Bleacher Report Poaches Conde Nast Executive As It Widens Focus


Sports website Bleacher Report is putting a former Conde Nast executive in charge of its plan to siphon off more advertising revenue from online giants like Facebook.

The company, part of Time Warner’s Turner unit, named Howard Mittman as its first chief marketing officer and chief revenue officer. He’ll work on new advertising opportunities for brands like AT&T, Gatorade and Ford Motor, reporting to Bleacher Report CEO Dave Finocchio, starting Aug. 14.

Turner, which owns the cable networks TNT and TBS, is trying to position Bleacher Report as a viable alternative to Facebook and Google for marketers seeking to reach young audiences. Brands will be more relevant to millennials if they shift some of their Facebook advertising budgets — even just 5% — to the sports website, Finocchio said.

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NYT's Haberman: The Trump White House's Rival Gangs Are Like 'the Bloods and the Crips'


Ad Age “Media Guy” columnist Simon Dumenco’s media roundup for the morning of Monday, July 24:

Today’s theme, dear reader, is tranquility. I kid! Actually, it’s gang warfare — with side orders of fake sharks, lame meetings and deleted tweets. Anyway, let’s get started …

1. Helpful!: “President Donald Trump has the power to pardon his family and staff, but perhaps not the power to pardon himself,” per “Who President Trump can pardon, and who he can’t,” a Marketwatch post this morning by Robert Schroeder. “Questions about who Trump has the power to pardon began swirling in the wake of a Washington Post report last week that the president’s lawyers are examining those powers, as a way to undercut special counsel Robert Mueller’s probe into Russian meddling in the presidential election. On Saturday, Trump said presidents have ‘complete power’ to issue pardons.”

Continue reading at AdAge.com

CMOs Shouldn't Buy Tech, Ever!


According to Gartner, 2017 is the year chief marketing officers will buy more tech than chief information officers. This is truly unfortunate. CMOs should never buy tech, ever! Buying tech should be left to technical managers who understand the technical debt each “bolted-on solution” is likely to cause. A quick tech overview of a typical (albeit oversimplified and incomplete) marketing tech stack illustrates the problem:

Contacts

Contact Acquisition, Nurturing, Retention, Customer Success

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Subway Begins North America Agency Review


Subway is launching a formal North America agency review that could include bringing creative and media together as the sandwich chain tries to bounce back to growth under a new marketing executive.

Subway’s U.S. sales fell 1.7% to $11.3 billion in 2016, making it the only restaurant among the top 10 chains to post a decline, according to Technomic.

Subway said it is “looking for partners with deep expertise and focus on content, connection, and analytics.” The company hopes to have a new agency or agencies in place by early next year, it said.

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AT&T Said to Be in Early Government Talks for Time Warner Approval


U.S. antitrust officials have started talking to representatives from AT&T and Time Warner about possible conditions that could secure approval of their $85.4 billion tie-up, according to people familiar with the matter.

The early-stage discussions suggest that government lawyers have nearly finished their months-long look at how AT&T, the biggest pay-TV distributor, would reshape the media landscape with its bid for the owner of CNN and HBO — and shows that the sides have moved on to talking about how they can make the merger work without harming rivals.

U.S. antitrust officials, who have blocked many tie-ups between direct competitors, rarely step in to stop vertical deals like this one. But the Justice Department is under pressure not to wave this merger through. Media and pay-TV competitors have told department lawyers they fear AT&T would favor the in-house programming that it would acquire, two people familiar with the matter said. Democratic lawmakers have said the deal could lead to higher prices and fewer choices. And President Donald Trump said during the campaign that the tie-up would concentrate media power.

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Pokmon Go Never Went Away. Neither Did Its Technical Woes


Pokmon Go was an international phenomenon last fall, sending players wandering streets and parks to capture little creatures displayed on their smartphones. Months later, after Pokmon hysteria dissipated and manic crowds dispersed, only the most devoted players remain. And it turns out there are millions of themsome of whom will even turn up for a festival in Chicago.

About 60 million people still play Pokmon Go each month, according to data from mobile app research firm Apptopia, and one in five of those players opens the game on a daily basis. Over the past year, the research firm found, the app has been downloaded 755 million times and has earned more than $1.2 billion in revenue since its July 2016 debut.

