Playboy: Bum

April 2013 was the month that Playboy printed its last issue in South Africa. Therefore, Playboy had to tell fans why online is better.

Advertising Agency: Y&R, Johannesburg, South Africa
Chief Creative Officer: Graham Lang
Executive Creative Director: Rui Alves
Art Director: Ismaeel Chetty
Creative Group Head: Werner Marais
Agency Producer: Ashleigh Hamilton
Retoucher: Farran Sole
Production Manager: Rory Bonnes

Playboy: Boobs

April 2013 was the month that Playboy printed its last issue in South Africa. Therefore, Playboy had to tell fans why online is better.

Advertising Agency: Y&R, Johannesburg, South Africa
Chief Creative Officer: Graham Lang
Executive Creative Director: Rui Alves
Art Director: Ismaeel Chetty
Creative Group Head: Werner Marais
Agency Producer: Ashleigh Hamilton
Retoucher: Farran Sole
Production Manager: Rory Bonnes

Wall's: Goodbye Serious, 1

Advertising Agency: DDB Latina, Puerto Rico
Chief Creative Officer: Enrique Renta
Creative Director: Santiago Cuesta
Art Directors: Juan C. López, Luis Figueroa
Copywriter: Juan Dávila Morris
Illustrator: Carlos Nova / Masivo
Published: April 2014

Wall's: Goodbye Serious, 2

Advertising Agency: DDB Latina, Puerto Rico
Chief Creative Officer: Enrique Renta
Creative Director: Santiago Cuesta
Art Directors: Juan C. López, Luis Figueroa
Copywriter: Juan Dávila Morris
Illustrator: Carlos Nova / Masivo
Published: April 2014

Wall's: Goodbye Serious, 3

Advertising Agency: DDB Latina, Puerto Rico
Chief Creative Officer: Enrique Renta
Creative Director: Santiago Cuesta
Art Directors: Juan C. López, Luis Figueroa
Copywriter: Juan Dávila Morris
Illustrator: Carlos Nova / Masivo
Published: April 2014

Samsung: Fish / Cake

Put apart odors & flavors. Samsung Refrigerators with Twin Cooling System.

Advertising Agency: Cheil, Mexico
Creative Directors: Carlos Cantú, Oscar Godinez, Cesar Quiroz
Art Directors: Cesar Quiroz, Ulises Moreno, Braulio Saldaña
Copywriter: Oscar Godinez
Illustrator: Vasava

Nestlé Extreme Ice Cream: Til the end

Advertising Agency: JWT, Paris, France
Production Company: Gang Films
Director: Sebastien Grousset

Toni&Guy Casual Sea Salt Texturising Spray: Shell

Digital Creative: Maria Gelman
Digital Creative: Maxim Kayumi
Digital Producer: Pavel Pecherskikh
Designers: Nikolay Bastrakov, Olga Sen
Programmer: Anton Platonov
Technical Director: Alexander Rybyakov
Account Manager: Anna Levant

Mitsubishi ASX: Midas

Advertising Agency: Africa, Brazil
Copywriters: Marcos Almirante, Ricardo Franco
Art Directors: Estefanio Holtz, Marcio Kota, Fernando Lyra
Creative Directors: Sergio Gordilho, Humberto Fernandez, Rafael Pitanguy
General Creative Director: Sergio Gordilho
Agency Production: Rodrigo Ferrari, Patricia Melito
Client Services: Celina Esteves, Carolina Barretto, Carolina Pires, Marcella Braga
Planning: Ana Paula Cortat, Marcia Nery, Fabiana Andreoli
Media: Luiz Fernando Vieira, Rodrigo Famelli, Rodrigo Rodrigues, Caroline Tanzillo, Fernanda Sad
Film Production: Fatbastards
Direction: ALASKA
Director of Photography: Marcelo Corpanni
Editing: ALASKA
Post Producers: Elton Bronzeli, Rodrigo Zorack
Post Production: NASH
Executive Production: André Pinho, Fernando Carvalho
Sound Production: A9 Áudio
Sound Production: Cherry Poppin’ Daddyes
Voice over: Renato Goda

