Bud Light Goes from BBDO to W+K

Weeks after losing the global Heineken account, Wieden+Kennedy has won Bud Light in the U.S. and Corona worldwide (which will be handled by its Amsterdam office).

Bud Light will no longer work with previous AOR BBDO, the shop behind its “Up for Whatever” campaign.

The statement from Jorn Socquet, the company’s U.S. marketing VP:

“We’re pleased to announce that Wieden + Kennedy has joined our roster, assuming the role of lead creative agency for Bud Light. With an award-winning body of work in both CPG and alcohol segments and an impressive global footprint, Wieden + Kennedy brings a powerhouse of talent and experience to Bud Light, and we looking forward to taking the brand to new heights together.

Wieden+Kennedy’s appointment to Bud Light in the U.S. is part of an AB InBev global strategic partnership that includes creative support for the global brand Corona outside of the U.S.”

Socquet also gave this quote to Adweek’s Kristina Monllos:

“We’ve always looked at Wieden from the sidelines as an agency that one day we would potentially want to work with.”

It would seem, then, that the client has been looking to make a change for some time. This news is the culmination of a series of shifts that included several executive changes and the relocation of its operations from St. Louis to Manhattan. In March, the future of the account began to look more uncertain as BBDO moved the team working on the business from Chicago to New York.

Other recent changes:

It’s also worth nothing that, before landing with W+K, Bud Light went from DDB to mcgarrybowen to Translation and then to BBDO–all within a period of less than two years.

For the record, AB InBev clarifies that the most recent change had nothing to do with the problematic tagline that scored the company a round of bad press back in April, further supporting the theory that its new management team had been planning the change for some time.

According to Socquet, who cites W+K’s work for Nike as one reason for the switch, the new agency’s first work for the client will probably be next year’s Super Bowl campaign.

Earlier this week, Heineken went to Publicis after breaking with W+K, so we can debate which major beer brand got the better deal.

Whatever.

1Camera Celebrates ‘Unsung Heroes of Science’ for Royal Dutch DSM

Amsterdam-based agency 1Camera teamed up with director Hugo Keijzer on the online spot “Unsung Heroes of Science” as part of its “Science Can Change the World” campaign for life and materials sciences company Royal Dutch DSM.

The dramatic spot follows a series of scientists as they make personal sacrifices and suffer setbacks but continue to strive to do work that has a positive impact on the community and the world. At one point, one scientist’s daughter frustratedly yells that his work has become an obsession, illustrating both how dedicated to the job the scientists are and the impact that sacrifice has on those around them. The video effectively humanizes science and scientists, all too often thought of as clinically working on studies with little or no real-world application, delivering the message, “Never doubt that a few caring scientists can change the world” as each of the projects ultimately come to fruition. These triumphs make for some moving moments, especially when a paraplegic walks again thanks to bionic legs. The spot could have benefited from some tighter editing, however, as the lengthy runtime may intimidate some viewers.

“People often think that science is there for the sake of science,” DSM global brand, digital and communications director Jos van Haastrecht, told Adweek. “We really would like to shift the perception to science for a societal purpose.”

“We were inspired by the perseverance that scientists show in facing endless challenges, much like top athletes,” added 1Camera creative director Jasper Claus. “But unlike top athletes, you’ll probably never hear about these scientists, even though their work affects our daily lives and actually changes the world for the better.”

Credits:

Film Production: Unsung Heroes of Science
Client: Royal DSM N.V. (Angelique Paulussen, Jos van Haastrecht, Rob Dirix)
Concept & Script: Jasper Claus and Hugo Keijzer
Agency: 1Camera
Creative Director: Jasper Claus (1Camera)
Director: Hugo Keijzer
Executive Producer: Paul Keur (1Camera)
Production partner: MikeTeevee
Producer: Ellen Utrecht
Producer: Inge Zoete
Director of Photography Adam Scarth (Lux Artists)
Art Direction: Marijn Molenaar
Offline Editors: Annelien van Wijnbergen & Brian Ent (Kapsalon.tv)
Colorist: Toby Tomkins
Soundstudio: Kaiser Sound Amsterdam
Music: Dead Man’s Bones – “Lose Your Soul” (licencing: Pitch & Sync)
Online: Glassworks Amsterdam

Mithun Brings Back Impromptu Financial Advisor for KeyBank

mithunbank3A year after introducing a bespectacled, bearded financial seer of sorts who warns customers about overdraft fees and more for KeyBank, Mithun revisits the character with a new campaign that deals primarily with the same subject matter.

