Afin de célébrer la Saint Valentin d’une façon originale, les équipes de PunnyPixels ont eu l’idée de composer des cartes au graphisme sympathique, proposant des éléments et jeux de mots qui feront rire les plus geeks d’entre nous. Des créations originales, que vous pouvez acquérir sur leur boutique Etsy, à découvrir dans la suite.
(TrendHunter.com) These February 2015 retail trends range from auto buyer e-commerce sites to 3D printing stations that allow consumers to create a personalized product. As experiential and responsive retail takes off,…
Advertising Agency: Dare Digital, Vancouver, Canada
President / Executive Creative Director: Richard Hadden
Broadcast Producer: Leslie Stovall
Production Company: Circle Productions
Executive Producer: Chris Bowell
Producer: Rita LeRoux
Director / Cinematographer: Sean Thonson
Le graphiste danois Emil Kozak a exploité une pièce blanche et carrée de la galerie LYNfabrikken au Danemark, pour son exposition « Reality Is A Shared Hallucination ». Cette exposition présente ses différentes peintures et sérigraphies noires et blanches réalisées à l’encre. Un espace rendu graphique et saturé de motifs visuellement riches, à découvrir jusqu’au 15 février.
Marius Vieth est un photographe allemand talentueux spécialisé dans la photographie de rue. Son art s’articule essentiellement autour de l’élément humain plongé dans un monde urbain qu’il présente sous un engouement poétique, une profonde admiration et un surréalisme mystique.
(TrendHunter.com) Sogoal Zolghadri is the founder of Sogi’s Honey Bakeshop, a purveyor of pop culture-themed confections like these sarcastic Valentine’s Day cookies. With quotes like ‘Valentine&#…
Taylormade freezes time to show off its Aeroburner driver in this spot starring Camilo Villegas. Dude is not messing around.
Starring Sergio Garcia, this spot extols the fun and power of golf. It’s a game of millimeters and one which players strive to get better, by increments. Starring Sergio Garcia.
“The bad guys are expecting me to be in a fighter jet, not a mid-sized sedan.” Says Blake Griffin, NBA partner of KIA and not a pilot. Very silly. “You don’t have to keep saying over.” Problem is there’s two spots here.
(TrendHunter.com) Etsy’s EPUU shop specializes in lace statement necklaces that are inspired by the elegant and intricately crafted textile. Priced at $56, this accessory is available in four colors that…
(TrendHunter.com) 2015 is quickly becoming model-saturated with Gigi Hadid who was named Model of the Year by The Daily Front Row Fashion Awards. The 19-year-old has landed numerous high fashion campaigns and beat…
Some recognizable names have left, while outside voices have come in. And that raises concerns about the station’s status as a top rap outlet.
Rather than revisiting Pierce Brosnan’s Bond-ish Super Bowl spot, David&Goliath takes the highway to the danger zone in its newest ad for Kia starring everyone’s favorite action star Blake Griffin.
The first ad in this campaign, which dropped in December, cast Griffin as an actor/turned Tombstone gunslinger who insists on including his Kia in the scene.
He’s even more of a “maverick” in this one, and he insists that the Kia Optima will go wherever he wants it to go while fulfilling his need for speed.
Come on, Blake, do some of that pilot shit!
Note the final disclaimer: “Do not attempt. Optimas don’t fly.”
Griffin isn’t really an actor or a pilot, but he can still be Kia’s pitchman anytime.
Credits
Founder & Chairman: David Angelo
Chief Creative Officer: Colin Jeffery
Creative Director: Driscoll Reid
Creative Director: Chris Hutchinson
Digital Creative Director: Chris Robertson
Associate Creative Director: Basil Douglas Cowieson
Associate Creative Director: Greg Buri
Art Director: Marc Wilson
President: Brian Dunbar
Group Account Director: Brook Dore
Account Director: Mike O’Malley
Director of Digital: Josh Crick
Director of Digital Technology: Robert Boucher
Digital Account Director: Jeanann Grubbs
Account Executive: Kylie Lemasters
Digital Account Executive: Sarah Kirsch
Assistant Account Executive: Lauren Kelley
Director of Broadcast Production: Paul Albanese
Executive Producer: Curt O’Brien
Executive Producer: Christopher Coleman
Digital Producer: Anna Cobban
Director of Art Production: Andrea Mariash
Project Manager: Kemit Ray
Director Business Affairs: Rodney Pizarro
Associate Business Affairs Manager: Camara Price
Associate Business Affairs Manager: Ann Shelton
Product Information Manager: Russ Wortman
Production Company: Imperial Woodpecker
Director: Stacy Wall
Executive Producer/Managing Partner: Doug Halbert
Executive Producer: Charlie Cocuzza
Producer: Candace Tomarken
Editorial: Spinach
Editor: Grant Surmi
Producer: Jonathan Carpio
Asst. Editor: Ben Reesing
Visual Effects: The Mill
Executive Producer: Jo Arghiris
Executive Color Producer: Thatcher Peterson
Producer: Will Lemmon
Color Producer: Natalie Westerfield
Creative Director: Robert Sethi
Production Coordinator: Benjamin Sposato
Colorist: David Ludlam
2D Lead: Andy Dill
3D Lead: Robert Chapman
2D artists: Nicholas Tayler, Gareth Parr, Trent Shumway, Lisa Ryan, Narbeh Mardirossian
3D artist: Kelvin Liang, Joshua Frankel, Mike Di Nocco, Matt Neapolitan, Katie Yancey.
