Leo Burnett Sydney Takes Aussies VR Shark Diving for Samsung

Leo Burnett Sydney showed off the capabilities of the Samsung Gear VR by offering residents of landlocked Alice Springs the chance to go shark diving.

Working with surf director Taylor Steele of Rapid VR, the agency created a video using footage of great white sharks in Port Lincoln, including a shot of one of the sharks attempting to eat the camera rig. They then established a “Dive Shop” in Alice Springs offering locals the chance to experience a shark dive with the Samsung Gear VR and recorded their reactions. Most people were in awe of the immersive technology, while others found the experience so realistic as to be frightened when they were “eaten” by the shark at the end.

“Beyond the technology itself, what really excites us about the Gear VR is that it’s enabling completely new kinds of experiences, and putting them directly in the hands of our customers,” Arno Lenior, chief marketing officer at Samsung Electronics Australia, told mUmBRELLA. “The potential for this platform is huge – and we wanted to create something that would bring some of that potential to life.”

Stars Trace Their Path to Success in Ogilvy's Grand New American Express Campaign

American Express tells four heartfelt stories of celebrity struggle, and ultimate success, in these spots from Oglivy & Mather. The ads—featuring queen of soul Aretha Franklin, sitcom star Mindy Kaling, GoPro founder Nick Woodman and restauranteur Natalie Young—aired in edited form during Sunday’s Academy Awards on ABC.

The stars, all AmEx customers, recall how they battled adversity. Franklin vanquished youthful shyness and insecurity to become a dynamic stage performer. Kaling overcame typecasting, refusing to play second-banana roles—”best friends” and such—as she climbed the ladder in Hollywood. Woodman reinvented himself from scratch, even moving in with his parents, after his first business failed and he lost $4 million of investors’ money.

Young’s tale of addiction is the most intense. “Everything that was good, was gone,” she says in a sobering voiceover. “I lost my family. I lost friends, lovers, jobs. … I took any job I could get. I trimmed trees. I washed cars. I just felt like a number. I didn’t feel like I was important, and that I was irreplaceable. And they made sure I knew that, that I felt like that. I know, today, that I don’t want anybody that works with me to feel that way.”

At the end of each spot, AmEx tries to forge a connection between endorsers, viewers and the company’s offerings. For example, during Young’s story, text flashes on screen: “To the next generation of late bloomers, welcome.” Kaling’s ad mentions “the next generation of unlikely leading ladies.” Ultimately, AmEx reminds us that “The journey never stops,” positioning its products and services as helpful tools to have along the way.

“People think we’re just a brand of when you quote, unquote ‘arrive,’ ” Marie Devlin, AmEx’s svp of global advertising, tells The Wall Street Journal. “We very much want to be with people along their journey through life. It’s not about a final destination.”

That strategy is fairly well implemented here. The spots look great, and the storytelling is first rate. It’s compelling, inspirational stuff, perhaps even refreshing and unexpected for the brand and the category.

Still, there’s a disconnect. There’s no evidence, nor even a suggestion, that AmEx helped them achieve stardom—or anything, actually, so the value proposition remains elusive. OK, they carry AmEx cards in their wallets. With all due respect: So what? (At least the campaign’s main social component—asking users to tweet in return for AmEx’s financial support of a documentary about ballerina Misty Copeland—displays some cause and effect.)

The whole initiative would be stronger if it focused on famous folks who scored major life victories precisely because, at pivotal points in their development, they used AmEx, and the company’s services pulled them through. That would give the campaign an extra layer of integrity, and perhaps deter those who would point out that charge cards—often misused in times of desperation—can bring people’s journeys to a crashing halt.



Cottonelle Wants You to Go Commando and Not Throw Your Panties at New Kids on the Block

Cottonelle wants you to “go commando.” That’s right, the toilet paper brand says you should walk around without underwear because its CleanRipple texture imparts a superior clean.

In fact, they’ve hired documentary filmmaker and British accent possessor Cherry Healey to intercept random people who’ve just used the toilet and ask them to go commando.  Whereupon they hide in a little popup tent, take off their underpants and receive an undies storage baggie and some Cottonelle—in stunts that are both bizarre and amusing.

