Leo Burnett, Always Redefine ‘Like a Girl’

In case you missed it, “The Queen of Versailles” was one of the better documentaries released in recent years. Today its director Lauren Greenfield teamed up with Leo Burnett Chicago, Toronto and London (along with help from fellow Publicis shops Starcom MediaVest and MSL Group on PR) to launch a campaign addressing an age-old question: what does the phrase “like a girl” really mean? And why do we still use it?

The agencies involved frame the campaign as a “new social experiment” beginning with a survey that reported some unsurprising findings:

  • A majority of girls see a drop in confidence around puberty
  • Most think of “like a girl” as a general insult, particularly at that age

There’s a social media/UGC component to the campaign, too: the brand will use its various platforms to encourage young female followers to “join the movement and share what they proudly do #LikeAGirl” via pics and videos.

Unlike “Ban Bossy” and various anti-bullying efforts, this one doesn’t purport to have a specific goal; we take it as evidence that businesses and their agencies are learning. The message is nothing if not on-brand, and this documentary-style spot is more intimate and convincing for not involving Beyonce.

New Career Opportunities Daily: The best jobs in media.

Cornett Introduces ‘Kentucky Fried Chicken Bone Gold Necklaces’ for KFC

In what is surely one of the strangest campaigns you’ll see this week, Kentucky-based Cornett — the agency behind “Beardvertising” and “Kentucky Kicks Ass” has introduced “Kentucky Fried Chicken Bone Gold Necklaces” for KFC.

Cornett notes that “many great inventions have come out of Kentucky” — such as bourbon, the bowie knife, and, of course, fried chicken. So now, the Kentucky-based integrated agency has “ taken one great Kentucky invention and turned it into a completely new Kentucky invention.” “Like Willy Wonka’s ’Everlasting Gobstopper,’” they’ve “ figured about a way to make it possible to savor a single piece of Kentucky Fried Chicken forever.” That would be by dipping the bones in 14 kt gold and turning them into necklaces. The agency teamed up with Kentucky jewelry designer Meg C to create a line of “Kentucky Fried Chicken Bone Gold Necklaces.” Just what you always wanted! They’re releasing a limited run of 20 “Gold Kentucky Fried Chicken Wang Bone Necklaces on Friday, June 27th (that would be tomorrow) at 10:00 AM. Click here to learn more.

New Career Opportunities Daily: The best jobs in media.

Michael Egan Was Suing Garth Ancier for Statutory Rape

Lawyers for Michael Egan, who had accused various Hollywood executives and filmmakers of sexual abuse, dropped a suit against Garth Ancier.

NeonGrid Wants to Be the IMDb for Online Videos

The start-up is hoping to become a resource for credits for content that appears on YouTube, Vimeo and similar websites.



'Like a Girl' Is No Longer an Insult in Inspiring Ad From P&G's Always

In a memorable scene from The Sandlot—which you must watch if you were somehow nowhere near VHS tapes and a VCR in the early ’90s—baseball players hurl a slew of insults hurl back and forth. One player blurts out the unthinkable. “You play ball like a girl!”

What does that mean, anyway? In a social experiment led by documentarian Lauren Greenmarker, the Procter & Gamble feminine products brand Always asks that question, and declares its mission to redefine the phrase “like a girl” as an expression of strength.

The video—inspired by a study from Research Now, sponsored by Always, that found more than half of the girls surveyed claimed to experience a drop in confidence at puberty—starts off by asking a variety of people to act out phrases like “Run like a girl” and “Fight like a girl.” As you might guess, there’s a lot of exaggerated limp arm movements and goofy facial expressions. Then they ask the same question to a group of young girls. I felt a swell of pride—as if I were their parent, maybe—as I watched them dart across the screen with purpose and power.

There’s great discussion (“Why can’t ‘run like a girl’ also mean ‘win the race’?”), and I like this shift from social experiments about beauty (how many times am I going to mention the Dove campaign? At least once more) to one about empowerment.



Sony Playstation wins Grand Prix at Thinkbox TV Planning Awards

Manning Gottlieb OMD has triumphed in the Thinkbox TV Planning Awards, scooping four prizes, including the prestigious Grand Prix for its work for Sony Playstation.

Amazing Illustrations by Ayaka Ito

Ayaka Ito est une graphiste et illustratrice japonaise basée à New York. Elle crée l’identité de marques, mais réalise surtout des illustrations pour différents produits dont de magnifiques foulards. L’artiste utilise un soupçon de magie dans chacune de ces illustrations et maîtrise parfaitement les jeux de couleurs.

