7 Eleven "Shark week" (2016) :15 (USA)

Every so often people take a down and dirty retail spot and do something fun with it. This is one of those times.

7 Eleven "Pizza" (2016) :15 (USA)

This spot was crying out for the people say “that’s yuuuuuge.” Missed opportunity in my humble opinion. I like the way they are messing with the letter box.

7 Eleven "Cheese burger" (2016) :15 (USA)

There are now cheese burgers at 7 eleven and that’s a yuuuge deal.

Cheesecake Factory "Close Encounter" (2016) :23 (USA)

It’s okay, fry pan. You were having a dream about a microwave. Cute animation for The Cheesecake Factory who is positioning itself as taking its time to cook your meal as opposed to you know, using the microwave. This is part of The cheesecake Factory’s new animated campaign called “The Kitchen Speaks.”

The Cheesecake Factory "The New Guy" (2016) :30 (USA)

In this episode of The Cheesecake Factory’s new animated campaign, The Kitchen Speaks, a new guy shows up– in this case a grater with zero experience who announces himself with all the arrogance of a millennial with a trust fund: “I’m an artisanal tool through internships I’ve mastered in Brooklyn, Portland and another small city you’ve probably never heard of it…”
Thankfully, the other employees are having none of it and tell him to get to work on those web banners, I mean grating limes. Yeah, that’s what I meant. Limes.
Over 250 dishes made fresh every day. Just go ahead and assume the grater’s not giving it 100% though.

Moe's Southwest Grill "Waterfall" (2016) :30 (USA)

Moe’s, that Southwest joint is back with another foodscape. This time it’s for their Ancho Lime Bowl. I could totally live by a lime juice waterfall and snack on ancho chicken the rest of my life. As for Dabitch, well, I have it on good authority that she hates cilantro, so I guess if she wants to live there we’d have to make a clearing. I like how this takes food porn to a more interesting place.

Wurst – Valentines Day ad

Happy Valentines Day from Wurst! Yes, the sausage goes in the open bun. Do you need more instructions? You can add condiments of your choosing.

Frosted Flakes – Beach (usa 2002)

Frosted Flakes - Beach (usa 2002)
Frosty and friends play on the beach singing.

Kraft – "Omelet" directors cut – (2013) :30 (USA)

See also “Grilled cheese” and “mini burgers”.

Kraft – "Mini Burgers" directors cut – (2013) :30 (USA)

See also “Grilled cheese” and “Omelet”.

Kraft – "Grilled Cheese" Director's Cuts :30 (USA)

A new series of ads for Kraft center on highly engaging portraits of New Orleans families who share a great fondness for food—and each other. Directed by Madheart’s Jan Gleie for Chicago agency McGarryBowen, the spots are the latest in an ongoing branding campaign featuring real people who use Kraft products to “make something amazing.”

Begun last year, all of the ads in campaign have employed a documentary approach to show how Kraft food products are woven into the lives of real people, but these latest spots take the concept to a new and deeper level. One spot features the Villeres, a couple with four young daughters who have built a rambling garden next to their home where they raise chickens and grow fresh fruits and vegetables. Two other spots introduce the Trotters, an exuberant family of do-it-yourselfers who whip up a sumptuous back porch barbecue for their friends.

The stories presented by the spots are uplifting, insightful and sincere. And the connection to Kraft is made with a light touch. In the Villere spot, mom blends Kraft’s Philadelphia Cream Cheese into an omelette she is preparing.

Gleie created these intimate human dramas in a thoughtful and restrained manner that runs counter to conventional advertising. In selecting his subjects, the director avoided casting agents, relying instead on word-of-mouth sources to locate families whose lifestyles and values coincided with the Kraft brand. Then, working with a small crew, he spent a week shooting them in their own homes and doing things they normally do.

“In most commercials, everything is planned out in great detail,” Geie says, “but in this case, we begin by letting go. We step back and observe. In the process of finding these families in New Orleans, the scripts and the ideas developed. It took new turns every day. So, it was really about keeping an open mind.”

Gleie says that the respect he and his crew showed to their subjects is reflected in the naturalism and emotional power of the finished spots. “Everyone on the crew was moved by these people and how inviting they were,” he notes. “We felt like we were making new friends.”

Kellogg's Nutri-Grain – "Meet the Mortons" – (2013) :30 (USA)

Filmworkers and Vitamin recently provided visual effects and post-production services for a new, national spot about a family of vampires who learn to love mornings thanks to Kellogg’s Nutri-Grain.

Conceived by Leo Burnett, Chicago, the spot opens on a vampire couple who are interviewed in their suburban home. Admitting they weren’t “morning people,” the couple tells how their lives have been turned upside down by the crunchy taste of Nutri-Grain Fruit Crunch Bars. The whole family is now rising early and accomplishing much more. Dad even has time to walk the family bat.

The visual effects crews from Filmworkers and Vitamin contributed a number of effects to the spot, including a 3D bat that the vampire dad takes for a stroll. Vitamin artists went to great lengths to make the creature as realistic as possible and also drew inspiration from classic Hollywood vampire films.
“Real bats are not all that interesting because they move too fast,” explains Vitamin Creative Director Danny DelPurgatorio. “Instead, we took our bat into a more theatrical world and gave it a playful movement, as if often done in movies.”

