Lexus "Heartbeat Car" (2015) 1:50 (Australia)

In 2013, Toyota Camry had an event where they built a roller coaster and took unsuspecting amusement park goers on a thrill ride with stunt drivers to prove they were an exciting car. Then Nissan basically copied that execution a year later, taking unsuspecting passengers on a thrill ride with professional drivers to prove how exciting they are.

Now Lexus is setting out to prove that they too are exhilarating and fun to drive. Lexus Heart Racing (geddit, narf narf) took a Lexus RCF and painted it with biometric paintwork that displayed the driver’s heartbeat on the car. And then they took the car on a thrill ride-a race track-with professional stunt drivers. Only this time, without the passengers. And that’s where it falls apart.

While it’s cool to make the cars glow all Tron-like based on your heartbeat, without regular people in the car, we don’t get real reactions. So it’s not convincing me that regular drivers will ever feel like that because regular drivers don’t drive on race tracks at stunt driving speeds, do they At least it looks cool.

At this point I think it’s time for cars to stop trying to convince us they are fun to drive. Or at least pick a different execution for that idea.

Leo Burnett U.K. Takes the Young Ones to McDonald’s

adam&eve DDB Asks ‘Why the Hell Not?’ for Foster’s

Wienermobile's Pint-Size Offspring, the Wiener Rover, Is a Cute, Destructive Little Bastard

The Wienermobile is one of the world’s most revered vehicles, seemingly capable anything, except for one pretty major flaw: It doesn’t actually deliver hot dogs.

Which is part of the reason why Oscar Mayer just created a miniature version called the Wiener Rover—a tiny, indestructible beast that will roam the country delivering a “precious cargo of warm, ready-to-eat hot dogs to fans wherever they find it.”

The Wiener Rover is one-seventh the size of the Wienermobile. It’s 23 inches tall by 43 inches long—or using the Oscar Mayer measurement system, about four hot dogs by eight hot dogs. It is battery powered, travels up to 20 mph and can hold up to eight hot dogs, plus condiments.

“We consistently hear that people are hungry for a hot dog after they see the Wienermobile, but we have never been able to offer them the deliciousness they desire,” Corey Rudd, senior associate brand manager at Oscar Mayer, said in a statement. “We developed the Wiener Rover to go where no Wienermobile has gone before to surprise and delight our loyal fans at their local parks, beaches, festivals and beyond.”

Watch out, though. As you can see in the video, the Wiener Rover—which made its debut in New York City on Thursday, which was National Hot Dog Day—appears to have a mind of its own. It may, given the opportunity, jump up on your picnic table and just mash right through your carefully arranged picnic place settings.

Columbus Zoo and Aquarium: Pirate Island

The Columbus Zoo was opening a new pirate-themed, eco-adventure boat ride. But with the Zoo’s mission of conservation, these weren’t your typical swashbucklers. Our campaign introduces the greenest pirates ever, who team up with their animal friends to save the day, and the planet.

Advertising Agency: Ron Foth Advertising, Columbus, USA
Creative Director / Copywriters: Ron Foth Jr., David Henthorne
Art Director: Gene Roy
Published: May 2015

Columbus Zoo and Aquarium: Hook

Advertising Agency: Ron Foth Advertising, Columbus, USA
Creative Director / Copywriters: Ron Foth Jr., David Henthorne
Art Director: Gene Roy
Published: May 2015

Ford Focus: Hedge fund manager

Advertising Agency: Team Detroit, USA
Chief Creative Officer: Toby Barlow
Executive Creative Director: Matt Soldan
Group Creative Director: Doug Patterson
Associate Creative Director / Copywriter: Greg Mills
Associate Creative Director / Art Director: John Stoll
Senior Producer: Michael Olk
Production Company: Caviar Content
Director: Matt & Oz
Executive Producers: Michael Sagol, Jasper Thomlinson, Darren Foldes
Head of Production: Kelly Bowen
Line Producer: Christina Donahue
DP: Anthony Wohlberg
Production Designer: Kristen Vallow

Ford Focus: Archeologist

Advertising Agency: Team Detroit, USA
Chief Creative Officer: Toby Barlow
Executive Creative Director: Matt Soldan
Group Creative Director: Doug Patterson
Associate Creative Director / Copywriter: Greg Mills
Associate Creative Director / Art Director: John Stoll
Senior Producer: Michael Olk
Production Company: Caviar Content
Director: Matt & Oz
Executive Producers: Michael Sagol, Jasper Thomlinson, Darren Foldes
Head of Production: Kelly Bowen
Line Producer: Christina Donahue
DP: Anthony Wohlberg
Production Designer: Kristen Vallow

Ford Focus: High fashion model

Advertising Agency: Team Detroit, USA
Chief Creative Officer: Toby Barlow
Executive Creative Director: Matt Soldan
Group Creative Director: Doug Patterson
Associate Creative Director / Copywriter: Greg Mills
Associate Creative Director / Art Director: John Stoll
Senior Producer: Michael Olk
Production Company: Caviar Content
Director: Matt & Oz
Executive Producers: Michael Sagol, Jasper Thomlinson, Darren Foldes
Head of Production: Kelly Bowen
Line Producer: Christina Donahue
DP: Anthony Wohlberg
Production Designer: Kristen Vallow