And So, Samsung’s Sci-Fi Soccer Saga Continues

Continuing a rather ambitious storyline that kicked off late last year, Samsung, with the aid of Cheil Worldwide and Psyop, has unveiled the next installment of its soccer stars vs. aliens saga to promote the Galaxy. While not technically a World Cup tie-in, “The Training” (nearly 42 million views and counting–yeah, we know it’s been out for a bit) features two of the event’s biggest (and best) participants, Cristiano Ronaldo and Lionel Messi, who have also been making the rounds in spots for Nike and Adidas, respectively, that are officially attached to the event. In this campaign, though, real-life Ken doll Ronaldo and his archrival Messi, along with other notable footballers like Wayne Rooney,  join forces and evolve from mere athletes to sci-fi superheroes in order to combat an alien invasion…with their Galaxy S5s in tow, of course.

Psyop director Laurent Ledru, who shot this four-minute short in two months across cities including London, Barcelona, Madrid, Munich, Prague and Manchester, explains the process of working with the stars.  “Because of the athlete’s varying schedules we had to shoot each player separately. It was very important that each performance felt authentic to that athlete yet interacted seamlessly with the others.” Ledru, who met the players in the varying aforementioned locales, where they would execute the acrobatic stunts and moves for the real shot, adds, “Each player was given instructions and guidance but we needed to capture them acting as naturally as possible in front of the green screen despite the CG elements that were to come later.”

Like the previous clips that have encompassed this campaign, the Samsung Galaxy branding is kept to a minimum, save for the occasional highlighting of a feature (heat sensor! fast auto focus!). It’s the stars, story and special effects that take center stage here, and now, with training said and done, we’ve only the big final showdown to look forward to. Consider us involved. Game on.

Credits after the jump.

continued…

New Career Opportunities Daily: The best jobs in media.

Hill Holiday, Leslie Mann Make ‘Mom Confessions’ for LG

Hill Holiday, Boston tapped Leslie Mann (Knocked Up, This Is 40, Freaks and Geeks) to voice the inner musings of a jaded mom in their latest campaign for LG appliances.

Mann voices the internal monologue of a character Adweek described as “a cross between FX’s Louie and Ibsen’s Hedda Gabler.” While that may be a slight exaggeration — the character is far more in line with Mann’s roles in Knocked Up and This Is 40 — the spots are certainly far more cynical than anything we’ve come to expect from appliance ads aimed at women, and in fact play off those happy family conventions.

In the most edgy, and, not coincidentally, most successful of these spots, Mann’s character notes that her new LG washing machine is very fast. But what’s a good quality in a washing machine is not necessarily a good quality in a husband, as the character suggestively muses. It’s this kind of honesty and portrayal of a less-than-perfect reality that makes the campaign stand out. Other spots in the campaign trade in the sexual innuendo for goofiness, and while none of them are quite as entertaining as “Too Fast” the approach still feels like a welcome departure from typical daytime TV fare, thanks largely to Mann’s comedic timing. Stick around for credits and “Hot Cookies” after the jump. continued…

New Career Opportunities Daily: The best jobs in media.

Q&A: How a Reality TV Show Pranked America With Fake Celebrity Divorce Ads

We’ve been had. It turns out that one man’s heroic billboard crusade to prevent celebrity divorce was actually a hoax by WEtv to advertise its new show Marriage Boot Camp: Reality Stars.

We caught up with WEtv President Marc Juris to find out how he hit the zeitgeist and tricked media outlets across the nation:

AdFreak: Is there a real J. Robert Butler?
Mark Juris: You’re speaking to him. No, he’s a fictional character we invented, played by a real actor.

Whom you made up a whole backstory for about his daughter’s divorce…
Because the most important thing you have to remember, is that the audience in incredibly smart. We created a whole character, a persona, and a motivation. Thought about why he would do this, what he expected would be the response. I think the inclination is to have him say some outrageous stuff, and we pulled all that back and had him be more realistic.

How did you hatch the hoax?
We went through a couple of ideas. We thought, “Could we make these billboards poking fun at celebrity couples who had divorced?” But it just felt too much like an overt ad campaign. And that’s the problem with overt campaigns; people just drive by them and just keep going. So we thought, “How can we really do this?” What if we made an organization that seemed ridiculous, but could be real and serious?

