Meat Fight: Weapons of Consumption, Pours Reign, Losers Ash, Fresh Meat

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Meat Fight

Promotional posters for Meat Fight, a BBQ charity event for MS rehab and research.

Weapons of mass consumption.

Promotional posters for Meat Fight, a BBQ charity event for MS rehab and research.

When it pours they reign.

Promotional posters for Meat Fight, a BBQ charity event for MS rehab and research.

Losers have their ash handed to them.

Promotional posters for Meat Fight, a BBQ charity event for MS rehab and research.

Fresh meat gets smoked.

Advertising Agency:Johnson and Sekin, Dallas, USA
Creative Directors:Shannon Phillips, Krista McCrimmon
Designer:Cody Russell
Copywriter:Cody Tidmore
Illustrator:Kim Cypert

NCWHS: The whole story


Media
NCWHS

The project, which launches with a one-of-a-kind app, is Y&R’s first product of an initiative that began a year ago in support of the UN’s Sustainable Development Goal to achieve gender equality and empower all women and girls. The Whole Story Project is inviting creators and developers worldwide to build and place statues of women in their own cities. The Y&R team will hold an invitational hackathon developed with Code Liberation in New York. Global offices throughout the Y&R network including Sao Paulo, Buenos Aires and Moscow are also placing statues in their cities and some will host hackathon events. Information about upcoming hackathons will be available on The Whole Story Project website. The Whole Story Project is also championing efforts to create physical statues of real women in communities around the world such as the Monumental Women campaign of the Elizabeth Cady Stanton and Susan B. Anthony Statue Fund in New York City.

Advertising Agency:Y&R, New York, USA
Chief Creative Officer:Leslie Sims
Chief Client Officer:Shelley Diamond
Global Projects:Rebekah Shufelt
Creative Coordinator:Ruby Rudijono
Associate Creative Directors:Gretchen Menter, Molly Runge
Director Of Innovation:Catherine Patterson
Integrated Producer:Jill Toloza
Talent Negotiator:Dawn Kerr
Content Creators:Chandler Simms, Yi Yan, Rebecca Canavan
Production Assistant:Nikki O’Dell
Business Affairs Manager:Maggie Diaz
Account Executive:Susan Akinyi
Learning & Engagement Apprentice:Doria Huang
Global Pr Manager:Jodi Lefkowitz
Global Chief Communications Officer:Aviva Ebstein Kroninger
Director of Post Production:Amy Sauders
Senior Content Producer:Joyce Roughly
Executive Producer:Nathan Kroll, Current Studios
VP Creative Technology:Stephen Martell
Vp Digital Production:Matt Fegan
Lead Producer:Cassidy Quinton
Lead Designer:Elena Kurevija
Lead Artist:Matt Lambert
Statue Artists:Current Studios Team
Director of Development:Jessy Ouellette
Development Team:Joey Farrell, Dennis Hubley, Liam Broughm
Additional Credits:Girl Scouts Troop 3484
Foundation Director:Adelle Lin, Code Liberation, Caroline Sinders
Tech Instructor:Rachél Bazelais

Sedano's Supermarket: Gossip, Gorda, Novela


Radio
Sedano’s Supermarket

Traditions can emerge from anywhere. Especially when you have an Abuela. In these radio spots, we trace various Hispanic traditions back to their origin.

Advertising Agency:Republica, Miami, USA
Chief Executive Officer:Jorge Plasencia
Chief Creative Officer:Milton Lebron
President:Luis Casamayor
Evp General Manager:Anthony Bianco
Associate Creative Director:Derrick Muniz
Copywriters:Derrick Muniz, Jeff Schermer
Account Director:Andrea Lebron
Senior Account Manager:Natalie Rodriguez
Production House:IndieHouse

Universidad Internacional de Valencia: Strandbeests


Media
Universidad Internacional de Valencia

We have worked on a brand ambassador’s campaign for International University of Valencia, in which the dutch artist and engineer Theo Jansen is our protagonist. The main message of the campaign is based on the University’s objective of offering the most technological and innovative education to those all over the world.

We do it through a piece in documentary format that connects the life and history of Theo Jansen with the values of the University, in the same way the artist and engineer connected art with science to bring it to life.