The Minneapolis agency has unveiled two new spots for its Cleveland-based client that feature our hero providing on-the-spot financial interventions for two new consumers, once again helping out folks who are on the verge of making a critical error at checkout–something the parties involved dub “oops moments.”

Here’s the first:

Regarding the campaign–which ultimately promotes KeyBank’s premium banking offers and hassle-free account services–the brand’s marketing director Tom Wennerberg says in a statement:

“Avoiding fees is an important consideration when choosing a new banking relationship and the Hassle-Free account gives our clients the ability to make more confident decisions with their money. Mithun’s creative connects real life events to something consumers are looking for — clear and simple banking with no surprises.”

Along with the ads above, Mithun’s media unit Compass Point Media has handled placements in KeyBank core markets with an emphasis on television, radio, print and digital.

Team One Hires New CD

Team One announced the appointment of Jon Ruppel as creative director. He will be responsible for enriching the agency’s creative technology and digital product development offerings  and leading “a newly assembled group of designers, storytellers and technologists to craft the next class of screen-based client experiences.”

Ruppel joins the agency following a short stint as a freelance digital creative director following his departures from Spacecamp, where he was a co-founder. Prior to that, he spent over five years as founder, CEO and chief creative technologist at Hooky Interactive. During his tenure, Hooky Interactive collaborated with the likes of South Park Studios, The Walt Disney Company, Fox Broadcasting and Sony Entertainment. Prior to founding Hooky, he spent a little over a year at Schematic, serving as senior director, advanced interaction group. Over the course of his career, he has worked with clients including Nissan, Sony Playstation, Comcast, Target and T-Mobile.

In an email, Team One described the classically-trained designer and UCLA graduate as representing “a new class of creative leadership,” adding that he’s “Equally at home discussing blue sky digital strategy with a big room as he is shutting the door, pulling the blinds and writing code all night.”

Dodge Unleashes 'Predator' In Theaters, TV, Times Square


Dodge is launching an ad campaign this weekend starring the Hellcat trims of the Challenger and Charger, along with the Viper GTS.

The production, titled “Predators,” has 30- and 90-second cuts and uses the Phil Collins hit “In the Air Tonight” as a surprisingly mellow backdrop while the roaring cars tear up Miami streets.

The 90-second spot will run in select movie theaters across the country from Friday, July 3, to July 23. Each version of the commercial begins airing on cable TV on Sunday, July 5.

Continue reading at AdAge.com

Cheil Promotes China Chief Aaron Lau to President of International


Cheil Worldwide’s China chief, Aaron Lau, has been promoted to a new role as president of international for the Seoul-based agency company. His focus will be on building up business globally and diversifying the client base for Cheil, which for years has been trying to move beyond its history as Samsung’s in-house agency.

Mr. Lau joined Cheil in 2012 when it bought the boutique agency he founded, Bravo Asia. Prior to that Mr. Lau was DDB’s chairman and president for Asia.

While taking on new responsibilities, Mr. Lau will retain his role as president and CEO of Cheil Greater China.

Continue reading at AdAge.com

What Prince Could (but Probably Doesn't) Mean for the Future of Apple Music


Prince is the new Taylor Swift. The artist has pulled his catalog from most streaming services, with a few notable exceptions. His music is still available on Jay-Z’s Tidal, a coup for a business that’s struggled since its high-profile launch earlier this year. Prince’s music is also still on digital radio services such as Pandora and Songza, which operate on so-called compulsory licenses that make it tricky for artists to refuse to participate.

Prince’s actions point toward a possible future for monthly streaming services that could undermine the idea altogether. The promise of an Apple Music or a Spotify is that once a subscription fee is paid, listeners don’t have to worry about anything. But already, someone who wants access to both Taylor Swift’s 1989 and Prince’s Purple Rain has to buy two subscriptions, or supplement the supposedly comprehensive service she has chosen with a few actual album purchases.