Ford Focus: Glam rocker

Advertising Agency: Team Detroit, USA
Chief Creative Officer: Toby Barlow
Executive Creative Director: Matt Soldan
Group Creative Director: Doug Patterson
Associate Creative Director / Copywriter: Greg Mills
Associate Creative Director / Art Director: John Stoll
Senior Producer: Michael Olk
Production Company: Caviar Content
Director: Matt & Oz
Executive Producers: Michael Sagol, Jasper Thomlinson, Darren Foldes
Head of Production: Kelly Bowen
Line Producer: Christina Donahue
DP: Anthony Wohlberg
Production Designer: Kristen Vallow

Ford Focus: Prima ballerina

Advertising Agency: Team Detroit, USA
Chief Creative Officer: Toby Barlow
Executive Creative Director: Matt Soldan
Group Creative Director: Doug Patterson
Associate Creative Director / Copywriter: Greg Mills
Associate Creative Director / Art Director: John Stoll
Senior Producer: Michael Olk
Production Company: Caviar Content
Director: Matt & Oz
Executive Producers: Michael Sagol, Jasper Thomlinson, Darren Foldes
Head of Production: Kelly Bowen
Line Producer: Christina Donahue
DP: Anthony Wohlberg
Production Designer: Kristen Vallow

McDonald's: Good times

Advertising Agency: Leo Burnett, London, UK
Creatives: Matt Collier, Wayne Robinson
Creative Directors: Matt Lee, Pete Heyes
Executive Creative Director: Justin Tindall
Agency Producer: Annabel Bennett
Account Team: Simon Hewitt, Rosie Greaves, Ailsa McQuaid, Vicki Sinclair
Media Agency: OMD
Planner (Media Agency): Chloe Grainger
Director: Sean Meehan
Lighting Cameraman: Sean Meehan
Production Company: Bold
Production Company Producers: Dave Knox, Sam McGarry
Editors: Sam Gunn, Matthew McKinnon / Whitehouse Post
Post-production: MPC
Post Producer: Amy Richardson
Telecine: George Kyriacou
Flame: Hugo Saunders
Audio post-production: 750mph
Sound Engineer: Sam Ashwell
Music Composition: MPM London

McGann/Zhang Soothes L.A.’s Waterfront Soul

CP+B Hid a Contest in the Legal for Hotels.com

Elevated Housing Domes – This 270 Square Foot Pod Home Resembles an Enlarged Tech-Made Lollipop (GALLERY)

(TrendHunter.com) New Zealand-based graphic designer and engineer Jono Williams created this futuristic elevated pod home. The structure itself looks like a giant white lollipop complete with an interior ladder that…

Com roteiro ofensivo e sem graça, “Pixels” é um desastre sob todos aspectos

Pixels

De maneira vulgar, Chris Columbus e Adam Sandler desafiam o espectador com um teste de resistência que nenhuma nostalgia é capaz de vencer

> LEIA MAIS: Com roteiro ofensivo e sem graça, “Pixels” é um desastre sob todos aspectos

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Lehning: Free yourself, 1

Advertising Agency: Havas360, Paris, France
Executive Creative Director: Thomas Derouault
Creative Director: Alban Penicaut
Art Director: Remi Arnaud
Copywriter: Edouard Dorbais
Illustrator: Florian Nguyen
Additional credits: Pauline Arguillere, Ophélie Dumay
Published: May 2015

Lehning: Free yourself, 2

Advertising Agency: Havas360, Paris, France
Executive Creative Director: Thomas Derouault
Creative Director: Alban Penicaut
Art Director: Remi Arnaud
Copywriter: Edouard Dorbais
Illustrator: Florian Nguyen
Additional credits: Pauline Arguillere, Ophélie Dumay
Published: May 2015

Persil: Breakdancing girl

Advertising Agency: DLKW Lowe, London, UK
Chief Creative Officer: Dave Henderson
Executive Creative Direcor: Richard Denney
Global Creative Director: Alex Okada
Creatives: Ben Evans, Adam Sears
Planners: Ayesha Walawalkar, Lucian Trestler
Account Team: Matt Sherratt, Rachel Vernon
Agency Producers: Olivia Westley, Lisa Tuck
Photographer: Rick Guest
Production Company: Academy
Director: Nadia Marquard Otsen
Editing House: Assembly Rooms
Editor: David Stevens
Post Production: 1920
Audio Post Production: 750MPH
CGI Artist: 1920

unReal: Brandon Semenuk

Widely recognized as the best slopestyle mountain biker in the world, Brandon Semenuk has become the first to film a full segment in a single continuous shot. This uninterrupted shot was filmed by the most advanced gyro-stabilized camera system, the GSS C520, mounted to a truck on a custom road built next to a custom trail that took three weeks to build.

Production Company: Teton Gravity Research, Anthill Films