Advertising Agency: Wieden + Kennedy, Amsterdam, Netherlands
Executive Creative Directors: Mark Bernath, Eric Quennoy
Creative Directors: Joseph Burrin, Sean Condon
Art Directors: Ignasi Tudela, Sebastien Partika
Copywriters: Ebba Hult, Edouard Olhagaray
Advertising Agency: Wieden + Kennedy, Amsterdam, Netherlands
Executive Creative Directors: Mark Bernath, Eric Quennoy
Creative Directors: Joseph Burrin, Sean Condon
Art Directors: Ignasi Tudela, Sebastien Partika
Copywriters: Ebba Hult, Edouard Olhagaray
Advertising Agency: Wieden + Kennedy, Amsterdam, Netherlands
Executive Creative Directors: Mark Bernath, Eric Quennoy
Creative Directors: Joseph Burrin, Sean Condon
Art Directors: Ignasi Tudela, Sebastien Partika
Copywriters: Ebba Hult, Edouard Olhagaray
Pour ce best-of, nous avons mis le set-design à l’honneur. Abstraites ou expérimentales, ces natures mortes contemporaines sont réalisées dans le cadre de projets personnels ou professionnels illustrant visuellement la sensibilité des artistes, qui de manière inventive, n’hésitent pas à varier les techniques de créations par l’utilisation de matériaux inattendus. Des compositions visuelles et ludiques, à découvrir.
Clocks Set Design by Benoit Challand.
Colored Collection of Random Ideas by Leta Sobierajski.
Colorful Still Lives Made With Plasticine by Alexandra Bruel.
Conceptual Food Stills by Cécille Chavez.
Creative Design Set Installations by Elise.
Still Life Photography by Emma Hartvig.
Eye-Catching Smoothies Imagery by Still&Strokes.
Goth Food Still Lives by Stephanie Gonot.
Set Design by Jacob Reischel.
Matching Still Lives and Backgrounds by Eugenia Maximova.
Photography by Maurizio Di Iorio.
New Way To Serve Food by Lenneke Wispelwey and Studio Bon Appetit.
Odd Pears Socks Campaign by Leta Sobierajski.
Paper-Craft Models by Noelia Lozano.
Still Life of Celebrities Diets by Dan Bannino.
Sugar Teeth Still Lives by Marion Luttenberger.
The Gourmand Measures of Quality by Jamie Julien-Brown and Jess Bonham.
Full Color Objects Composition by Timothy Hutto.
British director and photographer Stuart Douglas, co-founder of Nice Shirt Films, has signed with Believe Media for exclusive U.S. representation. Douglas began his career working with his brother Andrew as the still photography duo The Douglas Brothers. The pair later transitioned to directing music videos and commercial campaigns, beginning with a series of short films for Adidas. Douglas then founded Nice Shirt Films with long-time collaborators Jon Hollis and Richard Martin. He has directed work for Carlsberg, Coca-Cola, Guinness, Pepsi and Nike as well as car brands Jeep Ford, Land Rover, Volvo, and Saab. In 2013, he wrote and directed a nine-part web series for Sony Ericsson to launch its Xperia X1 phone.
Uma das coisas bacanas de momentos nostálgicos é poder perceber o quanto mudamos. Atire o primeiro comentário malvado quem nunca viu o que postou há 4, 5 anos atrás e não pensou “nossa, eu mudei muito”.
Quem curte esse tipo de viagem pelo ‘túnel do tempo’ provavelmente já brincou com o Timehop, um app que conecta nas suas redes sociais e te mostra o que você andava postando naquela época.
Agora, o Facebook imitou essa ideia e trouxe para dentro da rede social o seu próprio ‘timehop’ – é o “On This Day”, que está aos poucos sendo liberado para os usuários do mundo todo.
Ao acessar facebook.com/onthisday, os usuários poderão ver uma coleção de postagens, fotos e interações que fizeram neste mesmo dia, há 1, 2, 3 ou mais anos. O Facebook destaca que essa informação é privada – ou seja, só os usuários poderão vê-las – mas que haverá uma opção para compartilhar com os amigos e relembrar o momento.
Quem já estiver com a funcionalidade liberada vai poder acessar a página do On This Day e configurar se quer receber notificações quando houverem memórias do passado para os próximos dias. Por aqui, fui barrada na ‘portaria’, mas talvez você dê mais sorte.
Post originalmente publicado no Brainstorm #9
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Peace, love and an audience of captive millennials that’s the theme of this year’s summer music festival season, which is already in full swing. Last year, a staggering one in five millennials attended a music festival, with many paying top dollar and traveling long distances to see their favorite artists. And while music festivals are a marketer’s dream in terms of connecting with an audience that’s savvy, engaged and open to new experiences, the competition is fierce. In 2014, some 447 brands played a role in 300 music festivals worldwide, according to analysis by FRUKT. With so many companies and devices vying for the heart of the notoriously discerning millennial, how can you break through the noise and make your brand stand out?Here are four ways to connect with millennials during summer music festival season:
Think mobile first. Millennials make up the largest segment of smartphone owners. In the second quarter of 2014, 85% of millennials ages 1824 and 86% ages 25-34 owned devices. With the right audience targeting and geofencing capabilities, plus emerging technologies like beacons, it’s becoming easier than ever to reach your target audience at the right time and place on their mobile device.