Filmworkers applied additional effects work and also completed final post-production. Colorist Fred Keller applied the final color grade, using a Baselight system to give the spot a slightly macabre cast. “We gave it a vampire feel,” Keller says, “There’s not too much skin tone, but it still has an interesting color palette.”

DelPurgatorio says that the cleverness of the spot’s concept made it fun to work on. “It was a great idea,” he observes. “Our work needed to be subtle and to blend into the overall vision.”

Filmworkers is located at 232 E. Ohio St. Penthouse, Chicago, IL 60611. For more information, call (312) 664-9333 or visit www.filmworkers.com.
Vitamin is located at 232 East Ohio Street, Chicago, Illinois 60611. For more information, call 312.664.6683 or visit www.vitaminpictures.tv

Burger King "It's Good to be King" 2011 :30 USA

Bully Pictures’ Gaute Hesthagen directed this spot for Burger King and Pitch, Los Angeles which features a clever tie-in to the Jack Black film Gulliver’s Travels. A team of pint-sized Burger King employees prepare a BK Kids Meal for a boy, using a huge mechanical crane to deliver a carton of fries, spear a juice box with a straw and draw the wrapping off a hamburger. As a finishing touch, they lower a paper crown onto the boy’s head. The spot, which also features colorful, theatrical backdrops, is driven by the whimsical energy for which Hesthagen is well known.

The Beef Council – "Flashback" – (2013) :30 (USA)

CHICAGO— The Colonie’s Joe Clear has edited a new spot for The Beef Council and Leo Burnett that celebrates the time-honored traditions of the backyard barbecue.

Flashback is the personal tale of a man who learned to cook the perfect steak from his father. As the man slips a cut of meat onto a grill his thoughts drift back to childhood. As a boy standing by his father’s side, he learns the secrets of the family recipe and is handed a pair of tongs in a ceremony laden with emotion. Back in present day, the man sits down at a picnic table with his wife and their young son.

The flashback sequence is told through gold-toned, slow-motion imagery. The mood of fond remembrance is enhanced by an upbeat piano track and Clear’s graceful editing. He guides viewers from the present to the past and back again through a sequence of subtle cuts and dissolves. “Shooting everything over-cranked added just the right amount of elegance to set the spot apart,” observes Clear.

Clear adds that he enjoyed his collaborative work with Leo Burnett’s creative team. “Fostering creativity is what we do at The Colonie,” he says. “It’s always great to work with a team of creative people that starts from the top and continues all the way down.”

The Colonie, www.thecolonie.com
Represented by Sonia Blum at Hilly Representatives, 312.944.1100.

Mila – “Surprisingly Fresh” / Live Frozen Fish pack (2016) :60 (Poland)

A long time ago as I walked through my local market, a fish literally jumped out of an ice-counter and on to a counter. The fish monger grabbed it, made a big show of smacking its head, then winked at me stating “we sell really fresh fish here”. I was too surprised to come up with a witty retort.
Someone at Y&R in Poland must have seen something similar, because to dispel the myth that frozen fish is “old” somehow, they built some cool animatronics into a special fish box, and had the “fresh fish” jumping in the frozen fish section of the super market. The boxes were connected over wifi so they’d only start jumping when shoppers were around. “Surprisingly Fresh”, is the brands tagline. Pretty attention grabbing, pretty cute.

Oberto "X-Ray Glasses" (2016) :12 (USA)

Rob Gronkowski and Richard Sherman talk abotu stuff while eating jerky. In this case they talk about whether their X-Ray Glasses work.

Oberto "Chinese Vase" (2016) :30 (USA)

I which Rob Gronkowski and Richard Sherman sit around eating jerky and talk about stuff. In this case, they talk about Chinese Vases. Why do I feel like I need to be high to enjoy this?

Milka Biscuit Jars "Anton" (2016) :22 (The Netherlands)

Milka’s new campaign features personified cookie jars, and a chance to vote for your favorite cookie jar. This one features Anton, a fearless mountain climber, who is attached to a mountain. Ha. Also, don’t forget to go to Milka and vote for your favorite jar. You might just win one.

Litehouse – See The Lite (2016) :30 (USA)

Litehouse - See The Lite (2016) :30 (USA)
Litehouse have kicked off their first ever integrated marketing campaign, created by its new agency of record WONGDOODY.

Since Litehouse dressings are fresh, as opposed to shelf-stable dressings, they’re found in the produce section. But how do you tell consumers that in a fun way? Easy, show them that the other dressings are about as unnatural as they get. Props for the glitter-dribble on moms chin. See also the 15 second edit.

“This Litehouse campaign was the perfect opportunity to educate shoppers on an underserved food segment, and show the differences between shelf-stable dressings in the middle of the store and Litehouse’s fresh, quality offerings in the produce section,” said Tracy Wong, Chairman and Co-Founder of WONGDOODY. “I think consumers are going to really identify with Litehouse’s mission to provide first-class products.”

Milka "Grandpa Jar" (2016) :25 (The Netherlands)

Grandpa is the lovable old cookie jar who falls asleep because that’s what old people do, right Milka? If you would like to give him a better home instead of at the ageist Milka corporation, go to their site and vote for him as your favorite and you might win one.