Chirpy Elephant : Agency Profile

We are tightly knit, pint sized shop with an eclectic bunch of talent. “We believe the ingenuity of any well crafted communication should sport a lively, engaging, mammoth idea and bring a massive smile to all concerned stakeholders.”

What made you start Chirpy Elephant?
My partner Jairam and I (Leela Ram), were feeling jaded, working for top MNCs and shops where it was all about toeing the line, humouring clients and heavy emphasis on billing. We felt we were moving away from the core reason of why we joined and enjoyed advertising. Besides we strongly felt, we were on a creative crusade to raise Chennai’s brand communication standards.

Tell us about your designers/animators. Did they go into fine art or design schools? How do you pick them up?
We have a fine mix of art talent. Our senior most resource is well rounded with local, national and international work exposure. We have Viscom grads that were handpicked because they had an eye for the ridiculous and also because they hailed from small towns, this helped bring fresher perspectives to the table and ensures a sane work culture.

How would you define the design style at Chirpy Elephant?
Very polished and contemporary with inspiration drawn from diverse cultures.

What does Chirpy Elephant do which sets it apart?
We have the resoluteness and gumption to turn down clients who refuse to buy good work. We chase good work at all costs and not the monies. That’s one reason why we are among the very few shops hailing from Chennai, that has won the admiration of clients and peers across India.

Were there any particular role models for you when you grew up?
Well inspiration comes from everywhere, country music doyens Don Williams, John Denver, Sporting Legend Steve Waugh, Advertising greats Bernbach, Ogilvy, Belgian Art Genius, Erik Vervroegen, Ogilvy’s – Tham Khai Meng, Ace illustrator – Tiagio Hoisel, Maverick Entrepreneur – Branson, stand up comedians and all kinds of people…

Who was the most influential personality on your career in Brand Building?
Anand Bhaskar Halve (Chlorophyll Brand and Communications), when it comes to positioning Subrata Sen Gupta, Anand Siva ex Saatch & Satchi and Akshara…

How important is the focus on a great brand idea?
It’s everything!

Do you function like a traditional advertising agency? Or would you call yourself more of a graphic design/branding agency?
We are ideas shop. Period! The work culture is fun loving and laid back. But there is a strict adherence to meeting client goals and deadlines.

What do you feel about the state of design in Brand Building in India?
Bombay largely and to some degree Delhi and Bangalore is upping the ante; I strongly feel the rest of the country including Chennai has a lot of catching up to do.

Any other Indian agencies you admire?
We adore the work coming out of the all time favourite O&M (at least we admired what they did till a few years ago) very recently it’s been Happy and Taproot to a large degree.

What advice do you have for aspiring creative professionals? Would you advise them to take on graphic design as a career option? Or Advertising and brand building?
Please understand what you are getting into, don’t enter this industry without truckloads of passion, perseverance and patience. Do the hard yards, identify mentor agencies and spend some time honing the skills before you venture out on your own and seek fame. Why just graphic design? there are enough functional roles that will catch the fancy and fuel ambitions.
Who would your design team like to take out for dinner?
Some dear clients who have shown immense faith in our creative leaps and some doyens’ in the industry.

What’s on the company iPod?
A mishmash of the latest Tamil chartbusters and at times some good old country music.

Mac or PC?
Both!

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Merry Men : Agency Profile

Merry Men is a media neutral creative agency that loves audacious ideas,  challenging the status quo, and of course being merry. We bring together the best of what a traditional and a digital agency have to offer – loads of experience, passion for ideas, a sound understanding of building brands, and youthfulness. We also pride ourselves on our strong ethics. For example we never test any of our concepts on animals because it would piss off our co-founder- Wagger, the in-house dog.

What made you start Merry Men?
When I saw the kind of integrated work that was happening abroad, where brands were taking ideas seamlessly across media and changing the rules, it made me want to do the same for brands in India. Basically a desire to create an agency that could be and act as a media-neutral solutions partner to brands.

Tell us about your Art Professionals. Did they go into fine art or design schools? How do you pick them up?
Actually we have never cared too much about art schools. A lot of agencies only pick art graduates but at Merry Men we look for nimbleness, flexibility and of course a good design sensibility/ taste. In fact almost all our art people have been from a non-art background. Our last art director was a trained pilot, and one of the guys in the current team actually came for a copywriting interview.

How would you define the design style at Merry Men?
Because we work trans media we have no defined style. We adapt according to the medium, brief and the idea. We believe that a style ties you down and it’s important to never get tied down. In fact we are proud that no two pieces of work done by us look or feel the same.

What does Merry Men do which sets it apart?
The ability to understand what’s needed in different media and deliver integrated solutions. We are also not an egoistic bunch. So we are always looking at co-creating, collaborating with talented folk and even jamming with the client to come up with awesome work for the brand. We love taking risks and experimenting, this we believe is the only way to create new ideas.

Do you think the advertising business in India is undergoing a change?
Yes, it is. Digital is no longer the stepchild in a marketing budget and has almost gone mainstream. Clients no longer want a digital idea for 10,000 Rs. Plus ideas are entering the digital workspace. Social Media is the bus that everybody wants to be on right now. Mobile is still nascent but growing. Which is why traditional agencies and networks are busy gobbling up agencies with any of these specialties.

Were there any particular role models for you when you grew up?
When you’re young your role models are based on mostly on bedtime stories you hear. One such story and role model was Robinhood, who led his Merry Men to victory against a might army simply because they believed in what they were doing and used unconventional warfare techniques. It told me that size was irrelevant and the only thing that mattered was how much you believed in your idea. It was the reason we called the agency Merry Men.

Who was the most influential personality on your career in Brand Building?
Bill Bernbach. Piyush Pandey. KS Gopal (EX NCD of Contract), Josy Paul, Richard Branson and Alex Bogusky.

How important is the focus on good brand idea in Merry Men?
Very important. We love good ideas. But increasingly the focus is on ideas that can spread.

Is there any particular work that you have done which has helped build a brand?
I don’t like talking about the past, so let me tell you about something we did recently. For a new dairy brand called Milky Moo which wanted to tell people that their milk didn’t have to be boiled, we created TVCs and other work that showed people in pop culture who boil a lot or get angry, like newscasters (one in particular) and moms-in-law in TV soaps. The idea was to have a calming influence on the entire country and tell them that neither they nor their milk needs to boil anymore. The campaign went across mediums, from TV to print to in-store and even social media, and really helped the brand clock healthy sales and register high awareness of their core proposition.

