New Technologies Can Help Brands Bring Storymaking to Life


The shift from storytelling to storymaking is well under way.

I first wrote about storymaking in a DigitalNext column last year, describing how marketers can tap into stories people are sharing with each other, as opposed to the broadcast approach of storytelling.

Storymaking isn’t a tactic in its own right, but various technologies can bring it to life. Here are four technologies that are powering storymaking and how brands can use them:

Continue reading at AdAge.com

Uber cria bafomêtro que oferece carona grátis para quem encher a cara

Uber

Ação foi realizada em Toronto

> LEIA MAIS: Uber cria bafomêtro que oferece carona grátis para quem encher a cara

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Fieldtrip Signs Acclaimed Filmmaker Maxime Bruneel

London-based production company Fieldtrip is pleased to sign Maxime Bruneel for UK representation. Fieldtrip works via 1stAveMachine in the U.S.

Dividing his time between Paris, London and New York since 2009, Bruneel is a prolific and diverse international talent who ceaselessly moves between commercial and personal projects. Whether it’s shooting a music video for a band or creating stop-frame animation for a commercial client, his drive to create new work is never-ending. Consistently looking for new ways to express himself on the screen, Bruneel works in many mediums including live action, 2D animation, CG, or a combination of the three.
Starting out, Bruneel collaborated with acclaimed music video director Ruffmercy, via international record label Ministry of Sound, resulting in a major music video and tour visuals for DJ Aston Shuffle.
To date, Bruneel’s well known projects include an awareness film for Amnesty International and stylish music promos for artists including Alain Bashung and Punks Jump Up.
Recent projects include a viral promo for artist TT, Diplo and Swick titled “Dat A Freak,” two stunning in-camera spots for Nespresso, and a live action :30 and associated music promo for French brand Mennen.
About Fieldtrip:
Welcome to Fieldtrip! We are led by a diverse array of award-winning directorial talent, all of whom have one thing in common, the ability to work across disciplines to create content with impact and style. We are located in the heart of London’s Soho with a superb production team and first class design and animation studio here to serve our clients.
Fieldtrip is headed up by Executive Producer Michael Adamo. Well-known in the industry both in the UK and internationally, Michael previously worked at Passion Pictures as Executive Producer.
About 1stAveMachine:
1stAveMachine is a mixed media production company and storytelling outfit. They create video, digital, and experimental content for TV, print, web, and mobile, all with a unified singular vision. They have won numerous awards since their formation, including Gold, Silver, and Bronze Cannes Lions, AICP, One Show, and ANDY awards, and many others. Their work has been featured across the globe and during the Super Bowl.

Dogs in Costume for JPMorgan Chase: How Can You Not Watch the Newest Ads on TV?


Every weekday, we bring you the Ad Age/iSpot Hot Spots, new and trending TV commercials tracked by iSpot.tv, a company that catalogs, tags and measures activity around TV ads in real time. The New Releases here ran on TV for the first time yesterday. The Most Engaging ads are showing sustained social heat, ranked by SpotShare scores reflecting the percent of digital activity associated with each one over the past week. See the methodology here.

Among the new releases, AT&T understands your work communication woes, and IBM shows off a new app for veterinarians. Also, JPMorgan Chase caters to a niche audience: people who like to dress their dogs up in costumes … leprechaun, patriot and hot air balloon costumes.

As always, you can find out more about the best commercials on TV at Ad Age’s Creativity.

Continue reading at AdAge.com

Expressive Plus-Sized Fashion – The Lion Hunter Blog Celebrates Curves and Colorful Clothes (GALLERY)

(TrendHunter.com) The Lion Hunter is a plus-sized fashion blog, founded by Mo Handahu, a seasoned author, content curator and FASHION magazine contributor. Mo is a plus-sized style pioneer for girls across Canada and…

W+K Portland Drives Proud with Peter Dinklage for Chrysler

W+K Portland celebrates the myth of the American Dream in a new 60-second spot for Chrysler for the new 2015 Chrysler 300 entitled “The Kings and Queens of America,” narrated by Game of Thrones’ Peter Dinklage.

“There is no royal blood in this country,” Dinklage begins at the beginning of the ad, with strings playing dramatically in the background, “Nothing is reserved for anyone.” The narration is matched by expertly crafted shots of men and women staring out at city skylines. “It’s all just out there, waiting for someone to reach out and take it,” Dinklage continues. While the sentiment behind the ad ignores the reality that social mobility is actually higher in most European countries than it is in the U.S., this is advertising, not sociology. Dinklage’s voice acting (which, of course, is typically brilliant) delivers well-written copy and is matched perfectly by visually impressive footage, courtesy of director Samuel Bayer.

The effort launches a “Drive Proud” campaign for Chrysler, which will also span digital and print and focuses on celebrating “success through hard work across all walks of life, from entrepreneurs and small-business owners to self-employed contractors, designers and artists” and features Becky Hammon (NBA assistant coach, San Antonio Spurs), Alexis Ohanian (cofounder of Reddit), Phil Ivey (professional gambler/entrepreneur), Kwaku Alston (photographer) and Caroline Styne (restaurant owner). Of course, the timing of the launch couldn’t be better either, with the imminent debut of season five of Game of Thrones making Dinklage’s involvement pure gold.

