Ducati: No time for delays

Advertising Agency: McCann, Lima, Peru
Executive Creative Directors: Mauricio Fernández Maldonado, Nicolás Romanó
Head of Art: Giovanni Macco
Copywriter: Alvaro Soto
Art Director: Luigi Rissi
Ilustrator: Plan B

TriHonda: Deer

Advertising Agency: Publicis Kaplan Thaler, New York, USA
Chief Creative Officer: Rob Feakins
Creative Directors: Carlos Figueiredo, Jason Gorman
Associate Creative Director / Copywriter: Alexandre Abrantes
Senior Art Director: Garret Dafferner
Group Account Director: Rich Stoffer
Account Director: Mike Reilly
Account Supervisor: Ali Horowitz
Chief Production Officer: Lisa Bifulco
Director of Production: Nadia Blake
Production Manager: Janet Wollman
Executive Producer: Jon Rosenberg
Senior Producer: Brett Fisher
Production Company: Hungryman
Director: Hank Perlman
Executive Producers: Kevin Byrne, Dan Duffy, Mino Jarjoura, Nancy Hacohen, Thomas O’Malley
Editorial: Mackenzie Cutler
Editor: Dave Koza
Edit assistant: Patrick Blumer
Producer: Esme Wright
VFX: The Mill
Producer: Mike Pullan
Art Director: Christopher Palazzo
Designer: Damien Bastelica
Color: Nice Shoes
Colorist: Lez Rudge

TriHonda: Grounded

Advertising Agency: Publicis Kaplan Thaler, New York, USA
Chief Creative Officer: Rob Feakins
Creative Directors: Carlos Figueiredo, Jason Gorman
Associate Creative Director / Copywriter: Alexandre Abrantes
Senior Art Director: Garret Dafferner
Group Account Director: Rich Stoffer
Account Director: Mike Reilly
Account Supervisor: Ali Horowitz
Chief Production Officer: Lisa Bifulco
Director of Production: Nadia Blake
Production Manager: Janet Wollman
Executive Producer: Jon Rosenberg
Senior Producer: Brett Fisher
Production Company: Hungryman
Director: Hank Perlman
Executive Producers: Kevin Byrne, Dan Duffy, Mino Jarjoura, Nancy Hacohen, Thomas O’Malley
Editorial: Mackenzie Cutler
Editor: Dave Koza
Edit assistant: Patrick Blumer
Producer: Esme Wright
VFX: The Mill
Producer: Mike Pullan
Art Director: Christopher Palazzo
Designer: Damien Bastelica
Color: Nice Shoes
Colorist: Lez Rudge

Sprint: Half court

Advertising Agency: Translation, USA
Founder & CEO: Steve Stoute
Chief Creative Officers: John Norman, John Greene
Executive Creative Director: Betsy Decker
Strategy: John McBride
Creative Director / Copywriter: James Cohen
Creative Director / Art Direction: Paul Roberts
Senior Copywriter: Ian Ghent
Copywriter: Chris Mendez
Art Director: Jen Wang
Director of Content Production: Miriam Franklin
Executive Producer: Josh Reynolds
Junior Content Producer: Kristen Cooler
VP/Account Director: Justin Costa
Account Executive: Elizabeth Lindberg
Associate Director of Social Strategy: Russell Pinke
Social Strategist: John Petty
Junior Social Strategist: Sharde Gilliam
Production Company: Station Film
Director: Allen Coulter
Director of Photography: Jonathan Freeman
Executive Producer: Caroline Gibney
Line Producer: Tony McGarry
Editorial Company: Final Cut
Editor: Crispin Struthers
Assistant Editor: Various NY & LA
Post Executive Producer: Saima Awan
Post Producer: Viet-An Nguyen
VFX Company: MPC
VFX Artist: Alex Lovejoy
VFX Executive Producer: Justin Brukman
VFX Senior Producer: Matthew Loranger
Audio Post: Heard City/NY
Mixer: Philip Loeb
Executive Producer: Gloria Pitagorsky
Producer: Sasha Awn
Composer: Alan Tew

Daiya Foods: Hard to notice, 1

It’s easier to notice this ad than notice our pizza is dairy-free.