Advertising Agency:Estimado Jose Alfredo, Valencia, Spain
Creative Director:Jorge M. Rodrigo, Xamu Olmos
Copywriter:Jorge M. Rodrigo
Art Director:Jorge M. Rodrigo, Norberto Da Silva
Film Director:Jorge M. Rodrigo
Film Editor:Jorge M. Rodrigo
Account Director:Paula Civera

Garnier: Garnier supports UNICEF for children


Film
Garnier

Garnier supports the UNICEF’s programs throughout the world to allow children and families affected by situations of crisis to benefit from a humanitarian aid essential to their survival. The contribution of Garnier will allow for example to distribute to 5,600 kits including emergency supplies (sanitary products, games, educational material) that will be used by 300 000 children, allowing them to properly grow up and to be open to the others again.

Advertising Agency:Publicis Conseil, Paris, France
Creative Director:Laure Ferry Sauvaire
Conception and Art Director:Helène Peltier
Process Manager:Julie Dufloux
Strategic Planner:Marine Catalan
Tv Producer:Timothe Rosenberg
Director:Loren Denis
Chief Operator:Sylvestre Dedise
House of production:Les Fils de
Producer:Benjamin Duval
Production Director:Maxime Brun
Postproduction:Firm Studio
Sound Production:Studio 64
Music Composer:Avia

Shaddy: Love


Film
Shaddy

A heart-warming story for Japanese gift and lifestyle retailer, Shaddy, about a young couple’s quest to show their love through gifts. Shot in Hungary, the visually stunning campaign is adapted from O.Henry’s short story, The Gift of the Magi.

Advertising Agency:Dentsu, Tokyo, Japan
Creative Director:On Gunji
Account Manager:Naofumi Mura
Production Company:Taiyo Kikaku, Dokuwa Communications
Director:Wakana Suzuki
DoP:Tetsuya Kondo
Producer:Mariko Tsutsumi
Executive Producer:Ken Hagen Takenaka
Production Manager:Eriko Amari, Virág Varga
Gaffer:Satoshi Mizoguchi
1st AC:Elly Nakajima
Production Coordinator:Ichiro Mizutani, Krisztina Tóth
Production Service Company:Flatpack Films
Service Producer:Zita Kisgergely
Location Manager:Fanni Verbovszki
Pa:Gerg? Gálbory
Chaperone:Yuri Takeda
Art Director:Tünde Csáki
1st AD HU:Tamas Vass
2nd AD HU:Hajnai Vajay
Steadycam DOP:Tamás Hámori
1st Assistant Camera:Tamas Nemeth
2nd Assistant Camera:Ákos Szathmáry
DIT:Tamás Lippich
Video:Mate Olah
Sound:Csaba Major
Best Boy:Márton Tamus
Electrician:Ádám Buruncz, Sándor Csali, Tibor Zoltán Kovács, Tamás Tóth
Key Grip:Norbert Csontos
Grip:András Pozsár, Sándor Barta, István Mohácsi
Set Decorator:Tamás Tamási
Standby Props:Zoltán Hardi, Béla Blazsej
Construction:Gabor Kovacs
Construction Standby:Katalin Kompár, János Pásztor
Sfx:Ferenc Deák
SFX Technician:Ferenc Deák, Attila Benya
Wardrobe Stylist:Blanka Haraszti
Dresser 1:Elliot Parker
Dresser 2:Fanni Molnár
Makeup Artist:Petra Kovács
Hair Stylist:Viktor Nagy
Hair Stylist Assistant:Zoltan Toth
Crowd Supervisor:Zsombor Ágoston
Casting:Ralph Berkin
Casting Coordinator:Dániel Timon
Crowd Marshall:Péter Mátyassy
Location Security:Gyuri Márki
Transport:Zsolt Somogyi
Head Of Unit:József Mach
Unit:Balász Dénes, Csaba Kiss