What do you feel about the state of design in Brand Building in India?
It’s at a very interesting juncture. Though our traditional design skills like print and brand identity are very good, we are not as good in the digital space. This is because art colleges are still not teaching students digital design in a big way. If designers want to remain relevant and competitive they need to master both.

Internet speed at Merry Men?
Seriously? Okay, fast.

Is it difficult to find good people for work ?
Absolutely. The number one problem.

Any other Indian agencies you admire?
None really. But i do like the work that’s coming out of Creativeland Asia and Happy Creative Services.

What advice do you have for aspiring creative professionals? Would you advise them to take on advertising as a career option?
Join advertising only if your desire to express ideas for a brand is so strong you don’t mind the sleepless nights, reclusive lifestyle and loads of hard work.

Who would your team like to take out for dinner?
Narendra Modi. To get to know the real man.

What’s on the company iPod?
Stadium Arcadium by Red Hot Chilli Pepper.

Mac or PC?
Mac. Most definitely.

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Tailor: Independent Brand Building Company

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Tailor is an independent creative agency based in the green Chembur suburb of Mumbai and is spearheaded by four senior Creative Directors. Founded by Kaushik Mitra (ex-Leo Burnett) in mid-2010, the team includes ex-colleagues Kiran Chandorkar (Art), Gopal MS (Copy) and Sadanand Narvekar (Art). The senior team have between over an average 15 years of experience across categories and have won over 100 domestic and international advertising awards. Tailor works by spending quality time on each brand, understand the category, and then gain insights on the potential consumer who will buy into the brand. The focus at Tailor is customised creative ideas.

Why are you in advertising?
When I was growing up in Calcutta in the 1980s and 90s. I used to enjoy quizzing, reading the newspaper, Reader’s Digest, India Today and various other magazines. In school, I used to enjoy writing essays, as writing let me interconnect my learnings from various fields. I learnt about the existence of ad agencies from a close friend in school whose family owned an agency. Before that I used to think companies create their own ads. The quality of ads on mainline newspapers were quite smart in those days, and I started looking out for the key number. Soon, I became familiar with names such as Trikaya Grey, Ogilvy, Contract, Clarion. Secretly, I started imagining a career as an ad writer, though publicly I opted to study science in class XI and was preparing to crack the American universities. Luckily, I didn’t receive 100% scholarship in the American colleges that accepted me and I opted to major in Economics from Calcutta University. It was in this phase that I could become more brave and started applying at agencies. In July 94, I started off at Clarion Calcutta as a copy trainee at a princely salary of Rs 2000. After that, I have never had to consider another profession. Even now, when I hear about ex-colleagues dabbling in Bollywood, it does not excite me. Advertising is what I love, though I agree it can serve as a training ground to almost any other profession.

What made you start Tailor?
Though I love advertising, I hate watching ads on TV. Most of the ads today are rubbish. I zap channels to run away from stupid stuff that tries to entertain, but is usually completely disconnected from a product or its benefit.
I think in the last few years specially, our business has become completely personality driven. Today, National Creative Directors and Chairmen are more famous than the agency they work for. They try to protect and enhance their reputation by doing a certain type of work. Even the people they surround themselves with are usually meant to extend their style or line of thinking. Somewhere, the need to do work according to a brand’s personality has been completely forgotten.
I started Tailor in mid-2010 because I didn’t want to be part of this trend. I first invited Kiran Chandorkar (ex-Leo Burnett) to join me as Art Creative Director. Then together we invited Sadanand Narvekar (ex-McCann) and MS Gopal (ex-Ogilvy) to come in as additional art and copy Creative Directors. We had all worked together in Leo Burnett, Mumbai, and were familiar with each other’s strengths. The idea was to create a common platform where a variety of ideation and design skills could merge and help us provide a wider, richer set of solutions. We wanted to avoid falling into the trap best captured by the expression ‘Those who only carry a hammer tend to look upon every problem as a nail.’
Tailor in its ownhumble way attempts to provide bespoke, customized solutions. Every job for us starts from the scratch and is decided not by what we are strong in, but by what is needed for a particular client and the situation the brand finds itself in. There are no recycled scripts or ‘one size fits all’ solutions. In fact, they need not even be ads. They could be product design or a service innovation, and later ads to communicate the same. I think this is what advertising agencies were meant to do but somewhere started competing amongst themselves with their own self-branding.

What has been the reaction of clients and industry to this kind of thinking?
At Tailor, we like to stick to the work and not really go around hogging the limelight. In fact, this is my first interview in media where we are talking about the company and its philosophy. I think, most large-sized network agencies are inward looking and they continue to do what they think is working for them. I don’t think they stop to analyse what’s wrong and correct the course very often; unless the pointers come from a regional who’s who.
I find clients to be more open. Though we still end up doing a lot of print, outdoor, television and ads for the traditional media, there are many clients we meet who are looking for alternative thinking. They are open, they’re willing to hear ideas. We have presented a condominium design to a builder client. A popular newspaper got excited when we shared with them a totally new design of their paper starting from the front page. So the process has started with more and more independent agencies joining in, focusing deeper`on a tighter array of brands and thinking of unlazy solutions.

Do you think the advertising business in India is undergoing a change?
As a culture, India doesn’t change very quickly. We take longer to attach and detach, and that’s a good thing. But in the last few years, many independent agencies have started and are churning out some of the best work on view. We can see the reactions clients have to this change also. Today, some of the India’s most valuable brands such as Pepsi, Times of India, Airtel and Audi are hiring independent agencies for work which is cheaper-faster-better. This is great news, and we seem to be following what happened in America 20-25 years ago with the start of Widen-Kennedy, Carmichael Lynch, Crispin Porter Bogusky and many others.

Is there any agency which serves as a role model for you while building Tailor?
The word ‘agency’ reeks of a broking house model. You choose the media and give us an X percent commission. You choose a filmmaker and give us a Y percent commission. We are not a broker. Tailor is an independent brand building company which works on a fee model and we are not consciously modeling ourselves on anybody, though we are sure we are not the only ones thinking along these lines.

