USA Today Goes Viral
Posted in: UncategorizedAs USA Today’s publisher, the veteran newsman Larry Kramer is hoping America’s largest-circulation newspaper will thrive in a world of social media and mobile platforms.
As USA Today’s publisher, the veteran newsman Larry Kramer is hoping America’s largest-circulation newspaper will thrive in a world of social media and mobile platforms.
The size of the deal for the writer of the best-selling “Sigma” series is especially unusual because there weren’t multiple bidders, and he wasn’t going to another publishing house.
It’s been a tough tournament, where goalies have saved more than ever before, and Messi took Argentina to meet Germany in the end.
Brands have been doing their very best keeping up with the games, and already minutes after the German win, we have a questionable tweet made by Volkswagen. It’s not KLM Tweet questionable, just… poorly phrased.
L’architecte japonais Kengo Kuma dont nous avons parlé à plusieurs reprises, a réalisé un centre d’accueil de soins infirmiers. Intitulé «hayama no mori», le projet est réalisé principalement en bois, et offre une structure à la fois moderne, mais chaleureuse. Plus d’images dans l’article.
Whether you’re a sports-inclined brand or not, there’s a lot to be learned from World Cup ’14. There’s a lot that could be said about the game and the players, or the multi-screen storytelling that made this event a digital dream. But those things will be there four years from now. What’s important today are some particularly powerful consumer insights that marketers may or may not have noticed — insights that are relevant year-round and applicable in any context, from sporting events to shopping events.
1. Millennials think globally. The pendulum swings in terms of U.S. attitudes toward immigration and bilingualism. Some years are better than others and, depending upon your worldview, “better” can mean different things. Regardless of your personal perspective, it’s time for marketers to embrace what is simply a reality impacting audiences of all ages, but is particularly important to millennials: There is interest in and access to every corner of the world and every language this world has to offer. Companies seek out language skills and international insights from job candidates. Cultural agility is a competitive advantage. Your brand must be culturally agile as well. Be careful of “total market” promises of efficiency. In a nutshell, a total market approach means integrating diverse segments and often leads to one cross-cultural approach, or a unified strategy. Sounds promising, but with an emphasis on consumer commonalities vs. differences, a total market approach often leads marketers and their agencies to blur or banish cultural cues in favor of Kumbaya compromise and consensus. Dilute the power of compelling cultural insights at your brand’s peril.
2. The phrase “color blind” wasn’t coined by a person of color — nor was “post-racial.” The World Cup reminded us that the globe is still wrestling with issues of racism and, whether we want to admit it or not, the U.S. is no exception. Yes, there is progress. Yes, there is hope for future generations, but not if we continue to propagate the myth that we should be blind to color, when we know that’s simply not possible or preferable. Since when is going “blind” a goal? Millennials are color-confident or color-comfortable. Some might say color-courageous. For millennials, erasing color isn’t the point. Embracing it is. For marketers, that means going deeper than a few diverse casting choices. It’s not just about having varied skin colors in sight. It’s about having diverse cultural insight. There’s a big difference and the World Cup put those differences front and center.
Is resistance to Amazon futile in the book publishing world? Its battle with Hachette has many on edge.
In KIA’s world of stereotypes, men are horny pigs and women are pretty leggy things to be looked at, and nobody in the United States knows what football is until a model says “futebol” in portuguese.
Don’tBubble.us is another compelling argument from DuckDuckGo to switch search engines, and really you should do it, right now. Because with Google, you are living in an internet bubble. The internet bubble knows all about you, and serves you results depending on what you and your social circle have been reading lately.
This ad is everything I hate about advertising in 45 seconds. We have the sexy girl of the moment, Adriana Lima – who also happens to be Brazilian – KIA assumes that you know this – and her equally leggy sidekicks entering a man cave.
L’artiste malaisienne Monica Lee a décidé de devenir illustratrice après 12 ans de travail dans le domaine de l’art digital. Avec un crayon, elle réalise d’incroyables illustrations détaillées et réalistes de filles avec des taches de rousseur, d’hommes barbus et d’animaux. Elle tire ses inspirations du travail de Marteline Nystad, Dirk Dzimirsky et Paul Cadden.
Born to do this.
Advertising Agency: Spring Advertising, Vancouver, Canada
Creative Director: Rob Schlyecher
Associate Creative Directors: James Filbry, Jeremy Grice
Art Director: Jose Rivas
Character Creation: Ray Tse
Photographer / Digital Retoucher: The Orange Apple
Production Artist: Jessica Marte
Account Manager: Caitlin Taylor
Published: April 2014
Born to do this.
