Israel/Palestine

The ecopolitics beneath the world’s hottest conflict.

From Adbusters #113: Blueprint for a New World, Part 2: Eco


Reuters/Mohammed Salem

Whatever political slant people assume on the Israel-Palestine issue, no one can deny that Israel has carved out a mighty little name for itself over the past sixty-five years. The tiny country’s political gravity is so immense that all discourse on the Middle East tends to magnify itself onto the global stage—usually through an Israeli lens.

But the Israeli-Palestinian strife long ago surpassed the petty ancient arguments over who settled where, when and for what reasons. As seasons grow more extreme by the year, the issue has become a prescient case study on the lengths people will go in order to secure their future. In a climatic terror zone, Israel secured its existence by assuming control of major water sources. And it’s up to the leaders to defend that, and their global sway—with nukes if need be.

Unlike its Arab neighbours of similar febrile religiosity, Israel consistently managed to receive passes at the UN for full governance over whatever lands they deemed necessary for a secure state. No UN representative dared to question Israel’s 1967 expansion to the Golan Heights, in which they secured the Sea of Galilee, and 30 percent of Israel’s water supply today.

The redrawn borders gave no water to the Syrians, but the concessions gave Israel a much needed moral facelift. They played another concessionary note and pulled out of the Gaza Strip after water desalination technology reached a world-class standard in Israel—and Gazans were put under crippling sanctions to ensure Tel Aviv could have its afternoon coffee without imminent rocket-propelled death. Now, Gazans are free to suckle on whatever dregs trickle out of the Coastal Aquifer.

In the West Bank, on the other hand, we have an administrative and geopolitical clusterfuck. Below the IDF-controlled Area C which occupies 60 per cent of the West Bank … where all Israeli settlements are, but only four percent of the West Bank Palestinians reside … there lies 50 percent of Israel’s water supply. Areas A and B house the vast majority of Palestinians who buy inadequately rationed water from state companies.

In the merciless desert, existential security means guaranteed and uncontested access to water. And for that sole reason, there may never be peace in Israel—nor a two-state solution—because Israel’s regional and global power is inextricably linked to the life juice beneath the Mountain Aquifer in the West Bank.

On this over-sullied planet, secure access to clean drinking water is an absolute survivalist necessity … you are either flourishing or withering. The morality behind ostentatious floral arrangements outside of settler homes or the bombing of “illegal” Palestinian wells in AREA C is purely subjective material for career politicians to mull over.

Source

Caritas: Give warmth

Advertising Agency: DDB Tribal, Vienna, Austria
Executive Creative Director: Lukas Grossebner
Art Director / Copywriter: Mike Nagy
Copywriter: Thomas Troppmann
Photographer: Christoph Meissner
Production: Mxr Productions

Here’s Your Requisite Cannes Recap/Remix

It’s all over but the hangover.

In case you missed out on the drunk fun in France and have yet to read all 13 interviews with Sir Martin Sorrell, here’s all the convergence you can handle via the makers of an app we’ve never heard of:

But wait, there’s more!

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New Career Opportunities Daily: The best jobs in media.

Twitter's P&G Sales Exec Moves to Scripps for Digital Strategy Role


E.W. Scripps has named former Twitter sales executive J.B. Kropp as its VP-digital strategy and business development.

Mr. Kropp, who headed Twitter’s sales effort with packaged-goods giant Procter & Gamble Co., will remain based in Cincinnati in his new role at Scripps headquarters.

He’s the third executive to depart Twitter in recent weeks, including No. 2 executive and Chief Operating Officer Ali Rowghani and Senior-VP Engineering Chris Fry. Mr. Kropp said his move wasn’t related to issues at Twitter but was about an opportunity with Scripps.

Continue reading at AdAge.com

Harley-Davidson: Kickstarter

Advertising Agency: Y&R, Prague, Czech Republic
Chief Creative Officer: Jaime Mandelbaum
Creative Directors: Jaime Mandelbaum, Jaroslav Schovanec
Art Director: Atila Martins
Copywriters: Nathan Dills, Jaroslav Schovanec, Conor Barry, Dora Pruzincova
Designer / Typographer: Neil Johnston
Photographer: Miro Minarovych

