UFC Sells for $4 Billion to WME-IMG, Others


UFC, the premier mixed martial arts promoter, has been sold for about $4 billion to a group led by Hollywood talent agency WME-IMG and backed by private-equity firms Silver Lake Partners LP, KKR & Co. and the investment firm of Michael Dell.

“UFC has experienced tremendous growth over the last decade and we are looking forward to helping the organization and its athletes identify new opportunities to develop and further establish their global footprint,” WME co-CEO Ari Emanuel said in a memo.

The deal was first reported by The New York Times.

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A Marketer's Guide to Pokmon Go


Feeling Krabby? Have another Meowth to feed? At the very least, you know not to say “bless you” when you hear someone say “Pikachu,” right? This lingo is vital for any marketer trying to keep up with the latest global mobile obsession, Pokmon Go.

This game is the latest incarnation of the 1990s entertainment craze that included Game Boy games, trading cards, manga and cartoons. Go debuted this month for Android and iOS, much to the delight of 20-somethings who were in elementary school at the peak of Pokmon popularity in the late 1990s.

As Go claimed the top position in app download rankings, it faced its share of snafus, largely as a victim of its own success. Its servers were constantly down. When its first users could access the game, it took forever to load. It asked registered users to keep logging in. It wouldn’t remember preferences in users’ settings. Its battery usage is horrendous; in a 24-hour period the weekend after Go launched, it consumed 71% of my battery — even as I tried to use it in the battery saver mode.

Continue reading at AdAge.com

Today Only, See the Dreamland Behind This Mysterious Oreo Storefront in L.A.

Back in February, a weird Oreo door suddenly appeared on 18th Street between 7th and 8th Avenues in New York, promising untold wonders of cryptic cookie goodness. Now, Los Angeles gets its turn.

The cookie brand’s new Wonder Vault installation—created by 360i, Weber Shandwick and Momentum—will be open today only (Monday, July 11) at 1555 W. Sunset Blvd. from 9 a.m. until 7 p.m. PDT. It’s an elaborate ad for Oreo’s new Choco Chip cookies, and it features rooms that will make adults feel like kids again, as everything within them is oversized.

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Prisma, o aplicativo que transforma sua foto em obra de arte

prisma

Inteligência artificial imita o estilo de artistas como Van Gogh, Picasso, Levitan, Hokusai, entre outros

> LEIA MAIS: Prisma, o aplicativo que transforma sua foto em obra de arte

Brainstorm9Post originalmente publicado no B9
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Front-Page Editorials Aim to Soothe the Grief-Stricken

While more newspapers are taking this unusual step during recent spasms of violence, other bold decisions have been criticized for sowing divisiveness.

Top 25 Kitchen Ideas in July – From Precision Coffee Brewers to Scissor-Inspired Food Choppers (TOPLIST)

(TrendHunter.com) From coffee makers designed to brew the perfect cup to kitchen knives that maintain their sharpness, the July 2016 kitchen trends reveal a growing emphasis on high-quality cooking tools. Indeed, as…

Pouco Pixel 54 – A grande migração para o 3D

capa-b9-s02e54

Se nos anos 80 todos os jogos eram desavergonhadamente chapados, em duas dimensões, hoje não há nenhum que não seja em sofisticado 3D. Adriano Brandão e Danilo Silvestre tentam descobrir: o que foi que aconteceu? O que levou uma indústria inteira a migrar para novos gráficos? Como a tridimensionalidade afetou o gameplay? Quais gêneros foram transformados, quais morreram e quais foram criados durante […]

> LEIA MAIS: Pouco Pixel 54 – A grande migração para o 3D

Brainstorm9Post originalmente publicado no B9
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Primeiro episódio da 2ª temporada de Mr. Robot é publicado inteiro em redes sociais

mr-robot-season2

A segunda temporada de Mr. Robot, que deveria estrear originalmente na TV nessa quarta-feira dia 13, acabou chegando antes e estreando em um lugar um pouco inesperado: nas redes sociais. O primeiro lugar em que ele apareceu foi num Facebook Live, no meio de uma sessão de perguntas e respostas dos criadores da série. Logo […]

> LEIA MAIS: Primeiro episódio da 2ª temporada de Mr. Robot é publicado inteiro em redes sociais

Brainstorm9Post originalmente publicado no B9
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Gretchen Carlson Suit Aims at Retaliation Over Discrimination

The suit is following a trend so pronounced that it has sometimes displaced attempts to remedy the discriminatory treatment itself.

