Generation Creation Looks At Creativity From All Sides Now

I have a soft spot for articles and programs where people get interviewed. Magazine profiles and shows like “Inside the Actors Studio” reveal a lot of insight if you’re fan of whoever the subject is. Which is why I really enjoyed reading Generation Creation: Creativity in the Age of Everything by Bill Green, Angela Natividad […]

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Ad Age's Small Agency Conference Will Change How You See Your Team


Ad Age’s Small Agency Conference doesn’t just celebrate the growing role of independent shops today. The conference in Miami Beach on July 19 and 20 is designed to give those tasked with owning and managing small agencies the tools and ideas to address challenges and uncover opportunities.

In addition to sessions featuring past winners of Ad Age’s Small Agency of the Year and an on-stage discussion about new agency models, the event will feature an interactive workshop led by Jack Skeels, productivity expert and author of forthcoming book, “Flatforce, a Manifesto for Modern Managers.”

According to Mr. Skeels, not only are there certain managerial practices that actually fight speed and hide problems until it’s too late, other factors such as structure and autonomy can have a considerable impact on productivity and team satisfaction. For small businesses that fear losing their creative edge, passion and culture, here are a few questions to ask:

Continue reading at AdAge.com

Sweet Shop, Society, Moondog and More Add Directors


The Sweet Shop has added Director Laurence Thrush to its roster. Born and raised in England, Thrush got his first experience behind the camera at Growth Films — a documentary production company he founded in London. His 2000 documentary film “Fidel’s Fight” screened in festivals all over the world. He started working on commercials befor landing in Los Angeles, and he has gained experience working with brands including ESPN, HP, Adobe, McDonald’s, Honda, and others. He also has a background as a writer and editor of documentary films including the indie feature “Pur-suit of Loneliness” that was featured at the Sundance Film Festival.

Society has welcomed a trio of director teams and also merged its live-action and animation under one banner. Brikk’s Bjrn Johansson, Josef Andersson and Samuel Fast have experience as storytellers in broadcast, web, infographics and music videos.

Cub Studio was founded in 2014 by Fraser Davidson and Ben Skinner who have years of video and digital experience. They have worked with Facebook,Twitter, the NFL, ESPN, Fox Sports and the IOC.

Continue reading at AdAge.com

Energy BBDO Showcases ‘Roach Art’ in Latest Raid Spot

We’ve seen “Dead Mouse Theatre” so why not “#RoachArt?” Energy BBDO worked with Vault49 artist artist Jonathan Kenyon to create a series of three billboards made entirely out of, yup, dead cockroaches for insecticide brand Raid.

Kenyon’s creations show a roachy grim reaper riding a jet, motorcycle and monster truck (we think). Each contains the message “Kills 7X Faster” with the speedy vehicles meant to convey the brand’s homicidal expediency. As Kenyon explains in the video below, larger roaches were used to outline the pieces, while smaller roaches were used for finer detail. Working with the information that a roach infested house can have up to 20,000 roaches, each piece of art contains around the same number. Neat!

While most will find the concept disgusting, it’s also attention grabbing and not something you’re likely to forget soon. In fact, the approach may gain the brand a little free media by making an appearance in viewers’ nightmares. Raid isn’t the first brand to toy with such a morbid and gross concept, as the aforementioned “Dead Mouse Theatre” saw Barton F. Graf repurposing mouse carcasses as theatrical puppets and, more recently, BBDO Russia created miniature portraits out of mosquito blood. Adweek calls the OOH pieces “strong contenders for the most disgusting ads of 2016.” 

