F/Nazca Saatchi & Saatchi Plays with Food for Electrolux

In this spot created by Saatchi & Saatchi’s Brazilian office to promote client Electrolux’s new refrigerator, things blow up. Slowly.

The idea is that the fridge can help Brazilians eat better via “product differentiators, such as the applications Vida Saudável (Healthy Living) and Livro de Receitas (Cookbook).”

While the spot doesn’t quite explain how the refrigerator’s interactive screen will empower us to minimize our sugar cravings and convince us to eat more leafy greens, it does look cool in a late-90?s action movie sort of way.

The campaign will also include magazine inserts and other placements.

(more…)

New Career Opportunities Daily: The best jobs in media.

Toyota Dealer Makes the Year's Most Cringeworthy SNL Parody With 'Keys in a Box'

Almost eight years later, “Dick in a Box” lives on as one of Saturday Night Live’s more hilarious digital shorts. And since there are no rules that say that jokes become stale after that amount of time, some car salesmen in Oak Lawn, Ill., fired up their cameras and created a parody to the tune once made popular by Justin Timberlake and Andy Samberg.

Oak Lawn Toyota’s “Keys in a Box” takes SNL’s hilarious joke and removes the funny parts—inserting keys into said box. But it’s pretty well executed, considering the presumed budget. I found myself bobbing my head to the beat, and chuckling at this ironically great rendition.

CREDITS
Music by Rico Vigil and Augie Rampolla
visforvig@gmail.com
Written, filmed and directed by Joe Mallet (Internet Sales Manager)
starring Parker Gadbois, Abby Urbano, and Joe Mallet



Why Everyone From Cameron Diaz to Gwyneth Paltrow Is Praising Two Random Agency Creatives

Proud of your dozens LinkedIn endorsements? You’re going to look like a right tosser next to Matt Roach and David Lawrie.

The creative team at M&C Saatchi in London have secured testimonials from a whole slew of celebrity A-listers—from Cameron Diaz to Gwyneth Paltrow to George Clooney—or so it would appear from the amusing video below.

“We’ve been endorsed on LinkedIn before by people who have never actually worked with us,” Matt and Dave tell AdFreak in an email. “The whole ‘endorsement’ thing has lost its value. So we thought we’d get recommendations from celebrities people actually care about. We’ve never worked with them either.”

Follow Matt and Dave on Twitter at @akacreatives.



"Drunk girl in public" social experiment hoax breaks all SAG rules

We’ve all heard by now that the Drunk Girl” social experiment viral video is a hoax. Hoax as in staged, though I don’t even understand how anyone would think it wasn’t with some of the terrible acting on display.

Adland: 

Tiny Animals Logo

Dans le cadre de différentes créations publicitaires et de design de logo, l’illustrateur Tom Anders Watkins a dessiné sur papier, puis par infographie toute une série de logos minimalistes d’animaux miniatures. Un travail agrémenté de beaux effets de lumière et d’un style graphique remarquable. Plus de détails dans la galerie.

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Nescafé Decaf / Classic: Everyone needs coffee, not everyone needs caffeine


Print
Nescafé

Everyone needs coffee, not everyone needs caffeine.

Advertising Agency:Publicis, Santiago, Chile
Creative Director:Diego Reyes, Michael Honeyman, Rodrigo Figueroa
Art Director:Luis Ramos, Francisco Seisdedos
Copywriter:Joaquín Cerón
Illustrator:Claudio Ureta.

Elly Lilly Cialis : Muelle, Chimenea


Outdoor, Print
Elly Lilly

An absent grandfather is a current man. Cialis, Against erectile dysfunction.

Advertising Agency:Publicis, Santiago, Chile
Executive Creative Director:Rodrigo Figueroa
Creative Director:Diego Reyes
Art Director:Jorge Jimenez
Copywriter:Diego Reyes, Sebastián Vega
Illustrator:Esteban Slaibe
Photographer:Crafting Lab

Patinhas CarentES – Adoção Gatinhos ES: Adopt


Print
Patinhas CarentES – Adoção Gatinhos ES

“You have the option to choose. They don´t.” “Touch sensitive, vibrates with emotion,awakens without programming and doesn´t need to recharge the battery. A pet is worth much more than a product. Do not buy, adopt.” “Value your pet. Do not pay for it.”