That durable popularity, even after nonplayers stopped reading about the game in trend stories, helps explain why thousands of hardcore players flocked to Chicago’s Grant Park this past weekend to take part in a sold-out festival. Ticket-holders were promised the chance to catch rare monsters and hang with other fans wearing Pikachu costumes and Magikarp helmets.

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Watch the Newest Ads on TV From Apple Music, Target, Samsung and More


Every weekday, we bring you the Ad Age/iSpot Hot Spots, new TV commercials tracked by iSpot.tv, the real-time TV ad measurement company with attention and conversion analytics from 10 million smart TVs. The ads here ran on national TV for the first time over the weekend.

A few highlights: Samsung Mobile serves up a funny ad demonstrating one of the hazards of bringing your smartphone to the beach. Target hypes itself as a back-to-school shopping destination with one of its signature vividly colorful spots. And Brantley Gilbert stars in a moody, black-and-white commercial for Apple Music that visually celebrates “the open road.”

Continue reading at AdAge.com

Samsung: The polar story


Film
Samsung

Advertising Agency:Cheil Worldwide, Kiev, Ukraine
Creative Director:Vladyslava Denys
Art Director:Alessandro Falcone, Eugene Ovchar
Project:Alessandro Falcone
Product Scenes:Eugene Ovchar
Copywriter:Olexander Korzh
Account Director:Olexiy Polischuk
President:Irina Solovyova
Photographer:Vladimir Tochanenko
Director:Max Ksjonda, DGTL RLGN
Production Company:Max Ksjonda, DGTL RLGN
Producer:Vitaliy Sheremetyev
Post Production:Coffee Post
Sound Design:Propeller Studio
DoP:Lena Chekhovsky

Genesis: Driver versus Dog


Film
Genesis

A chauffeur in a GENESIS G90 picks up a Los Angeles starlet – and faces her fierce little dog on an epic journey to Hollywood.

Advertising Agency:Jung Von Matt/Neckar, Stuttgart, Germany
Executive Creative Director:Peter Waibel
Senior Copywriter:Michael Maria Morgenbesser
Art Director:Stefan Wittemann
Director:Wayne Mcclammy
Production:Hungry Man Productions, BIGFISH, Berlin

Ford Motorcraft: The campaign for car sensitivity


PR, Online
Ford

Advertising Agency:Mindshare, Copenhagen, Denmark
Creative Director:Kenneth Kaadtmann
Art Director:Viva Galbiati
Copywriter:Sune Overby, Kenneth Kaadtmann
Junior Copywriter:Emilie Haugelund
Producer:Christian Juliussen
Director:Sune Svanborg

Under Armour: Jessie Graff – Unlike Any


Film
Under Armour

Advertising Agency:Droga5, New York, USA
Creative Chairman:David Droga
Chief Creative Officer:Ted Royer
Executive Creative Directors:Felix Richter, Alexander Nowak
Senior Copywriter:Doug Hamilton
Senior Art Director:Kia Heinnen
Art Director:Castro Desroches
Junior Copywriter:Diana Perez
Chief Creation Officer:Sally-Ann Dale
CoDirectors of Film Production:Jesse Brihn, Bryan Litman
Senior Producer:Rebecca Wilmer, Bianca Escobar, Sari Resnick, Guin Frehling
Film:Rebecca Wilmer, Nathan Pardee
Producer:Nathan Pardee, Snu Nagaraj, Jenna Gabriel
Music Supervisors:Ryan Barkan, Mike Ladman
Business Affairs Manager:Mairéad Murray
Director Of Interactive Production:Niklas Lindstrom
Director Of Art Production:Cliff Lewis
Art:Bianca Escobar
Director Of Print Services:Rob Lugo
Global Chief Strategy Officer:Jonny Bauer
CoHead of Strategy:Harry Roman-Torres
Group Strategy Director:Will Davie
Strategist:Newman Granger
Head Of Communications Strategy:Colleen Leddy
Communications Strategy Director:Hillary Heath
Senior Communications Strategist:Kathryn Ruocco
Chief Intelligence Officer:Amy Avery
Data Strategist:Kaveri Gautam
Executive Group Director:Julian Cheevers
Group Account Director:Shane Chastang
Account Director:Lucy Santilli
Account Supervisor:Kate Tyler Monroe
Associate Account Manager:Megan Haggerty
Group Project Manager:Bill Wilson
Senior Project Manager:Carolyn Brafman
Production Company:Agile Films
Director:Georgia Hudson
DoP:Zoe White
Executive Producer:Myles Payne, Erica Thompson, Dani Zeitlin, Zach Rice, Vicky Ferraro
Head of Content:Alex Chamberlain
Line Producer:Martha English
Editorial:Work Editorial
Editor:Cass Vanini
Assistant Editors:Trevor Myers, Theo Mercado
Post Production:Blacksmith
Executive Producers:Charlotte Arnold, Megan Sweet
VFX Shoot Supervisors:Daniel Morris, Melissa Graff
2D Leads:Daniel Morris, Melissa Graff
2D artists:Iwan Zwarts, Margolit Steiner, Jacob Slutsky, Caio Sorrentino, Tuna Unalan, Trace VFX
3D Tracking:QL Beans
Designer:Min Liu
Color:Mpc
Colorist:Adrian Seery
Music:Q Department
Creative Director:Drazen Bosnjak
Sound:Gramercy Park Studios
Audio Engineer:Chris Afzal
Sound Designer:Chris Afzal
Associate Producer:Laura Goehrke

