Dettol Healthy Kitchen Dish & Slab Gel: Pots
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As clean as new.
Creative Directors: Siddarth Basavaraj, Vinay Saya
Art Director: Vinay Saya
Copywriter: Siddarth Basavaraj
Photograpgy: Shutterstock
As clean as new.
Creative Directors: Siddarth Basavaraj, Vinay Saya
Art Director: Vinay Saya
Copywriter: Siddarth Basavaraj
Photograpgy: Shutterstock
As clean as new.
Creative Directors: Siddarth Basavaraj, Vinay Saya
Art Director: Vinay Saya
Copywriter: Siddarth Basavaraj
Photograpgy: Shutterstock
As clean as new.
Creative Directors: Siddarth Basavaraj, Vinay Saya
Art Director: Vinay Saya
Copywriter: Siddarth Basavaraj
Photograpgy: Shutterstock
To hype up and coming Chinese luxury brand Qeelin, ad agency Fred & Farid pulled the wool over the eyes of millions of Chinese buy tricking them into thinking the mythological creature, the Qilin, actually existed.
The agency photoshopped a puppet baby Qilin into ancient Chinese photos as well as into a video. They then released the photos and video to influential social media types on the Chinese social media sites Weibo and WeChat.
In less than 24 hours, as if ushering lemmings off a cliff, the stunt became the hot topic on Weibo with 30,000 reposts and 15,000 comments.
After four days — and 35 million views — during which internet sleuths unearthed un-altered versions of the ancient photos, it was revealed Qeelin was behind the hysteria. Yet another example of how any of us can be led off a cliff and think nothing of it.
Advertising Agency: TBWA\Neboko, Amsterdam, Netherlands
Creative Directors: Matthijs Slot, Ernst Jan van Rossen
Art Director: Jasper Roks
Copywriter: Rene van der Hoofd
Director: Lennart Verstegen
Published: December 2013
You eat what your food eats. Make sure it’s organic.
Advertising Agency: Leo Burnett, Zürich, Switzerland
Creative Director: Peter Brönnimann
Art Directors: Pedro Moosmann, Christian Bircher
Copywriter: Christian Stüdi
Illustrator: Linus Schneider / Pixelprinz
Published: December 2013
You eat what your food eats. Make sure it’s organic.
Advertising Agency: Leo Burnett, Zürich, Switzerland
Creative Director: Peter Brönnimann
Art Directors: Pedro Moosmann, Christian Bircher
Copywriter: Christian Stüdi
Illustrator: Linus Schneider / Pixelprinz
Published: December 2013
You eat what your food eats. Make sure it’s organic.
Advertising Agency: Leo Burnett, Zürich, Switzerland
Creative Director: Peter Brönnimann
Art Directors: Pedro Moosmann, Christian Bircher
Copywriter: Christian Stüdi
Illustrator: Linus Schneider / Pixelprinz
Published: December 2013
You eat what your food eats. Make sure it’s organic.
Advertising Agency: Leo Burnett, Zürich, Switzerland
Creative Director: Peter Brönnimann
Art Directors: Pedro Moosmann, Christian Bircher
Copywriter: Christian Stüdi
Illustrator: Linus Schneider / Pixelprinz
Published: December 2013
Oh how we’ve wanted to write a headline like that for so long. OK, maybe not. But it did get you to click on the headline, right? And, really, clicking is what this is all about. Today, Swedish agency Forsman & Bodenfors has given us reason to believe that, once again, clicking on a banner is a good thing. A very, very good thing.
Miraculously, the agency was able to get Mother Teresa, Ghandi and Jesus Christ all in the same room at the same time. Three people who have gone to great lengths to save lives and well, all of mankind. Who else could possibly earn a seat at this table? A banner clicker, that’s who.
In three well-crafted videos, we learn the importance of clicking on a banner. In this case, to help UNICEF deliver life saving products to those in need. See? Who says a banner clicker isn’t as heroic as Mother Teresa, Ghandi or Jesus Christ?
In the latest — and one of the noblest — sign of online video mirroring TV programming, Ford and YouTube network What’s Trending are hosting a live telethon on Google’s digital video service Thursday night to raise money for homeless children.
The two-hour event will stream live from YouTube’s Los Angeles production studio, starting at 9 pm ET (stream embedded below). YouTube’s second annual telethon, dubbed a Tube-A-Thon, will benefit Covenant House, a charity network for homeless youth.
The show will be hosted by What’s Trending’s Shira Lazar and feature YouTube stars such as Freddie Wong, Daily Grace and Shay Carl. Ford’s involvement stems from its Fiesta Movement campaign that was created to promote its Ford Fiesta sedan and social good.
