Jelly Tots: Elevator

Jelly Tots: Elevator

Advertising Agency: Tbwa\Hunt\Lascaris, South Africa
Executive Creative Director: Damon Stapleton
Creative Director: Bibi Lotter
Art Directors: Chris Crawford, Kursten Meyer, Tammy Matisonn
Copywriter: Dan Parmenter

SM Store: Kids

SM Store: Kids

Advertising Agency: Out of the Box, New Delhi, India
Creative Directors: Viral Pandya, Sabu Paul
Art Director / Illustrator: N. Satheesh Kumar
Copywriter: Sabu Paul
Published: March 2007

SM Store: Women

SM Store: Women

Advertising Agency: Out of the Box, New Delhi, India
Creative Directors: Viral Pandya, Sabu Paul
Art Director / Illustrator: N. Satheesh Kumar
Copywriter: Sabu Paul
Published: March 2007

SM Store: Lev Tolstoy

SM Store: Lev Tolstoy

Books cost tree. Watch a movie.

Advertising Agency: Out of the Box, New Delhi, India
Creative Directors: Viral Pandya, Sabu Paul
Art Director: N. Satheesh Kumar
Copywriter: Sabu Paul
Published: June 2007

Kanchuki: Zebra

Kanchuki: Zebra

Discover yourself in lace.

Advertising Agency: Out of the Box, New Delhi, India
Creative Directors: Viral Pandya, Sabu Paul
Art Director / Illustrator: N. Satheesh Kumar
Copywriter: Sabu Paul
Published: March 2007

Kanchuki: Cheetah

Kanchuki: Cheetah

Discover yourself in lace.

Advertising Agency: Out of the Box, New Delhi, India
Creative Directors: Viral Pandya, Sabu Paul
Art Director / Illustrator: N. Satheesh Kumar
Copywriter: Sabu Paul
Published: March 2007

Kanchuki: Flowers

Kanchuki: Flowers

Discover yourself in lace.

Advertising Agency: Out of the Box, New Delhi, India
Creative Directors: Viral Pandya, Sabu Paul
Art Director / Illustrator: N. Satheesh Kumar
Copywriter: Sabu Paul
Published: March 2007

Jeep: Jeep territory

Jeep: Jeep territory

Advertising Agency: Silva, Bogotá, Colombia
Creative Director: Juan Manuel González
Art Director: Marco Barreto
Copywriter: Augusto Jaramillo
Released: January 2007

Crisis: Left behind

Crisis: Left behind

Most homeless people have moved on, but their problems haven’t gone away.

Advertising Agency: WWAV Rapp Collins, London, UK
Creative Directors: Nick Platt, Barney Cockerell
Art Directors: Chris Coulson, Paul Turner
Copywriters: Amy Hornett, Magnus Thorne
Illustrator: Oscar Wilson

British Airways: Runway

British Airways: Runway

Fly from the heart of London.

Advertising Agency: BJL, Manchester, UK
Art Director: Gary Fawcett
Copywriter: David Forster
Photographer: Andy Glass
Illustrator: Talyor James
Published: October 2007

British Airways: Tower

British Airways: Tower

Fly from the heart of London.

Advertising Agency: BJL, Manchester, UK
Art Director: Gary Fawcett
Copywriter: David Forster
Photographer: Andy Glass
Illustrator: Talyor James
Published: October 2007

DNF (Non-smoking association): Worst side

DNF (Non-smoking association): Worst side

Secondhand smokers are on the worst side of the cigarette.

Advertising Agency: BDDP Unlimited, Paris, France
Creative Director: Guillaume Ulrich Chifflot
Art Director: Frederic Lerclerc
Copywriter / Photographer: Alban Coret

One Week Left for One Show Entries!

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There’s just one week left to Enter One Show. Which when you rank it among all the awards out there is in the top 3 you need to enter.

Enter now at www.enteroneshow.org

This year’s judges is a who’s who of the interactive crowd. In fact that’s probably the most solid interactive jury I’ve seen in a while. They’ve even managed to track down four females which is impressives as usually these are sausage fests.

Enter the 2008 One Show Interactive and have your websites, online videos, mobile campaigns and more put to the test. One Show Interactive is the most prestigious award show in the industry, and the judges are some of the most respected and sought after creatives in the industry. They come from all corners of the globe to lift the bar higher by honoring a wide variety of work from multinational advertising giants to small regional shops.

-The deadline for submissions is January 31, 2008.

Winners will be announced during the One Show Festival, which is held from May 6 to May 9 in New York City.

Y&R: Newspaper

Y&R: Newspaper

We might not all believe in reincarnation, but we do believe in recycling.