I can only surmise that part of the reason they picked Healey is because Poo-Pourri’s success taught marketers that Americans like it when potty humor is delivered via a British accent. In fact, Time Out recently found that British accents are considered the most sexy.

Speaking of sexy, Cottonelle isn’t just doing this commando stuff to hawk its product. It’s doing it for the good of musicians everywhere. Musicians who have been much maligned by the odious habit women have of throwing our undergarments on stage. Musicians like New Kids on the Block, who kicked off the Cottonelle campaign on Feb. 15 with an intimate concert that didn’t get intimate enough for underwear throwing.

The Kimberly-Clark brand will be joining the first leg of the NKOTB summer tour to offer “an elevated bathroom experience,” and surprise meets and greets with the boys—which presumably only happen if you agree to remove your underwear ahead of time. Meow.

So, if you want to trust your butt to clean ripple, challenge a friend with a free sample, or just want to browse a lot of pictures of people showing side-hip to prove their not wearing underwear, head over to Cottonelle’s website. And take a moment to wonder about this new trend in bathroom humor that’s sweeping marketing.

CREDITS
—TV
Director: Fred Goss
Production Company: Company Films
Editor: Matt Walsh
Editorial Company: Cutters
Sound: John Binder
Sound Studio: Another Country
Agency: Trisect
CCO: Chris Cancel
CSO: Gabe Misarti
ECD: Kevin Hughes
GCD: Mel Routhier
Sr. CW: Dan Lewis
Sr. AD: Garrett Fleming
CW: Aaron Vick
Group Acct Director: Soraya Faber
Acct Director: Meg Graeff
Strategic Planning Director: Danielle Simon
Producer: Corrine Serritella

—Print
Photographer: Liz Von Hoene
Studio: Stockland Martel
Retoucher: Kellie Kulton
Agency: Trisect
CCO: Chris Cancilla
CSO: Gabe Misarti
ECD: Kevin Hughes
GCD: Mel Routhier
Sr. CW: Dan Lewis
Sr. AD: Garrett Fleming
CW: Aaron Vick
Group Acct Director: Soraya Faber
Account Director: Meg Graeff
Strategic Planning Director: Danielle Simon
Producer: Corrine Serritella



Comcast Adds 6,000 Video Subscribers in Latest Quarter


Comcast, the cable company awaiting approval to acquire Time Warner Cable, reported fourth-quarter profit that missed analysts’ estimates after signing up fewer TV and internet customers than a year earlier.

The company signed up 6,000 video subscribers, down from the 46,000 added a year earlier. Analysts had estimated the company would add an average of 25,000 video customers.

Comcast signed up 375,000 new broadband customers in the quarter, down 0.8% from the previous year’s gain. The company had expected to add 384,000 internet customers, according to an average of four analysts’ estimates compiled by Bloomberg.

Continue reading at AdAge.com

A Lack of Social Tech Skills is Killing Your Company's Potential


The business world has a crippling lack of technology skills, and the cost to the U.S. economy is staggering. According to a Harris Poll commissioned by learning company Grovo last year, only one in 10 U.S. workers consider themselves proficient with the digital tools they use every day at work. And when you consider that “challenges related to working with documents” cost businesses 21.3% in total productivity, according to IDC, the lack of digital skills may drain over $1.3 trillion per year from the U.S. economy.

This penalty could be significantly higher in companies where employees are uncomfortable with social technology. Companies see social networks as the future “office” — a setting where teams can communicate, share documents, collaborate and work more productively, no matter where they are. The big tech companies recognize this demand and are racing to capture the enterprise market. Facebook, for example, is preparing to launch an enterprise social network called Facebook at Work, and LinkedIn, too, is piloting an internal social network for businesses.

At the same time, businesses view social networks as the future of marketing, selling and recruiting — the place where workers across all departments connect with leads, share content and generate awareness of their companies. So employees have to be equally comfortable on both internal and public-facing social media, yet it seems clear that the U.S. workforce doesn’t have the skills to use social technology effectively — yet. The question is, how should businesses respond to this dilemma?

