7 Eleven "Pizza" (2016) :15 (USA)
Posted in: Uncategorized7 Eleven "Cheese burger" (2016) :15 (USA)
Posted in: UncategorizedCheesecake Factory "Close Encounter" (2016) :23 (USA)
Posted in: UncategorizedThe Cheesecake Factory "The New Guy" (2016) :30 (USA)
Posted in: UncategorizedThankfully, the other employees are having none of it and tell him to get to work on those web banners, I mean grating limes. Yeah, that’s what I meant. Limes.
Over 250 dishes made fresh every day. Just go ahead and assume the grater’s not giving it 100% though.
Moe's Southwest Grill "Waterfall" (2016) :30 (USA)
Posted in: UncategorizedWurst – Valentines Day ad
Posted in: UncategorizedHappy Valentines Day from Wurst! Yes, the sausage goes in the open bun. Do you need more instructions? You can add condiments of your choosing.
Frosted Flakes – Beach (usa 2002)
Posted in: UncategorizedKraft – "Omelet" directors cut – (2013) :30 (USA)
Posted in: UncategorizedKraft – "Mini Burgers" directors cut – (2013) :30 (USA)
Posted in: UncategorizedKraft – "Grilled Cheese" Director's Cuts :30 (USA)
Posted in: UncategorizedBegun last year, all of the ads in campaign have employed a documentary approach to show how Kraft food products are woven into the lives of real people, but these latest spots take the concept to a new and deeper level. One spot features the Villeres, a couple with four young daughters who have built a rambling garden next to their home where they raise chickens and grow fresh fruits and vegetables. Two other spots introduce the Trotters, an exuberant family of do-it-yourselfers who whip up a sumptuous back porch barbecue for their friends.
The stories presented by the spots are uplifting, insightful and sincere. And the connection to Kraft is made with a light touch. In the Villere spot, mom blends Kraft’s Philadelphia Cream Cheese into an omelette she is preparing.
Gleie created these intimate human dramas in a thoughtful and restrained manner that runs counter to conventional advertising. In selecting his subjects, the director avoided casting agents, relying instead on word-of-mouth sources to locate families whose lifestyles and values coincided with the Kraft brand. Then, working with a small crew, he spent a week shooting them in their own homes and doing things they normally do.
“In most commercials, everything is planned out in great detail,” Geie says, “but in this case, we begin by letting go. We step back and observe. In the process of finding these families in New Orleans, the scripts and the ideas developed. It took new turns every day. So, it was really about keeping an open mind.”
Gleie says that the respect he and his crew showed to their subjects is reflected in the naturalism and emotional power of the finished spots. “Everyone on the crew was moved by these people and how inviting they were,” he notes. “We felt like we were making new friends.”
Kellogg's Nutri-Grain – "Meet the Mortons" – (2013) :30 (USA)
Posted in: UncategorizedConceived by Leo Burnett, Chicago, the spot opens on a vampire couple who are interviewed in their suburban home. Admitting they weren’t “morning people,” the couple tells how their lives have been turned upside down by the crunchy taste of Nutri-Grain Fruit Crunch Bars. The whole family is now rising early and accomplishing much more. Dad even has time to walk the family bat.
The visual effects crews from Filmworkers and Vitamin contributed a number of effects to the spot, including a 3D bat that the vampire dad takes for a stroll. Vitamin artists went to great lengths to make the creature as realistic as possible and also drew inspiration from classic Hollywood vampire films.
“Real bats are not all that interesting because they move too fast,” explains Vitamin Creative Director Danny DelPurgatorio. “Instead, we took our bat into a more theatrical world and gave it a playful movement, as if often done in movies.”
Filmworkers applied additional effects work and also completed final post-production. Colorist Fred Keller applied the final color grade, using a Baselight system to give the spot a slightly macabre cast. “We gave it a vampire feel,” Keller says, “There’s not too much skin tone, but it still has an interesting color palette.”
DelPurgatorio says that the cleverness of the spot’s concept made it fun to work on. “It was a great idea,” he observes. “Our work needed to be subtle and to blend into the overall vision.”
Filmworkers is located at 232 E. Ohio St. Penthouse, Chicago, IL 60611. For more information, call (312) 664-9333 or visit www.filmworkers.com.
Vitamin is located at 232 East Ohio Street, Chicago, Illinois 60611. For more information, call 312.664.6683 or visit www.vitaminpictures.tv
Burger King "It's Good to be King" 2011 :30 USA
Posted in: UncategorizedThe Beef Council – "Flashback" – (2013) :30 (USA)
Posted in: UncategorizedFlashback is the personal tale of a man who learned to cook the perfect steak from his father. As the man slips a cut of meat onto a grill his thoughts drift back to childhood. As a boy standing by his father’s side, he learns the secrets of the family recipe and is handed a pair of tongs in a ceremony laden with emotion. Back in present day, the man sits down at a picnic table with his wife and their young son.
The flashback sequence is told through gold-toned, slow-motion imagery. The mood of fond remembrance is enhanced by an upbeat piano track and Clear’s graceful editing. He guides viewers from the present to the past and back again through a sequence of subtle cuts and dissolves. “Shooting everything over-cranked added just the right amount of elegance to set the spot apart,” observes Clear.
Clear adds that he enjoyed his collaborative work with Leo Burnett’s creative team. “Fostering creativity is what we do at The Colonie,” he says. “It’s always great to work with a team of creative people that starts from the top and continues all the way down.”
The Colonie, www.thecolonie.com
Represented by Sonia Blum at Hilly Representatives, 312.944.1100.
Mila – “Surprisingly Fresh” / Live Frozen Fish pack (2016) :60 (Poland)
Posted in: UncategorizedSomeone at Y&R in Poland must have seen something similar, because to dispel the myth that frozen fish is “old” somehow, they built some cool animatronics into a special fish box, and had the “fresh fish” jumping in the frozen fish section of the super market. The boxes were connected over wifi so they’d only start jumping when shoppers were around. “Surprisingly Fresh”, is the brands tagline. Pretty attention grabbing, pretty cute.
Oberto "X-Ray Glasses" (2016) :12 (USA)
Posted in: UncategorizedOberto "Chinese Vase" (2016) :30 (USA)
Posted in: UncategorizedMilka Biscuit Jars "Anton" (2016) :22 (The Netherlands)
Posted in: UncategorizedLitehouse – See The Lite (2016) :30 (USA)
Posted in: UncategorizedSince Litehouse dressings are fresh, as opposed to shelf-stable dressings, they’re found in the produce section. But how do you tell consumers that in a fun way? Easy, show them that the other dressings are about as unnatural as they get. Props for the glitter-dribble on moms chin. See also the 15 second edit.
“This Litehouse campaign was the perfect opportunity to educate shoppers on an underserved food segment, and show the differences between shelf-stable dressings in the middle of the store and Litehouse’s fresh, quality offerings in the produce section,” said Tracy Wong, Chairman and Co-Founder of WONGDOODY. “I think consumers are going to really identify with Litehouse’s mission to provide first-class products.”