Advertising Agency: TDA_Boulder, Boulder, USA
Creative Director: Jeremy Seibold
Art Director: Austin O’Connor
Copywriter: Dan Colburn
Executive Creative Director: Jonathan Schoenberg
Published: February 2015

Daiya Foods: Hard to notice, 2

It’s easier to notice this ad than notice our pizza is dairy-free.

Advertising Agency: TDA_Boulder, Boulder, USA
Creative Director: Jeremy Seibold
Art Director: Austin O’Connor
Copywriter: Dan Colburn
Executive Creative Director: Jonathan Schoenberg
Published: February 2015

Daiya Foods: Hard to notice, 3

It’s easier to notice this ad than notice our pizza is dairy-free.

Advertising Agency: TDA_Boulder, Boulder, USA
Creative Director: Jeremy Seibold
Art Director: Austin O’Connor
Copywriter: Dan Colburn
Executive Creative Director: Jonathan Schoenberg
Published: February 2015

Daiya Foods: Hard to notice, 4

It’s easier to notice this ad than notice our pizza is dairy-free.

Advertising Agency: TDA_Boulder, Boulder, USA
Creative Director: Jeremy Seibold
Art Director: Austin O’Connor
Copywriter: Dan Colburn
Executive Creative Director: Jonathan Schoenberg
Published: February 2015

Daiya Foods: Hard to notice, 5

It’s easier to notice this ad than notice our pizza is dairy-free.

Advertising Agency: TDA_Boulder, Boulder, USA
Creative Director: Jeremy Seibold
Art Director: Austin O’Connor
Copywriter: Dan Colburn
Executive Creative Director: Jonathan Schoenberg
Published: February 2015

Campbell to Cut Costs As It Deals with 'Big Food' Woes


Campbell Soup Co. on Wednesday unveiled a major new cost-cutting initiative as it battles what CEO Denise Morrison called a “a mounting distrust of so-called Big Food.”

The soup, snacks, meals and beverage marketer will target $200 million in annual cost savings over three years, representing 2%-3% of its annual sales. The savings will come through a variety of means, including eliminating “excess layers of management,” while adopting a “zero-based-budgeting” approach, according to the company. The budgeting method, which is emerging as a popular tool for struggling food companies, involves making departments justify all of their expenses every year.

The announcement, which came at this week’s Consumer Analyst Group of New York meeting in Florida, follows Campbell’s move late last month to reorganize into three divisions. The new structure seems aimed at pouring profits from the company’s sluggish, but high-margin shelf stable soup and meals business into its faster-growing fresh food brands sold at the store perimeter. Last week, the company lowered its 2015 full-year sales and earnings guidance.

Continue reading at AdAge.com

For an Insider View of NY Fashion Week, Just Download Snapchat


Models clad in indigo fur-collared jackets, sequin-emblazoned dresses and feather-lined skirts make their way down the runway. And fashion fans don’t even need a ticket to get a prime view from the front row at Rodarte’s show.

Enthusiasts the world over just need to download Snapchat’s app.

At New York Fashion Week, there has been a rise in Snapchat use among fashionistas, like Lucky Magazine’s Editor-in-Chief Eva Chen and “Man Repeller” blogger Leandra Medine. Rather than just sending posts to friends that disappear within seconds, they’re using Snapchat’s public “story” feature to let followers see a compilation of photos and videos from the last 24 hours. It’s yet another way that the startup is gaining traction at a time when it’s said to be seeking a valuation as high as $19 billion.

Continue reading at AdAge.com

Vice CEO Shane Smith Spent $300,000 on One Vegas Feast


It makes sense that Vice had something to do with it.

Vice Media CEO Shane Smith paid for a $300,000 Las Vegas dinner last month, according to a person who asked not to be identified because the meal was private. Mr. Smith, a Vice co-founder, had been on a lucky gambling run, the person said.

Brooklyn-based Vice has grown from a free Montreal monthly into a media titan. Technology Crossover Ventures and A&E Networks each invested $250 million for 10% stakes in the company last year. After Gawker published complaints about Vice’s low wages and freelance pay last year, the company released a statement describing the insurance, vacation days and stock program for its employees.

Continue reading at AdAge.com

Leo Burnett Closing Its New York Office

leo burnett logo

Chicago-based international agency Leo Burnett will close its New York office after approximately four years.

The office, which opened in February 2011 with a staff of 15 full-time employees, earned an extensive profile by Rupal Parekh of AdAge and coverage from Stuart Elliott of The New York TimesElliott noted the crowdsourced “New York writes itself” campaign that served as Leo Burnett’s formal introduction to our city.