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Time Inc. Sells Off Its Mexican Magazines to Concentrate on U.S. and U.K.


Time Inc., the owner of People, Time and Sports Illustrated, said Thursday that it had sold Grupo Editorial Expansin, Mexico’s second-largest magazine publisher, to the Latin-American private equity firm Southern Cross Group.

Terms of the deal were not disclosed.

When Time Inc. bought Grupo in 2005 for an estimated $60 million, then-Time Inc. CEO Ann Moore called “international expansion a key element of our growth strategy.” She added, “This represents an exceptional opportunity to establish Time Inc. as a major presence in the dynamic Mexican magazine market.”

Continue reading at AdAge.com

Trade Group Brings Online Ad Privacy Tool to Mobile


The state of California, the Federal Trade Commission and the U.S. Senate are all breathing down the ad industry’s neck about mobile data privacy. Today, its biggest privacy self-regulatory group is responding. The Digital Advertising Alliance will unveil its mobile ad privacy app today at its annual summit in San Francisco, opening it up to evaluation by its ad-network, agency and brand participants.

Put simply, the app will let people opt-out from receiving mobile ads targeted based on the apps they interact with.

When available for free download by consumers later this year, the DAA AppChoices app will act similarly to the organization’s current privacy program, which allows people to opt-out from online behavioral ad targeting, signaled by a tiny triangular blue icon in the corner of digital ads.

Continue reading at AdAge.com

On the interplay between a snail and an algorithm

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On the interplay between a snail (a messy biological entity under scientific observation and the subject of experimentation) and an algorithm (dating back to 1887 and the development of tabulating machines) that sorts and orders data sets continue

Dreamy Japanese Portraits – This Japan Photo Series Captures Characteristics of Japan and its People (GALLERY)

(TrendHunter.com) This hauntingly beautiful Japan photo series takes a very sensual approach to capturing Japanese women. Looking more like art than photography, the ‘Tales from Japan’ series is captured…

O que é, afinal, fazer coisas “como uma menina”?

O mais recente vídeo da P&G em uma campanha para a marca de absorventes Always faz uma interessante reflexão sobre o que seria fazer coisas ‘como uma menina’.

Em uma audição, convidou garotos e garotas mais velhas a encenar situações que eram descritas assim: correr como uma menina, lutar como uma menina, jogar uma bola como uma menina.

Os resultados eram caricaturas de comportamentos, que quando interpretadas por meninos ficavam ainda mais estereotipadas.


Mas o legal mesmo é ver o que acontece depois, quando meninas mais novas são convidadas a interpretar as mesmas descrições de cenas. Ao mostrar o que era correr como uma menina, elas não se fizeram de rogadas e deram o melhor de si, seja correndo no lugar ou saindo pelo set de filmagem. O mesmo aconteceu com todos os outros pedidos, que foram feitos com garra e com vontade. Questionada sobre o que significava ‘correr como uma menina’, a garotinha de vestido rosa esclareceu: “correr o mais rápido que eu puder”.

Para a P&G, esse conceito negativo da comparação como uma menina só se torna um insulto no início da adolescência, entre os 10 e 12 anos, depois que garotas e garotos já se cansaram de ouvir que atividades que não são feitas com uma determinada ‘qualidade’ são coisa de menina.

O intuito da marca, através da campanha Always #likeagirl é mostrar que isso pode significar coisas incríveis, se deixarmos de usar essa expressão como uma forma de humilhar ou diminuir alguém.

No último trecho, a P&G incentiva os mais velhos que participaram da audição a refletirem sobre a atuação que fizeram, e pede que, dessa vez, mostrem como seria ‘rebater como uma menina’ sem pensar em estereótipos. O resultado é completamente diferente do inicial.

Uma bonita campanha de empoderamento feminino.

A criação é da Leo Burnett de Chicago, Toronto e Londres.

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Connected brains? / De quoi péter un câble?