Credits:

W+K PORTLAND

Creative Directors Aaron Allen / Kevin Jones

Copywriter Alex Romans

Art Director John Dwight

Broadcast Producer Endy Hedman

Art Producer Grace Petrenka / Amy Berriochoa

Strategic Planning Cat Wilson / Sarah Biedak

Media/Comms Planning Alex Barwick

Account Team Cheryl Markley / Lani Reichenbach / Stephanie Montoya

Business Affairs Karen Murillo

Project Management Jane Monaghan / Annie Quach

Executive Creative Directors Joe Staples / Mark Fitzloff

Head of Production Ben Grylewicz

PRODUCTION

Production Company HSI

Director Samuel Bayer

Executive Producer Roger Zorovich

Line Producer William Green

Director of Photography Samuel Bayer

Photographer Samuel Bayer / John Clark

EDITORIAL

Editorial Company Joint

Editor Nicholas Davis

Assistant Editors Kristy Faris

Post Producer Leslie Carthy

Post Executive Producer Patty Brebner

VFX

VFX Company Joint

Lead Flame Artist Katrina Salicrup

Flame Artist David Stern

Smoke Artist David Jahns

VFX Producer Alex Thiesen

MUSIC + SOUND DESIGN

Songs “Blood and Stone”

MIX

Mix Company Joint

Mixer Noah Woodburn

Producer Sarah Fink

Hilton Worldwide Leaves Publicis Kaplan Thaler

homewood suites

Hilton Worldwide will follow clients like Verizon, and Kraft in consolidating work with its various agencies without a formal creative review.

Most immediately, this means that Publicis Kaplan Thaler will no longer be agency of record for its Homewood Suites business.

The statement from PKT:

“We have been privileged to partner with Hilton Worldwide to create both strong, and effective, work. As they consolidate their advertising efforts, we wish them well in the future.”

PKT won the account, which had been with FCB for a decade, in 2011 and proceeded to create work such as “No Place Like Homewood Suites,” last year’s Olympic campaign, and “Slam Dunk,” which was part of a series of ads that aired later in 2014.

What’s not clear at the moment is how the move will affect Hilton’s other agencies of record: FCB lost its last piece of the business in 2012 when Y&R won AOR duties for the Hampton lodging chain, and that win came just over a year after Cramer-Krasselt beat out Y&R for the Hilton Hotels work.

Hilton has not yet responded to multiple requests for comment. Updates when we get them.

Assista ao primeiro teaser da segunda temporada de “True Detective”

True Detective

HBO divulgou ainda a data de estreia

> LEIA MAIS: Assista ao primeiro teaser da segunda temporada de “True Detective”

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Mediobanca – Our history (Paper animation) (2015) 2:00 (Italy)

Mediobanca - Our history (Paper animation) (2015) 2:00 (Italy)
For the bank Mediobanca the animation studio Dadomani in Milano, Italy made this short history animation. The entire thing is made from paper, and tells of the banks origins and core values. It’s absolutely beautiful and fascinating to watch. Lovely, lovely craft guys, well done.

Weight Watchers Taps DiMassimo Goldstein for Next Campaign


Weight Watchers has hired DiMassimo Goldstein for a new campaign that will break on Sunday, following the marketer’s recent separation from Wieden & Kennedy.

A Weight Watchers spokeswoman confirmed the selection in an email, stating that the small, independent New York-based agency was brought on to “do work for us in developing our spring campaign. We continue to evaluate agencies for the longer term.”

The move comes as the weight-loss marketer struggles to hold onto members in the face of stiff competition from free online dieting, fitness and calorie-counting apps. In the fourth quarter, the company’s revenue fell 10% to $327.8 million.

Continue reading at AdAge.com

Clinton and Bush Are Already in Hollywood’s Sights

Several filmmakers are working on projects that have been inspired by the histories of presidential hopefuls.

On Comedy: ‘Daily Show’ Successor Trevor Noah Finds Himself Catching Criticism, Not Dealing It Out

The 31-year-old successor to Jon Stewart as host of the “Daily Show” told a joke that was similar to one written by another comedian. But the moral dividing line can be hard to determine.

Andrew Rashbass, Reuters Chief, Is Moving to Euromoney

He is leaving the company after less than two years and will be replaced on an interim basis by Stephen Adler, president and editor in chief of REUTERS.



BAM Connection Goes PSA for Stroke Awareness

Paul George of the Pacers isn’t just busy starring in ads for AT&T and Papa John’s — he also does public service announcements.

The BAM Connection, a Brooklyn-based agency founded by Grey alums Rob Baiocco and Maureen Maldari last summer, created this new one for the Ad Council and American Stroke Association starring George, whose mother suffered from a stroke when he was six years old.