Código Aberto – Sérgio Valente, Diretor de Comunicação, Globo

Código Aberto - Sérgio Valente, Globo

Conversas francas com os profissionais mais influentes do mercado, suas grandes ideias e o que pensam sobre o futuro da mídia, da tecnologia e da comunicação

> LEIA MAIS: Código Aberto – Sérgio Valente, Diretor de Comunicação, Globo

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CJFE: Pen, Camera, Press

Outdoor, Print
CJFE

When journalists are targeted, the truth dies. Defend free expression at cjfe.org

Advertising Agency:Juniper ParkTBWA, Toronto, Canada
Chief Creative Officer:Terry Drummond, Alan Madill, Barry Quinn
Associate Creative Director:Neil Walker-Wells
Group Creative Director:Hylton Mann, Andy Linardatos

See the Spot: John Leguizamo, Rachel Dratch Hitch a Ride on an Ostrich, Yak for Vroom


Online auto retailer Vroom debuts its first TV campaign today, starring John Leguizamo and Rachel Dratch as a married couple who get over their fear of buying a used car after finding out about the site’s features such as free delivery nationwide.

In a 30-second spot titled “Peggy and Dick’s Wild Ride,” Mr. Leguizamo and Ms. Dratch are shown riding an ostrich and a yak down the street, instead of taking a trip in the comfort of a car, as they are “terrified” of buying a used vehicle.

“We decided to open with an ostrich and a yak — the most ridiculous mode of transport for when people don’t want to deal with ‘those car people,'” said Gaurav Misra, chief marketing officer of Vroom. “There’s no one who walks off a lot that hasn’t felt like they’ve just been screwed on price or quality of a car. We introduce Vroom as that magical alternative.”

Continue reading at AdAge.com

Syfy Hooks Dodge in Sprawling 'Sharknado 4' Ad Deal


Renowned for its dizzyingly implausible marriage of ichthyology and meteorology and an everyone-in-the-pool indulgence for B-lister cameos that culminate in spectacular death, Syfy’s “Sharknado” franchise has established itself as cable’s campiest rite of summer. And while youth-targeting movie studios, automakers and purveyors of munchies are always quick to snatch up the available advertising inventory, “Sharknado” perhaps makes the biggest splash with its custom integrations.

As Syfy preps for the premiere of “Sharknado 4: The 4th Awakens,” the NBC Universal ad sales team has hooked the franchise’s biggest fish to date, as Fiat Chrysler’s Dodge division will use the movie as a showcase for three of its seven current models. Along with the in-show integrations (one of which features the Dodge Charger SRT 392 in what Syfy is calling the most audacious stunt in “Sharknado” history), the package includes a series of vignettes, placement on various digital and social platforms and a presence during this month’s San Diego Comic-Con.

According to Dan Lovinger, exec VP-sales, NBC Universal Entertainment Group, the big Charger stunt features the catastrophically luckless Fin Shepard (Ian Ziering) and the 1,149-foot tower of Las Vegas’ Stratosphere Hotel. (Yes, “Sharknado 4” takes place in the Mojave Desert, roughly 282 miles from the nearest ocean. It’s not supposed to make any sense.)

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How to Navigate the Agency Rebate Thicket Going Forward


With the Association of National Advertisers preparing to release working guidelines for its members, it’s time to cut to the chase on the issue of agencies padding their compensation in ways that are not transparent to their clients. Notice that while I say it’s time, I do not say it will be easy, particularly for global marketers.

One key to bringing more clarity to advertiser/agency relationships is that advertisers should strongly consider having direct relationships with media sellers. There’s been little to no conversation about this.

Before offering practical solutions to afford advertisers and agencies as much transparency as possible, there needs to be a refutation of some of the canards that have been put forth to either deny the rebates exist, or to minimize the impact they can have on relationships between advertisers and agencies — relationships which in my view are at an all-time low.