Is there any particular work that you have done which has helped build a brand?
Yes. Most of the work we have done in the short span of three years or so has greatly helped our clients. The target audiences and product categories have been different every time. For instance, we helped the Times of India Group launch only their second regional language newspaper in the last 50 years (after Navbharat Times). This was the launch of ‘EiSamay’ (Modern Times) in Kolkata. The brand decided to urge the modern-day Bengali reader to not just bask in the rich heritage of the past, but to create his own niche in the world. The tagline translated into English was, ‘Make these times your times’.
Since most of the TV channels in West Bengal are owned by rival groups, we put together a music video to be played in clubs and concerts. For that, we got together India’s first folk-rock band which started in 1975, and five subsequent bands that have taken the genre forward. The theme of the launch commercial cum music video cum brand anthem was to show how the baton of creativity is taken forward by subsequent generations. The newspaper is today the No.2 read in Bengal.

Similarly, we helped the US-based Topps Sports & Entertainment Co. launch a trading card game in India based on IPL. Targeted largely at kids and their parents, the Cricket Attax cards encourage a game of T20 with all its player auctions and strategies, but without needing a large ground, the bat and the ball. There are many more examples of brands which we have launched successfully available on the Tailor website.

How important is strategy to having good creative?
The thinking behind the work has to be smart before the work can be smart. At Tailor, we spend a lot of time understanding brands, the category and the consumer before we start the process of creative storytelling. Though we are a creative driven brand building company, our first focus is strategy and finding the right insight.

How can aspiring fresh talent work with you at Tailor?
This is something we talk about quite often at Tailor. When we meet starry-eyed youngsters who have just graduated from art and communication schools, we see most of them not quite sure where to start. Most of them want to start at a big agency because of their reputation. Some of the lucky few manage to get in; until they start working on stuff nobody else wants to work on, and then they just disappear into a huge cesspool of talent. This creates huge amount of disillusionment.
Then there are others who don’t know how to present ideas and worse, what is currently wrong with their portfolio. So they just keep hearing from Creative Directors ‘We will get back to you’ and never hear what they need to hear.
Sadanand Narvekar, senior Art Creative Director at Tailor, is very keen to change this. He spends a lot of time meeting fresh art graduates, tells them what is right, what is wrong, and sometimes when they need more time than just one-two meetings, he takes them under his wing and trains them until they become industry-ready. I think this is a great way to learn on the job what they can’t teach you at the art schools.
Who would your creative team like to take out for dinner?
Our creative team has a very diverse set of inspirations. I know it is fashionable for Creative Directors to look at non-advertising people for inspiration, but for me the people who motivate me to perform better at work are usually the advertising greats. I think I will pick Marcello Serpa.

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Aaiba – Creative Design Studio based in Mumbai.

“AAIBA is a design & brand consulting studio. The name AAIBA was created from the mixing of two words, ‘AAI’ = Mother in Marathi and ‘BABA’ = Father in Marathi. So… ‘AAIBA’ for the simple reason that they Inspire us. Inspire us to give birth to a child called ‘brand’, inspire us to bring the child up to the level he make his mark in the world called ‘market’. “

Is Aaiba primarily into identity design and brand communication? What all services do you provide?
Yes! We are into brand communication business.
We provide:
Strategic brand development consultancy
Brand identity designing
Creative designing for all Medias
Film publicity designing.

What made you start Aaiba?
It was our passion for communication business made us start the company. We believe entrepreneurship gives you the opportunity to bring your own ideas and philosophy in the market. It’s a struggle but journey seems interesting.

Tell us about your designers/animators. Did they go into fine art or design schools? How do you pick them up?
We believe in passion for communication business and art, rather than graduates of any fine art collage. Yes we do search for our designers in good art colleges… but selection is not based on presenting past experience or portfolio or college.

?How would you define the design style at Aaiba?
The main challenge in communication business is to develop the design style and break it for the next design you do. For us, the challenge is always to develop a new style and visual language for each design… there should be no stickiness on a particular style.

You have worked with Ogilvy and Mather as a Creative. How different is to work for Agency and running your own design studio? Challenges? Learnings?
Ogilvy let me learn the corporate working culture, design culture in multinationals, the culture which I am trying to get into AAIBA. Talking about the difference in working in an agency and running own company is the responsibility handling varied departments. In Ogilvy there is huge team working on an account where everybody has a small set of responsibilities for the project.

The challenge here is to get into various roles. I am not just a creative or designer now. I have to get into shoes of client servicing, sometimes have to think about targets and collections and what not. 

The experience is mind-blowing, I am now learning to work as a businessman… now I can see the bigger picture… what miracles good designs do in terms of business and what set of challenges we carry in the industry.

Were there any particular role models for you when you grew up?
Vipul Salvi.
Santosh Padhi.

How has digital affected your traditional print design work?
Digital media has affected traditional Medias. Because of the digital revolution, brands are getting closer to audiences. It’s now the frequency of communication and engagement that matters more than a glimpse of a brand.

We are also adapted ourselves with this media, not just in designing terms but also in technical and strategic terms. We are handling some brands who currently having only digital presence.

Do clients see design as a value addition to their products?
Yes.

Do you wish we had a design event in Mumbai?
Yes.

Who was the most influential personality on your career in graphic design?
My father Mr. Sadanand Chandekar.

How important is the focus on good design at Aaiba?
We believe that design speaks! Its language and style creates the perception about the brand. So design is extremely important and should be backed by the strong brand strategy.

Are you working with any advertising agencies? Any brands?
Currently working on one campaign for Ogilvy. Its DMI ECO campaign.

What do you feel about the state of design in India? Do you feel that our collective aesthetics need to improve?
There is always an opportunity for improvement for good learners and as far a creative field is concerned… its known for its immensity.
I think ‘Act local and think global’ is the mantra.

What advice do you have for aspiring creative professionals? Would you advise them to take on graphic design as a career option?
Yes graphic design is a good career option.
For aspiring creative professionals, I would advice that they should work in this field passionately. Do not restrict your creativity only to graphic designing… explore other arts, music, drama, crazy mimicry etc. Not only will you get new ideas from this but you will also be able to communicate your ideas well.

Mac or PC?
Mac.

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Dynamite Design

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Dynamite is a full-service broadcast design and branding agency based out of Bombay.  It helps television channels brand themselves, their shows, and related properties. Dynamite also assists brands like Smaaash and the V-Spot build their identity.

Is Dynamite Design primarily into identity design and brand communication? What all services do you provide?
Yes, we are primarily a branding company for the media industry.  We provide full turnkey services for broadcast design such as channel packaging, show packaging, idents and promos (both live-action and animated), off-air design, and identity design.  We even have a list of talented directors who have a long-standing track record in producing award winning ad-films and promos.