Thankfully, she survived to co-star with her son in this pro-bono project (though she remains paralyzed on the left side of her body).

Here he is recalling the incident:

…and here’s the longer piece:

At the moment, we have no credits for this campaign, which will also include print, radio, and digital running “in space and time entirely donated by the media.”

Grey NY, DirecTV Say Goodbye to Rob Lowe, Hello to Hannah Davis

Grey New York released a series of new ads for DirecTV which signal the end of its campaign with Rob Lowe, which launched last September.

That campaign didn’t sit well with Comcast, and on Tuesday the National Advertising Division of the Council of Better Business Bureaus ruled that DirecTV needed to stop using several of the claims it made in those ads. In Lowe’s place is Sports Illustrated Swimsuit Edition’s cover model Hannah Davis, who appears in a pair of ads which made their debut last weekend. In the first of the ads, Davis talks up the wireless aspect of DirecTV, which she says makes it so you don’t have to look at “ugly wires and boxes.” She then tells viewers you don’t have to take it from her, you can take it straight from her horse’s mouth, who then starts talking. In a second spot, Davis mentions DirecTV being rated higher than cable in customer satisfaction for the 14th year in a row before her horse goes off on a tangent.

As Adweek notes, the new efforts from Grey trade in three of the most tired advertising cliches: casual sex appeal, a talking animal and a literal interpretation of figurative language. While the Rob Lowe campaign was far from innovative, it at least started out as entertaining, before inevitably running out of steam. This campaign doesn’t have the same kind of potential, but at least it’s not likely to result in a lawsuit.

People Portraits in Beautiful Landscapes

Né dans une famille d’illustrateurs et musiciens, Kornelison Garrett est, quant à lui, devenu photographe. Le travail de cet artiste polyvalent est résolument tourné vers la nature qui lui sert de toile de fond à de magnifiques portraits dont voici une sélection.

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The War Against Midi-Skirts, the Pro-Nudie Movement and IPG Goes Public: Real Ad Age Headlines From 'Mad Men' Era


You might say Mr. Carl Jensen helped pave the way for ad-world do-gooderism. In April 1970 the former BBDO VP/Account Supervisor Carl Jensen went all “hippie” and left the agency to go back to school to study sociology at University of California, Santa Barbara. He also opened Apple Pie, a company dedicated to the “development, production, distribution and exhibition of peace oriented audio-visual devices through all forms of mass media.” Twenty-five percent of the company’s profits would go to a peace trust fund supporting anti-war groups. “If more business men were to turn their energies and skills to critical social issues, perhaps the nation wouldn’t be the frightening place it is today,” Mr. Jensen said.

Much was made of McCann’s new ownership of Sterling Cooper & Partners in last Sunday’s episode, but in the real world, the big news was that McCann owner Interpublic was going public. In 1969, Interpublic agencies billed an estimated $727,260,000 and had net profits of $4,778,206. Observers predicted a 27% public offering, which paralleled that of J.Walter Thompson.

Continue reading at AdAge.com

? Baixe de graça HOME: Boov Pop, o jogo desafiante da animação “Cada Um Na Sua Casa”

Home

Baseado no novo filme da DreamWorks Animation. Disponível para iOS e Android.

> LEIA MAIS: ? Baixe de graça HOME: Boov Pop, o jogo desafiante da animação “Cada Um Na Sua Casa”

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QUAL É A BOA? – Mommy; Spritz; Kendrick Lamar; Bloodline; Velozes e Furiosos 7; It Follows

QEAB

E mais: As incríveis dicas de leitura de Cris Dias

> LEIA MAIS: QUAL É A BOA? – Mommy; Spritz; Kendrick Lamar; Bloodline; Velozes e Furiosos 7; It Follows

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TAC – Strings – What kind of driver are you raising? (2015) :60 (Australia)

The Transport Accident Commission (TAC) and Clemenger BBDO Melbourne have launched a new campaign based on a simple fact: How a parent drives now can strongly influence how their children drive later. Honestly we all know this, but this “Strings” campaign is a reminder that hits you right in the guilt. Unusual for most road safety PSA’s and prior TAC work, there’s no dramatic car crash or even a car. Just the dark stage and the kid, who does a really good job at acting like a distracted driver, tied with strings like a puppet. The slow reveal shows he’s mimicking everything his father does.

Samantha Buckis, TAC Road Safety Project Co-ordinator, says ‘Strings’ needed to find a way to empower parents to reflect on their own behaviour.
“Every time a parent gets behind the wheel, their children are watching their behaviour, both good and bad. By the time a child goes for their driving licence, their attitudes on the road have already started to form”

Clemenger BBDO Melbourne Creative Director Stephen de Wolf says the shoot was a highly complex operation.
“We designed an intricate rig that linked our father and son, with professional puppeteers directing our talent. The 60- and 30-second spots were filmed in single takes, so we required a perfectly timed and synchronised performance from both of them”

The TAC campaign includes TV, OOH, print, digital, social and radio.