Advertising Agency: JWT, Johannesburg, South Africa
Executive Creative Director: Ashley Bacon
Creative Director: Ross Ventress, Ronnie Malden
Art Director: Assaf Levy, Alan Lewus
Copywriter: Lawrence Katz, Charles Foley
Photographer: Clive Stewart
Retouching: Rob Frew, Collin Gradwell
Agency Producer: Tammy Chetty
Account Director: Nikki Miller
Account Manager: Caroline Mogotsi
“The hinge that softens even the hardest clashes.”
Advertising Agency: Grey, Istanbul, Turkey
Creative Directors: Engin Kafadar, Erdinç Mutlu
Art Director: Ezgi Iraz Midillioglu
Copywriter: Deniz Yenihayat
Illustrator: Ahmet Balaban
Additional credits: Ömer Ustundag
“For teeth that are really sensitive.”
Advertising School: Miami Ad School, Miami Beach, USA
Creative: Soham Chatterjee
Additional credits: Nathaly Marie Rosario
Advertising Agency: Lg2, Quebec, Canada
Creative Director: Luc Du Sault
Art Director: Vincent Bernard
Copywriter: Luc Du Sault
Illustrator: Vincent Bernard
Accountant: Sandie Lafleur
Advertising Agency: Lowe Warsaw, Poland
Creative Director: Kinga Grzelewska, Marcin Nowak
Art Director: Bart Bia?y
Copywriter: ?ukasz Gromkowski
Account Manager: ?ukasz Król
Agency Producer: Anna Jagielska
DTP: Marcin Olbrych
Illustrator: Bart Bia?y
Advertising Agency: Grey, Paris, France
Creative Director: Thierry Astier
Art Director: Quentin Deronzier
Copywriter: Dimitri Hekimian
Agency Producer: Matthew Collinger
Studio 3D: Serial Cut / Pell-Mell
Advertising Agency: Ogilvy, Copenhagen, Denmark
Creative Director: Morten Kjær
Art Directors: Claus Collstrup, Peter Dubienko
Photographer: Thomas Juul
Additional credits: Drasko Petric
Advertising Agency: Giants & Gentlemen, Toronto, Canada
Creative Directors: Natalie Armata, Alanna Nathanson
Art Director: Dan Bache
Copywriter: Geoff Morgan
Illustrator: Zara Picken
Alors que la série The Simpsons fête ses 25 ans, la marque de carnets Moleskine signe une collaboration avec l’univers de Matt Groening. Disponible à la vente en édition limitée, ces 4 modèles contiennent de nombreuses illustrations, détails et stickers en rapport avec les habitants de Springfield.
Advertising Agency: Mercury360, Bucharest, Romania
Creative Director: Liviu Turcanu
Art Director: Mihai Tigleanu, Adrian Ghita
Copywriter: Toni Bunaiasu
Photography: Alexandru Dan
Additional credits: Ana Maria David
Pour les fêtes de fin d’année 2013, la Maison Blanche a envoyé une carte magnifique, reproduisant en pop-up la résidence du Président des USA. Un graphisme signé Chris Hankinson, à côté duquel sont apposées les signatures de Barack Obama, de la première dame, des enfants mais aussi des chiens de la famille.
Advertising Agency: Brainmedia, Bratislava, Slovakia
Creative: Vladimir Krajcovic
Danish headphone company, AIAIAI, wanted to give a fun and engaging holiday greeting to consumers. The double meaning of the symbol and second holiday message, was revealed when turning the magazine 90 degrees. So the simple geometric christmas tree also is a fast forward music button, symbolizing going into or skipping for the next year.
Advertising Agency: AIAIAI, Copenhagen, Denmark
Creative Director / Art Director: Peter Mix Willer
Advertising Agency: Draftfcb, Taipei, Taiwan
Creative Directors: George Liou, Coco Chen
Art Directors: Alan Chuang, Una Chou
Copywriter: Frank Ho
Advertising Agency: Giacometti Comunicação, Londrina, Brazil
Creative Director / Art Director: Michael Altomani
Copywriter: Rodolfo Rocha
Whether you think it's a long-awaited ad hybrid or just a high-cost gimmick, this upcoming interactive print ad for Motorola's Moto X is definitely pushing people's buttons.
Running in 150,000 New York and Chicago editions of January's Wired magazine, the ad lets readers change the color of the handset on display by tapping controls located at the bottom of the page.
The ad's functionality, achieved via wafer-thin LEDs and batteries and created by Digitas, mimics the more full-featured MotoMaker site that allows you to browse the device's customizable options. Bloggers and viewers of the preview video seem mixed on whether this is truly innovative or just a stunt that would be too expensive to be widely replicated in print. Others just seem happy they don't have to pull out their smartphones to play with the ad: "The future of print advertising?" one YouTube commenter jokingly asked. "Can't be—there's not a freakin' #QRcode in sight.?"
Other recent efforts blurring the lines between conventional and cutting-edge include a Nivea print promo that uses solar power to charge cellphones, a CW live Twitter feed embedded in a magazine ad and a billboard that draws moisture out of desert air and turns it into safe drinking water.
Via Mashable.
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Advertising Agency: Impact, Halifax, Canada
Creative Director: Eric Miller
Art Director / Copywriter: Pierre Tabbiner
Photographer: Nathan Boone
Jan Banning a commencé à photographier des personnes sans domicile fixe lors d’une résidence d’artiste à Columbia (Caroline du Sud). Depuis, en installant un appareil dans un centre d’accueil, il a décidé de capturer ces visages pour humaniser les sans-abris, et les présente dans un livre « Down and Out in the South ».
Albert Cheng-Shun Tang a réalisé le design de cette revue présentant les projets du Taiwan e-Learning et Digital Archives Program piloté par the Institute of History and Philology of Academia Sinica. Appelée Recollection, cette création d’une grande beauté en chinois et anglais est à découvrir en images.
Advertising Agency: Filadélfia, Brazil
Creative Director: Dan Zecchinelli
Art Director: Ricardo Matos
Copywriter: Manuel Rolim
This is site is run by Sascha Endlicher, M.A., during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.