Here’s the official statement:

“Leo Burnett has decided to close Leo Burnett New York to focus on growth opportunities with Rokkan, Leo Burnett Business, Leo Burnett Chicago and the broader global network.

Leo Burnett New York created some of the most awarded, unconventional and talked-about work in the industry during its five years on Park Avenue. The company is very proud and thankful for the creativity and innovation that Leo Burnett New York put out into the world.”

The closing follows the April 2014 departure of Jay Benjamin, chief creative who led the New York team and now serves as EVP/CCO at Saatchi & Saatchi New York. During his time in the CCO position, Leo Burnett won Chobani and produced work for Bacardi, Samsung, and Harris Tweed (among others).

Other top executives left after Benjamin: EVP/ECD Michael Canning accepted the GCD role at 72andSunny in July, and Managing Director Tom Flanagan, who helped launch the New York location and led the agency’s entertainment efforts, departed in January.

In his 2011 article, Elliott noted that Burnett “has had service offices in New York, but never a full-fledged operation.”

Bonpoint: Peekaboo

See the work at http://www.peekaboo-bonpoint.fr/en/

Advertising Agency: Fred & Farid, Shanghai, Chinah
Associate Creative Director: Laurent Leccia
Concep: Laurent Leccia
Art Directors: Laurent Leccia, Zhang Ying
Brand Supervisors: Sabine Brunner, Sophie Wittmer, Bo Cheng, Ning Ding
Agency Supervisors: May Xiao, Louise Battus
Production: KILLDEATH
Montage: Chen Bei
Post production: Film Valley
Music Mix: Green United Music
Director: Laurent Leccia
Director of photograhy: Gianpaolo Lupori
Producers: Terry Jin, Juni Zhu
Digital Producer: Chloë?Gout
Developer: Liao Chen

Hungarian Red Cross: Like for Life

Advertising Agency: Isobar, Budapest, Hungary
Production House: Umbrella.tv
Creative Director: Márton Jedlicska
Head of Art: Dániel Deme
Lead Copywriter: Péter Zsemebery
Motion Designer: Róbert Tóth
Chief Strategic Planner: Zoltán Havasi
Junior Motion Designer: Péter Polgár
Agency Producer: Kata Bányász
Editing: Gyula Tóth
Senior Social Media Expert: Gábor Banga
Social Media Expert: László Reszegi
Published: February 2015

Seagull Skytrails

Paul Parker a réalisé cette étonnante vidéo à l’aide du logiciel After Affects. Après avoir filmé des paysages de la côte, survolé par un nombre incalculable de mouettes, l’artiste a décidé de les dupliquer autant de fois que possible, jusqu’à que leurs déplacements dans les airs dessinent de subtiles arabesques dans le ciel.

Seagull Skytrails-7
Seagull Skytrails-6
Seagull Skytrails-5
Seagull Skytrails-4
Seagull Skytrails-3
Seagull Skytrails-2
Seagull Skytrails-1
Seagull Skytrails-0

Raise Your Glass Alongside Legendary Ad Execs and Creatives


Tickets are still available for Ad Age’s annual Agency A-List Cocktail Party, which celebrates the hottest agencies of 2015. Transformation is what this year’s winners apart. Celebrate your peers, colleagues and partners who are leading the way in a rapidly changing industry. Read more about their groundbreaking work in our Ad Age Agency A-List package here — and celebrate them on March 3. Register here.

The 2015 Agency A-List includes:

Agency of the Year

Continue reading at AdAge.com

True Calls All Travelers to Fly Air New Zealand

Air New Zealand worked with agency True on its latest brand campaign, “Calling All Travelers.”

After pushing its connection with Peter Jackson‘s The Hobbit films for the past several years, culminating in the brand’s “The Most Epic Safety Video Ever Made” sendoff, Air New Zealand looks beyond Middle Earth following the conclusion of the trilogy. While the airline hasn’t been totally dependent on The Hobbit-related ads and promos during those years, it has a had a hard time finding its footing without references to Middle Earth, as in the ill-received Sports Illustrated collaboration “Safety in Paradise.”

