Grey NY Documents ‘The Rise of See Forever’

Grey New York teamed up with Whitehouse Post and Carbon VFX to document the rise of One World Trade Center and promote One World Observatory, set to open in the spring of 2015 in “The Rise of See Forever: One World Observatory.”

In the 50 second video (featured above) the visual history of One World Trade’s rise is pieced together from hundreds of crowdsourced Instagram images. Reminiscent of a flipbook, the images flit across the screen, documenting the eight year construction of the structure in under a minute and ending with a 360 degree view of the building as it morphs into the One World Observatory logo and the line “See Forever.”

“The Whitehouse Post team and I have watched One World Trade being built from our office since we moved in six years ago,” said Executive Producer Lauren Hertzberg in a press release. “It has been an absolute honor for all of us to work on this project with Grey.” (more…)

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Carbon VFX Adds Marlo Baird Kinsey as West Coast Executive Producer

carbon-mbkinsey_press-2Full-service creative studio Carbon VFX has announced the hiring of Marlo Baird Kinsey as west coast executive producer out of the company’s Los Angeles offices. She will be responsible for overseeing “all aspects of production in Carbon’s L.A. office, including bidding for visual effects, CG, motion graphics, color correction and finishing.”

Marlo joins Carbon VFX with a unique blend of VFX post-production and editorial experience, most recently serving in a production role at The Mission. With over ten years of post-production experience, Marlo has worked as a freelance producer for myriad visual effects studios, production companies, television networks and editorial collectives. She has worked with clients including VW, Nike, and Samsung. Additionally, Marlo has extensive experience working in the worlds of non-profit and political activism, including time as a community organizer for the Barack Obama Campaign. She also serves on the board of the L.A. Contemporary Dance Company.

“It’s a pleasure to welcome Marlo on board to run production ops in L.A. Her experience, versatility and great personality make her the perfect person to build upon the success this office has experienced in the short time we’ve been in this market,” said Frank Devlin, executive producer and partner at Carbon VFX.

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Duncan/Channon Mines Dorky Humor for DriveTime

San Francisco agency Duncan/Channon have a new campaign for DriveTime that attempts to mine buddy comedies and old cop shows to make funny spots about buying a car with poor credit.

The two new spots, directed by Adam Brodie & Dave Derewlany, feature a team of two adorably dorky women (I’m intentionally avoiding the term “adorkable” here) driving around a homemade rescue vehicle. When the two see credit-crunched car shoppers they come to the rescue, bringing them to DriveTime where they can expect low-priced leases and loans despite poor credit. In one of the spots, the couple rescue a woman denied a car loan at a dealer; in the other it’s a man crammed into a packed bus who thinks he “can’t afford a car.” With DriveTime’s low-priced leases, he “can’t afford not to get a car” the two say at the same time.

Its brand of cutesy humor isn’t anything new, but it is kind of a fresh approach for selling this type of brand, usually populated by more downbeat messages about how you no longer have to let bad credit stand in your way. As such, the spots are welcome, even if one of them (“Keepin’ It Real”) falls flat on its face. “Next Stop Freedom” (featured above) is a little more successful thanks to an unexpected bit thrown in at the end. There’s potential for the approach to go places, and at the very least it moves away from the tired “Do you have bad credit?” opening spots we’ve all seen a million times. I’m interested to see where Duncan/Channon take this in the future. Credits and “Keepin’ It Real” after the jump.  continued…

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