Concept Artist: Lynn Yang
Matte Painter: Thom Price, Andy Wheater, Rasha Shalaby,
Music/Sound Design: Barking Owl
Executive Producer/Creative Director: Kelly Bayett
Sound Designer: Michael Anastasi
Digital Production Company: Wildlife LA
Executive Producer: Brandon Del Nero
Creative Director: Jake Friedman
Creative Director: Scott Friedman
Photographer: Chris Hornbecker
A source tells us that this week’s “globally streamlined” management shakeup at StarCom MediaVest Group branded content unit LiquidThread came as a shock to most staffers, though the agency’s own take positions it as more of a standard restructuring.
London-based Global President Olivier Gers showed up at LiquidThread’s Chicago office to tell employees that several executives would receive promotions and a few would be fired.
Brent Poer, who served as creative director at Jack Morton in the late 90s before beginning his move up the StarCom ladder, will now be global creative director. PR/entertainment veteran Juan Davila, who had been handling the U.S. Hispanic and Latin American markets, has been promoted to MD/global head of business development. John Doyle, who directed strategy at Cramer-Krasselt Chicago from 2008 to 2012, will be SVP/managing director of US, while Jill Griffin, who handled marketing for Anomaly, OMD and Martha Stewart Living(!) before jumping to Starcom in 2008, will be MD of operations for that locale.
A handful of high-ranking employees lost their jobs as well. Thomas Weeks, who spent the last 17-plus years with StarCom and moved up to the group director of branded content role in early 2010 just months before the company combined its three content units to create LiquidThread, is no longer with the agency.
Other layoffs include several unnamed staffers spread across the agency’s Chicago, New York, and Los Angeles offices; a spokesperson says the move affected less than five percent of LiquidThread’s total workforce.
Our source claims there will be more changes to come.
Le photographe islandais, Tomas Freyr Kristjánsson, a récemment bravé les hautes températures du magma en fusion afin de pouvoir se rapprocher le plus près possible d’un volcan en éruption. Capturées au volcan Holuhraun au cœur de l’Islande, ces photographies extraordinaires montrent des cratères de magma en pleine explosion dans les airs.
There comes a point where you see so many anthem spots, so many slow motion walks through stadium tunnels, so many moments-before-you-make-your-moves, so many endless montages of all different kinds of sports, and hear so many Very Important Voice Overs™ that the familiarit
The declining U.S. birth rate has dogged baby-care marketers since the recession began in 2007. Now Kimberly-Clark Corp.’s Huggies and its agency, Ogilvy, Chicago, have decided to do something about it: Create a Huggies Baby-Making Station on Pandora for Valentine’s Day, playing tunes aimed at getting couples in the mood.
Think of it as a digital-age millennial version of the old make-out tape, replete with entries from Barry White and heavy on other R&B classics, including Stevie Wonder’s “My Cherie Amour.”
Millennials clearly need all the help they can get. The U.S. birth rate fell to 62.5 per 1,000 women ages 18 to 44 in 2013, the last year for which data is available, from 69.3 in 2007, according to the Centers for Disease Control (maybe lumping pregnancy in with disease control is part of the problem). Recent increases in birth rate among women over 30 have been too small to offset the decline among women under 30.
John Oliver hilariously lampooned the practice of native advertising in a segment for his HBO show “Last Week Tonight” last summer. His show returned from a break on Sunday, when Mr. Oliver threw a spotlight on another corner of the marketing world: Big Pharma’s marketing to doctors.
You’re busy, but this video is very much worth it.
Publicis’ programmatic arm Vivaki no longer wants to buy ads.
The organization has completed a major reassignment of its ad traders, sending 120 employees out to individual Publicis agencies, and taking them off its own books. Vivaki CEO Stephan Beringer confirmed the moves.
“If you’re a marketer, do you want your programmatic decisions siloed and balkanized from everything else that you’re doing? No. You want it integrated,” said Laura Desmond CEO of Starcom MediaVest Group, which owns Vivaki.
(TrendHunter.com) Pop Brixton is a vibrant project aiming to revitalize the south London district designed with low-cost, low-energy shipping containers by Cal Turner Architects, a firm known for its work on small-…
This is site is run by Sascha Endlicher, M.A., during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.