Tell us about your designers/animators. Did they go into fine art or design schools? How do you pick them up?
We have a varied set of colleagues, most of them are trained in their particular skill set, some are self-taught, and all are passionate about what they do. Mostly, people have joined us from past associations and word of mouth.  Two of our designers were recruited with the help of headhunters.

How would you define the design style at Dynamite?
Dynamite’s design is driven by thought.  Our style is mature in design and fluid in its adaptations.  We use a method of collective explorations before filtering and refining our final options.

Were there any particular role models for you when you grew up?
There were many role models, from writers, to cartoonists, to designers, to chefs.  What influenced me most about them was their ability to be so undeterred and passionate about their work.

How has digital affected your traditional print design work?
At this point it hasn’t but we are keeping ourselves abreast of evolving technologies so that we may utilize them to best of its ability.

Do clients see design as a value addition to their products?
Yes, increasingly so. Intelligent design is still nascent in India, be it clothes, print, motion, or products. However, we see more and more companies and individuals treating design as something more than just an aesthetic facelift.

Do you wish we had a design event in Mumbai?
Yes, especially something to the tune of Kyoorius’ Design Yatra.

Who was the most influential personality on your career in graphic design?
I am neither a graphic designer nor a student of design however the most influential personality in the field of design for me has been Dieter Rams.

What made you start Dynamite Design?
The need to provide Indian media companies with an indigenous broadcast design firm was the key reason for starting Dynamite and the fact that I found a fantastic business partner in Sheetal Sudhir.

How important is the focus on good design at your design studio?
Very, as I’m sure it is for all design studios.

Are you working with any advertising agencies? Any brands?
We have just initiated our foray into ad film production.

What do you feel about the state of design in India? Do you feel that our collective aesthetics need to improve?
I feel that design is a word very often misunderstood and loosely interpreted. For us it is a process, way of thinking; of taking a step back and evaluating, and hopefully finding solutions.  Design isn’t limited to a particular field instead it is agnostic and should be implemented by everyone. Design could range from helping people be efficient with their taxes to helping surgeons find innovative solutions.  Aesthetics is only one of the derivatives of design and as a whole; I believe that the state of design in India is evolving.

What advice do you have for aspiring creative professionals? Would you advise them to take on graphic design as a career option?
For any creative professional, the first thing to understand is himself or herself. Take up internships, work on pet projects, live and breathe the vocation that you want to be a part of.  See if you love the work (the good and the bad), make sure you are not counting hours, and ensure that you have something to add.  Post all of that, ask yourself if you could do this for many years and are so confident of your work adding value that you feel you can command a premium?  If yes, then you have your answer.  Also it doesn’t hurt to keep your ego in check.

Graphic design is a tough and (many a time thankless) career option and you have to be resilient if you want to survive in this field.

Who would your design team like to take out for dinner?
Our staff, our clients, and their families. To get to know them better and also let them know that they mean more than just numbers on a spreadsheet.

A dinner with a personality is fraught with unnecessary niceties.

What’s on the company iPod?
Oh, our iPod’s a kachumbar of music, from Ritchie Valens, to Sneha Khanwalkar, to the XX, to Nusrat.

Mac or PC?
Mac, because it’s better designed.

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August Communications: Agency Profile

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August is a communications agency led by Vivek Dhyani, Ambar Sharan Lal and myself (Manish Bhatt). It’s been around since 2006. Over the years we have serviced accounts like IFFCO Tokio, Times OOH, Pizza Hut Delivery, Barista, Spice Mobility and Conscient Group.

What made you start August Communications?
The three of us had worked together at the beginning of our careers. While Vivek and Ambar kept on working in mainstream advertising, and getting longer and longer job titles, I had started dabbling with start-ups by 2002. By 2006, Vivek and I were already old friends with a common love for Old Monk and Hindi Poetry, both of us a little jaded with regular jobs. So we decided to quit our jobs to start this creative outfit called ‘Sex Creatives’. I guess we just wanted to work at our own pace and have some fun in the process. Our first office was Vivek’s living room. Then, to our surprise, we started getting business. A few hundred bounced mails later, we changed our name to August Communications. Soon, Ambar joined us to take care of the business end.

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Tell us about your Art Professionals. Did they go into fine art or design schools? How do you pick them up?
Most of our Art Professionals come recommended by old advertising buddies. Some of them are gravitated to us after seeing our work. And yes, most of them do have a fine art/design school background, but its incidental. We pick them on the basis of their work, mostly the unapproved kind. Also, we try to surround us with people we can fight and argue with, respect and ultimately come to like. So I guess, the selection process is skewed towards a certain personality type from the very beginning.

How would you define the design style at August?
The origin of all work at August is idea. Art and copy are merely tools. I am not aware of any particular style we follow, although our Art CD Shakoon Khosla does have a fondness for digital illustration.

What does August communications do which sets it apart?
I like to think that we as an agency have retained a bit of rookie-like-freshness. We try not to be cynical and bureaucratic. We still have loads of fun with thinking up and developing ideas. And we still love the craft of advertising fiercely.

Were there any particular role models for you when you grew up?
Calvin. Also, Hobbes.

Who was the most influential personality on your career in Brand Building?
Personally, I can’t think of any. Vivek swears by the late Nandu Narsimhan, and his old Capital gang (by which I mean Capital’s founders).

How important is the focus on good design in August.
Good design is an integral part of good advertising. Shakoon, Reuben and our Art team maintain very high art standards.

Do you function like a traditional advertising agency? Or would you call yourself more of a graphic design/branding agency?
I think we have grown into a traditional advertising agency over the recent few years. Earlier on, we operated more like a Graphic Design outfit.

What do you feel about the state of design in Brand Building in India?
Design, like most things in India, needs balls. More good ideas need to be out there. Having said that, there’s a lot of talent here. And I have hope for the future.

Any other Indian agencies you admire?
I like Wieden + Kennedy India’s style. I have watched digital agencies like Webchutney carve a space that didn’t exist earlier. All in all, I have a particular fondness for smaller outfits that still have a voice of their own.

What advice do you have for aspiring creative professionals? Would you advise them to take on graphic design as a career option? Or Advertising and brand building?
Well, do it if you are in love with ideas, and if you want to meet interesting people, and if you have a healthy disregard for personal hygiene and formal clothing. But, learn the craft. Instinct can only bring you this far.

Who would your design team like to take out for dinner?
Me. They know I like to dine well.