The cover of “Go Set a Watchman,” featuring a dark tree and a train, was designed by Jarrod Taylor.
(TrendHunter.com) You can’t tell the time from this wacky Ant Watch, but the hour won’t seem so relevant when you’re observing the wonderful world of insects. The captivating workings of nature are…
OK Go has collaborated with plenty of brands—including Chevrolet, Google, Samsung and State Farm—on its own music videos. But here is the first truly traditional commercial the band has ever filmed. Though of course, this being OK Go, it’s far from typical.
The ad, which the band worked on in China for much of February, is for the Chinese furniture store Red Star Macalline. Full of optical illusions, it visually references OK Go’s 2014 video “The Writing’s on the Wall” (which the band later accused Apple of ripping off) but is set to another OK Go track, “I Won’t Let You Down” (a remixed version by drummer Dan Konopka).
Hear the band talk about the project here:
CREDITS
Director: Damian Kulash Jr.
Co-Director & Creative Director: Mary Fagot
Executive Producer: Fung Ni
Director of Photography: Luke Geissbuhler
Art Director: Julius Mak
Production Manager: Bihong,Chan
Assistant Director: Joan Chen
Photograph group:
Steadicam Operator: Alec Jarnagin
1st Assistant : Kenan Qi
Assistants: Xinfeng Zhang Hongyan, zhang Yanru, wang
Equipement: Wei Pang
Digital Image Engineer: Tiger
Equipement Company: Yiying Shanghai
Light Group:
Lightman: Kok Kin Wing
1st Assistant: Jingdong Wang
Light Assistant: Bin Xu Xinbin Jiang Yongchao Hu Chaoliang Wang Yang An
Light Equipment : Chenjun Zhou
Art Group:
1st Assistant: Ong Wan Hoong
Art Assistants: Harris Eddie Sequerah, Rae Chen
Props: Songyi Wu
Studio Factory Manager: Yubin Xia
Recordist: Yan Xia
Production Group:
Executive Producer: Xiaoming Tang
Production Assistants: Jojo Ying Yuanbiao Wang Yong Dong Longhui Li Yi Zheng
Translator: Lingyi Chen, Yifei Gu
Runner: Chao Huang
Transport: Shuguang You
Casting: Fei Huang, Jingyuan Yuan
Choreography: Guanglei Zhang
Dancers: Weijia zhou, Chuanjing XU, Kaijie Wang, Xi Xu, Zhijing Cao, Yimian Song, Xuqin Hua, Wentao Fan, Qin Zhang, Xubin Geng, Chunmeng Yan
Costume:
Stylist Director: Mengjia Zhan
Stylists: Yuanjun Xiao, Shiqi Zhang, Yinghui Huang, Zhihui Wang, Chen Wang, Bin Lang, Huiting Wang
Postproduction
Offline Editor: Fenny
TC : Jian Wang
Online user: CiCi & Yuqian Jin
Post Producer: Jojo Ying
Behind the Scene: Steven
Post Production Company: Liveplus Shanghai, Film Vally Shanghai
Music Studio : Take One, Shanghai
General Planner: Red Star Macalline “Two Days coming” program
Agency: 25hours, Shanghai
Production House: STEAM ,Shanghai
Advertising Agency Executive Creative Director: Lei Tao
Advertising Agency Creative Director: Song Zhang
Advertising Agency Art Director: Lei Shi, Binyan Huang
Account Director: Lingning Yan
Account Executive: Yan Huang, Da Li
Copa Coca-Cola is a Coca-Cola-sponsored youth soccer tournament uniting talented teenagers from over sixty countries in support of teamwork and sportsmanship. The campaign will profile Copa Coca-Cola?’s teen ambassadors from around the world, showcasing how each one contributes a unique strength to his or her team.