Continue reading at AdAge.com

Fake Newborn Flasks – The Cool Baby Lets Fake Parents Subtly Sip Booze (GALLERY)

(TrendHunter.com) The Cool Baby takes the notion of hidden public drinking to new heights. Developed by Simon Philion, this ingenious invention can hide up to 36 ounces of liquid in the form of a fake baby. That’…

15 Examples of Buick's Reinvention – From Suicide Door Hybrids to Racy Redesigned Automobiles (TOPLIST)

(TrendHunter.com) If you haven’t been paying attention to the auto industry then you might have missed the many, many examples of Buick’s reinvention. The luxury car company is hugely popular in China (…

mcgarrybowen Bows Out of Sears Review

sears logo 2

The agency’s official position is “no comment,” but today an AdAge report and a source close to the matter tell us that mcgarrybowen has resigned the Sears account rather than participate in a pending creative review.

Three years after its last full review, the client began making some agency moves back in early 2014 by sending its KCD or Kenmore Craftsman Diehard work from Y&R to Havas Chicago.

Y&R lost the client’s primary creative account to mcgarrybowen in May 2011 after 18 years; prior to that move, Sears made headlines in the industry for demanding ownership of “all creative work done by agencies pitching for the brand” no matter who won the account. We have no word on whether that’s still the case. Back in 2011, Adam Wohl (who is, appropriately, now an ECD at mcgarrybowen) made a video mocking the above request — but that video has since been set to “private.”

Last November, sources told Adweek that the company had begun reaching out to every major holding company, but today’s AdAge report claims that Sears recently placed the review on hold due to internal complications. What might those be? The company will announce its earnings for the latest quarter on Thursday, and yesterday The Motley Fool noted that Sears “is losing an estimated $7 million a day” despite closing some 200 stores in 2014; the writer wonders whether the chain will exist in its current form one year from now. (We should also note that Sears Holdings owns Kmart, which has been with FCB since 2007.)

We reached out to Sears corporate for more information on the review, but representatives have yet to respond.

mcgarrybowen’s most recent work for the soon-to-be-former client is December’s #MoreToYou holiday shopping campaign.

The Wall Street Journal Wants You to ‘Make Time’ to Read its Content

The Wall Street Journal has launched a global campaign, urging readers to “Make Time” for the paper.

Enlisting will.i.am for its initial effort, the campaign aims to show how even the busiest of readers make time for the paper in order to stay on top of the business community. In the spot, a busy will.i.am tells an associate he’ll be right back as he escapes to a quiet room and reads The Wall Street Jounral on a tablet. “I don’t have time to read The Wall Street Journal,” he says. Text appears on screen reading, “People who don’t have time make time to read The Wall Street Journal. If will.i.am can “make time” for the paper, the spot seems to suggest, surely you can too. The campaign will run through June and will feature such other celebrities as designer and philanthropist Tory Burch and SAP CEO Bill McDermott.

“This campaign highlights the value of making time to read the Journal, no matter how busy people are,” Suzi Watford, chief marketing officer of Dow Jones, told The Drum. “It also confirms that subscribing to the Journal puts you in a community with other ambitious people who prioritize being at the top of their game. Our subscribers are in very good company.”

When the Escalators Died in Stockholm's Subway, Reebok Was There to Give People a Lift

If you’re looking for an unconventional workout, Reebok might suggest carrying a stranger up a flight of stairs, just so he or she doesn’t have to walk.

Last week, when the escalators in Stockholm’s subway stations were out of order, the sportswear brand, along with agency The Viral Company, recruited a bunch of athletes from Fit 4 Life, a local CrossFit gym, to give commuters a lift.

Despite the reasonable odds that the women panting at the top of the stairs—as well as some of the people who don’t seem to mind getting slung over some rando’s shoulder—are agency employees, the idea is cute, and a nice, down-to-earth extension of Reebok’s lofty new “Be More Human” strategy. (While there’s nothing special about Good Samaritans helping solo parents carry strollers up stairs, helping a pregnant woman by actually carrying her is a little more unusual—she was, according to the agency, late for a meeting.)

Nonetheless, the ad’s everyman heroes aren’t really doing anything impressive until they’re carrying their passengers raised overhead with one arm, like this guy. And they’re obviously not truly hardcore unless they have a giant tattoo of Reebok’s logo, like this woman—though she is just one of some 28 Reebok-branded humans currently known to reside in Sweden, according to a recent headcount from the company.