Creative:Junior Oliveira, Jean Sampaio, Epaminondas Paulino.
Art Director:Junior Oliveira
Copywriter:Jean Sampaio, Epaminondas Paulino., Junior Oliveira
Additional Credits:Bruno Lopes

U.S. Army Set to Issue RFP for Global Media Business

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The U.S. Army is set to issue an RFP for its global media business, worth around $500 million, Adweek reported yesterday.

An army rep told Adweek that “overall marketing spending on the business is $184 million to $200 million annually” and the government pact is “a one-year contract, which is renewable for four years, effectively making it a possible five-year working relationship.”

A request for agency information originally went out in June, and the U.S. Army is expected to select a new agency by March, 2016. McCann Worldgroup, the incumbent agency, retained the account back in 2011 and has been invited to participate in the review. The RFP is said to cover advertising, public affairs support and direct marketing.

New Career Opportunities Daily: The best jobs in media.

This IT Company Just Made the Best Mind-Numbing Corporate Video Ever

Given they have a “shit ton” of clients and have “won every award ever,” you might think Risual wouldn’t need to advertise at all. What’s that, you’ve never heard of them? Well you’re about to.

They’re a British IT services organization (real, not fake) specializing in the Microsoft platform. They’re also clearly dedicated to the destruction of hoity-toity corporate culture and sick and tired of boring corporate communications.

If you want a run-of-the-mill corporate video that says nothing at all, you can enjoy the first 10 seconds of the video below, where they prove they can make a beautiful, meaningless pile of tripe. Then they spend the next two minutes gleefully ripping the corporate video genre a new one.

Shots of people you don’t know, answers that simply raise more questions, positivity, trusting faces and no-nonsense honesty, elevator music and an inexplicable drop into dubstep—it’s every corporate video you’ve ever seen. The voiceover pulls you through each stocky-looking shot with hilarious commentary.

But the coup de grace is the final logo run, where they drag their corporate identity through old Windows backgrounds, kitten pictures, the DOS prompt, leaping dolphins, horrendous crimes of Word Art—and even an appearance by Clippy, the most despised paperclip in the world.

In fact, Microsoft should hire them to make their ads. They have a whole room of Microsoft devotees after all. Just look at them. And maybe more important, they have something Microsoft is often missing from it’s advertising: a sense of humor.



100 Gifts for Cat Lovers – These Cat Lover Gifts Range from Pet Products to Fierce Feline Fashions (TOPLIST)

(TrendHunter.com) This list of cat lover gifts doesn’t only include pet products but also features chic feline fashions and home decor accents. Standouts from this list include tech-infused cat feeders and cat…

51 Gifts for the Homebody – From Hi-Tech Tea Brewers to Handheld Napping Pillows (TOPLIST)

(TrendHunter.com) Finding a gift for the homebody in your life might be the easiest gift you’ll find all holiday season.

What do you get the person who never leaves their house? Well, that’s easy: pillows,…

100 Gifts for the Graphic Designer – From Paint Swatch Calendars to Minimalist Statement Tees (TOPLIST)

(TrendHunter.com) These gifts for the graphic designer are great for two things: inspiring creativity and helping to turn bright ideas into tangible creations. Whether it’s a notebook for doodling, a handy…

100 Gifts For Photographers – From Rugged Adventure Cameras to DIY Digital Cameras (TOPLIST)

(TrendHunter.com) There is an absolutely massive range of cameras and photography-related products out there if you’re looking to pick up gifts for photographers this Christmas. Photography is a hobby that is…

Hyundai Marketing Chief Shannon Departs


Hyundai Motor America’s marketing chief Steve Shannon left the company on Thursday to “pursue other interests.” Hyundai announced the departure in a statement today.

“Steve has achieved a number of key accomplishments in his leadership of the company’s marketing efforts over the last three years,” CEO Dave Zuchowski said in the statement.

Hyundai has begun a search for Mr. Shannon’s replacement, but has yet to select a successor, a Hyundai spokesman told Automotive News. He joined Hyundai in April 2011. He had previously spent more than 25 years at General Motors.