City of Las Pinas: Pocket fire extinguisher

Advertising Agency: DM9 JaymeSyfu, Makati City, Philippines
Chief Creative Officer: Merlee Jayme
Executive Creative Director: Eugene Demata
Copywriter: Aste Gutierrez
Art Director: Biboy Royong
Copywriters: Peepo David, Rachel Teotico
General Manager / Account Supervisor: Ronald Barreiro
Chief Relations Officer / Account Supervisor: Alex Syfu
Account Manager: Gella Valle
Producer: Sheila Villanueva
Design: Rolando Olor / Filmex
Videographer: Jofre Nachor / Filmex
Producer: Carlo Perlas / Tower of Doom
Editor: Melo Samson

DTAC: Rebirth of Sound

Advertising Agency: Y&R, Bangkok, Thailand
Chief Creative Officers: Trong Tantivejakul, Marcus Rebeschini
Executive Creative Director: Wichian Thongsuksiri
Copywriters: Apoova Arun Kale, Itt Sukthongchaikul
Art Director: Atichai Sangthong
Agency Producer: Tanabodee Nelabusabanon
Production House: Kratai Tuentua / Chubcheevit Studio

Nissan Sentra: Room to share

Advertising Agency: Y&R, Puerto Rico
Creative Director: Sylvia Soler
Associate Creative Director: Javier Claudio
Producer: Yarelis DE Jesus

Sony: The bottled walkman

Advertising Agency: FCB, Auckland, New Zealand
Executive Creative Directors: James Mok, Tony Clewett, Regan Grafton
Art Director: Melina Fiolitakis
Copywriter: Kevin Walker
Account Director: Michelle Koome
Media Manager: Rachel Leyland
General Manager: Angela Spain
Account Executive: Alisha Thomas
Production Director: Eric Thompson
Producer: Kelly Gillard
Head of Art: Nick Smith
Designer: Michael Braid
Senior Finished Artists: Harmen Kamsteeg, Hylda Von Dincklage
Senior Digital Media Planner / Buyer: Steph Pearson
Senior Digital Producer: Nick Niblett
Social Media Campaign Manager: Georgia Boyce
Campaign Manager: Charlotte Broadbent
Photographer: Lewis Mulatero

CP&B founder Chuck Porter: 'Paddy Power can teach traditional brands a lot'

It’s nearly ten years since Crispin, Porter & Bogusky reached the creative high of being judged as Agency of the Year in 2004 and in 2008, as well as Agency of the Decade.

Thrilling Portugal Match Is U.S.'s Most-Watched Soccer Game


Portugal’s 2-2 draw with the U.S. on a last-second goal yesterday was the most-watched broadcast of a soccer game in U.S. history.

The match broadcast on ESPN was seen in 9.6% of U.S. homes for an average of 18.2 million viewers, the Walt Disney Co. network said in a statement. That total topped the 18 million viewers for the 1999 Women’s World Cup final between the U.S. and China on ABC.

The rating also topped the previous high for a men’s soccer game in the U.S., which had been a 9.5 for the 1994 World Cup final between Italy and Brazil. The 1999 women’s final remains the top game in terms of ratings points, with an 11.4. A single ratings point represents 1% of the total number of TV households.

Continue reading at AdAge.com

EM: Effective Microorganisms calendar

Advertising Agency: Creative Juice, Bangkok, Thailand
Chief Creative Officer: Thirasak Tanapatanakul
Art Directors: Komson Yamshuen, Daniel Fattorini, Rattiya Suphatanasilpa, Thirasak Tanapatanakul
Copywriters: Chatchai Butsabakorn, Napat Pornratanaraksa
Art Director: Chothip Veeranopparat
Planners: Pongsuree Asanasen, Nuntwarith Thairattana
Printing Directors: Suthon Sirivirojsakul, Wanida Phanpha / Pimngam Ltd.

Scrabble: Saving words

Advertising Agency: Lola, Madrid, Spain
Executive Creative Director: Chacho Puebla
Creative Director: Francisco Cassis
Art Director: Aida Pozuelo, Marta Expósito
Copywriter: Sandra Cano
Producer: Marie Gilot
Account Executive: Jaime DE Arostegui
Account Director: Rocio Abarca
Client Service Director: Daniele Cicini
Agency Producer: Natalia Cambra

The Terri & Sandy Solution Tips Hat to Fellow Effie Winners

The Effies Effectiveness Campaign recently named New York agency The Terri & Sandy Solution as one of North America’s 15 most efficient.

Don’t feel bad if you haven’t heard of them; they’re used to it.

And they’re humble, too: after learning about their Effie win, T&SS created a hyper-local campaign designed to extend a congratulatory hand to their fellow Most Effective Manhattan agencies: Droga5, Mekanism, Mother NY and Wieden+Kennedy.