Statement of Intents


Film

Advertising Agency:xose teiga, studio, Spain
Creative Director:Xosé Teiga
Art Director:Xosé Teiga, Asunta Riotorto
Copywriter:Xosé Teiga
Creative:Xosé Teiga
Graphic Designer:Sabela Barcelo
Creative Team:Asunta Riotorto, Sabela Barcelo, Borja Mucientes
Production Company:Wild Films London
Director:Borja Mucientes
DoP:Borja Mucientes
Camera:Asunta Riotorto
Producer:Marcelo Sandoval
Music:Tony Anderson
Voiceover:Antonio, Alta Frecuencia

British Airways: Discover the London you don't know


Film
British Airways

Advertising Agency:Ogilvy One Worldwide, New Delhi, India
Senior Creative Director:Abhishek Gupta
Creative Director:Deepak Kumar
Creative Controller:Abhishek Shrivastava
Vice President:Sidharth Shukla
Head of OgilvyOne Delhi:Sidharth Shukla
Associate Vice President:Namita Koshy
Account Director:Nikhil Negi
Senior Planner:Sasanka Das
Production House:Q.E.D. Films
Director:Amit Masurkar

Houdini Sportswear: The Houdini Menu


Media
Houdini Sportswear

Advertising Agency:McCann Stockholm, Sweden
Account Director:Thomas Gibson
Account Manager:Jonna Liljedahl, Melina Svéd
Art Director:Carl Larsson
Copywriter:Daniel Blomberg
Chief Creative Officer:Adam Kerj
Designer:Lena Danroth
Technical Director:Marcus Johansson
Editor:Hannes Falk
Production:Camp David
Director:Sebastian Reed
Executive Producer:Kristina Wibom
Producer:Linnéa Andersson
Dp:Viktor Kumlin
AC:Max Devoon
Production Assistant:Sebastian O Carlsson

IBM: Chef Watson E.A.T.S


Film
IBM

Can an A.I. computer understand what tastes good?

Meet “Chef Watson”!

IBM wants to make its Artificial Intelligence (AI) system, Watson, more familiar to the world.

People in the tech world understand AI and cognitive computing, but it can be intimidating to anyone else. So, Ogilvy Paris and IBM chose something that everyone can relate to – food – to bring an awareness about Watson to a wider audience.

Explained Susan Westre, ECD Ogilvy Paris who oversees the IBM global creative direction, “To create a challenge for the AI Chef Watson, we added the constraint of having Watson come up with recipes where the 4 main ingredients always had to start with the letters E, A, T & S.”

“Food Art” was the result, as a way to lure people into looking deeper into Chef Watson. The recipes were both unusual and delicious.

Advertising Agency:Ogilvy & Mather, Paris, France
Executive Creative Directors:Emmanuel Lalleve
Managing Director:Emmanuel Ferry
Creative Director:Susan Westre
Copywriters:Johan Leborg, Nick Bakshi
Art Directors:Josiah Jones, Edward Macaulay, Erika Reyes
Global Business Director:Mary Mcfarland
Business Director:Joyce Pucheu
Account Manager:Margaux Pennes
IBM Europe:Margaux Pennes
Photographers:5Fruits, Sean Freeman, Andrew B Meyers, Amy Currell, Carl Kleiner, Gustav Almestål, Marion Luttenberger
Director:Tristan Bensaïd
Production Manager:Antoine Bagot
Producers:Muriel Benitah, Marine Redon
Art Buyer:Véronique Chalençon

Toyota: Dogs

Print
Toyota

It’s not driving. It’s more than driving.

Advertising Agency:Saatchi & Saatchi, Madrid, Spain
Creative Directors:Lucas Cambiano, Matias Corbelle, Miguel Usandivaras
Art Director:Gabriel Da Silva
Head Of Art:Gabriel Da Silva
Illustrator:Mirko Cuculiza

Toyota: Signs

Print
Toyota

Driving over restrictions. In days of high pollution in Madrid, if you drive a Toyota Hybrid you can move freely.

Advertising Agency:Saatchi & Saatchi, Madrid, Spain
Creative Director:Lucas Cambiano
Art Director:Gabriel Da Silva
Head Of Art:Gabriel Da Silva
Illustrator:Mirko Cuculiza

UBREW: Responsibility


Integrated
UBREW

UBREW, a small craft brewery from London, cleverly fights competition by naming their new low alcohol beer “Responsibly.” The best part about the new beer is the way is taking advantage of the much-advertised message “Drink Responsibly.”