This is already how the online video world is shaping up, with such companies as Netflix and Amazon.com competing to produce original shows. But people are used to spending a lot of money to watch TV. A big part of the appeal of those services comes from replacing costly cable subscriptions, and anything seems cheap compared with a monthly Comcast bill. The $10 monthly cost of Spotify, Apple Music, or Tidal is already much more than the average person spends on music over the course of the entire year.

Continue reading at AdAge.com

Business.com CEO on How Data Is Transforming Publishing


Tony Uphoff, CEO of Business.com, has more than 20 years of experience leading and transforming b-to-b publishing companies.

Before joining Business.com in 2013, he was CEO of tech publisher UBM TechWeb, where he led the company’s transformation from a $125 million print-centric business to a $225 million digital media, event and marketing-services company.

When he joined Business.com, he was charged with relaunching the business, which had previously been owned by Yellow Pages and was a business directory and ad network serving small and medium-sized businesses.

Continue reading at AdAge.com

Wieden & Kennedy Wins Bud Light in U.S., Corona Globally


Just two weeks after Wieden & Kennedy and Heineken parted ways, the agency is taking over as the new lead agency for Bud Light in the U.S. The shop will also take on Corona outside the states.

The move marks the fourth agency change in less than four years for Bud Light, whose sales have been decline as more drinkers shift to craft beer. The Anheuser-Busch InBev-owned brew has been handled by BBDO, New York since mid 2013, and before that made stops at McGarryBowen and Translation after ending a long-running relationship with DDB.

W&K will also oversee Corona globally, but not in the U.S., where the beer is owned by Constellation Brands, not A-B InBev. Corona’s U.S. agency is Cramer-Krasselt.

Continue reading at AdAge.com

Verizon Explains the Real Reason Geese Migrate


Every weekday, we bring you the Ad Age/iSpot Hot Spots, new and trending TV commercials tracked by iSpot.tv, a company that catalogs, tags and measures activity around TV ads in real time. The New Releases here ran on TV for the first time yesterday. The Most Engaging ads are showing sustained social heat, ranked by SpotShare scores reflecting the percent of digital activity associated with each one over the past week. See the methodology here.

In the new spot for Verizon we learn that geese hate buffering (and they have cell phones). To escape the dreaded “dead zone,” the flock migrates back to Verizon for better service, and a $300 discount for returning “home.” Also in new releases, Fiber One’s latest spot reminds us that everyone watches their diet. Yes, even sharks. But with Fiber One’s low-calorie desserts, all 150 calories or less, you can indulge without expanding your waistline.

Meanwhile, Old Spice’s “Dad Song” takes mom and dad on a trip down memory lane as they reflect on raising their son. The one-minute spot, all turned into a song, ranked at No. 3 on our Most Engaging chart. And following the theme of raising a child, Travelers Insurance’s spot “Growing Up” tracks a daughter’s tears through milestones in her life like learning to ride a bike, moving away to college and finally getting married. The spot placed as the fourth most engaging ad of the day.

Continue reading at AdAge.com

Graubunden Tourism: The Great Escape


Media
Graubünden Tourism

Advertising Agency:Jung Von Matt/Limmat, Zurich, Switzerland

Prince Removes Music From Most Subscription Streaming Services

The recording artist left his music on Tidal, the service that Jay Z bought this year and has styled as a musician-friendly outlet.


Andrew Essex Is Leaving Droga5 Ad Agency

Mr. Essex, vice chairman of the independent agency known for its innovative digital-age campaigns, will move into an advisory role.


The Best of Cannes Self Promotion – Part Trois

Cannes might be long over, but like free rosé, the publicity just keeps on flowing. Here’s the final roundup of everything interesting and vaguely self-promotion-shaped to come out of the South of France.

To recap:

In part one I covered The Grand Prix Generator, Guess The Lions and Lion Arses.

Next up, Dabitch wrote about The Cannescellation, and then Cash for Gold Lions.

In part two I covered Can Your Lions, Cannes Lionsitters and Cannes We Meet.

So, in short – that’s everything, right? Nope, not even close.

