Hungarian Football Federation: There’s No Two Left Feet

Hungary is a football crazy nation, but in the past 40 years success have avoided us. Until last year. With veterans making up the core of the national team, the demand for new talent has never been higher. Unfortunately the people still didn’t believe their kids have the talent to be world class athletes. Clumsy people are often referred to as having two left feet, although no one has taken this expression literally. Until now…

We swapped all the right foot shoes with lefties in a sneaker store, and waited for the reaction. When the kids realised they don’t fit we took them with an even bigger surprise. This is Zoltan Gera, member of the Hungarian National Football team. We literally proved that no kid has two left feet. This is how we promoted the National Football association talent programme for children.

There’s No Two Left Feet

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Colégio Master: Books

Compared to a hard drive, the human brain can save up to 1 million gigabytes. This ad, developed for Colegio Master, shows the amount of books, movies and music that we are able to store within ourselves.

Colégio Master: Movies

Compared to a hard drive, the human brain can save up to 1 million gigabytes. This ad, developed for Colegio Master, shows the amount of books, movies and music that we are able to store within ourselves.

Colégio Master: Music

Compared to a hard drive, the human brain can save up to 1 million gigabytes. This ad, developed for Colegio Master, shows the amount of books, movies and music that we are able to store within ourselves.

Nestle: Time to Move with Smiling Bottles

Nestle Pure Life “Time to Move” Case EN

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RIOgaleão: Fui, Mudei, Voltei

For those who traveled by way of RIOgaleão International Airport during the holidays in July, the season will be unforgettable.

For one entire weekend, passengers who arrived and took off from the airport were able to experience, in their looks and even on their skin, the change that comes from traveling. The activation included makeup, haircut, beard styling and even real tattoos.

All this to show that RIOgaleão has changed, and it’s inviting people to change too, by traveling to a different place.

RIOgaleão: Fui, Mudei, Voltei

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Assista ao trailer do especial de comédia de Jerry Seinfeld na Netflix

“Jerry Before Seinfeld” estreia no dia 19 de setembro

> LEIA MAIS: Assista ao trailer do especial de comédia de Jerry Seinfeld na Netflix

Versão paga do Tinder mostrará quem curtiu você antes de tentar o “match”

Função permite se antecipar e saber quem já te deu “like”

> LEIA MAIS: Versão paga do Tinder mostrará quem curtiu você antes de tentar o “match”

YouTube: confira as novidades e mudança no visual da plataforma

Além de um novo logo, mudanças querem deixar o uso da plataforma ainda mais intuitivo na web e mobile

> LEIA MAIS: YouTube: confira as novidades e mudança no visual da plataforma

Ninguém segura essa novinha: Netflix completa 20 anos hoje

Empresa começou em 1997 como locadora de DVDs via correio

> LEIA MAIS: Ninguém segura essa novinha: Netflix completa 20 anos hoje

Apple desafia Hollywood para vender filmes por menor preço

Empresa quer que filmes 4K custem no máximo 20 dólares

> LEIA MAIS: Apple desafia Hollywood para vender filmes por menor preço

Novo clipe de Taylor Swift tem maior estreia da história do YouTube

Clipe ultrapassou a marca do sul-coreano Psy

> LEIA MAIS: Novo clipe de Taylor Swift tem maior estreia da história do YouTube

Max Pfennighaus Leaves VSA Partners to Join Global Consultancy Lippincott as Design Partner

VSA Partners executive creative director Max Pfennighaus has left the agency after around a year and a half to join global consultancy Lippincott as partner, design and brand expression.

“Max’s hire bridges both our brand and innovation practices so that we can more deeply deliver user experiences that are unique and distinctive to the brands we work with,” Lippincott global creative director Connie Birdsall said in a statement to AgencySpy. “We’re focused on bringing the superior design craft in our core brand business to how we deliver innovation to our clients. Max brings a unique perspective to that endeavor, as someone whose experience ranges from big idea advertising to media-driven storytelling to digital personality branding.”

Pfennighaus joined VSA Partners last year after leading The New York Times’ 50-person creative department as executive creative director beginning in September 2014. Prior to The New York Times Pfennighaus served as director of marketing and branding for NPR for a year and a half. 