Advertising Agency:MRM, McCann, Italy
Credits: Advertising Agencies: MRM, McCann, Italy
Chief Creative Officer:Alessandro Sabini
Art Director:Eoin Sherry
Digital Client Group Director:Davide Gonzato
Digital Project Manager:Marina Guarino
Head Of Integrated Production:Sergio Lopez
Producer:Cher Brighton
Director:Sam White
Editor:Francis Harris
Production Company:Craft

Protein World underground ads with Khloe Kardasian not banned by the ASA

Protein world continues to attract the ire of people travelling the underground in London, as the above billboard featuring Khloe Kardashian mimicking “Flashdance” 80s style in a leotard and legwarmers attracted complaints. Fourteen complainants, believed the ads promoted an unhealthy and competitive approach to dieting, objected that the ads were socially irresponsible because of the line “can you keep up with a Kardashian?”
Once again, I find the pun itself to be a bigger sin. A couple of years ago the “Beach Body” billboard spawned several spoofs from other brands, as well as bomb threats and protests but even then the billboards were not banned. Final judgement was that they were “not socially irresponsible”.

Protein World defended their “Kardashian” pun, and said the overall response they had received to the ad was that it was motivating and empowering. They do not believe their ad was socially irresponsible.

The ASA judgement: We considered that the ads promoted Khloe Kardashian’s body image as desirable and aspirational; this was supported by her pose and the airbrushed style. However, we did not consider that she appeared to be out of proportion or unhealthy.

We considered that people would understand the phrase “Can you keep up with a Kardashian?” was double entendre; to be understood as referencing both the popular TV series “Keeping up with the Kardashians” which Khloe Kardashian appeared in and the use of Protein World’s products to achieve a desirable body image. We further considered that readers would regard “Take the 30 Day Challenge” read in conjunction with the former phrase and the product name “The Slender Blend” to mean that if they used Protein World’s products and followed the “challenge” regime they could lose weight.

We acknowledged that the use of the terms “Can you keep up with …” and “challenge” could be interpreted as having a competitive quality, but we did not consider that the terms or the ads overall encouraged excessive weight loss or other extreme or potentially harmful dieting behaviour. We therefore concluded the ads were not socially irresponsible.

Now, if we could only ban puns.

Adland: 

How Vice Plans to Prove to Advertisers Its Branded Content Works

Category: Beyond Madison Avenue
Summary: Vice Media is the media empire largely built off being an ad agency. For years, the Brooklyn media company has worked closely with brands to make them cool, or at least make their brands part of cool content.

Now, Vice wants to prove to advertisers that this kind of branded content is effective while giving them…

Thanks To Gen Z, TV Breaks Out of Its Box

Are you “watching TV” when you’re streaming your favorite episodic content? Does it matter what we call the screen or box where content is consumed? According to a new study from Hulu and Tremor Video, a provider of software for video ad effectiveness, 84 percent of adults aged 14-50 equate “watching TV” with devices such […]

The post Thanks To Gen Z, TV Breaks Out of Its Box appeared first on AdPulp.

Anne Morrissy Merick, a Pioneer From Yale to Vietnam, Dies at 83

Ms. Morrissy Merick, the first woman admitted to the press box of the Yale Bowl, later helped get a restriction against women covering the Vietnam War reversed.

Disney Parks and Movies Soar, but ESPN Is a Concern

The Walt Disney Company reported better-than-expected earnings, but analysts peppered Robert A. Iger with questions about the health of ESPN.

Smakis: Plant a Smakis

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Garnier: Garnier supports UNICEF for children

Garnier supports the UNICEF’s programs throughout the world to allow children and families affected by situations of crisis to benefit from a humanitarian aid essential to their survival. The contribution of Garnier will allow for example to distribute to 5,600 kits including emergency supplies (sanitary products, games, educational material) that will be used by 300 000 children, allowing them to properly grow up and to be open to the others again.

Garnier supports UNICEF for children

Video of Garnier supports UNICEF for children