It seemed real and serious. You fooled us. Did you get anyone else behind the movement?
We had quite a few requests for interviews from some major broadcasters and some broadcasters who were upset because we weren’t getting back to them. Some got lightly pushy, saying things like, “We’re going to go to press without your comments.” But it got a lot of pickups because it was thought provoking. What it was saying kinda made sense, and by the end it was even making sense to me.

I think you could have actually started a movement.
I think you might be right. Some of those lines really resonated because marriage isn’t a sponsorship opportunity. I think the general population is a little sick of it. The Kim and Kanye wedding happened recently, and we weren’t invited, but when you see this sort of thing where everything is sponsored, all the brands there, and people are tired of it. The best messaging is what really resonates with people. People are getting smarter and smarter, and they don’t want to be played. I mean, when you see something like “consciously uncoupled,” it really seems like they [Gwyneth Paltrow and Chris Martin] went to the same company that comes up with things like “Obamacare” to come up with the name!

The new banner across the signs says “help stop celebrity divorce,” and suggests tuning in for Marriage Boot Camp: Reality Stars. Do you think a show like this will really help prevent celebrity divorce?
No, I don’t think so. At this point we’re having a little fun.  But we wanted to make people think and link it to our show in a more meaningful way.

Well you got lots of people talking. Who was covering it?
There was a lot of online blog coverage. We had a very long piece on KPLA, we had an entire segment on Fox news referencing the billboards and talking about celebrity divorce.  We really had great coverage with just five billboards and a couple of buses. I love outdoor advertising because it really stands alone, and if it’s great you really see it. Outdoor can be really successful and very cost efficient. I also think you have to do city specific advertising when it’s appropriate.

It was definitely appropriate here.
Yeah, there’s really nowhere other than Hollywood you could have put those banners. But we also had banners running up and down Jersey Shore this weekend letting everyone know JWoww was going to be at the Jersey Shore this weekend, because she was at Marriage Boot Camp. And that got a lot of Twitter activity.

That’s great. Tell me a little about the design. How did you make it look so believable? Even the actor you chose…
I was very careful not to make it look like an ad campaign. It’s easy to go there, I really like to step back and be the cynical self that I am, and say, “Would I buy that that’s an ad campaign?” I will tell you this: We shot a video message from him, but I felt it didn’t ring true enough, so we didn’t use it. Because believability is key, and you can’t fall in love with your own stuff. I saw him on camera and I said, “I’m not buying it from him.” You would have to be De Niro to sell this stuff! You’d need an actor of that caliber to pull it off. I’d rather pull back in an effort to make it feel more real than to put it up.

And the design?
It was consciously done to make it seem like someone like him would think it was a good billboard, American values, low-fi. We placed him from Utah in our own heads. What would a guy from Utah who was a used car dealer use as his billboards? Right down to the logo, that’s the sort of logo he’d like. We knew we needed a website where he could say his piece. We even went so far to Google J. Robert Butler to see who would come up. You see, we did all our homework because we knew you’d be doing that.

Yeah, we looked through the site, and usually people don’t bother to hide the truth. The moment you get to the website the real advertiser is like, “Surprise! It was us all along!” And claims credit for the campaign.
That’s right. That was everyone’s inclination, but I didn’t want to do that. Because to be believable it simply can’t be connected to anything—no immediate messaging. You really have to be patient. I learned that from the Jimmy Kimmel twerking video, because that was, what? Two months they sat on their hands. I know our PR team was going crazy wanting to tell everyone about it. But you have to wait because that’s when things start to feel real—when you feel like there’s no ad message that’s behind it.

That’s a great point. Was there anything else surprising about the campaign besides the actual surprise at the end?
Well, J. Robert Butler, the actual actor we used, has been married four times. So that’s more than a little ironic. I’m wondering if he heard from any of his ex-wives about his billboard campaign.

Marriage Boot Camp: Reality Stars premieres tonight at 9/8 Central on WEtv.



Six Marketing Career Tips From Spencer Stuart's Greg Welch


As marketing job descriptions change, so do the steps marketers need to take to reach the top.

Greg Welch, partner at executive search firm Spencer Stuart, told marketers at this week’s Business Marketing Association global conference in Chicago what they need to do to get ahead in today’s environment. Here are six quick hits from his talk.

Prepare to be your company’s digital leader More executives are looking to their marketing people to lead company-wide transitions to digital. “Being a digital disciple is the ticket to the dance,” Mr. Welch said.