“I spent 13 years in advertising before I moved to NPR and began working with one of the most prestigious digital product crews I’d ever worked with,” Pfennighaus told AgencySpy. “The great thing about being in-house is having the opportunity to really understand how the organization works, holistically…Having that level of empathy for what an organization does and the people behind it ultimately reflects in the work. It is harder to do that from the outside, but I apply that understanding and respect in what I do now.”

Pfennighaus said that The New York Times was “a great deep dive on the impracticalities of keeping the organization growing in a changing landscape. I learned the balance between the poetic nature of storytelling and the more rational realisms of running an organization…Yet I was always a design voice in the context of a lot of non-designers and had never really worked in the company of an army of design folks before.”

“VSA was a wonderful experience because it was a design centered place that allowed me to focus on how stuff works and not just the advertising.”

“At Lippincott, I can take this even further. Not only do they have a storied legacy of a very broad definition of design (digital, experiential etc.), but the firm has just as strong roots in strategy,” he added. “Lippincott has built its reputation doing the thing I learned was so vital for business while at NPR and the NYT…When you have an organization with design at its heart, it’s inevitable for design to want to reach as far as possible into the business to help ideas manifest.”

“What excites me most about Lippincott is all of the digital innovation work I get to roll up my sleeves and jump in on. I’m already working on a number of global projects in the digital product space, thinking about how a brand translates into that experience.”

U.S. Army Extends McCann’s Contract Again as Agency Continues to Protest Elimination from Creative Review

The U.S. Army can’t quite seem to make up its mind on McCann.

Today, the government entity officially extended the IPG network’s contract yet again, modifying its existing agreement to add another 12 months or $524,100,000 to its relationship.

This development is the latest in the long and dramatic story of the Army’s creative review, which officially began with an agency outreach effort in 2014 and could—according to a client spokesperson—be worth up to $4 billion over a decade. (Three years ago, a rep placed overall spending on the Army’s marketing efforts at around $200 million per year.)

Approximately one year after that initial news, the Army extended McCann’s contract by 18 months in what looked like a vote of confidence after a 10-year relationship.

The official RFP went out in January, and six months later the Army surprised everyone involved by officially disqualifying McCann due to a couple of technicalities that, according to our sources, involved document formatting and the agency’s status as a certified contractor despite its 11-plus year relationship with the Army.

McCann responded by filing an official complaint with the Government Accountability Office.

Now here’s the official Army take from today:

McCann World Group Inc., New York, New York, has been awarded a $524,100,000 modification (P00023) to contract W9124D-11-D-0036 to extend the performance period for services in support of the Army Marketing and Advertising Program. Work locations and funding will be determined with each order, with an estimated completion date of Sept. 28, 2018. U.S. Army Contracting Command, Fort Sam Houston, Texas, is the contracting activity.

Given the context, that’s good news for IPG, and some financial analysts noted the development this morning.

But it also hints at the opaque nature of the relationship between public entities and their advertising partners. The extension would certainly seem to support McCann’s work, and the disagreement that led to the agency’s elimination was handled by the Army’s contracting department rather than its marketing and PR division.

But McCann remains shut out of the review. According to parties who spoke to us about it earlier this summer, that leaves Omnicom and WPP as the final competitors.

However, if we’ve learned anything from Y&R, Navy, Campbell Ewald and decades of federal contracts before them, these sorts of challenges tend to take a very long time. Y&R, for example, didn’t start working on the Navy business until about a year after winning the review. And even if/when McCann’s official complaint is resolved or dismissed, the agency could still theoretically take its case to court in arguing that it was unfairly disqualified.

A McCann spokesperson declined to comment on the news. We reached out to both the Army’s marketing rep and the head of its contracting division this afternoon, and neither have responded.

BETC Luxe and Yves Saint Laurent Ask, Why Gen Y?

BETC Luxe launched a campaign for Yves Saint Laurent’s new fragrance Y which is designed to appeal to, you guessed it, millenials.

A new spot, entitled “Y,” offers a sort of Gen Y anthem for the crowd that every marketer lusts after. The spot, which was shot by Iconoclast director Manu Cossu,opens with the line “Why, it makes everything possible.”