In order to make sure the message was received, T&SS created four different layouts and contacted the buying gurus at Media Worx to score placements reading “Congratulations (from the agency you had to Google)” at the subway stops closest to other winners’ offices.

That’s not all, though.

(more…)

New Career Opportunities Daily: The best jobs in media.

Bigger Than Baseball: U.S.-Portugal World Cup Match Outdoes World Series in Ratings

The World Cup game drew 18.2 million viewers Sunday evening on ESPN, the most viewers for a soccer game — more than the N.B.A. Finals or

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World Series.



Woodspot Lamp

Le designer italien Alessandro Zambelli a créé la Woodspot Lamp, inspirée de l’art de René Magritte. Elle a été conçue pour la marque de design Seletti et sera exposée à la prochaine édition du salon Maison et Objet du 5 au 9 Septembre 2014. A découvrir avec les photos de Studio Badini Createam.

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How Siemens, Finish Are Conquering China's Distrust of Dishwashers


There are an estimated 1.3 billion people in China, yet only 1% of the country’s households have dishwashers. Some people worry they will be troublesome to run or use up too much water and electricity. And locals are unsure that a machine can cut through the cooking oils of Chinese stir-fry.

So appliance maker Siemens and Reckitt Benckiser detergent brand Finish have come up with an ingenious way of turning skeptics into converts. They set up a faux apartment in Beijing where people can host dinner parties free and try out life with a dishwasher. (Added bonus: There’s a karaoke machine.)

Word-of-mouth and social-media buzz have drawn 2,000 people to the Beijing Party Place (so named to draw young people) in its first year. The center has hosted more than 110 parties to date, prompting the brands to open a bigger center in Shanghai. You can’t buy products at either — the concept is all about getting the dishwasher experience.

Continue reading at AdAge.com

Nerdy Sci-Fi Fashion – Cres. E Dim’s Post Apocalyptic Couture Collection is Bold (GALLERY)

(TrendHunter.com) Finally sci-fi enthusiasts around the world have been heard; having been calling for fashions that suit their interests for years, the sci-fi crowd’s prayers have been heard and delivered in the…

Vibrant Platform Sneakers – The Asics Gel Lyte 3 CMYK Sneakers are Brighter Than the Sun (GALLERY)

(TrendHunter.com) If you’re looking for a comfortable and fashionable pair of sneakers to invest in, the Asics Gel Lyte 3 CMYK sport shoes are nothing short from eye-catching with their bold neon yellow colorway….

Game ensina idioma japonês durante o jogo

É cada vez mais comum encontrarmos por aí métodos alternativos para o aprendizado de outros idiomas. No ano passado mesmo, mostramos por aqui o Chineasy, um sistema visual criado pela designer Shao Lan que ganhou o mundo com a proposta de “derrubar a grande muralha da língua chinesa”. Agora, Jitesh Rawal, um estudante da University of Derby, no Reino Unido, resolveu experimentar uma abordagem diferente para quem deseja aprender o idioma japonês com o game Koe.

Financiado no Kickstarter, o jogo tinha uma meta inicial de £35 mil, mas chegou a mais que o dobro – £75 mil – com a ajuda de mais de 4 mil pessoas. Outra boa notícia é que, a pedidos, o game terá versões disponíveis em outros idiomas além do inglês, o que inclui o português brasileiro, alemão, holandês, francês, espanhol, coreano e russo.

Jogado em primeira pessoa, Koe segue o estilo dos tradicionais JRPGs, com forte influencia de Final Fantasy e Pokemon. A história gira em torno de um personagem que é mandado ao Japão, mas já no aeroporto percebe que está em um lugar muito diferente do que imaginava, com castelos e calabouços.

Conforme o jogo evolui, o jogador é apresentado aos alfabetos silábicos Hiragana e Katakana, para conseguir ler o básico. Kanjis também são ensinados e, depois servem de “código” para que o usuário possa seguir em frente, enquanto aprende palavras e frases do dia a dia. Jitesh Rawal também está pesquisando formas de ensinar gramática de uma maneira envolvente.

Koe irá rodar em Windows, MacOSX e Linux, e também há planos para um lançamento para o Playstation Vita. Para acompanhar o andamento do projeto, vale acessar o site do Strawberry Games ou sua página no Facebook.

koe

Brainstorm9Post originalmente publicado no Brainstorm #9
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