What’s on the company iPod?
Our Art Director Reuben (also the bassist of Undying Inc.) is the office DJ, and you get to hear everything from Iron Maiden to Nine Inch Nails to weird Norwegian Death Metal. Vivek has a fondness for Soundtracks, the most recent being ‘Blow’ OST. I am on a staple Alice in Chains diet these days. Ambar is a classic rock, you know, Pink Floyd and Dire Straits type of guy. So, it’s fairly eclectic, I’d say.

Mac or PC?
Macs are overrated. Shakoon might disagree. So, to each his (or her) own.

 

AD_Map my India for Autocar

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HERITAGE ART CALENDAR 1

HERITAGE ART CALENDAR 2

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Mapmyindia mag ad 11 aug

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Postcard_4.5 x 3

 

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Salt Studios : Agency Profile

Salt is a brand communications and creative services studio. For Salt, creating a brand is not about giving smart attire but making a personality statement which looks, thinks talks and walks the brand’s vision.

Is Salt Studio primarily into identity design and brand communication? What all services do you provide?
Our expertise is in the following verticals –
•    Strategic Branding & Design Consulting ( this includes identity design and brand communication)
•    Broadcast Branding
•    Media Services
•    Films


Tell us about your designers/animators. Did they go into fine art or design schools? How do you pick them up?
Our designers and animators are a prodigy from prestigious institutes like NID, MIT and other eminent design schools. We usually release recruitment ads when there is a requirement.

How would you define the design style at Salt Studio?
Contemporary.

Were there any particular role models for you when you grew up?
Psyop

Any International design workshops?
We were Gold sponsors for Promax Asia and Promax India in 2011.

How has digital affected your traditional print design work?
We have expertise in both traditional and new age advertising.
Digital media has occupied the share of advertising pie and has become a part of the marketing plan for most marketers.  However traditional advertising is still one of the most effective ways to reach out to a broad base of target audience.
It establishes trust and credibility for the brand.  Keeping this in the background we don’t feel that there are any biases towards digital advertising and think that marketing spends purely depends on the marketing strategy.

Do clients see design as a value addition to their products?
Design is imperative requirement for any product and clients consider it mandatory.

Do you wish we had a design event in Mumbai?
Yes.

Who was the most influential personality on your career in graphic design?
There are many and we cannot name one.

What made you start Salt Studio?
Our founder-director, Shred, has been in the broadcast industry for the last 12 years. He was associated with FOX international Channels and The National Geographic for the Asia Pacific as Creative Director.
Going by the Industry scenario there were no prominent organizations / companies in India with expertise and skill set in broadcast branding. Mostly TV channels used to outsource it to companies abroad. This allowed ample opportunity and scope in this arena.

How important is the focus on good design at Salt Studio?
We feel design is in everything. Design is everywhere. To design is to create, feel, smell, hear, communicate, embody, plan, and so much more. It is the process of turning ideas into tangible things.
We strive to deliver the best in terms of idea and giving it a form at Salt Studios.

Are you working with any advertising agencies? Any brands?
Yes, we have partnered with leading advertising agencies and are also working on some of most prestigious brands.

What do you feel about the state of design in India? Do you feel that our collective aesthetics need to improve?
Design has seen an explosive growth over the years. Design as a career also offers tremendous prospects. It is known to be one of the youngest profession and we call it creative industry.
I don’t think we lack aesthetic sense but yeah, we would require schools putting more emphasis on the creative process than technology alone.

What advice do you have for aspiring creative professionals? Would you advise them to take on graphic design as a career option?
Yes, we would definitely advice to take graphic/motion design as a career option as we see future advertising moving in that direction. We would advise them to challenge possibilities and surpass extremes.

Mac or PC?
Mac

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Multia Studios

Multia is studio full of colours, passion, play and ideas.

Is Multia Studio primarily into identity design and brand communication? What all services do you provide?
We absolutely love to create a face and a heart for a business. It is exhilarating when we are able to give a business an identity that is unique and conveys what the clients endeavour as effortlessly as possible and sticks. So, yes, we do identity design, brand communication, web branding and print media. We also provide content and other allied services.
 
Tell us about your designers/animators. Did they go into fine art or design schools? How do you pick them up?
If they like triangles and Din, we hire them. But jokes apart, our concern is not just about being ‘pretty’ or about what kind of qualifications you have or what hotshot school you are from. The important thing is taste. It is about having an eye for something that is interesting, something that would speak to us and to a larger world. You can learn the craft, but taste and feel are generally innate. You can’t take a course on it. Also, a good designer has that instinct to soak in what is cool, smart and durable. It is something that shows early.

How would you define the design style at Multia Studio?
Good design is a sublime voice. For Multia, God is in the details.  Its the colours & simplicity that people remember Multia for.
 
Were there any particular role models for you when you grew up?
My father. He exposed me to good art and music early on in life.

Any International design workshops?
No, not yet.

How has digital affected your traditional print design work?
We embrace the constantly evolving possibilities of digital design, and approach it with the same attention to details as we do in print. Designers have to produce work which is commercial and can be distributed throughout the world and the only way to do this is through the use of digital technology.

Do clients see design as a value addition to their products?
We are trying to convert them. The thing is, it is something so essential and true and eventually even the staunchest critic will come around.

Do you wish we had a design event in Mumbai?
Yes. Why Not? In fact, there should be one in Pune too. Design is everywhere, so should the events.

Who was the most influential personality on your career in graphic design?
David Carson and Joshua Davis while I was studying.

What made you start Multia Studio?
My family made me believe that I need not take up a job and must start my own studio. My husband, who is also an artist, always asked me to keep at it whether the going was good or bad.
 
How important is the focus on good design at Multia?
It is the only thing. It is everything. We are so deep into design that even while sending out mundane things like mails or word documents we make sure good fonts are used. Design isn’t something that you do on machine and move on. It is something that you live and breathe daily. If you don’t do that, it won’t happen naturally.  Every time you are conscious, design hits you!

 Are you working with any advertising agencies? Any brands?
We have plans to tie up with an international agency by next year end.

What do you feel about the state of design in India? Do you feel that our collective aesthetics need to improve?
I think it is picking up. People are getting more conscious about it more than ever. See, design per se has always been around, but sensibilities have changed. Today, it is not just about India. It is about seeing the world as a whole because of the way we are all connected. But, overall, people are getting pretty conscious about design. They are willing to look beyond their backyard.