The hobbits aren’t completely gone from “Calling All Travelers” either, as the Baggins home makes a brief appearance in a montage of New Zealand’s attractions. Of course, New Zealand does a pretty good job of selling itself, with its astounding biodiversity and beautiful locations. True leans heavily on the island country’s natural beauty in the spot, while positioning it as “Far away from expected and nowhere near ordinary.” And if the spot’s attempt at humor (through the true source of what initially seems to be a voiceover) falls a bit flat, it still should entice curious viewers, and especially the “serious travelers” it targets, to consider traveling to New Zealand. The campaign also includes a contest inviting participants to build an itinerary for a chance to win the ultimate New Zealand vacation.

Best-of Cabins on Fubiz

Pour ce best-of, nous avons compilé pour vous les cabanes les plus originales présentées durant ces dernières années. Suspendues, boisées, transparentes ou mobiles, rien ne vaut un cocon chaud et chaleureux pendant cette période de froid. A découvrir à travers un joli panorama de photos.

House On A Big Rock by Uhlik Architekti.

Illuminated Waterfront Cabin by Graypants.

Le Nichoir Architecture by Matali Crasset.

Lucid Stead Transparent Cabin by Phillip K Smith III.

Spirit Shelter by Allergutendinge.

Stunning Cube Hut Project by l’Atelier 8000.

Wooden Treehouse On Oaks by Baumraum.

200 Years Old Stone Home in Switzerland by Buchner Bründler Architekten.

Amazing Mountain-Top Cabin by Giovanni Pesamosca.

Cabin in Topanga by Mason St. Peter.

Cabin in Washington State by Olson Kundig.

Cluster of Wooden Cabins by Reiulf Ramstad.

Compact Portable House by Abaton.

Farmland Shed Converted To A Modern Cabin by Branch Studio Architects.

False Bay Writer’s Cabin by Olson Kundig Architects.

Flat Packed Cabin by Trakke and Uula Jero.

Hide Cabins by Jason Vaughn.

Micro Wooden Cabin Architecture by Robin Falck.

Panoramic Lake Cabin by FAM Architekti and Feilden+Mawson.

Province Town Beach Cabin by Captain Jack’s Wharf.

Swedish Wooden Cabin by Jonas Wagell and Sommarnöjen.

The Dalene Cabin by Tommie Wilhelmsen.

Chameleon Cabin by Mattias Lind.

Ermitage Wooden Cabin in Sweden by Septembre Architecture.

False Bay Writers Cabin by Olson Kundig Architects
zErmitage Wooden Cabin in Sweden by Septembre Architecture
zChameleon Cabin by Mattias Lind
The Dalene Cabin by Tommie Wilhelmsen
Swedish Wooden Cabin by Jonas Wagell and Sommarnojen
Province Town Beach Cabin by Captain Jacks Wharf
Panoramic Lake Cabin by FAM Architekti and Feilden Mawson
Micro Wooden Cabin Architecture by Robin Falck
Hide Cabins by Jason Vaughn
Flat Packed Cabin by Trakke and Uula Jero
Farmland Shed Converted To A Modern Cabin by Branch Studio Architects
Compact Portable House by Abaton
Cluster of Wooden Cabins by Reiulf Ramstad
Sol Duc Cabin
Cabin in Topanga by Mason St Peter
Amazing Mountain-Top Cabin by Giovanni Pesamosca
200 Years Old Stone Home in Switzerland by Buchner Brundler Architekten
0-Wooden Treehouse On Oaks by Baumraum
0-Stunning Cube Hut Project by lAtelier 8000
0-Spirit Shelter by Allergutendinge
0-Lucid Stead Transparent Cabin by Phillip K Smith III
0-Le Nichoir Architecture by Matali Crasset
0-Illuminated Waterfront Cabin by Graypants
0-House On A Big Rock by Uhlik Architekti
bestofcabins

Jay Joins Smuggler, Caviar Signs Baehler and More

Smuggler has signed director Miles Jay to its roster. Jay’s interactive short film ‘Carly’s Caf’ earned him both the Young Director and Silver Lion awards at the Cannes Lions festival in 2012, and his film “Hollywood + Vines” won a Silver Pencil from the One Show. His reel includes the short “Allshare” for Samsung, and interactive music video “White Doves” for the Toronto indie band Young Empires, which utilized Facebook Connect to take viewers on a personalized experience through Facebook profiles.

Continue reading at AdAge.com