Amazon Developing a Free, Ad-Supported Version of Prime Video


Amazon is developing a free, ad-supported complement to its Prime streaming video service, according to people familiar with its plans. The company is talking with TV networks, movie studios and other media companies about providing programming to the service, they say.

Amazon Prime subscribers pay $99 per year for free shipping but also access to a mix of ad-free TV shows, movies and original series such as “Transparent” and “The Man in the High Castle.” It has dabbled in commercials on Prime to a very limited degree, putting ads inside National Football League games this season and offering smaller opportunities for brand integrations.

A version paid for by advertisers instead of subscribers could provide a new foothold in streaming video for marketers, whose opportunities to run commercials are eroding as audiences drift away from traditional TV and toward ad-free services like Netflix and Prime.

Continue reading at AdAge.com

Best Places to Work 2017


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The Liquor Store Comes to the Internet


Mot Hennessy doesn’t want to use the web to merely offer its luxury champagne, wine and liquor online. It wants to provide the mixologist, bar and glasswareand maybe a trip to Scotland to boot.

The marketer of Dom Prignon, Veuve Clicquot and Belvedere vodka is trying to infuse its online sales with luxury experiences via a new site called Clos19, part of a broader effort among alcohol marketers to get more aggressive about e-commerce after years of trailing other categories. While 20 percent of U.S. shoppers bought groceries online last year, just 8 percent of buyers bought alcohol online, according to Nielsen data cited by e-commerce analytics firm Profitero.

Alcohol has lagged because of a complicated patchwork of post-Prohibition state laws that govern its sale and distribution. Generally, a so-called three-tier system requires most sales to flow from supplier to wholesaler to retailer. That means a beer brand, for instance, can’t take an online order and ship it directly from its warehouse to the consumer.

Continue reading at AdAge.com

Advertisers hit reset button

The onus is on advertisers to demand changes to the media supply chain, and at last they are taking the lead.

How McDonald's busted brand-damaging myths

Leo Burnett helped the fast-food chain return to health by tackling negative rumours such as food-quality perceptions.

Where directors should draw the line

With more pressure from clients to deliver targeted results, agencies are up against it. So where does that leave directors?

Atom Bank's CMO: It's good for marketers to be single-minded

Lisa Wood, chief marketing officer at Atom Bank and one of Campaign’s Power 100, on the potential of AI, how to connect with your audience, and why it’s good to be single-minded.

Why good advertising practice echoes down the ages

We can learn so much about the power of good ideas by looking back, says the executive partner of MullenLowe London.

Radio Jovem Pan: Guillotine, Gallows, Electric Chair

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Radio Jovem Pan

Kill Death. Save Lives. Donate Organs.

Advertising Agency:Martpet, Recife, Brazil
Creative Directors:Edison Martins, Diego Curvêlo
Art Director:Berg Carvalho
Copywriter:Diego Curvêlo
Illustrator:Berg Carvalho
Additional Credit:Ítalo Ferreira

Media Memo: A Rightward Tilt and Big Ratings at Fox News

The network’s prime time hosts, who gave Roy Moore the benefit of the doubt over sexual misconduct allegations, have been drawing viewers after a slump.

Radio Jovem Pan: Electric Chair

Printed advertising created by MartPet, Brazil for Rádio Jovem Pan Recife, within the categories: Public Interest, NGO.

Radio Jovem Pan: Gallows

Printed advertising created by MartPet, Brazil for Rádio Jovem Pan Recife, within the categories: Public Interest, NGO.

Radio Jovem Pan: Guillotine

Printed advertising created by MartPet, Brazil for Rádio Jovem Pan Recife, within the categories: Public Interest, NGO.

Off Madison: Blogging Is The New Busking

OFF MADISON—Blogging is the new busking. Talented writers are presently posted up outside the official news edifice where they’re busy bringing their readers a sharper, more personal point of view on a particular topic of interest. In a recent survey, bloggers said it now takes three hours and twenty minutes, on average, to create a […]

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Mellanox Technologies: Halloween Facial Recognition


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Mellanox Technologies

Halloween is a great time to remember that in real life recognizing the face of evil can be very tricky. Mellanox is proud to empower the leading AI facial recognition applications in the world, making sure that evil can no longer hide.

