On the heels of its Social Inbox announcement, HubSpot has published an infographic that takes a look at how social media has changed in the short time it’s been with us. It’s all part of the inbound marketing company’s push to make social personal again and, of course, that’s exactly what its Social Inbox offering aims to do.
Filled with facts and figures, the infographic details the changes (and changing stats) of social media over the years from the early days when it was just a bunch of friends interacting online to businness’ adoption to business’ misuse and, ideally, back again.
Hey this is pretty cool! Nissan, reportedly, is the first car company to come out with self-healing paint that aims to make a car scratch-proof. To tout this awesomeness, TBWA\G1 Paris, in partnership with Dan Paris and OMD Europe created an awesome iPad ad that catches people’s attention in an interesting fashion and, at the same time, clearly delivers the product benefit.
(TrendHunter.com) The Gladys Ng ‘Painting a Garden’ editorial illustrates a wispy and dreamy concept of walking through a beautiful path filled with nature’s elements and ornaments.
Tok&Stok and DDB Brasil present “Village”, a super production created in partnership with Fulano Filmes. The film conveys the brand’s concept “easy to assemble furniture” in a way never before seen in the brand’s communication history. The brand has been in the market for 35 years. In the ad, young men from a small villa get ready to go on an “initiation trip”, to become grown men. As they leave to go to the woods, their mothers, girlfriends, wives and fathers wait with anticipation. Alone, the young men continue on their journey, scared, walking carefully and spend the night in the woods. Until the day comes and they return to the villa as heroes, as men, bringing something with them: their own furniture. The caption for the film: “Tok&Stok. Easy to assemble furniture”.
Advertising Agency: DDB Brasil, Sao Paolo, Brazil
Executive Creative Director: Marco Versolato
Creative Directors: Marco Versolato, João Mostério, André Pedroso
Copywriter / Art Director: Una Rubia en el Avión
Agency Producers: Giberto Pires, Ana Lúcia Marques
Account Supervisors: Mônica de Carvalho, Suzana Poli, Marcelo Trivilato
Production House: Fulano Filmes
Executive Production: Krysse Mello, Natasha Louckevitch
Director: Mariana Youssef
Photography: Jan Velicky
Lighting: Miro Zila
Edit: Rami D’Aguiar
Music: Supercharango
Sound Desing and Mixagem: Big Foot
Sound Design: Gianni Dusio, Gabriel Soster, Chris Jodão Equipe
Post Production: Fulano Filmes
Production: Sirena Films, Prague
Advertiser’s supervisor: Regis Dubrule, Ghislaine Dubrule, Flavia Lucena
Turner Broadcasting is starting a new effort to create health and wellness content for TV and digital media across its networks under the brand name Upwave.
The initiative will extend across several media platforms, starting with a website in June, a mobile app and then TV in the fourth quarter, according to Molly Battin, senior VP and general manager of Upwave. TV programming will include scripted series, docu-dramas and reality competition shows on HLN, Ms. Battin said, and may also live as interstitials on Turner networks such as CNN, TNT, TBS and Cartoon Network.
Upwave content will fit into one of five pillars: eat, move, relax, thrive and connect. The website will host a mixture of articles, polls, quizzes and digital series, the first of which, “Life on the Upwave,” will profile Turner talent and celebrities about how they live their best lives. Its 30-second and 60-second snippets may also air within Turner programming in the form of branded messaging. Other digital shorts may focus on exercise, cooking and challenges encouraging viewers to take actions to live healthier lives.
Turner Broadcasting is starting a new effort to create health and wellness content for TV and digital media across its networks under the brand name Upwave.
The initiative will extend across several media platforms, starting with a website in June, a mobile app and then TV in the fourth quarter, according to Molly Battin, senior VP and general manager of Upwave. TV programming will include scripted series, docu-dramas and reality competition shows on CNN and HLN in the fourth quarter, Ms. Battin said.
Upwave content may also live as interstitials on TNT, TBS and Cartoon Network, but its TV presence is perhaps most noteworthy as another avenue for CNN to add more lifestyle content under President Jeff Zucker. Mr. Zucker has been revamping the news network’s lineup to include shows like Anthony Bourdain’s travel series “Parts Unknown,” a planned weekend sports show and, next year, the unscripted docu-drama “Chicagoland.”