Advertising Agency: AlmapBBDO, Sao Paulo, Brazil
CCO: Luiz Sanches
Creative Director: Renato Simões, Bruno Prosperi
Copywriter: Pernil
Art Director: André Gola
Production: Paranoid
Executive Producer: Egisto Betti
Directed by: Augusto Zapiola
Photography: Leandro Filloy
RTVC: Vera Jacinto, Rafael Motta, Ana Paula Casagrande, Diego Villas Boas
Soundtrack: Supersonic
Editor: Augustin De Vittorio
Finisher: Clan VFX
Advertising Agency: David&Goliath, New York, USA
Chief Creative Officer: David Angelo
Executive Creative Director: Colin Jeffery
Senior Copywriter: Dan Kelly
Senior Art Director: Todd Rone Parker
Executive Broadcast Producer / Managing Director: Carol Lombard
Executive Producer: Christopher Coleman
Managing Partner, Client Services: Brian Dunbar
Group Account Director: Brook Dore
Account Director: Mike O’Malley
Account Supervisor: Stacy Garibay
Account Executive: Ashley Standridge
Account Coordinator: Lauren Kelley
Senior Strategic Planner: Steven Garcia
Director Business Affairs: Rodney Pizarro
Product Information Manager: Russ Wortman
Production Company: PrettyBird
Director: Paul Hunter
Executive Producers: Kerstin Emhoff, Ali Brown
Head of Production: Tracy Hauser
Line Producer: Leora Glass
Editorial: Whitehouse Post
Editors: Corky DeVault, Lucas Spaulding, James Dierx
Assistant Editor: Sam Perkins
Producer: Joanna Manning
Executive Producer: Joni Williamson
Visual Effects: Mass Market
Head of CGI / Director of VFX: Andy Jones
VFX Supervisor: Diego Vazquez
Producer: Shannon Alexander
Executive Producer: JJ Wilmoth
Managing Director: Jay Lichtman
Music, Sound Design & Mix: Barking Owl
Advertising Agency: David&Goliath, New York, USA
Chief Creative Officer: David Angelo
Executive Creative Director: Colin Jeffery
Senior Copywriter: Dan Kelly
Senior Art Director: Todd Rone Parker
Executive Broadcast Producer / Managing Director: Carol Lombard
Executive Producer: Christopher Coleman
Managing Partner, Client Services: Brian Dunbar
Group Account Director: Brook Dore
Account Director: Mike O’Malley
Account Supervisor: Stacy Garibay
Account Executive: Ashley Standridge
Account Coordinator: Lauren Kelley
Senior Strategic Planner: Steven Garcia
Director Business Affairs: Rodney Pizarro
Product Information Manager: Russ Wortman
Production Company: PrettyBird
Director: Paul Hunter
Executive Producers: Kerstin Emhoff, Ali Brown
Head of Production: Tracy Hauser
Line Producer: Leora Glass
Editorial: Whitehouse Post
Editors: Corky DeVault, Lucas Spaulding, James Dierx
Assistant Editor: Sam Perkins
Producer: Joanna Manning
Executive Producer: Joni Williamson
Visual Effects: Mass Market
Head of CGI / Director of VFX: Andy Jones
VFX Supervisor: Diego Vazquez
Producer: Shannon Alexander
Executive Producer: JJ Wilmoth
Managing Director: Jay Lichtman
Music, Sound Design & Mix: Barking Owl
Dans la lignée du Reuters Photos of the Year, la compétition des Sony World Photography Awards invitent chaque année les professionnels et amateurs à faire concourir les meilleures images. Alors que la compétition se termine le 6 janvier 2014, voici déjà une sélection des images les plus impressionnantes.
Be Cheerful Even in the Darkest of Times – Samantha Fortenberry
Last Summer Day – Igor Kryzhko
Bhutanese masked dancer and boy – Joyce Le Mesurier
Underground – Holger Schmidtke
The Knight and His Steed – Nicolas Reusens Boden
The sons of the Angh of Nyahnyu – Sergio Carbajo
Fashion Muslim – Simone Sapienza
Abore Sand strom – Carlos Duarte
Open Low Light – Pedro London
Bonding – Cory Kipa
Sorrow – Eugene Stulov
Jon Carmen
I’ve been fascinated by the almost postmodern analysis of the Federal Trade Commission’s first workshop on native advertising last week, from reports suggesting that participants deflected questions to a story expressing amazement that the event happened at all. I was there as a participant, trying to help the FTC sort out whether native ads might mislead consumers, and am now struck by the irony of these “news accounts” that bear little resemblance to the event I saw.
Back in October, we brought you news of David&Goliath’s new campaign for Kia Optima starring L.A. Clippers power forward Blake Griffin and Jack McBrayer (an actor best known for his work on 30 Rock) as a superhero team saving people from non-Kia purchases. We were a bit disappointed with the initial spot, but hoped that the spot’s title “Trailer” indicated it was just a teaser for things to come. Now, David&Goliath have released two new spots for the campaign, “Zipline” (featured above) and “Apologize to You.” Unfortunately, both fail to live up to the potential of the premise.
“Zipline” features Blake Griffin and sidekick Jack McBrayer crashing in on a lame Internet shopping session. They present the Optima as a better option, to a man who is understandably freaked out by this series of events. Griffin and McBrayer have good chemistry together, but the spot fails to capitalize on it and ultimately falls flat. It might help if the two interacted more, instead of seemingly splitting screen time in separate shots.
That “Zipline” is actually the better of the two spots should tell you something about “Apologize to You.” The spot features Griffin and a fire extinguisher-wielding McBrayer demanding a passerby apologize for not selecting the Optima. It’s repetitive to say the least, lacking any real substance in exchange for a failed attempt at cheap laughs. Hopefully, the folks over at David&Goliath can rebound from these efforts, as we still think this campaign has the potential to be funny. Credits and “Apologize to You” after the jump. continued…
New Career Opportunities Daily: The best jobs in media.
In reaction to five proposed logos for Canada’s 150th birthday, Canadian Designer Ibraheem Youssef, who was appalled at the quality of the proposed logo, took it upon himself to rally other Canadian designers to come up with something better.
To showcase the work, Youssef launched The150Logo to rally support and plead the country not to go down the path of mediocrity.
We’re pretty sure anyone who looks at the official proposed logos versus those highlighted on The150Logo will clearly see how bad the official ones are and how much better Youssef’s are.
Proposed logos:
See Youssef’s collection of logos here.
Déjà auteur de plusieurs séries dont nous avons pu parler sur Fubiz, l’artiste finlandais Christoffer Relander revient avec le troisième volet de ses images à double ou triple exposition, jouant avec talent sur la nature et les visages. De superbes créations à découvrir dans la suite de l’article.