That’s tough to argue, although Rules Creative Taiwan’s intern recruitment effort is certainly a contender as well. 
roach-art-hed-2016

Apple abre inscrições para seu primeiro Reality Show: “Planet of the Apps”

planet-of-the-apps

A Apple revelou em março deste ano suas primeiras investidas em conteúdo original: uma série chamada “Vital Signs” com Dr. Dre, outra em torno do Apple Music chamada “The Score” e um terceiro que seria um reality show sobre aplicativos. Hoje o nome da série foi revelado, quando as inscrições para o programa foram finalmente […]

> LEIA MAIS: Apple abre inscrições para seu primeiro Reality Show: “Planet of the Apps”

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LG: Rug

LG: Wallpaper

LG: Blanket

Exclusive: The Swing States Where Political Ad Spending Is Exploding


Editor’s note: To make sense of politics, you need to not only parse the polls but follow the money. That’s why today we’re launching the Ad Age Swing State Advertising Heat Map in partnership with STRATA, an advertising software firm owned by Comcast that processes more than $50 billion in ad transactions each year. This new monthly view is designed to supplement our weekly Campaign Scorecard posts that appear every Friday in our Campaign Trail section. Some context and analysis from Simon Dumenco follows. –Ken Wheaton

A new Quinnipiac University Swing State Poll released today suggests that the presidential race has suddenly tightened up in three states: Florida, Ohio and Pennsylvania. (See USA Today’s report: “Poll: Trump even with Clinton in three swing states.”)

By drilling down into STRATA’s hyperlocal TV advertising data — the company works with political ad agencies representing 75% of the total political ad spend — we can get a good sense of the ebb and flow of ad dollars among the batteground states.

Continue reading at AdAge.com

Jennifer Aniston Is Not Pregnant. Why Do We Care?

In an online essay, Ms. Aniston lashed out at the celebrity news media for its ‘sport-like scrutiny and body shaming,’ which she has been subjected to for much of her career.

Lowdown: Takata Airbag Recall Is Massive But Drivers Unaware


The Lowdown is Ad Age’s weekly look at news nuggets from across the world of marketing, including trends, campaign tidbits, executive comings and goings and more.

Fanatics is catering to the sports fan in everyone with a new, multi-million-dollar campaign, “Love Never Loses,” debuting Wednesday during ABC’s ESPY Awards. New TV spots, created by Minneapolis-based Fallon, capture user-generated videos to illustrate the enthusiasm and the mania of fans. The marketing plays into 21-year-old Fanatics’ new branding, which includes a recently unveiled company logo and website. The company hired Chris Orton as CMO from Orbitz two years ago.

Silvercar — a rental car company that only offers fully-loaded Audis — has signed up Troy Aikman as an endorser. He stars in the brand’s first TV ad. The spot was produced by Vice Media and began airing on July 12.

Continue reading at AdAge.com

Lena Dunham wants to remove guns from film billboards

“Hey New Yorkers, what if we do some peeling & get rid of the guns in the Jason Bourne subway ads. So tired of guns.” (archive) said producer Tami Sagher, a.k.a. Tulipbone on Instagram, and Lena Dunham shared it with the caption “Good idea @tulipbone! Let’s go!”

Now, the Jason Bourne films are about secret agents and have a lot of guns & violence in them. When Matt Damon isn’t busy making millions via that franchise he’s calling for an immediate gun ban in the United States, so I’m sure he agrees with Lena & Tami here.

Problem is, ripping the gun away from the movie promotional poster isn’t quite the same as banning guns from civilian use, in fact it’s not the same at all. And ripping down posters is plain vandalism, lets not encourage minor riots like the one that happened in Stockholm last year due to the political poster depicting a homeless person sleeping on the street.

At least we know that people still notice outdoor advertising, rejoice.

Danette: Mini – skirt

Danette: Report

Danette: Phone

Danette: Joystick

WSJ Standing Back From Pack in Wary Approach to Facebook


As dozens of media companies explore deeper ties with Facebook, one publisher has remained especially wary of the social network: Rupert Murdoch’s News Corp.

Unlike other news outlets, News Corp.’s Wall Street Journal hasn’t struck a deal to create live videos for Facebook. And while some publishers make all of their stories available as Facebook “Instant Articles” by posting content directly to the platform, the Journal offers only its technology stories.