A Wild Tour of Dubai From Top to Bottom

Le vidéaste Rob Whitworth a réalisé cette incroyable plan séquence en timelapse au coeur de Dubai. Le film tourné à la première personne donne l’impression au spectateur de visiter spectaculairement la ville dans ses moindres recoins. A découvrir.

A Wild Tour of Dubai From Top to Bottom_4
A Wild Tour of Dubai From Top to Bottom_3
A Wild Tour of Dubai From Top to Bottom_2
A Wild Tour of Dubai From Top to Bottom_1
A Wild Tour of Dubai From Top to Bottom_0

Newspaper ABCs: January 2015 at a glance

MailOnline break’s the 200 million barrier for monthly unique browsers, the Guardian passes 120 million, Mirror sets personal best of 84 million and Independent reaches 52 million in January 2015 figures from the Audit Bureau of Circulations.

Why Vandals Attacked a Gay Pride-Themed ATM (It's Not What You Think)


Banks aren’t generally known for risk-taking marketing campaigns, but ANZ bank scored a hit in Australia last year by turning ordinary ATMs into “GAYTMs,” decking them out in rainbows, fur, sequins and studs to celebrate a famous LGBT festival in Sydney. The campaign from ANZ and Whybin TBWA Group Melbourne went viral globally and won the Grand Prix for the outdoor category at the Cannes Lions International Festival of Creativity. (Ad Age’s Creativity also named GAYTMs the best 2014 campaign in the print/outdoor/design area).

The diversity campaign started up again in Australia this month and also jumped to neighboring New Zealand but there it ran into some trouble. Last week, vandals splashed paint on a rainbow-colored GAYTM in Auckland, just before an LGBT pride parade. It was quickly cleaned up. But the same branch was targeted again this week, with pink paint dumped on the bank’s windows.

Pinkwashing

Continue reading at AdAge.com

InclusiveFashion Runways – FTL Moda Featured Disabled Models to Promote Diversity in Fashion (GALLERY)

(TrendHunter.com) FTL Moda’s AW15 runway show showcased disabled models during New York Fashion Week to promote diversity in the industry. Named FTL Moda Loving You, the show was held in collaboration with…

Art Gallery Eateries – 'Art House Moscow' is Equal Parts Gallery and Locally Sourced Restuarant (GALLERY)

(TrendHunter.com) Art House Moscow mixes art and cuisine in the most industrial way possible. The reincarnated club features locally sourced products and home grown chefs. The pop-up restaurant and gallery pay homage…

Aging Romance Portraits – The Lovers by Lauren Fleishman was Inspired by Old Love Letters (GALLERY)

(TrendHunter.com) The Lovers by Lauren Fleishman is an endearing photo series that was inspired by the American photographer coming across a collection of love letters written from her grandfather to her grandmother…

McDonald’s Compares Big Mac to Classic Movies

Leo Burnett took quite the minimalist route with its Oscar campaign for McDonald’s, using nothing but text to evoke classic movies.

The 60-second spot likens movies such as Jaws, Psycho, The Silence of the Lambs and King Kong to McDonald’s iconic Big Mac, an audacious claim to be sure, ending with the line “Lovin’ takes the right ingredients.” Aside from any qualms about the comparison, the ad does mostly succeed at conveying movies with just a few lines of text, at its best (fava beans + chianti + people…for dinner) mixing in some humor. There’s also something oddly satisfying about how well the text synced up with Debussy’s “Claire de Lune.” Still, how you feel about the approach will largely come down to whether or not you think a fast-food chain should be comparing itself to the classics, and we’re guessing McDonald’s won itself plenty of haters with this one.

Beautiful Cityscape Photography

Paul McGeiver est un photographe passionné par la beauté et le charme de New York. En dressant le portrait du simple passant qui marche sur un pont ou en nous offrant une superbe vue sur les buildings illuminés, il capture des instants d’une rare beauté et ce, de jour comme de nuit. À découvrir.