Advertising Agency: Y&R, Abu Dhabi, UAE
Creative Director: Ramzy Haddad
Art Director: Farah Faour
Copywriter: Charlotte Danby
Published: January 2008

Y&R: Shopping bag

Y&R: Shopping bag

We might not all believe in reincarnation, but we do believe in recycling.

Advertising Agency: Y&R, Abu Dhabi, UAE
Creative Director: Ramzy Haddad
Art Director: Farah Faour
Copywriter: Charlotte Danby
Published: January 2008

Egaro: Freedom Sale

Egaro: Freedom Sale

Prices fall. Get up to 50% off at the Freedom Sale.

Advertising Agency: Ogilvy & Mather, Kolkata, India
Creative Director: Sumanto Chattopadhyay
Associate Creative Director: Sukhendu Mukherjee
Art Directors: Sukhendu Mukherjee, Partha Chowdhury, Soubhik Payra
Copywriters: Sujoy Roy, Uttaran Chaudhuri, Namrata Achowe
Photographer: Sanjib Ghosh
Released: August 2007

Taryn Simon’s talk at DLD

0aataryn6.jpgMore notes taken during the DLD Conference, this time while listening to the Archives and memory panel, moderated by Hans Ulrich Obrist.

Taryn Simon is a young photographer whose images and writing have been exhibited internationally, and featured in numerous publications and broadcasts including The New York Times Magazine, The New Yorker, CNN, BBC, Frontline, and NPR.

In her latest photo series An American Index of the Hidden and Unfamiliar, Simon documents spaces that are intrinsic to the country’s identity and daily functioning, yet inaccessible or unknown to average citizens. She brings into broad day light rarely seen sites from domains including: science, government, medicine, entertainment, nature, security and religion. The project was started at a time when the US were actively seeking to uncover secrets beyond its borders.

Her 70 color plates transform that which is off-limits or under-the-radar into a visible and intelligible form. These images, however, rarely reveal their secret until you read the text that accompanies them.

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Transatlantic Submarine Cables Reaching Land. VSNL International, Avon, NJ

My favourite is the Transatlantic Submarine Cables Reaching Land (VSNL International, Avon, NJ). It is really scary to realize that something that looks so fragile and mundane as those orange cables holds the key to all the virtuality that has come to almost constitute the essence of my life.

The submarine telecommunications cables extend across the Atlantic Ocean. Capable of transmitting over 60 million simultaneous voice conversations, these underwater fiber-optic cables stretch from Saunton Sands in the UK to the coast of New Jersey, emerging directly into the VSNL International headquarters, where signals are amplified and split into distinctive wavelengths enabling transatlantic phone calls and internet transmissions.

Underwater fiber-optic cables are laid along the ocean’s floor by specially designed ships. Cables are buried as they approach shore and armored to protect against undersea landslides, marine life (sharks, in particular), and fishing equipment. Fishermen are advised of cable locations as hooking one can interfere with international communication services as well as sink a boat.

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White Tiger (Kenny), Selective Inbreeding. Turpentine Creek Wildlife Refuge and Foundation. Eureka Springs, Arkansas

At the risk of sounding ridiculous and naive, the photo of White Tiger (Kenny) almost broke my heart as much as it angered me.

In the United States, all living white tigers are the result of selective inbreeding to artificially create the genetic conditions that lead to white fur, ice-blue eyes and a pink nose. As a result of inbreeding, Kenny is mentally retarded and has significant physical limitations. Due to his deep-set nose, he has difficulty breathing and closing his jaw, his teeth are severely malformed and he limps from abnormal bone structure in his forearms. The three other tigers in Kenny’s litter are not considered to be quality white tigers as they are yellow coated, cross-eyed, and knock-kneed.

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Alhurra TV, Broadcast Studio. Springfield, Va.

Anchor Mona Atari at the Alhurra news desk in Springfield, Va. Alhurra is a US government-sponsored, Arabic-language television network devoted primarily to news and information. Established in Feb. 2004, the network broadcasts 24-hour, commercial-free satellite programming to an audience of 21 million weekly viewers in 22 Arab countries. In April 2004, a second, Iraq-focused channel, Alhurra Iraq, was launched.

The US government is authorized to disseminate information abroad about the US and its policies but it is prohibited to broadcast the same information domestically. Alhurra is Arabic for “the free one.”