DonorCable2013a DonorCable2014b
THE ORIGINAL? 
Blood Donation « The donor cable » – 2013
Source : Vimeo, Cannes Archive Online
Click Here to watch the case study
Agency : Leo Burnett Tailor Made (Brazil)
LESS ORIGINAL
Azerfon – Blood Donation « Life-saving cable » – 2014
Source : AdWeek, Cannes Innovation SHORTLIST
Click Here to watch the case study
Agency : Young & Rubicam Moscow (Russia)

ALS League: Obituary

ALS (Amyotrophic Lateral Sclerosis) is an incurable disease that affects the motor neurons. Patients gradually lose control over their body as paralysis sets in. Muscle group after muscle group fails until the patient dies 2 to 5 years later. They do so fully conscious: ALS does not affect cognitive functions. The cause of the disease remains unclear and the process is currently irreversible. With your help, we can continue researching ALS and keep supporting ALS patients.

Advertising Agency: Publicis, Brussels, Belgium
Creative Directors: Tom Berth, Geert de Rocker
Copywriter: Tom Berth
Art Director: Geert de Rocker
Account Manager: Jonas de Wit
Designer / Typographer: Christophe Vantricht
Copywriter: Wim Corremans
English Copywriter: Maarten de Maayer

Santa Cruz Wine Store: Bank roll

A great wine makes everything more romantic.

Advertising Agency: Publicis, Brazil
Chief Creative Officer: Hugo Rodrigues
Executive Creative Director: Erik Vervroegen
Creative Directors: Hugo Rodrigues, Leo Macias
Copywriters: Rodrigo Strozenberg, Josh Parschauer
Art Directors: Leo Macias, Marjorie Vardo
Global Print Manager: Jean Luc Chirio
Production Director: Rita Vilarim
Art Buyers: Lauriane Dula, Lys Aelia Hart, Selma Momosse

Santa Cruz Wine Store: Dumb

A great wine makes everything more romantic.

Advertising Agency: Publicis, Brazil
Chief Creative Officer: Hugo Rodrigues
Executive Creative Director: Erik Vervroegen
Creative Directors: Hugo Rodrigues, Leo Macias
Copywriters: Rodrigo Strozenberg, Josh Parschauer
Art Directors: Leo Macias, Marjorie Vardo
Global Print Manager: Jean Luc Chirio
Production Director: Rita Vilarim
Art Buyers: Lauriane Dula, Lys Aelia Hart, Selma Momosse

Santa Cruz Wine Store: Less talk

A great wine makes everything more romantic.

Advertising Agency: Publicis, Brazil
Chief Creative Officer: Hugo Rodrigues
Executive Creative Director: Erik Vervroegen
Creative Directors: Hugo Rodrigues, Leo Macias
Copywriters: Rodrigo Strozenberg, Josh Parschauer
Art Directors: Leo Macias, Marjorie Vardo
Global Print Manager: Jean Luc Chirio
Production Director: Rita Vilarim
Art Buyers: Lauriane Dula, Lys Aelia Hart, Selma Momosse

Santa Cruz Wine Store: Mask

A great wine makes everything more romantic.

Advertising Agency: Publicis, Brazil
Chief Creative Officer: Hugo Rodrigues
Executive Creative Director: Erik Vervroegen
Creative Directors: Hugo Rodrigues, Leo Macias
Copywriters: Rodrigo Strozenberg, Josh Parschauer
Art Directors: Leo Macias, Marjorie Vardo
Global Print Manager: Jean Luc Chirio
Production Director: Rita Vilarim
Art Buyers: Lauriane Dula, Lys Aelia Hart, Selma Momosse

Santa Cruz Wine Store: Neck down

A great wine makes everything more romantic.

Advertising Agency: Publicis, Brazil
Chief Creative Officer: Hugo Rodrigues
Executive Creative Director: Erik Vervroegen
Creative Directors: Hugo Rodrigues, Leo Macias
Copywriters: Rodrigo Strozenberg, Josh Parschauer
Art Directors: Leo Macias, Marjorie Vardo
Global Print Manager: Jean Luc Chirio
Production Director: Rita Vilarim
Art Buyers: Lauriane Dula, Lys Aelia Hart, Selma Momosse

Bauducco toast: Astronauts

never underestimate the supporting role.

Advertising Agency: AlmapBBDO, Brazil
Chief Creative Officer: Marcello Serpa
Executive Creative Director: Luiz Sanches
Creative Directors: Bruno Prosperi
Creative Director: Renato Simões
Art Director: Marcelo Tolentino
Copywriter: Marcelo Pignatari
Account Vice President: Fernanda Antonelli
Account Director: Pedro Fragata
Photographer: Mariana Valverde