Beautiful Cityscape Photography-20
Beautiful Cityscape Photography-19
Beautiful Cityscape Photography-18
Beautiful Cityscape Photography-17
Beautiful Cityscape Photography-16
Beautiful Cityscape Photography-15
Beautiful Cityscape Photography-14
Beautiful Cityscape Photography-12
Beautiful Cityscape Photography-11
Beautiful Cityscape Photography-10
Beautiful Cityscape Photography-9
Beautiful Cityscape Photography-8B
Beautiful Cityscape Photography-8
Beautiful Cityscape Photography-7
Beautiful Cityscape Photography-6b
Beautiful Cityscape Photography-6
Beautiful Cityscape Photography-5
Beautiful Cityscape Photography-1
Beautiful Cityscape Photography-0
Beautiful Cityscape Photography-4

Sony World Photography Awards 2015 Shortlist

The World Photography Organization vient d’annoncer la sélection des participants retenus pour les Sony World Photography Awards 2015. Pour les 3 catégories « Open », « Professional » et « Youth », un tri a été fait parmi 173 444 photographies soumises émanant de 171 pays : un record. Les gagnants seront annoncés le 23 avril ; en attendant les candidats seront affichés au Somerset House, à Londres du 24 avril au 10 mai.

Photo by Ramil Gilvanov/Rimma Gilvanova, Russia, Shortlist, Lifestyle, Professional Competition, 2015 Sony World Photography Awards.

Photo by Saeed Barikani, Iran, Shortlist, Smile, Open, 2015 Sony World Photography Awards.

Photo by Vladyslav Musiienko / UNIAN, Ukraine, Shortlist, Current Affairs, Professional Competition, 2015 Sony World Photography Awards. Ukrainian protester plays piano on a barricade in front of the riot police line during the continuing protest in Kiev, Ukraine on October 2, 2014.

Photo by Simon Morris, United Kingdom, Shortlist, Smile, Open, 2015 Sony World Photography Awards.

Photo by Melissa Little, Australia, Shortlist, Nature & Wildlife, Open, 2015 Sony World Photography Awards.

Photo by Simon Butterworth, United Kingdom, Shortlist, Landscape, Professional Competition, 2015 Sony World Photography Award. The images were shot from a light aircraft flying at between 4,000 & 5,000ft. The height was crucial in order to flatten perspective by using long focal lengths. Time of day and cloud cover were also critical, the abstract effect being heightened by complete lack of signifying shadow.

Photo by Jonathan Yeap Chin Tiong, Singapore, Shortlist, Sport, Professional Competition, 2015 Sony World Photography Awards.

Photo by Alexander Klebe, Germany, Shortlist, Panormaic, Open, 2015 Sony World Photography Awards.

Photo by Brent Stirton, South Africa, Shortlist, Contemporary Issues, Professional, 2015 Sony World Photography Awards. West Bengal, India. October 21, 2013. Blind girls Sonia, 12, and Anita Singh, 5, are born into poverty with congenital cataract blindness. They must accompany their parents everywhere as they cannot be left alone without risk. The surgery to cure this is simple and takes 15 minutes but because of the level of poverty in this family they have been unable to pursue the necessary operation.

sonyworld2015-9
sonyworld2015-8
sonyworld2015-7
sonyworld2015-6
sonyworld2015-5
sonyworld2015-4
sonyworld2015-3
sonyworld2015-2
sonyworld2015-1
sonyworld2015-0

Quem é mais rápido: você ou um tigre?

Siberian tigers

Se você tivesse a oportunidade de disputar uma corrida com um tigre, quem levaria a melhor, você ou o felino? O Tigre-de-Amur – também conhecido como Tigre Siberiano – é o maior gato do mundo e corre, segundo o site do Run 4 Tiger – Tiger Challenge, 20 quilômetros por dia. O grande problema é que, atualmente, sobraram apenas 450 de sua espécie na Rússia e a WWF está tentando salvá-los.

Foi assim que surgiu o Run 4 Tiger, uma competição que permite que as pessoas descubram se são mais rápidas ou lentas que o Tigre Siberiano. Para participar, basta acessar o site e conectar o aplicativo de monitoramento de corridas de sua preferência – são compatíveis o Nike+, MapMyRun, RunKeeper, Strava, Endomondo, MyFitnessPal, Jawbone, FitBit e Micoach.

Depois é correr mais que Forrest Gump fugindo das pedradas dos colegas de escola. E se você perder? Daí tem que fazer uma doação de $ 5 (não ficou claro qual moeda seria).

A criação é da agência Hungry Boys, de Moscou.

tigre

Brainstorm9Post originalmente publicado no Brainstorm #9
Twitter | Facebook | Contato | Anuncie