Continue reading at AdAge.com

Samsung: Escher Fish – Cake


Print
Samsung

Put apart odors & flavors. Samsung Refrigerators with Twin Cooling System.

 

Advertising Agency:Cheil, Mexico City, Mexico
Creative Directors:Carlos Cantu, Oscar Godinez, Cesar Quiroz
Art Directors:Cesar Quiroz, Ulises Moreno, Braulio Saldaña
Copywriter:Oscar Godinez
Illustrator:Vasava

Wall's: Goodbye Serious


Print
Walls

Advertising Agency:DDB, Latina, Puerto Rico
Chief Creative Officer:Enrique Renta
Creative Director:Santiago Cuesta
Art Directors:Juan C. López, Luis Figueroa
Copywriter:Juan Dávila Morris
Illustrator:Carlos Nova, Masivo

Homicide Photography by Angela Strassheim

Angela Strassheim nous fait part de son incroyable expérience de photographe judiciaire. Une série de photographies qui dévoile l’intérieur des maisons où des homicides familiaux ont eu lieu. Les images en noir et blanc accentuent le sentiment d’inquiétude et de tristesse de ce qui a pu se passer dans ces pièces.

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Homicide Photography by Angela Strassheims 7
Homicide Photography by Angela Strassheims 11
Homicide Photography by Angela Strassheims 10
Homicide Photography by Angela Strassheims 9
Homicide Photography by Angela Strassheims 8
Homicide Photography by Angela Strassheims 4
Homicide Photography by Angela Strassheims 12
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Homicide Photography by Angela Strassheims 2
Homicide Photography by Angela Strassheims 1

Cabine incentiva pessoas a doarem “com o coração”

Não adianta se enganar: a maioria das pessoas, quando abordadas na rua por uma entidade em busca de doações, sempre acaba pegando a menor nota da carteira, aquela que vai fazer menos falta no bolso. O problema é que aquelas notas maiores, que podem pesar no nosso bolso, também fazem falta para as entidades que não as recebem, como é o caso da Juan Antonio Pardo Foundation, dedicada a ajudar crianças cegas. É aí que entra a

Blind Booth, uma cabine criada pela Y&R da Colômbia que propõe que as pessoas doem às cegas, sem ver qual nota estão tirando da carteira – ou, como defende o projeto, que doem com os corações, e não os olhos.

É uma ideia interessante, mas não sei se é infalível, já que algumas pessoas costumam organizar as notas por valor na carteira. Mas é uma tentativa.

blind

Brainstorm9Post originalmente publicado no Brainstorm #9
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Daniel Craig, Tom Hardy and Will.i.am recite 'Invictus' in support of games

Daniel Craig stands alone, dressed simply in a light jumper and a leather jacket, while he recites the first line of William Earnest Henley’s poem ‘Invictus’.

Here's How Bots Scam Advertisers By Pretending to Be Human


So much for bots giving themselves away by acting like, well, bots. Turns out they can be made to act quite human, which is foiling efforts to detect them.

Scammers sending fake traffic to websites can make their bots move around web pages exactly as humans would — with mouse movements, clicks and all — causing problems for anti-fraud software working to ferret out malicious traffic.

In the video below, ad fraud researcher and technical forensics expert Dr. Augustine Fou demonstrates how these scammers work their craft, narrating a simulation of a real bot script he ran on top of a dummy version of The New York Times’ homepage. While these bots are not actually hitting the Times’ website, they could easily be sent there.

Continue reading at AdAge.com

Google's Lack of Diversity Casts Spotlight Tech's Boys Club


Google’s decision to lay bare its lack of diversity ramps up the pressure on other Silicon Valley companies to increase the number of women and minorities among technology workers.

Women make up 30% of employees and 91% of staff are either white or Asian, the Mountain View, California- based company disclosed in a blog post Wednesday.

The dearth of female and minority engineers, startup founders and business leaders has long been a sore point for female executives including Facebook’s Sheryl Sandberg as well as activists such as Jesse Jackson. Google’s disclosure follows increasing calls from investors and activists for companies in the technology hub — which prides itself on being liberal and culturally inclusive — to embrace diversity.

Continue reading at AdAge.com