Under Armour: Natasha Hastings – Unlike Any


Film
Under Armour

Advertising Agency:Droga5, New York, USA
Creative Chairman:David Droga
Chief Creative Officer:Ted Royer
Executive Creative Directors:Felix Richter, Alexander Nowak
Senior Copywriter:Doug Hamilton
Senior Art Director:Kia Heinnen
Art Director:Castro Desroches
Junior Copywriter:Diana Perez
Chief Creation Officer:Sally-Ann Dale
CoDirectors of Film Production:Jesse Brihn, Bryan Litman
Senior Producer:Rebecca Wilmer, Bianca Escobar, Sari Resnick, Guin Frehling
Film:Rebecca Wilmer, Nathan Pardee
Producer:Nathan Pardee, Snu Nagaraj, Jenna Gabriel
Music Supervisors:Ryan Barkan, Mike Ladman
Business Affairs Manager:Mairéad Murray
Director Of Interactive Production:Niklas Lindstrom
Director Of Art Production:Cliff Lewis
Art:Bianca Escobar
Director Of Print Services:Rob Lugo
Global Chief Strategy Officer:Jonny Bauer
CoHead of Strategy:Harry Roman-Torres
Group Strategy Director:Will Davie
Strategist:Newman Granger
Head Of Communications Strategy:Colleen Leddy
Communications Strategy Director:Hillary Heath
Senior Communications Strategist:Kathryn Ruocco
Chief Intelligence Officer:Amy Avery
Data Strategist:Kaveri Gautam
Executive Group Director:Julian Cheevers
Group Account Director:Shane Chastang
Account Director:Lucy Santilli
Account Supervisor:Kate Tyler Monroe
Associate Account Manager:Megan Haggerty
Group Project Manager:Bill Wilson
Senior Project Manager:Carolyn Brafman
Production Company:Agile Films
Director:Georgia Hudson
DoP:Zoe White
Executive Producer:Myles Payne, Erica Thompson, Dani Zeitlin, Zach Rice, Vicky Ferraro
Head of Content:Alex Chamberlain
Line Producer:Martha English
Editorial:Work Editorial
Editor:Ben Jordan
Assistant Editors:Trevor Myers, Theo Mercado
Post Production:Blacksmith
Executive Producers:Charlotte Arnold, Megan Sweet
VFX Shoot Supervisors:Daniel Morris, Melissa Graff
2D Leads:Daniel Morris, Melissa Graff
2D artists:Iwan Zwarts, Margolit Steiner, Jacob Slutsky, Caio Sorrentino, Tuna Unalan, Trace VFX
3D Tracking:QL Beans
Designer:Min Liu
Color:Mpc
Colorist:Adrian Seery
Music:Q Department
Creative Director:Drazen Bosnjak
Sound:Gramercy Park Studios
Audio Engineer:Chris Afzal
Sound Designer:Chris Afzal
Associate Producer:Laura Goehrke