Continue reading at AdAge.com

Six Things You Didn't Know About Mullen's Margaret Keene


Longtime Los Angeles creative Margaret Keene spent a good chunk of her career at TBWA/Chiat/Day. The last few years she has worked mostly on auto accounts, at Publicis Groupe’s Saatchi & Saatchi and now at Mullen, which handles Acura. She joined the Interpublic Group of Cos. agency as executive creative director in July.

Throughout her nearly 20 years at TBWA, Ms. Keene worked closely with creative leader Lee Clow, now chairman of TBWA/Media Arts Lab. Her portfolio from her time at TBWA includes work for Apple, Levi’s, Taco Bell, Infiniti, Nissan, Pedigree, Whiskas and more. In 2011, she moved to Saatchi’s Los Angeles office as a senior creative on the Toyota account. Now that she’s settled in as the top creative at Mullen’s L.A. office, we caught up with Ms. Keene for the latest installment of “Six Things”:

1. She grew up in a trailer park. Ms. Keene and her mother spent much of her childhood in what Ms. Keene called a “mobile estate” in Orange County. “You know how everyone makes trailer park jokes?” she said. “They say things like, ‘You know how trailer park people are,’ and then I say, ‘I grew up in a trailer park,” a conversation that could end in an awkward pause. “If you ever think about trailer park trash, that’s me.”

Continue reading at AdAge.com

Amid Agency Review, Sprint's CMO Plans to Depart


Jeff Hallock, the CMO of wireless carrier Sprint, will depart by the end of the first quarter of 2015, the company confirmed on Friday. His planned exit comes amid a major agency review and corporate overhaul under CEO Marcelo Claure, who joined the struggling carrier in August.

Mr. Hallock, a fifteen-year Sprint marketing veteran, was promoted to CMO in January following the resignation of Bill Malloy. He will stay on in the role through March 31, 2015, unless the carrier finds a replacement sooner.

“His departure was voluntary and it was based on a personal decision,” said Dave Mellin, a Sprint spokesman. “He will remain in charge of day to day operations until his replacement is found, which we expect to happen by sometime next year.”

Continue reading at AdAge.com

News UK launches 'The Newsroom' with Iceland deal

News UK’s brand journalism unit The Newsroom launches its first campaign tomorrow with a native advertising campaign from Iceland included in Saturday’s The Sun newspaper.

Quadrinhos do XKCD são registro histórico mais legal de pouso do Philae no cometa

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Randall Munroe, criador do sensacional quadrinho XKCD, criou o que pode ser o registro histórico mais legal sobre o pouso do robô Philae na superfície de um cometa, o ápice de uma missão que já dura 10 anos.

Atualizando quadrinhos em tempo real, retratando a ansiedade tanto dos cientistas quanto dos entusiastas e interessados, Randall descreveu o processo de separação do módulo Philae da espaçonave Rosetta e o seu posterior (e lento) pouso na superfície do cometa  67P/Churyumov–Gerasimenko.

Quem acessa o quadrinho hoje vê apenas o quadro final, confirmando que o pouso foi bem sucedido, mas a internet já providenciou um sensacional GIF animado dos quadros, que transformam a história do pouso do Philae em algo muito mais compreensível para quem não é um especialista no assunto.

Os interessados também podem acessar esse link e usar as setas do teclado para voltar a história quadro a quadro.

Brainstorm9Post originalmente publicado no Brainstorm #9
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Advertisers: Don't Believe All the Hype About Connected TV


From Apple TV to Chromecast, and Roku to Amazon Fire, there’s a lot of talk in the ad world about connected TV. On publications all over the web, it’s billed as the next hot platform for brands to engage their consumers. It potentially makes a lot of sense. For marketers, connected TV could represent the best of both the TV and online worlds: a captive audience of consumers relaxing on their sofas watching video from more and more online sources, but also willing to engage with their TV screens, which advertisers can reach with the same precise ad targeting as on the desktop.

But should advertisers believe the connected TV hype? My answer may be surprising coming from a media and ad-tech vet. But I would say no — at least not yet. Why? There’s simply no audience for advertisers on connected TV.

We want our CTV

Continue reading at AdAge.com