Advertising Agency: Ogilvy, Sydney, Australia
Creative Group Head: Boris Garelia
Senior Copywriter: Scott Mortimer
Senior Art Director: Wellison D?Assuncao
Copywriter: Blake Arthur
Art Director: Matt Ennis
Group Account Director: Ben Hallam
Senior Account Manager: Ruth Hatch
Agency Producer: Gabe Hammond
Production Company: Papaya Films
Executive Producer: Kacper Sawicki
Line Producer: Tomek Kulesza
Director: Marc Raymond Wilkins
Director of Photography: Burak Turan
Production Design: Grzegorz Piatkowski
Editor: Wojtek Wlodarski
Postproduction: Televisor
Advertising Agency: Red Urban, Toronto, Canada
Executive Creative Director: Christina Yu
Senior Creatives: Rose Sauquillo, Pete Gardiner, Patrick Shing
Art Directors: Alicia Outschoorn, Meagan Patry
Copywriters: Angeline Parsons, Paul Constantakis
Producer: Anna Tricinci
Director, Strategy & Development: Keith Barry
Director, Digital Strategy & Social Media: Nicole Milette
Director, Client Services: Caroline Kilgour
Group Account Director: Trevor Byrne
Account Coordinator: Aanchal Narula
Production Company: Untitled Films
Director: John Mastromonaco
Line Producer: Tom Evelyn
Executive Producer: Lexy Kavluk
DOP: Barry Parrell
Post Production Company: Rooster Post
Editor: Marc Langley
Assistant Editor: Spencer Shiffman
Executive Producer: Melissa Kahn
Transfer: Smith
Colourist: Billy Ferwerda
Online: Fort York VFX
Flame Artist: Paul Binney
Assistant Flame Artist: Joe DiClemente
Music Production Company: RMW Music
Composer/Producer/VO Director: Mark Rajakovic
Sound Designer/Engineer: Kyle Gudmundson
Executive Producer: Jeff Cohen
Le peintre Deenesh Ghyczy, basé à Berlin, peint des toiles représentant des portraits réalistes observés à travers le prisme d’un miroir déformant et dédoublant. Il multiplie les visages afin de mieux comprendre chaque facette de l’identité de ses modèles. Ses séries « Vacum Space » et « Echo Vision » sont à découvrir.
Ketchup and macaroni and cheese will come together under a merger announced today between Kraft Foods Group and H.J. Heinz that will create the third-largest food and beverage company in North America and fifth-largest in the world.
The deal to create The Kraft Heinz Company was orchestrated by 3G Capital and Warren Buffett’s Berkshire Hathaway. The move comes after 3G — which is notorious for aggressive cost-cutting — acquired Heinz a couple of years ago with financing help from Berkshire. The new company will be based in Pittsburgh and Chicago and have revenues of about $28 billion and with eight one-billion-dollar brands.
Bernardo Hees, CEO of Heinz, will become CEO of The Kraft Heinz Company.
T-Mobile has upended the consumer telecom market. Can it do the same for enterprise?
That’s the plan.
Last week, the fourth-largest national operator (or third, if you ask its CEO) announced the ninth iteration of its splashy “Uncarrier” initiatives. This one focused on business. The carrier introduced a phone rate plan for corporate clients priced to undercut Verizon and AT&T. According to T-Mobile, their two rivals command nearly 90% of the $80 billion plus wireless enterprise market.
Que a internet ama gatos, isso todo mundo sabe e quase ninguém pode negar. Basta ver o sucesso que faz vídeos e memes dos bichanos e suas peripécias, tudo devidamente registrado por humanos. E se houvesse a chance de mudar o ponto de vista e os próprios gatos mostrarem seus interesses e aventuras?
Basicamente esta é a proposta de Catstacam, um dispositivo criado por Whiskas que permite que os felinos tirem fotos e postem tudo diretamente no Instagram – sem a interferência de ninguém.
A ideia – que pode ser considerada inovadora ou bizarra – é que a gente consiga ver o mundo do ângulo dos gatos e, quem sabe, consiga entendê-los melhor. E caso surja uma dúvida do que eles estão fazendo, basta usar a hashtag #askwhiskas, que a marca responde.
Como o Catstacam ainda está em fase de testes, ainda há poucas unidades disponíveis por aí. Ainda assim, é possível ver as fotos que estão sendo produzidas aqui.
A criação é da Clemenger BBDO de Sydney.
Post originalmente publicado no Brainstorm #9
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The judgment by the Supreme Court was regarded as a landmark ruling on free speech in the country.
Douglas Durst, the head of the Durst real-estate empire, said he believed his brother Robert had stalked him for years, including last month in Florida.
(TrendHunter.com) It can’t be denied, Let’s Pizza takes vending machines to the next level. Instead of relying on ready-made options that are full of preservatives and other unhealthy ingredients, Let&#…
Cats aren’t just great alarm clocks. They’re also excellent sleeping masks.
Two gag infomercials for the Animal Foundation animal shelter in Las Vegas (created by agency R&R Partners) hawk exciting new multi-purpose products for your home—”Pet Cat” and “Pet Dog.”
Dogs are surprisingly efficient vacuum cleaners and capable concierges. What else can they do? “The list goes on and on,” the voiceover assures you—and you should pause it while it’s scrolling by, because most of the options are great (even if maybe one too many is about warming some body part … as accurate as that may be).
The writing is sharp and funny, the acting perfectly overdone, and the voiceover as cheesy as possible—dead-on parody. Each pet even comes with a free accessory—for the dog, a leash, aka an instant gym attachment, and for the cat, a paper bag (it’s better than having a TV).
So hurry up and don’t miss out on this amazing opportunity. Litter box and Nature’s Miracle not included.
CREDITS
Client: The Animal Foundation (Las Vegas)
Agency: R&R Partners
Executive Creative Director: Arnie DiGeorge
Creative Director: Ron Lopez
Copywriter: Chrissy Deem
Copywriter: Mary Money
Art Director: Rachel Hogan
Senior Brand Manager: Sarah Catletti
Brand Manager: Amber Allen
Agency Producer: Sherpa Pictures
Business Affairs: Pam Petrescu
This is site is run by Sascha Endlicher, M.A., during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.