I would also like to add that since what we do is judged subjectively by most, it is difficult. A business owner may look at a design and consider it in a manner that he or she thinks is practical. For instance, we have been asked on a few occasions why we “overprice” our logos, after all it is just a “just a logo”. That is a tough one to explain. It is the face of your business. It is a how people will recall you and remember you. It will define your place in the world, your success. Working on a logo is hours of research and understanding a business in order to know what will suit a business and send the right message. It is about jumping hurdles and finding new territories. It is not just a mash of things put together conveniently. A logo is the simplest way of turning the abstract quality of a business into something that is real. A logo is an undeniable symbol. It is your business, your success

Any other Indian graphic designers who you admire?
We like Bombay Duck Designs, Loco Popo and Grandmother.

What advice do you have for aspiring creative professionals? Would you advise them to take on graphic design as a career option?
Design is becoming very important all across the world. Now, graphic design students have a variety of options to specialize in. They can choose traditional print media to App design. Graphic Designers have seen huge success by building apps like Pinterest, Airbnb and Path. So, students in India should be exposed to all this and see how large the world of design is.

Who would your design team like to take out for dinner?
Our team would definitely like to take Paul Rand Mike Matas & Jim Lee.

What’s on the company iPod?
Zero7, Coldplay & Radiohead

Mac or PC?
Mac.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Harshvardhan Kadam @ Inkbrushnme

 

Can you

 

tell us about Inkbrushnme ?
Inkbrushnme actually originated in 2005 as my final year campaign project when I didn’t have a budget for photography and it required a lot of effort, models, locations. I didnt want to compromise on my creative thought process. Time was running out and our display was in 4/5 days. I could not sleep and during that sleepless night, I came up with the idea of making an ad campaign
on myself, a studio that creates illustrations. A concept like that never existed in our country as far as I knew. I created a few illustrations and on that night, some basic layouts and inkbrushnme was born. Those 4/5 days were one of the most productive days
of my entire life.

Later I went for a post grad to IDC, IIT B and soon after my studies a new life began.
A few years down the line, inky has been bouncing like a ping pong ball with a soul through various platforms related to Art, Design, Music & Entertainment. We develop projects which have a tremendous potential for exploring illustration to an extent no one has tried. We would like to illustrate on the moon if given a chance!


You are group/collective of illustrators, visual designers, animators. Can you name who all are there in your team and how do you work on projects?
We work in a collective culture where creators are committed to a particular assignment and the rest have their independent projects going on. The core members of this studio are just two. Kaustubh Kamat who joined forces early 2012. Kaustubh is a very good designer and has a lot of experience working on various platforms of print & web and then there is me. We have a team of independent guys whom we love to work with. We hunt for talent depending on the scope of a particular project. Every client needs a unique solution, so we explore talent that is vastly available and then collaborate towards a singular vision.

What experience your team has, if you could highlight individually?
We do not have super powers but every day is an experience. We believe in un learning every time we finish a project and start a new one. So the experience is forgotten as an ego and you are reborn with new energies and new zest. We use our past projects as learning experience to propel us even further.

What Inkbrushnme best at?
Our arena is illustration & visual design. I have been communicating through visuals, reading visuals, dreaming visuals talking visuals. That would be our nuclear reactor.

What Inkbrushnme bad at?
Diffusing that nuclear reactor!
Do you have office or people in team work from their choice of locations.
You cant constrain a creative energy. So the free spirit culture always exists. Artists thus work from the space they are comfortable in, what matters is the final product. As such ours is a mobile studio depending upon the location of the project and how much we are inspired by it. At the moment we operate out of walls painted by us in Pune!

How Inkbrushnme is different?
Hire us, you will come to know!
Tell us about your most acclaimed work projects?
We recently rebranded a real estate builder based in Pune and the campaign was very effective. We created a property – MadeInPune that celebrates achievements in and from Pune. A real estate campaign that explores & celebrates this city inside out was one of the most ambitious projects we undertook. I consider MadeinPune as an acclimation for its outreach and possibilities in which are exploring this campaign. We are in a way branding this city, celebrating micro brands, food, festivals, world class achievements in technology, health, art, science, etc.
Tell us about your recent campaigns?
RushHrs is a chain QSRs in Pune. They serve yummy food but needed more visibility so as to stand confident in their
competition. We approached their problem in various ways and looked at using illustration throughout their
communication. We designed their restaurant while creating a unique style for their brand. Visual guidelines were
created. Since the idea of RushHrs originated from a chaotic yet beautiful culture of our metros, multiple strategies were
nailed for their communication.
Tell us about Shahrukh, pepsodent comic and how idea had come to your teams mind.
The idea wasnt ours, Lowe Lintas approached us for this project that they wanted to explore Pappu & Papa campaign
through comic books that’ll get distributed through their toothpastes. Arguably, the largest number of comic books ever distributed in India with a minimum circulation of 15 lac units. We had 3 simple stories and 3 comic books were created over a span of a
month or two. This initiative received a fabulous response.
What credentials are required to be part of your team?
One simply needs to have a strong visual sense, a unique approach of looking at life and most importantly a very powerful skill set for illustration.
Your Book moon, Ramu and I, won Darshana national award. What makes this book so special?
Illustrated books or comic books are by far my most favorite projects! I am a director, art director, actor for a story given to me to visualize and illustrate. All creative controls are in my hands and I just have to unleash. This book was a product of pure love & labour. There is no grid for this book. The story flows as thoughts flow, uncontrolled. I wanted kids to hold this book in all possible angles, directions and come back to this book and explore some more. The art has lot of details which werent required but as a storyteller, one needs to make the story so interesting that after a few years that story should come back to a reader naturally. They way one remembers Suppandi. Or even Ek Titli – the animated video.

How you see Inkbrushnme growing and what will be its future in next 5 years?
We want Inky to be known as a highly specified conceptual illustration & design studio from India.
How you make payments to team, Do they get salaries or it is project based fee?
They become partners and share a decided percentage. We believe in all creators and the efforts of every contributor deserves a share than a salary.
Your take on Desicreative’s initiative of promoting Indian creatives ?
Your network is wide spread. You must have a collective gathering and should organize design/art/illustration/typography seminars or festivals to educate budding talent. Thankyou!

 

 

 

 

 

 

 

 

 

 

 

Harsh can be contacted via his website here.

Grandmother India

Grandmother is a design and communication studio based in Mumbai.