Credits: VP Creative: Moshe Gellis
Creative Manager:Edo Kariv
Creative Director:Ziv Almog
Art Directors:Effi Shutzberg, avi cohen
Copywriter:Edan Gilboa
Video Editors:Eilon Levy, Tal Miller

Reporters Without Borders: Mount Trump, Mount Kim, Mount Putin

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Reporters Without Borders

The 2017 World Press Freedom Index compiled by Reporters Without Borders reflects a world in which attacks on the media have become commonplace and strongmen are on the rise. We have reached the age of post-truth, propaganda, and suppression of freedoms. This campaign via Jung von Matt/Spree, shows the almost insurmountable challenges journalists are faced with in various corners of the world today and their relentless pursuit to overcome oppression and offer people the truth, no matter the risk.

Advertising Agency:Jung von Matt / Spree, Berlin, Germany
Executive Creative Director:Till Eckel
Creative Directors:Christian Woelky, Stefan Amtmann, Florian Schwalme
Art Director:Dustin Przibilla
Copywriter:Leo Struck
Client Services Director:Steffen Schumann
Project Manager:Cathleen Losch
Production:Illusion

Santa Margherita: Prosecco, Sparkling Rosé

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Santa Margherita

Uncork Extraordinary

Advertising Agency:Markham & Stein Unlimited, Miami, Florida
Chief Creative Officer:Markham Cronin
Associate Creative Director:Aly Perez
Art Director:Michelle Baumgard
Copywriter:Karina Bagdadi
Producer:Alec Lopez
Account Director:Tristan Stevens

Zipfer: Urtypisch Halloween

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Zipfer

Advertising Agency:DDB, Vienna, Austria
Creative Directors:Andreas Spielvogel, Thomas Tatzl
Art Director:Eva Werner
Graphic Designer:Benjamin Hönlinger
Copywriter:Andreas Spielvogel
Digital Artwork:Vienna Paint

Asda: The Imaginarium


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Asda

Advertising Agency:Saatchi & Saatchi, London, United Kingdom
Global Chief Creative Officer:Kate Stanners
Group Creative Director:Sara Rose
Art Director:Cece Chu
Copywriter:Ryan Price
Designer:Teresa Goncalves
Planning Director:Paul Hackett
Account handlers:Danny Josephs, Andy Chisholm, Jennie Gundill, Natasha Griffiths, Patrick Boyce, Walter Bayliss
Production Company:Blink
Director:Los Pérez
Production Company Producer:Ewen Brown
Editor:Joce Hockings
Producer:Zoe Hockings, Annabel Bennett
Postproduction Company:Mpc
Vfx Supervisor:Bevis Jones
Music Licensing:One More Music
Audio PostProduction company:750mph

HP: Reinvent Giving


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HP

Advertising Agency:BBDO, San Francisco, USA
Chief Creative Officer:David Lubars, Matt Miller
BBDO Worldwide:David Lubars
BBDO San Francisco:Matt Miller
Creative Directors:Jakub Szymanski, Alex Stainton
Associate Creative Director:Jason Moussalli, Adam Balogh
Art Director:Jason Moussalli
Copywriter:Adam Balogh
Senior Producer:Amanda Moody
Head Of Integrated Production:Louise Doherty
Business Affairs Manager:Rodney Hameroff
Worldwide Senior Director:Audrey Melofchik
Group Account Director:Elana Shea
Management Supervisor:Diana Wolff
Account Executive:Nivie Roberts
Chief Strategy Officer:Tim Millar
Senior Planning Partner:David Murray
Communications Planning Director:Heidi Keel
Production Company:Rattling Stick, LA & UK
Director:Sara Dunlop
Line Producer:Polly Ruskin
Vfx Company:The Mill, La
Vfx Supervisor:Adam Lambert
Artist:Adam Lambert
Vfx Producer:Karina Slater
Music House:Big Foote, NY
Sound Designer:Big Foote, NY
Edit House:Lost Planet, La
Editors:Andrea Macarthur, Amanda Perry
PostProducer:Aimée Hinkley
Senior Colorists:Adam Scott
Mix Studio:Lime, La
Sound Mixer:Matt Miller