Land Rover: Tribal Masks, 3
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Advertising Agency: Greekvertising, Athens, Greece
Creative Director / Art Director: Alessio Criscuoli
Copywriter: Naya Koutroumani
Advertising Agency: Greekvertising, Athens, Greece
Creative Director / Art Director: Alessio Criscuoli
Copywriter: Naya Koutroumani
Advertising Agency: Greekvertising, Athens, Greece
Creative Director / Art Director: Alessio Criscuoli
Copywriter: Naya Koutroumani
Advertising Agency: Greekvertising, Athens, Greece
Creative Director / Art Director: Alessio Criscuoli
Copywriter: Naya Koutroumani
Advertising Agency: BEI Confluence, New Delhi, India
Creative Director: Ammar Mohammed
National Creative Director: Anwar Abbas
Art Director / Illustrator: Deb Chakraborty
Copywriter: Ranit Mukherjee
The post Salora Power by BEI Confluence appeared first on desicreative.
Read. It makes a difference.
Advertising Agency: ACW Grey, Tel Aviv, Israel
Executive Creative Director: Tal Riven
Creative director: Moti Rubinstein
Art director: Shlomi Yerushalmi
Copywriter: Danny Kamushevich
Digital artist: Yaron Izhakov
Read. It makes a difference.
Advertising Agency: ACW Grey, Tel Aviv, Israel
Executive Creative Director: Tal Riven
Creative director: Moti Rubinstein
Art director: Shlomi Yerushalmi
Copywriter: Danny Kamushevich
Digital artist: Yaron Izhakov
Read. It makes a difference.
Advertising Agency: ACW Grey, Tel Aviv, Israel
Executive Creative Director: Tal Riven
Creative director: Moti Rubinstein
Art director: Shlomi Yerushalmi
Copywriter: Danny Kamushevich
Digital artist: Yaron Izhakov
Read. It makes a difference.
Advertising Agency: ACW Grey, Tel Aviv, Israel
Executive Creative Director: Tal Riven
Creative director: Moti Rubinstein
Art director: Shlomi Yerushalmi
Copywriter: Danny Kamushevich
Digital artist: Yaron Izhakov
Advertising Agency: Ogilvy, Johannesburg, South Africa
Creative Director: Bridget Johnson
Art Directors: Alexa Craner, Alex van Rensburg
Copywriters: Irene Styger, Michelle Do Santos
Digital Creative Director: Dylan Mclean
Director: Michael Middleton
Claims that the use of personal data for the targeting of online advertising is an infringement of privacy have been dismissed after an inquiry by an influential all-party committee of MPs.
As a college-age intern in an ad agency, a Creative Director told me, “If I were you, I’d go into Account Planning.” He said it in the same way Dustin Hoffman was told to go into “plastics” in The Graduate. I’ve worked with a few smart planners, and even went to the 4A’s Account Planning Conference one year. But in 2013, has the role of an Account Planner changed? Chris Kocek takes a look in The Practical Pocket Guide To Account Planning.
There’s definitely truth in advertising at work here, as Kocek lays out the basics: the role of an account planner at the agency, how research becomes insight, how to study customer segmentation and develop personas, and how to prepare for pitches and presentations.
All of which is practical, useful advice for anyone looking to become an Account Planner, but I would have loved to see Kocek take the information and adapt it to a digital age. Because understanding where we can reach customers (i.e., their digital and mobile media consumption) is becoming as valuable as knowing as who they are and what they love. Hence, the rise of titles like “Connection Planners,” who incorporate more media/tactical knowledge into the mix. But not many agencies have Connection Planners, leaving the Account Planners with more information to synthesize.
Still, it’s been a long time since Jon Steel wrote Truth Lies and Advertising, which quickly became the standard book on Account Planning. The Practical Pocket Guide To Account Planning certainly makes a worthy heir apparent, particularly for folks just starting out in the business.
Special thanks to Nissen PR for providing me with a review copy.
The post The Practical Pocket Guide To Account Planning Revisits An Established Discipline appeared first on AdPulp.
The trendspotters at JWT are closely tracking fields like wearable technology and predictive personalization on behalf of clients. Hear Ann Mack, director of trendspotting at JWT, explain in this video from the Ad Age @ corner at Advertising Week.
See more Advertising Week video here.
Twitter has secured a purveyor of highly sought-after video content as its latest media partner to help sell packages of promoted tweets: the National Football League.
The pact with the NFL is the latest in a string of deals Twitter has done with more than 30 publishers, sports leagues and TV networks since January, and possibly one of the more lucrative ones based on the quantity of NFL fans and advertisers’ zeal to reach them.
Under the program, sponsors including Verizon will be mentioned in promoted tweets sent out from the NFL’s Twitter handle during the regular season and postseason, and given pre-roll placements in the attached videos.
Some subscribers of four Hearst magazines will soon get perfume samples in an apparently new fashion for the industry: via sample vials of Marc Jacobs Daisy and Daisy Eau So Fresh.
The two-and-a-half milliliter tubes will come poly-bagged to 100,000 copies of the November issues of Elle, Cosmopolitan, Marie Claire and Seventeen, for a total of 400,000 subscribers, according to Hearst Magazines. Affixing sample-size bottles of perfume to magazines is believed to be a first. “The technology just didn’t exist,” said Michael Clinton, president-marketing and publishing director of Hearst Magazines.
For magazine publishers, it could serve as yet another way to attract dollars from beauty advertisers, which has been among a handful of persistent bright spots for the industry. In the first half of 2013, the number of ad pages for toiletries and cosmetics climbed 3.3% industry wide while ad pages as a whole declined, the Publishers Information Bureau said.