B&Q hunts digital shop as part of marketing overhaul
Posted in: UncategorizedB&Q is on the hunt for a digital agency as part of the marketing overhaul that saw it replace Karmarama with WCRS on its advertising account.
B&Q is on the hunt for a digital agency as part of the marketing overhaul that saw it replace Karmarama with WCRS on its advertising account.
Em 2012, James Bond foi o personagem escolhido para mostrar as belezas e potencial turístico da Grã-Bretanha. Agora, a VisitBritain resolveu seguir um caminho um pouco mais subjetivo, mas ao mesmo tempo muito mais abrangente, com Sounds of Great Britain.
A campanha global avaliada em £2.5 milhões tem criação da Rainey Kelly Campbell Roalfe/Y&R e, além da música, foca também nos sons emitidos por experiências que fazem parte do cotidiano dos britânicos, como o tic-tac pontual dos relógios, a hora do chá ou ainda um jogo de tênis em Wimbledon, entre outros.
Feel the Love, música do grupo Rudimental, serve de base para todos os outros sons. No hotsite Sounds of Great Britain, inclusive, é possível criar a trilha sonora para um dia perfeito explorando as atrações turísticas da Grã-Bretanha.
Post originalmente publicado no Brainstorm #9
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The PR agency working on MasterCard’s sponsorship of the Brit Awards has climbed down over an apparent demand for coverage in return for accreditation after a backlash from journalists that has sabotaged the brand’s #PricelessSurprises push on Twitter.
Ferrari has roared into first place as the world’s most powerful brand, but it is no match for the brand worth of Apple, which has been named as the most valuable in the Brand Finance Global 500.
IN 1980, when DDB Worldwide Chairman Emeritus Keith Reinhard was CEO at Needham Harper Worldwide, he found himself contemplating the network’s growth and the affect that it would have on the agency. “We believed that culture was so important, but how do you keep that alive when you can’t physically be in 86 countries? The people have to feel that they’re in touch with management and leadership.”
His solution to that problem? A fax.
Well, not just any old fax, but a very special one from Mr. Reinhard himself. He decided that every week he’d send an inspirational note to his team around the world. “This was way before email, but how could we create that feeling that everyone was part of something bigger?” he said. He wrote each on ruled paper, turned sideways — a gentle design reminder that “rules are to be broken, rules are prisons,” he said. He titled each memo “Any Wednesday,” after the 1964 Broadway play, but also “because that would allow me to write ‘any’ Wednesday. Then I soon discovered if I didn’t do it ‘every’ Wednesday, I wouldn’t do it at all.”
Adam & Eve/DDB has picked up the advertising account for a royal initiative supported by the Duke and Duchess of Cambridge, called United for Wildlife.
More windows
But what happens when it ceases to be a bright, shiny object and becomes something more banala tool to stay on the grid and to sign into other internet services that you check periodically, but not everyone’s favorite window into the lives of people who are dear to them. We’re perhaps approaching that stage in the U.S.
There are a growing number of windows we can open on our mobile screens. One is Instagram, which Facebook had the foresight to buy, and another is Snapchat, beloved by teenagers, which it lacked the wherewithal to acquire. And there are plenty of other messaging apps that are hoarding eyeballs; undoubtedly another social phenomenon of Snapchat’s magnitude will emerge too.
An apparent one-second glitch in a TV ad for Microsoft’s Xbox One compelled eagle-eyed gamers to embark on a cryptographic quest and unlock games, prizes and gaming consoles.
Time Out Group has appointed Kimberley O’Hara, the digital sales development director at Johnson Publishing, as chief commercial officer to lead its international commercial presence outside North America.
Le réalisateur brésilien Pier Paolo nous offre un voyage dans la temps avec sa vidéo Cinematics sur les grands classiques du septième art, allant de Charlie Chaplin à Kill Bill en passant par Star Wars. Un rendu simple et coloré qui nous replonge en quelques traits dans ces univers mondialement connus.
Beavers Strip Club & Bar has had an ad banned for being irresponsible and likely to cause serious or widespread offence.
VW has appointed Kirsten Stagg as head of marketing for its Commercial Vehicles business.
OMD UK has poached Kelly Parker, the head of planning at Havas Media, as a client partner for accounts including its recent win, SSE.
Urban Outfitters has been rapped by the ad watchdog for the “irresponsible” messaging in an ad for a hip flask that said: “Fuck my liver”.
Adrian Fitch, the insights manager at Absolute Radio, has been appointed to the new role of head of brand insight (radio) at Bauer Media.
Coca-Cola has today reported an 8.4% decline in its fourth quarter net income to $1.7bn, but insists it is “committed to accelerating marketing investments” in its brands, advancing innovation strategies and maximising reinvestment for growth.
Le directeur artistique allemand Daniel Sax s’est inspiré d’une vidéo de David Shiyang Liu reprenant la voix du journaliste Ira Glass dans une interview où il explique l’écart qu’il y a entre les goûts de quelqu’un et ses compétences. Avec « The Gap », Daniel Sax a donc mis en image de manière conceptuelle les paroles d’Ira Glass, mot-clef par mot-clef.
La vidéo de David Shiyang Liu.
The Marketing Society and Marketing magazine are calling for nominations for the coveted title of Marketing Leader of the Year 2014, handing over the crown from Sainsbury’s Sarah Warby to this year’s outstanding marketer.