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Nuclear Waste Encapsulation and Storage Facility Cherenkov Radiation. Hanford Site, U.S. Department of Energy

Submerged in a pool of water at Hanford Site are 1,936 stainless-steel nuclear-waste capsules containing cesium and strontium. Combined, they contain over 120 million curies of radioactivity. It is estimated to be the most curies under one roof in the United States. The blue glow is created by the Cherenkov Effect which describes the electromagnetic radiation emitted when a charged particle, giving off energy, moves faster than light through a transparent medium. The temperatures of the capsules are as high as 330 degrees Fahrenheit. The pool of water serves as a shield against radiation; a human standing one foot from an unshielded capsule would receive a lethal dose of radiation in less than 10 seconds. Hanford is among the most contaminated sites in the United States.

Visits to some sites were preceded by long correspondence. However, some never accepted Simon’s requests. Disney, for example, denied her access to their underground facility. Their fax answer read:

“After giving your request serious consideration, even though it is against company policy to consider such a request, it is with regret that I inform you that we are not willing to grant the permission you seek…As you are aware, our Disney characters, parks and other valuable properties have become beloved by young and old alike, and with this comes a tremendous responsibility to protect their use and the protection we currently enjoy. Should we lapse in our vigilance, we run the risk of losing this protection and the Disney characters as we know and love them….Especially during these violent times, I personally believe that the magical spell cast on guests who visit our theme parks is particularly important to protect and helps to provide them with an important fantasy they can escape to.” (Excerpted from a faxed response from Disney Publishing Worldwide, July 7, 2005.)

More in those picture galleries: The Morning News, Wired and pbase.

The second body of works Simon showed are part of The Innocents, a series of portraits of people who were cases of wrongful conviction in the United States and investigates photography’s role in the in the criminal justice system by its ability to influence memory.

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Calvin Washington- C&E Motel, Room No. 24, Waco, Texas. Where an informant claimed to have heard Washington confess. Wrongfully accused- Served 13 years of a Life sentence for Murder. 2002

The artist traveled across the country talking to and photographing men and women convicted of crimes they did not commit. After having spent sometimes decades in prison, these men and women were cleared by DNA test results. In their cases, the primary cause of wrongful conviction was photography as it had lead to mistaken identification. The criminal justice system had failed to recognize the limitations of relying on photographic images.

This project stresses the cost of ignoring the limitations of photography and minimizing the context in which photographic images are presented. Nowhere are the material effects of ignoring a photograph’s context as profound as in the misidentification that leads to the imprisonment or execution of an innocent person.

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Roy Criner – Alibi location, Houston, Texas. Wrongfully accused- Served 10 years of a 99-year sentence for Aggravated Sexual Assault. 2002

Simon photographed each person at a site that came to assume particular significance following his wrongful conviction: the scene of misidentification, the scene of arrest, the alibi location, or the scene of the crime.

The wrongfully convicted in these photographs were exonerated through the use of DNA evidence. However, for the majority of the wrongfully convicted, there is no DNA evidence. And when there is, as Simon writes, DNA evidence must be handled and stored and is therefore prey to human error and corruption. Evidence does not exist in a closed system. Like photography, it cannot exist apart from its context, or outside of the modes by which it circulates.

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Charles Irvin fain. Scene of the crime, the Snake River, Melba, Idaho. Served 18 ears of a Death sentence for Murder, Rape, and Kidnapping. 2002

Photography is not the flawless medium of the eyes, it is a bit of a prostitute. Photography can be used by almost anyone, even with questionable agenda.

Marijuana Via Fingerprint – So Cal Vending Machines Sell Pot (VIDEO)

(TrendHunter.com) This is no joke, hitting up a vending machine for marijuana is now possible in Los Angeles!

Herbal Nutrition Center has installed operating machines next to two dispensaries that are open 24/7. Security Guards are present, to keep any people away who might not “meed” the pot, but after you get a p…

Khadims: Orange

Khadims: Orange

Buy shoes and win a house.

Advertising Agency: Ogilvy & Mather, Kolkata, India
Creative Director: Sumanto Chattopadhyay
Associate Creative Director: Sukhendu Mukherjee
Art Directors: Partha Chowdhury, Altaf Hossain
Copywriters: Sujoy Roy, Uttaran Chaudhuri, Namrata Achowe
Illustrator: Sudip Mitra
Photographer: Sanjib Ghosh
Published: December 2007

Khadims: White

Khadims: White

Buy shoes and win a house.

Advertising Agency: Ogilvy & Mather, Kolkata, India
Creative Director: Sumanto Chattopadhyay
Associate Creative Director: Sukhendu Mukherjee
Art Directors: Partha Chowdhury, Altaf Hossain
Copywriters: Sujoy Roy, Uttaran Chaudhuri, Namrata Achowe
Illustrator: Sudip Mitra
Photographer: Sanjib Ghosh
Published: December 2007