Advertising Agency: Spring Advertising, Vancouver, Canada
Creative Director: Rob Schlyecher
Associate Creative Directors: James Filbry, Jeremy Grice
Art Director: Jose Rivas
Character Creation: Ray Tse
Photographer / Digital Retoucher: The Orange Apple
Production Artist: Jessica Marte
Account Manager: Caitlin Taylor
Published: April 2014
Born to do this.
Advertising Agency: Spring Advertising, Vancouver, Canada
Creative Director: Rob Schlyecher
Associate Creative Directors: James Filbry, Jeremy Grice
Art Director: Jose Rivas
Character Creation: Ray Tse
Photographer / Digital Retoucher: The Orange Apple
Production Artist: Jessica Marte
Account Manager: Caitlin Taylor
Published: April 2014
Born to do this.
Advertising Agency: Spring Advertising, Vancouver, Canada
Creative Director: Rob Schlyecher
Associate Creative Directors: James Filbry, Jeremy Grice
Art Director: Jose Rivas
Character Creation: Ray Tse
Photographer / Digital Retoucher: The Orange Apple
Production Artist: Jessica Marte
Account Manager: Caitlin Taylor
Published: April 2014
Advertising Agency: Phantasia, Lima, Peru
Creative Director: Bryan Chistopherson, Jorge Borrero
Art Director: Rocio Heredia
Copywriters: Sergio Inamine, Diego Fernández-Maldonado
Illustrator: Jesus Camarena / Xomatok
Additional credits: Daniel Cardenas, Vanessa Chavez
Published: July 2014
Advertising Agency: Grupo Gallegos, Huntington Beach, USA
Executive Creative Director: Juan Oubina
Copywriters: Graham Davis, Jaye Davis, Monica Douglas Castroviejo
Art Director: Tony Rhi
Head of Production: Carlos Barciela
Producer: Gilda Zevallos
Account Director: Michelle Cobas
Account Supervisor: Lucia Malam
Account Executives: Whitney Bechert, Schaefer Felix
Chief Strategy Officer: Andrew Delbridge
Planning Director: Silvina Cendra
Production Company: Carbo Films
Director: Alauda
Editorial: Luna Post
Editor: Pablo Piriz
Telecine: The Mill
Music House: Papa Music
Sound Design: Trulove
Sound Designer: Gonzalo Ugarteche
Advertising Agency: FCB Chicago, USA
Agency Creative Director: Myra Mazzei
Agency Producer: Jenny Hoffman
Design / Animation Studio: Mill+
Director: Yann Mabille
Executive Producer: Zu Al-Kadiri
Producer: Carl Walters, Stephanie Katritos
Line Producer: Kyle Davis
Director of Photography: Maryse Alberti
Production Coordinator: Tarun Charaipotra
Editing Company: The Mill
Editor: Jonathan Rippon
Edit Assist: Alex Trierweiler
Post-Production / VFX Company: The Mill
Executive Producer: Zu Al-Kadiri
VFX Producer: Carl Walters, Stephanie Katritos
Shoot Supervisor: Christian Nielsen, Yann Mabille
Creative Director: Yann Mabille
2D Lead Artists: Tomas Wall
3D Lead Artists: Christian Nielsen, Jeff Lopez
2D Artists: Dan Giraldo, Jeff Butler
Animation: Taylor Cook, George Schermer, Navdeep Singh
Rendering / Lighting: Billy Dongyoon Jang, Sean Dooley, Isaiah Palmer, Corey Langelotti, Yong Chan Kim
Colorists: Michael Rossiter, Sal Malfitano
Production Coordinator: Tarun Charaipotra
A text message is an accident waiting to happen. Drive responsibly.
Advertising Agency: Leo Burnett Tailor Made, São Paulo, Brazil
Creative Directors: Marcelo Reis, Guilherme Jahara, Pedro Utzeri
Art Directors: Pedro Utzeri, Luis Paulo Gatti
Copywriter: Rafael Genu
Illustrator: Big Studios
Published: April 2014
A text message is an accident waiting to happen. Drive responsibly.
Advertising Agency: Leo Burnett Tailor Made, São Paulo, Brazil
Creative Directors: Marcelo Reis, Guilherme Jahara, Pedro Utzeri
Art Directors: Pedro Utzeri, Luis Paulo Gatti
Copywriter: Rafael Genu
Illustrator: Big Studios
Published: April 2014