Cannes Lionesses

This Tumblr blog (unlike the rest of the advertising press, I’m refusing to call it a website), is an attempt to ‘celebrate female creativity’ by Holly Fallows and Charlotte Watmough, a creative team from Mcgarrybowen. They’re systematically going through every winning Cannes entry and giving those made by female creatives an extra platform to draw attention. Their story goes that:

“We love that in our industry the “idea” wins, no matter who it comes from. Nobody is asking for judging quotas. But when the number of female creatives is so low, well, maybe the lionesses should all get together and roar a little louder?”

Really?

Straight up – this has to be the most surreptitious bit of dirty self-promotion I’ve seen. What Holly and Charlotte have picked up on is the current social movement du jour – “X% of women in X Industry” – and hijacked the issue to raise their own flag up on high. “We’re celebrating the best of female creativity” goes the story. But what is this really about? A movement to change the world? An extra pat on the back for a Bronze Lion? The opportunity to write a piece in AdWeek? Because they certainly got two of these three.

Love finding and looking at all your work. Very inspiring #CannesLionesses pic.twitter.com/AfXm7NKc9p— Cannes Lionesses (@CannesLionesses) June 30, 2015

Stuff like this bugs the hell out of me because it’s so transparently self-serving. I doubt Holly and Charlotte care about their fellow female creatives, any more than they care in particular about any social cause. There are genuine people out there who organise events to help people in advertising. One Minute Briefs. The Young Creative Council. NABS (the National Advertising Benevolance Society). But hey, we’re talking about them now. Job well done.

I reached out to a Creative Director who agreed to speak with Adland anonymously:

Holly and Charlotte were the type of team who would steal an idea from something they saw on YouTube rather than come up with something out of nowhere. The most impressive thing was their collection of blogs that they went to, to get reference and inspiration and basically just steal ideas. Everyone does that occasionally but they really relied on it. I was pretty surprised when they got hired at Mcgarrybowen, but they seem to have done alright since.

The comments on Adweek are less kind. Anna Ewers writes:

Oh jeez. This is embarrassing. You got a bronze by fluke for quite a boring piece of work. It happens. Accept it humbly instead of bragging about it and trying to make it into some kind of “movement”.

You see here’s the thing. Advertising people are pretty savvy. And we can smell self promotion a mile away. A lesson for the future, perhaps.

135 #CannesLionesses on the site so far. That’s a pretty loud ROOOOAAAARRR and we are only 2/3 of the way through. pic.twitter.com/jrNxjQvhxx— Cannes Lionesses (@CannesLionesses) July 1, 2015

A masked redirect is still a tumbr blog, but I suppose I better leave this here: http://canneslionesses.com/

Cannes in 140

A small but fun idea here, although emojis are starting to leave a sour taste in my mouth. This twitter account which was set up by creatives at JWT, has been tweeting a plain text description of every Gold and Grand Prix winning Lion throughout the festival followed by an emojis version.

So for instance, “Beds” by Mother London is first described:

.@IKEA – Beds: Girl in bed in the sky. Falls on more beds.Dog falls. She falls into her bed.Wakes up. @motherlondon #Gold #Film #CannesLions— Cannes In 140 (@CannesIn140) June 28, 2015

And then becomes:

Toby Chiswick, Social Media Director at J.Walter Thompson, said:

With @Cannesin140 we wanted to deliver something helpful but that also celebrated the great work on show and captured the fun of this utterly unique event.

“Whether you love them or not Emojis are ubiquitous at the moment and a new and interesting communications medium, so where better to give them a real outing than at Cannes?”

With only 200 followers, this clearly wasn’t the sensation JWT were hoping for, especially if you consider they probably put more than a few billable hours into it. But I can’t complain. It’s light, it’s creative, it’s amusing, it’s a good idea. Unfortunately, it also representative that we’ve reached a critical mass when it comes to emoji advertising. Last year this would have been fresh and innovative, while this year it is merely creative. Enough emoji advertising please. Jason Scott of Weiden + Kennedy has made what is in my opinion, the Last Great Emoji Campaign: Endangered Emoji. The pinacle has been reached, and it’s all downhill from there.