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Booze Brands Rush to Snapchat While Contending With Age Risks


Here is the surest sign yet that Snapchat is growing up: Alcohol brands are starting to advertise on the mobile app in significant numbers after overcoming fears of marketing on the teen-friendly platform.

Anheuser-Busch InBev broke the seal in May 2015 when it ran ads in Snapchat’s “Stories” section that were tied to a Bud Light-branded event. And the pace of alcohol advertising has accelerated in recent months as marketers gain more confidence in Snapchat’s ability to keep content away from users who are under age 21.

MillerCoors, Beam Suntory, Diageo and Bacardi Limited are among the companies marketing on the app. Constellation Brands will run its first Snapchat campaigns this fall with ads for Modelo Especial and Svedka vodka, according to a spokeswoman. Pernod Ricard has been among the most aggressive players. The marketer’s Jameson brand ran the alcohol category’s first sponsored national geo filter for St. Patrick’s Day. And Pernod’s Malibu brand ran a sponsored lens during Memorial Day, kicking off a summer-long Snapchat campaign.

Continue reading at AdAge.com

Empower This: Your 'Go-Girl' Boosterism Isn't Actually Feminism


Call it pinkwashing. Call it femvertising. Andi Zeisler calls it marketplace feminism, and she isn’t buying it. The author of “We Were Feminists Once: From Riot Grrrl to CoverGirl, the Buying and Selling of a Political Movement” and co-founder of Bitch Media, defines marketplace feminism as the “mainstream, celebrity, consumer embrace of feminism that positions it as a cool, fun, accessible identity anyone can adopt.”

To Ms. Zeisler, this squishier version lacks the political underpinnings of the multi-generational feminist movement; it is a shallow representation of its contextualized precursor, and one advertisers have grown to love — and bank on.

“Empowertising and femvertising are both ways to talk about the business of selling to women without conflating examples of that business with actual feminism,” she writes in “We Were Feminists Once.” “But celebrating the ads themselves simply celebrates advertisers’ skill at co-opting women’s movements and selling them back to us — and then rewards us for buying in.”

Continue reading at AdAge.com

Domino Poaches Refinery29 Exec Nathan Coyle to Be CEO


Domino, which began in the mid-aughts as a home dcor magazine from Cond Nast and closed at the end of the decade and returned in 2013, is still in the process of reinventing itself as a blend of e-commerce, old-fashioned print, and digital media.

On Monday, Domino announced the appointment of Nathan Coyle, who joined late last month as chief executive and will be asked to move forward the company’s digital strategy. Mr. Coyle was hired away from Refinery29, the female-focused digital media company, where he served as exec VP and general manager.

As CEO, Mr. Coyle succeeds Cliff Sirlin, co-founder of Domino Media Group, who has joined the company’s board of directors. Mr. Sirlin and Cond Nast are among the investors in the new Domino.

Continue reading at AdAge.com

Ad Age Is Wrapping Up Search for Best Places to Work


Ad Age’s search for the Best Places to Work in advertising comes to a close on July 15.

The 2016 Best Places to Work will be recognized in the November 14 issue of Ad Age and on AdAge.com. Participants will also have the opportunity to receive an in-depth data analysis report which identifies strengths and weaknesses within the organization.

There are several key changes to this year’s contest, yet the mission remains the same: to recognize and celebrate the best places to work in our industry. Ad Age will specifically highlight advertising agencies, ad-tech firms, media companies and brand marketers.

Continue reading at AdAge.com

Nuevecinconueve Radio: Queen, Interpol, Muse

Outdoor, Print
Nuevecinconueve Radio

Advertising Agency:Leo Burnett Costa Rica
Creative Director:Jorge Carrera
Art Director:Daniel Flores
Copywriter:Julian Robert, Jorge Carrera
Illustrator:Cristian Rodriguez

Instituto Hondureño de Turismo: Love outright – Copán, Love outright – Colonial, Love outright – Roatán

Print
Instituto Hondureño de Turismo

Advertising Agency:4am Saatchi & Saatchi, Honduras
Creative Director:Matías Celis
Head Of Art:Oswaldo Díaz
Art Directors:Ada Sanchez, Gerardo Gonzalez, Alejandro Ramirez
Copywriters:Jorge Cabrera, Antonio Barahona
Photographer:Salamagica