chat bot that raps

Video of Jägermeister "Jäm Bot" – the first chat bot that raps

Danone: #YOTO Toddlebox

Toddlebox #YOTO | Chemistry

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Gerolsteiner: Micro VR Kit

Micro VR Kit

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