Advertising Agency: Publicis, Brazil
Creative Directors: Hugo Rodrigues, Leo Macias
Copywriter: Guilherme Nesti
Art Director / Illustrator: Eduardo Pastor
Photographer: Thiago Antonovas
Art Buyer: Selma Momosse
Account Supervisor: Carolina Amaral
Advertiser’s Supervisor: Danielle Panissa, Luis Siqueira, Luciana Soubihe, Gabriel Razzotti, Guillermo Rivera Rio, Juan Lavista
Account Manager: Daniela Keller
Production: Rita Vilarim, Thiago Loureiro, Emerson Russo
Post Production: Burti Hd And Arizona
Advertising Agency: Publicis, Brazil
Creative Directors: Hugo Rodrigues, Leo Macias
Copywriter: Guilherme Nesti
Art Director / Illustrator: Eduardo Pastor
Photographer: Thiago Antonovas
Art Buyer: Selma Momosse
Account Supervisor: Carolina Amaral
Advertiser’s Supervisor: Danielle Panissa, Luis Siqueira, Luciana Soubihe, Gabriel Razzotti, Guillermo Rivera Rio, Juan Lavista
Account Manager: Daniela Keller
Production: Rita Vilarim, Thiago Loureiro, Emerson Russo
Post Production: Burti Hd And Arizona
Advertising Agency: Publicis, Brazil
Creative Directors: Hugo Rodrigues, Leo Macias
Copywriter: Guilherme Nesti
Art Director / Illustrator: Eduardo Pastor
Photographer: Thiago Antonovas
Art Buyer: Selma Momosse
Account Supervisor: Carolina Amaral
Advertiser’s Supervisor: Danielle Panissa, Luis Siqueira, Luciana Soubihe, Gabriel Razzotti, Guillermo Rivera Rio, Juan Lavista
Account Manager: Daniela Keller
Production: Rita Vilarim, Thiago Loureiro, Emerson Russo
Post Production: Burti Hd And Arizona
It’s been viewed a million times since last night alone and has single-handedly resurrected the voice of troubled literary genius David Foster Wallace, bringing his words to a global audience that might not even recognize his name. And it was all done without permission. “This Is Water,” a cinematic interpretation of Wallace’s bleak-yet-inspiring 2005 commencement address at Kenyon College, has quickly become one of the week’s most passed-around videos. It was created by The Glossary, a small video production shop in Los Angeles. We wanted to know the story behind the video, and the team that created it was kind enough to answer a few questions. Check out the video below and our Q&A with the creators after the jump.
The following email Q&A from AdFreak was answered by The Glossary's Matthew Freidell, director; Allison Freidell, producer; and Jeremy Dunning, producer.
AdFreak: How did the idea come about to create a short film from "This Is Water"?
The Glossary: After suffering through a particularly awful commencement address at his own college graduation, Matt came across DFW’s speech online and it really struck a chord. Ever since then, he’s listened to it periodically to remind him of the core message. A short film seemed the perfect way to spread this message to a wider audience.
This is a pretty ambitious undertaking, trying to enhance something that's already so powerful without visuals. Did you ever worry that even with all your skills, you might not do it justice?
Absolutely we were worried! Wallace has an extremely passionate following and we knew it wouldn’t be easy to adapt the original version. We couldn’t use the entire 20-minute speech since we didn’t have the budget, and that length of video is tough to release online. We had a ton of long conversations about what to cut, and it was probably the most difficult part of the whole process. However, we encourage anyone who enjoyed our video to seek out the complete text and experience the full message.
What did you have to do to get permission to use the audio?
We had little to no budget for this project and we knew that the publishing house was going to be really skeptical of our little company’s request to utilize his work. We had faith in our vision for the video and that once it was complete they would see that this was something made with the best intentions in mind. We are in no way making any money directly from this video; it was purely a passion project. While we had high hopes for this, we could have never seen all of this attention coming. Sometimes it’s better to ask for forgiveness than permission.
Did you give yourself a budget to work from?
The whole budget came out of our pockets, but we had an amazing group of friends who helped us along the way. The cast worked for a small amount knowing that the project was something we were incredibly passionate about.
Were the talent auditioned, or are they just friends of the agency?
The main actors auditioned; everyone else was cast based off their look. We got extremely lucky with the talent of the cast. They all were able to communicate a lot with no dialogue and not much screen time.
For many of the commenters on your video, this seems to be their first exposure not only to this speech but also to Wallace. Was that part of your goal, to introduce him to a new generation?
Our main goal was to expose people to the content of the speech. But as members of a generation that is often referred to as “generation me,” we felt like this message actually changed the way we thought about life in a way that went beyond the typical cliched advice into something actually useful.
Prior to this video, your YouTube clips tended to top out around 1,500 views or so, with one or two exceptions. What's the impact been like for your business, having one of your creations go so viral so fast?
It’s a little too early to tell, but as a tiny company in an industry filled with so much talent and competition, it’s extremely difficult to get your work noticed. We feel like we’ve done that with this video and we’re over the moon with the response. But we’re always looking for what’s next, so we’d welcome anyone who enjoyed “This Is Water” to get in touch with us.
This is site is run by Sascha Endlicher, M.A., during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.