“Why follow old paths when I can create new ones?” it asks over footage of three millenial brand ambassadors: rapper Loyle Carner (who also provides the soundtrack), artificial intelligence researcher Alexandre Robicquet and sculptor David Alexander Flinn.

“Y” continues to wax philosophical with the argument that “Why is not a weakness, it’s a strength” and one that can “break down walls,” and “build new worlds.”

Are you playing along on your millenial buzz word bingo card?

The spot concludes with the tagline “Everything starts with a why” before an awkward pivot to the brand.

“Y” is, to put it mildly,  a bit too direct in its intentions to appeal to its target demographic. And that’s something that, of course, is notoriously off-putting to millenials.

“We wanted modern, yet authentic, shots to capture the universe of our three ambassadors,” BETC Luxe creative director Guillaume Rebbot said in a statement. “Manu Cossu was the right person for the job. We loved the way he directed music videos for A$AP Rocky,Gesaffelstein or Drake. He brings a strong aesthetic and is able to shoot arresting and visual images.”

The campaign also features a print component, with the three brand ambassadors shot by photographer Matt Lambert.

Credits: 
Brand: Yves Saint Laurent
Ad Agency: BETC Luxe
Creative Director: Guillaume Rebbot
Creatives: Fanny Buratto, Maud Lepetit
Art Director: Julie Richard
Director: Manu Cossu
Production Company: Iconoclast
Music Track: The Isle of Arran (Loyle Carner)

Tuesday Odds and Ends

-Ogilvy & Mather London launched this “Le Scarecrow Suprême” campaign for beer brand Kronenbourg 1664 (video above).

-Recently lose your job? Burger King is offering #WhopperSeverance.

-Experience marketing agency George P Johnson is raising rhino conservation awareness for Cisco Systems using augmented reality

John McGee thinks “Time may be running out for traditional ad agencies.”

-Winston-Salem agency The Variable promoted David Mullen to president and named him partner. 

-Hollywood entertainment marketing agency Mob Scene acquired social media branding firm Gin + Tonic Labs.

-European cosmetics brand BeYu selected Baltimore-based agency Planit to support its official launch in the U.S.

‘The World’s Most Remote Pop-Up Shop’ Handed Out Gear 300 Feet Up a Sheer Cliff

Climbers on the iconic Bastille in Eldorado Canyon deal with heavy winds, pouring rain and temperatures that can rise and fall by as much as 40 degrees in August. As prepped as they might be, they could likely use an extra layer or two on their way to the top of this picturesque mountain outside…

Is Adland A Risky Place for Investors?

The stock market is on fire. So, why are advertising agency stocks are languishing on the vine? According to The New York Times, WPP, which owns agencies including Y&R and Ogilvy & Mather, said annual net sales may be flat or grow up to 1 percent as it reported that the measure shrank in the […]

The post Is Adland A Risky Place for Investors? appeared first on Adpulp.

Watch the Newest Ads on TV From Esurance, Hotels.com, Little Caesars and More


Every weekday, we bring you the Ad Age/iSpot Hot Spots, new TV commercials tracked by iSpot.tv, the real-time TV ad measurement company with attention and conversion analytics from 10 million smart TVs. The ads here ran on national TV for the first time yesterday.

A few highlights: Esurance shows how its app can help you find exactly the right coverage — just like a dating app can help you find your “perfect match.” In an Old Spice spot, a coach finds something kind of suspicious in Von Miller’s locker — but he’s got a great explanation for it. And a son demotes his supposed “#1 Dad” in a brutal Little Caesars ad.

Continue reading at AdAge.com

Watch the Newest Ads on TV From Esurance, Hotels.com, Little Caesars and More


Every weekday, we bring you the Ad Age/iSpot Hot Spots, new TV commercials tracked by iSpot.tv, the real-time TV ad measurement company with attention and conversion analytics from 10 million smart TVs. The ads here ran on national TV for the first time yesterday.

A few highlights: Esurance shows how its app can help you find exactly the right coverage — just like a dating app can help you find your “perfect match.” In an Old Spice spot, a coach finds something kind of suspicious in Von Miller’s locker — but he’s got a great explanation for it. And a son demotes his supposed “#1 Dad” in a brutal Little Caesars ad.

Continue reading at AdAge.com