And don’t even get me started on this:

Holy shit people, THIS IS NOT A DRILL. @adland @TheDrum @Adweek @Campaignmag @AgencySpy pic.twitter.com/8cC6W8imGB— David Felton (@doritosyndrome) June 30, 2015

Cannes You Please Shut Up

Funnily enough, this very simple Tumblr blog got tongues wagging. The idea behind it was: “Dear Big Agency – Your tweets are terrible. Please Stop.” And that was it. No social movement or political message beyond the fact that watching creatives on a yacht drinking wine while you’re at your desk working is like having teeth pulled.

One might argue that this, along with The Cannescellation is indicitive of a greater movement in advertising where people are getting sick of Cannes entirely. One blocked it out, the other ridiculed it.

However, while I believe this movement exists – it’s not strong enough yet to have any real impact. Cannes is the golden crown in the advertising season, and it will continue to be the biggest event of the year for a long time to come.

You may all be getting fucked, but at least you can do it on a red carpet.

Mad respect for this couple having blatant sex on the #CannesLions red carpet just now. pic.twitter.com/JVgVYIsC8z— David Griner (@griner) June 23, 2015

Venables Bell & Partners Takes Over for Adidas Golf

Adidas Golf has selected Venables Bell & Partners as its new lead creative agency following a review, Adweek reports. Incumbent Kastner & Partners were one of the six finalists in the review, which included ten agencies total. Media buying and planning were not part of the review and remain with Carat. Adidas Golf spent approximately $45 million on measured media last year, according to Kantar Media.

Kastner & Partners had worked with the brand for over three years, recently changing its approach to highlight golf as “as a sport with athletes of the highest caliber,” according to chief creative officer Jamie Riley. Riley joined Kastner & Partners from 72andSunny last September and we spoke to him about the agency’s recent campaign for Adidas Golf in February. The following month, however, it was revealed that he was leaving the agency, along with managing director Richard Turner.

Melissa Ziegler, global brand marketing director for Adidas Golf, told Adweek the brand’s shift in approach was the impetus for the review, saying, “We are shifting to be more aligned with the Adidas brand and the idea that golf is a sport, and golfers are athletes. So, we wanted to find a new agency partner that could really help us bring that to life.”

Northern Lights Time-Lapse Video

Le 17 Mars 2015, Henry Jun Wah Lee a eu la chance de se retrouver en Islande lors de la plus grande tempête solaire de la décennie. Un spectacle extraordinaire que le réalisateur a capturé en images et concocté en un magnifique time-lapse. Des nuances de bleu, violet et vert apparaissent et s’agitent dans le ciel étoilé avant que l’éruption du Bárðarbunga ne plonge le paysage dans une atmosphère orange vif.

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Villainous Princess Mash-Ups – Buzzfeed Replaces These Disney Princess Designs with Villain Noses (GALLERY)

(TrendHunter.com) In what seems like an effort to breakdown beauty stereotypes, BuzzFeed’s Loryn Brantz remakes several famous Disney princess designs that replace the princesses’ elegant, small and…

How a Rally on Reddit Helped Generate Huge Turnout for Sanders in Wisconsin


On Wednesday, Kenneth Pennington wasn’t sitting in front of his computer as he normally would on a weekday afternoon. Instead, the digital director for the Bernie Sanders presidential campaign was in Madison, Wisconsin, where later that night thousands of supporters were expected to show up at a rally for the underdog candidate.

By the afternoon, more than 9,000 people had RSVP’d to attend the event.

“I’m usually the guy behind the computer,” Mr. Pennington said over the phone, noting he hoped sound system testing wouldn’t disrupt the call.

Continue reading at AdAge.com

Barnes & Noble Names Ronald Boire of Sears Canada C.E.O.

Mr. Boire, Sears Canada’s chief executive, will succeed Michael Huseby, who is becoming executive chairman of Barnes & Noble Education.


I can’t keep my mouth shut / Coincidence ou copie bas du casque?

shooting2014 shooting2015
THE ORIGINAL? 
Harman Kardon headphones – 2014
“Noise canceling headphones”
Source : Luerzer’s Archive

Agency : Ogilvy & Mather (Guatemala)
LESS ORIGINAL
Can Hi-Fi – Polkaudio – 2015
“Noise canceling headphones”
Source : Cannes Press SHORTLIST
Agency : Rafineri (Turkey)