Is Grandmother India primarily into identity design and brand communication? What all services do you provide?
Grandmother India is a multi-disciplinary visual communication home. Grandmother nurtures imaginations to breed innovative creations that challenge conventional design standards. Strategic solutions, fresh perspectives and local designs with global aesthetics chalk out the best prescription to strengthen the aura of brands.

Our areas of expertise include:
•    Consultancy – Brand / Retail / Online / Way ?nding
•    Brand Identity Design
•    Print Design
•    Publication Design
•    Packaging Design
•    Environmental Design Solutions
•    Way Finding Solutions
•    Ambient Design
•    Event Design and Communication
•    Retail Design and Communication
•    Online Communication Strategy
•    Online Communication Consulting
•    UI + UX Design
•    Digital Content Generation(Video, 3D, Illustrations, Photo bank)
•    RIA Website & Interface Development
•    Interactive Multimedia Installation
•    Online Promotion (SEO, SEM, SMM)
•    Mobile + Tablet Web application
•    Sound Identity
•    Broadcast Design
•    Sound Design

 Tell us about your designers/animators. Did they go into fine art or design schools? How do you pick them up?
While most of our designers come from renowned design schools or applied arts institutes, we also recruit people with immense passion for great design, design oriented thinking and those who have an edge in innovative solutions. We conduct several rounds of interviews – virtual, face to face, with team leaders and then with top management. We look for a passionate and dynamic personality, people who are thinkers and equally good doers.

How would you define the design style at Grandmother India?
We believe that every problem is an opportunity and that every opportunity is a challenge, as we have very high standard of expectation from ourselves. We are our own competition so every project needs to be better than the last. We don’t box ourselves into a particular style as we believe in storytelling and every story has to be narrated differently. We deliver out of the box solutions for every industry and unique solutions for clients within the same industry.

Were there any particular role models for you when you grew up?
I really didn’t have role models growing up. Having said that, during art school the city of Mumbai was been a great source of inspiration. The same can be said for the Himalayas as well as I am from Uttaranchal. Both are very contrasting spaces, but both had great positive impact on my thinking. Within the art, design & digital industry the few inspirations I can name are M.C. Escher, John Maeda & David Curson, amongst others.

Any International design workshops?
I have conducted several international workshops in Brazil, Portugal, Holland as well as India at design conferences, design institutes, architecture institutes and business schools. I also try to attend many workshops as a participant as well

How has digital affected your traditional print design work?
The Digital Revolution has inspired & influenced the way we think for print design and we at grandmother believe that both media can complement each other and borrow the best participant from each other.

Do clients see design as a value addition to their products?
Since our inception it has be an interesting journey as we have influenced our clients by making them understand the importance of design and what value design can bring for their businesses. Now the industry leadership has somewhat evolved and the handholding part has become less of a factor. Having said that, sometimes we still have to elaborate on what value design brings to the table for them.

Do you wish we had a design event in Mumbai??
Yes, Mumbai needs lot more design activities. Not just big design events but also smaller workshops, discussions and presentations.

Who was the most influential personality on your career in graphic design?
My mother

What made you start Grandmother India?
When we started back in 1997 there were no design studios but only advertising agencies. I really didn’t like the prevailing business model concept at the time of ‘buy media and get creatives free’. I wanted to create a studio that truly sells intellectual property. Also I wanted to work closer with clients rather than working in a system of layered hierarchy in an agency. Lastly, I didn’t want to influence my thinking with an agency experience so I started Grandmother straight after of college. It has been a tough journey but an enlightening one.

How important is the focus on good design in  Grandmother India?
We are in the business of design, so there is no question about the focus on good design. How our designs can drive greater business for our client is the most important factor for us at Grandmother. We believe good design should go much beyond just good looking design. We also feel responsible to create a better visual culture for people not just the clients, but client’s client and the public at large.

Are you working with any advertising agencies? Any brands?
In the past we have worked with very few agencies. Mostly we have worked more for brands.

What do you feel about the state of design in India? Do you feel that our collective aesthetics need to improve?
State of design in India is rapidly evolving and is taking great form but we have a long way to go to catch up to international standards. Designers can only be effective if there is a greater vision from the top down. Importance of good design needs to be understood by Influencers, policy makers, industrialists, government bodies etc. Lots need to done at grass root level.

Any other Indian graphic designers who you admire?
Locopopo and White Crow design.

What advice do you have for aspiring creative professionals? Would you advise them to take on graphic design as a career option?
Good Design skills will only prepare you to be standing in starting line of a race, but to run the race you need to be a thinker, observer, researcher, presenter, writer, and above all a sensitive person who understands emotions of other people. Design is a great profession but don’t restrict yourself to ‘a’ type of design field. If you think from your heart and emote from your head, design is the field to be in.

Who would your design team like to take out for dinner?
Themselves

What’s on the company iPod?
We don’t have one

Mac or PC?
Mac

Grandmother India can be contacted via their website here.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Elephant Design

Elephant is a strategic design consultancy established in 1989 in Pune. Today it has offices in Pune, Delhi & Singapore with more than 80 people across multi-disciplinary teams.
Key practices at Elephant are: Brand Strategy & Communication, Corporate Identity, Product Design, Packaging Design, Retail & branded Environments, Innovation Consulting.

Tell us about your designers. Did they go into fine art or design schools? How do you pick them up?
Elephant is a destination place to work. Our Principal Designers come with design education from premier design institutes like NID, IDC (IIT). Some of our designers are also from newer Design Institutes like MIT. We also have people with background in applied art & commercial art who have gained tremendous experience in design led thinking over the years.
We work on some of the best design projects that India has. So we have a constant flow of aspirants from all over to join us. We pick them based on their design thinking aptitude, articulation skills & ability to work their best in a team environment.

How would you define the design style at elephant design.
Design is the solution to a problem or a challenge faced by marketeer or user. At Elephant, we believe our solution must align with and supersede expectations of the audience. It is not a platform of self expression or style. So I would say the design style at Elephant may be very diverse in terms of look & feel, but it would have a common thread of audience empathy & delight.

Were there any particular role models for you when you grew up?
India did not have a multi-disciplinary design practice in the eighties when I was studying to be a designer. Business of design was non-existent.
But there were companies like Pentagram that became the inspiration for starting a collaborative practice.

Who was the most influential personality on your career in graphic design?
Very difficult to speak of one personality. But I have learnt different things from different people. I interned with a small studio run by a senior from NID. She was the first one to give me the confidence to start an enterprise. Over the years I have been pushed to extremes by a long time client to give better than best ideas & take them through ultimate detailing. She has been a big influence on the way I declutter ideas to the bare minimum expression. My professors at NID have deeply influenced my choice of colours, typography & composition. Subconsciously, I ask myself if they would approve it before I internally pass any work to be presented.