The newspaper industry views Facebook with a mix of excitement and trepidation. While the site has proven to be a source of new readers, publishers don’t want to grow too dependent on it. That’s especially true for the Journal, which has counted on online subscriptions for growth, not giving articles away for free.

Continue reading at AdAge.com

BitTorrent Launches Streaming News Network at Republican Convention


Last week, BitTorrent, the peer-to-peer file-sharing program announced it was hiring a news director, former CNN and Vice producer Harrison Bohrman, to lead the upcoming “live-streaming TV news network,” confirming rumors that it was looking to build a team of journalists after it had posted job listings seeking them out.

Now BitTorrent is announcing that it will launch that new enterprise July 18 at the Republican National Convention, a move, it said, to bring “an independent voice” to the election season, starting with the conventions.

“BitTorrent News is launching to offer a fresh and independent voice to news reporting. We have an amazing opportunity to leverage our proprietary live video streaming technology in a way that delivers breaking news in real time,” said Christian Averill, VP-marketing at Bit Torrent. “The upcoming national conventions will be amongst the biggest news items of the year and we intend to bring a refreshing perspective to a tech forward audience.”

Continue reading at AdAge.com

Chief Creative Officer Wil Boudreau Leaving BBDO After 25 Years

Wil Boudreau, a 25-year veteran of the BBDO organization who has served as the Atlanta office’s creative leader since 2013, will be leaving the agency soon for another job.

This morning, a BBDO spokesperson confirmed that Boudreau has announced his plans to leave but declined to elaborate beyond this statement, attributed to global chairman/CCO David Lubars:

“We want to thank Wil for his 25 years of contributions to ‘The Work. The Work. The Work.’ And we wish him all the very best.”

Boudreau also declined to comment on his plans this morning.

We understand that he made the announcement internally a short time ago and that BBDO plans to name his successor soon. So we don’t know where he’s going at this time, but, given that his family is based in the Atlanta area, the options are relatively limited (JWT, Moxie, 22squared, Ames Scullin O’Haire, several smaller indie shops).

Boudreau first joined the BBDO organization in 1990 as a junior copywriter and worked his way up the New York office, eventually helping the shop pitch and win the Lowe’s and Arby’s accounts. He also worked on Snickers, Red Stripe/Guinness, Pizza Hut, AOL, E*Trade, and more before leaving in 2013 to lead the Atlanta team.

During his tenure, BBDO Atlanta won pitches for Norwegian Cruise Line, Toys “R” Us and Novant Health, among others. He also played a prominent role in a late 2015 video that served as a sort of reintroduction to the public following the hires of president/CEO Drew Panayiotou and creative director Rhea Hanges.

Expect more news to come from BBDO and Boudreau.

Barton F. Graf Parts Ways with Partner, ECD Scott Vitrone

Partner and executive creative director Scott Vitrone will leave Barton F. Graf to pursue other endeavors.

His creative partner Ian Reichenthal (the Daryl Hall to his John Oates or vice versa) will remain with the agency. This move ends a longtime creative partnership that began at W+K back in 1999, where the pair worked together on Nike. Barton F. Graf declined to comment, but sources close to the matter confirmed Vitrone’s pending departure from the agency.

Vitrone joined Barton F. Graf, along with Reichenthal, in November of 2013, arriving from W+K New York, where the pair served as co-executive creative directors. The appointment saw them reunite with Gerry Graf, who they worked under while at TBWAChiatDay New York. At that shop, the duo focused primarily on the Mars account, including the Cannes Lion-winning “Sheep Boys” campaign for Skittles and “Man Mom” for Combos. At W+K New York, they launched the “Whatever’s Comfortable” brand repositioning campaign for Southern Comfort.

At Barton F. Graf, Vitrone worked across all accounts, including Little Caesar’s, Unilever, Kayak, Dish Network and Finlandia. Vitrone and Reichenthal also spent nearly three years at Y&R New York and, in addition to the aforementioned brands, have worked with Heineken, ESPN, Xerox and LG, among others.

The reasons for the split are not clear at this time, and Vitrone has not announced any post-Barton plans.