Adam & Eve/DDB's joint-chief is empowered by her terrible desk
Posted in: UncategorizedThe joint-chief executive of Adam & Eve/DDB finds her secret work weapon to be her “lilliputian” desk
The joint-chief executive of Adam & Eve/DDB finds her secret work weapon to be her “lilliputian” desk
Havas Group Media’s UK chief executive calls on the industry to stop casting Facebook as the devil and acknowledge the unprecedented pace of change it has set.
Too many experts and not enough collaboration is bad for media and bad for creativity, Craft Media’a founding partner argues.
Tesco increased the amount it spent on “traditional” media by more than two-thirds last year, data from Ebiquity shows.
McCann Birmingham has been selected to provide design and creative services for blockchain-based recruitment platform Job.com.
Despite rapid growth in in-app ad spendingroughly $20 billion is projected to be spent on them in 2018, a 25 percent uptick from the previous year, according to Statista.comthe difficulty in important tasks like gauging ad viewability has been a drag on the sector. A popular publisher such as Flipboard, for example, must integrate each verification provider’s SDK one by one so advertisers can get metrics from the provider they prefer. It’s tedious and time-consuming.
On Tuesday, however, the Interactive Advertising Bureau’s Tech Lab released new guidelines that eliminate the need for multiple SDKs from third-party viewability and verification measurement companies. The effort, dubbed Open Measurement Software Development Kit, or OM SDK, only requires one SDK integration, instead of one for each individual provider.
“In-app measurement has always been a pain point,” says Joe Barone, managing partner of brand safety at GroupM. “With the Open Measurement SDK built on shared source code, we’ll be able to look under the hood easily, no longer struggling with having to review data from a wide variety of SDKs belonging to disparate vendors. Its widespread adoption will allow for seamless and dependable metrics and verification, which will give brands the confidence to increase their mobile in-app investments.”
To cope with the constant onslaught of industry disruptors armed with the latest tech, brands need to be far more agile writes Accenture’s industry lead for consumer goods and services
Betfair has named Leo Burnett London as its creative agency of record across international markets, following a competitive review.
Krow Communications has sold to marketing services group The Mission in a deal worth up to £14.5m.
During the 2016 U.S. presidential election, ads that didn’t explicitly mention Trump but endorsed his agenda and rhetoric would occasionally appear out of nowhere, produced by mysterious groups that no one seemed to know anything about. As campaign laws are currently structured, some of these groups, if they were set up the right way, didn’t need to disclose their backers. And while any TV advertising they might have booked would have been trackable (because TV ad inventory is finite, and there are companies, such as Kantar and iSpot.tv, that track national and local TV ad placements and estimated spending), comprehensive data about digital-media spending by any given group was and continues to be elusive.
Now, thanks to an OpenSecrets report by Robert Maguire titled “Robert Mercer backed a secretive group that worked with Facebook, Google to target anti-Muslim ads at swing voters,” we finally know the story behind some of the most inflammatory political ads released in 2016. OpenSecrets is a project of the Center for Responsive Politics (CRP), a D.C. non-profit, nonpartisan research group. Robert Mercer is, of course, the hedge fund billionaire most famous for funding alt-right website Breitbart News, backing Trump’s presidential campaign and bringing Breitbart News Chairman Steve Bannon into the inner circle of Trump’s campaign.
“Welcome to the Islamic States of America,” at the top of this post, was released just days before the 2016 presidential election. Others in a series of faux travel ads, such as “Book Your Trip to the Islamic State of France,” bottom, were also released in the run-up to the election. As Maguire writes,
Tiger Woods’ Lazarus act and Jordan Spieth’s near-miraculous comeback bid helped propel CBS’ ratings for the final round of the 2018 Masters to a three-year high, as millions of viewers tuned in on Sunday afternoon to take in the drama staged by golf’s old guard and new wave.
According to Nielsen live-plus-same-day data, CBS’ coverage of the final round from Augusta National averaged a bit north of 13 million viewers, up 18 percent compared to last year’s 11.1 million viewers. Sunday’s broadcast notched a 7.9 household rating, an improvement of 16 percent versus the year-ago 6.8, as 18 percent of the TVs in use at the time were tuned in to CBS.
The last time more people gathered around the tube for a round of televised golf was during the final round of the 2015 Masters, when the then-21-year-old Spieth secured the right to don the green jacket in front of a crowd of 14.2 million viewers. Per Nielsen, 20 percent of the TVs in use on that Sunday afternoon were dialed in for the culmination of Spieth’s historic wire-to-wire triumph.
Novidade vem com o novo carro Hyundai Kona
O post Com bom-humor, Hyundai divulga serviço de carro conectado em nova campanha apareceu primeiro em B9.
For those who’ve gotten a memo at work telling them that office drinking is going the way of Don Draper, independent agency Mother USA has its own message: Maybe it’s time for a new job. Responding to recent news that WPP, advertising’s largest holding company, has banned drinking in work areas at its agencies and…
Independent agency The Social Element may be based in London, but the world–and the internet–is its office. Founder and CEO Tamara Littleton worked on online communities with the BBC before starting the company in her London garage 16 years ago with a 10,000-pound loan from her parents. “We used to talk to each other on…
This year, THORPE PARK Resort has partnered with AMC’s global TV series The Walking Dead to create a series of unmissable events throughout the season.
At the centre of this is The Walking Dead: The Ride, the first ever rollercoaster experience themed on the TV show.
Atlanta is a strong market for Texas Pete Hot Sauce, and in Atlanta traffic is a given. We decided to catch people stuck in traffic on their way home from work when they’re thinking about dinner. We took common phrases that people use to describe our product, “adds a punch, adds kick, more intense flavors” and brought them to life in a short digestible format in a surprising, fun way that catches the listener off guard and make them want some Drama for Your Mouth.
You may know Paul Soter as the cop in cult-comedy classic Super Troopers who says “meow” 10 times during a routine highway stop, but the writer, actor and director has spent the past five years as director of creative development at Los Angeles indie shop Omelet. Soter’s creative vision is responsible for some of the…
Once seen more as an added-value proposition for media placements, publishers’ branded-content labs have expanded to meet growing client demand. Publishing studios increasingly have become an appealing option for creatives at agencies that must regularly churn out work for reviews and struggle to retain talent. Ark Advisors partner Ken Robinson, who specializes in managing agency…
Earth’s biggest advertiser, Procter & Gamble Co., is “piloting” three new agency models that are fast taking over some of its biggest brands in its biggest countries. Among the most notable changes is a new yet-to-be-named multiagency agency led by Publicis Groupe and covering all of P&G’s North American fabric-care business.
That business alone accounts for $525 million in measured U.S. media spending, or about 20 percent of P&G’s $2.7 billion total last year, according to Kantar Media. Saatchi & Saatchi New York CEO Andrea Diquez will head the new unit, according to P&G Chief Brand Officer Marc Pritchard, but it will draw on talent beyond Publicis shops to include WPP and Omnicom shops.
Pritchard is set to reveal details at the 4A’s Accelerate Conference on Monday in a panel alongside Publicis Groupe CEO Arthur Sadoun and Debby Reiner, CEO of WPP’s Grey, New York. In an interview last week prior to his panel, Pritchard outlined to Ad Age the company’s new agency models.