What made you start elephant design?
While graduating from NID in 1989, I along with few other batchmates had clarity on the fact that design is a team effort. Non-existence of of multi-disciplinary design practice in India was the reason to set up Elephant that was based on the story of blind people where diverse viewpoints make the big picture.

How important is the focus on good design at your design firm
At Elephant, we believe if it is not good, it is not design… it is just a decoration. And we are not in the business of decoration.

Are you working with any advertising agencies? Any brands?
We work directly with clients. Our clients include ABD, Abbott, Akzo Nobel, Axis Bank, Bausch + Lomb, Britannia, Godrej, Godfrey Philips, Heinz, Nirlep, P&G, Piramal, Symphony, Venky’s and Wipro.

What do you feel about the state of design in India? Do you feel that our collective aesthetics need to improve?
Design as a profession is barely 30 years old in India as against 100 years in Europe or America. It is in its evolutionary stage. Indian consumer/ user has only just started demanding products, services & brands that suit his/ her lifestyle and culture. So Indian design is yet to emerge as a voice, but it is getting there.

It is presumptious to believe that our aesthetics need improvement. It is only being said because  of the general  belief that western concept of aesthetics is better.
We definitely need to get more fastidious about systems, discipline & detailing of design.

Any other Indian graphic designers who you admire?
I like the work of younger designers who are far more experimental & fearless as compared to our generation who had to struggle to establish the value of design.
Many of the designers that I admire work with Elephant.

What advice do you have for aspiring creative professionals? Would you advise them to take on graphic design as a career option?
I would say design is a socially responsible commitment. It’s a great profession, but come into it knowing that you are in a country where design needs to fulfill the basics first.

Who would your design team like to take out for dinner?
A typical Indian consumer. The perpetual mystery person.

What’s on the company iPod?
I am waiting to do the AnthemsTM workshop with our sonic branding team that works out of Delhi. We will soon have an Elephant Anthem that all of us will want to hum…

Mac or PC?
Definitely Mac.

 

 

 

 

 

 

 

 

Fingerprint Creatives

Fingerprints is a creative studio and branding agency based in Chennai, India. They are a business-driven design agency spanning advertising, branding, online and multimedia needs.

Is Fingerprints Creative primarily an illustration and design company? Do you also work on brand building and corporate identities?
Fingerprints is an advertising and design studio, which believes in work that satisfies creative hunger while keeping the client happy. It’s important to us that we build, nurture and maintain brands as well as relationships.

Tell us about your designers/animators. Did they go to fine art or design schools? How do you pick them up?
Most of our designers are from design schools in and around Chennai. We only take in designers who get in touch with us and apply to our agency directly. We believe this brings out the fire in them to give us their best.

We have already managed to get a few good people on board, Vinayak Vohra, a graduate from Loyola and Venkit Kumar, help hold our creative fort strong. We plan to bring more people on board. Our people are our strength.

How would you define the design style at fingerprints creative?
Creative. Clean. Cutting edge.

We are in the business of doing good, clean and honest advertising. We want to do work that sells. We work with the client and not just for the client.

Were there any particular role models for you when you grew up?

Visually, my mind was opened up by the work of Salvador Dali.
But closer to home, is my mentor and friend Alexander Zachariah. As director at Rubecon and my first boss, he has really been a great inspiration and constantly supported my growth.

Who was the most influential personality on your career in graphic design?
Oh, the list can go on. I have loved the work of Alan Fletcher right from scratch. He has taught me to bring reason into design.
I also admire the work of Reza Abedini, Michael Wolf and Wally Olins.  One learns constantly. Taking influences not only from other designers, colleagues and peers, but also from the depth and experience that life presents us with.

What made you start Fingerprints Creative.
I started off the agency with a single laptop – my first Macbook Pro. I worked out of a small cubicle at my dad’s office, which became 2 cubicles, and then 3. It was at this point that I decided to take a leap of faith.

Fingerprints was fortunate to bag Oriental Cuisine (OCPL) that year. It was our first big account and gave us the chance to work with one of Chennai’s great minds – Mr. Mahadevan – a foodie, professor, restaurateur and entrepreneur. With OCPL we did communication for over 15 popular brands – Benjarong, China Town, Ente Keralam, Kebab House, Kokum, Le Chocolatier, The French Loaf, Wang’s Kitchen and Zara to name a few. This was a huge learning experience and we benefitted a great deal from it.

How important is the focus on good design in fingerprints creative.
Needless to say, it is crucial. No agency can even hope to be successful if good design is lacking in every piece of communication. It is as important as wings are to a bird.

Are you working with any advertising agencies? Any brands?
You can tell a lot about a design studio by the company it keeps. Or luckily for us, the companies.

Fingerprints has been fortunate to work with various brands including  The Hindu, Kumaran Silks, Tamil Nadu Tourism, the Taj group of Hotels, Mehta Jewellery, Just Casuals, Raj TV, Sathyam Cinemas, Mr. Butler’s, Brass Tacks, Geethanjali, Koblerr and more. We have also contributed our share to the Joy of Giving week.
 
What do you feel about the state of design in India? Do you feel that our collective aesthetics need to improve?
Design has come a long way in India. It is becoming more accepted, and no longer considered a wayward career choice. Easy access to international aesthetics, designers and work through social media is definitely allowing Indian design to grow.

In fact, India serves as inspiration for many designers abroad. On a whole, yes, our design sense has so much more potential.

What advice do you have for aspiring creative professionals? Would you advise them to take on graphic design as a career option?
Like I said, design is being accepted as a valid career path these days. It makes for an interesting and inviting choice because it offers freedom, creativity and propagates nonconformity.

I would advise students who are inclined towards creativity to definitely consider taking up design.  There are many opportunities and prospects waiting for fresh young talent… like us!

Who would your design team like to take out for dinner?
Would it be wrong to say a potential client? :)

What’s on the company iPod?
Kings of Leon. DMB, Mumford and sons. Some of the guys like the classics – Floyd, Dire Straits etc. And often we like to blast electronic music. We love our music – and are open to experimenting!

Mac or PC?
Paper! I believe in the power of scribbles before finally having to execute them on a system. But I sure do love my Mac : )

 

 

 

 

 

 

 

 

 

 Fingerprints Creative can be found online here.