Under Armour: Zoe Zhang – Unlike Any


Film
Under Armour

Advertising Agency:Droga5, New York, USA
Creative Chairman:David Droga
Chief Creative Officer:Ted Royer
Executive Creative Directors:Felix Richter, Alexander Nowak
Senior Copywriter:Doug Hamilton
Senior Art Director:Kia Heinnen
Art Director:Castro Desroches
Junior Copywriter:Diana Perez
Chief Creation Officer:Sally-Ann Dale
CoDirectors of Film Production:Jesse Brihn, Bryan Litman
Senior Producer:Rebecca Wilmer, Bianca Escobar, Sari Resnick, Guin Frehling
Film:Rebecca Wilmer, Nathan Pardee
Producer:Nathan Pardee, Snu Nagaraj, Jenna Gabriel
Music Supervisors:Ryan Barkan, Mike Ladman
Business Affairs Manager:Mairéad Murray
Director Of Interactive Production:Niklas Lindstrom
Director Of Art Production:Cliff Lewis
Art:Bianca Escobar
Director Of Print Services:Rob Lugo
Global Chief Strategy Officer:Jonny Bauer
CoHead of Strategy:Harry Roman-Torres
Group Strategy Director:Will Davie
Strategist:Newman Granger
Head Of Communications Strategy:Colleen Leddy
Communications Strategy Director:Hillary Heath
Senior Communications Strategist:Kathryn Ruocco
Chief Intelligence Officer:Amy Avery
Data Strategist:Kaveri Gautam
Executive Group Director:Julian Cheevers
Group Account Director:Shane Chastang
Account Director:Lucy Santilli
Account Supervisor:Kate Tyler Monroe
Associate Account Manager:Megan Haggerty
Group Project Manager:Bill Wilson
Senior Project Manager:Carolyn Brafman
Production Company:Agile Films
Director:Georgia Hudson
DoP:Zoe White
Executive Producer:Myles Payne, Erica Thompson, Dani Zeitlin, Zach Rice, Vicky Ferraro
Head of Content:Alex Chamberlain
Line Producer:Martha English
Editorial:Work Editorial
Editor:Cass Vanini
Assistant Editors:Trevor Myers, Theo Mercado
Post Production:Blacksmith
Executive Producers:Charlotte Arnold, Megan Sweet
VFX Shoot Supervisors:Daniel Morris, Melissa Graff
2D Leads:Daniel Morris, Melissa Graff
2D artists:Iwan Zwarts, Margolit Steiner, Jacob Slutsky, Caio Sorrentino, Tuna Unalan, Trace VFX
3D Tracking:QL Beans
Designer:Min Liu
Color:Mpc
Colorist:Adrian Seery
Music:Q Department
Creative Director:Drazen Bosnjak
Sound:Gramercy Park Studios
Audio Engineer:Chris Afzal
Sound Designer:Chris Afzal
Associate Producer:Laura Goehrke

Under Armour: Alison Désir – Unlike Any


Film
Under Armour

Advertising Agency:Droga5, New York, USA
Creative Chairman:David Droga
Chief Creative Officer:Ted Royer
Executive Creative Directors:Felix Richter, Alexander Nowak
Senior Copywriter:Doug Hamilton
Senior Art Director:Kia Heinnen
Art Director:Castro Desroches
Junior Copywriter:Diana Perez
Chief Creation Officer:Sally-Ann Dale
CoDirectors of Film Production:Jesse Brihn, Bryan Litman
Senior Producer:Rebecca Wilmer, Bianca Escobar, Sari Resnick, Guin Frehling
Film:Rebecca Wilmer, Nathan Pardee
Producer:Nathan Pardee, Snu Nagaraj, Jenna Gabriel
Music Supervisors:Ryan Barkan, Mike Ladman
Business Affairs Manager:Mairéad Murray
Director Of Interactive Production:Niklas Lindstrom
Director Of Art Production:Cliff Lewis
Art:Bianca Escobar
Director Of Print Services:Rob Lugo
Global Chief Strategy Officer:Jonny Bauer
CoHead of Strategy:Harry Roman-Torres
Group Strategy Director:Will Davie
Strategist:Newman Granger
Head Of Communications Strategy:Colleen Leddy
Communications Strategy Director:Hillary Heath
Senior Communications Strategist:Kathryn Ruocco
Chief Intelligence Officer:Amy Avery
Data Strategist:Kaveri Gautam
Executive Group Director:Julian Cheevers
Group Account Director:Shane Chastang
Account Director:Lucy Santilli
Account Supervisor:Kate Tyler Monroe
Associate Account Manager:Megan Haggerty
Group Project Manager:Bill Wilson
Senior Project Manager:Carolyn Brafman
Production Company:Agile Films
Director:Georgia Hudson
DoP:Zoe White
Executive Producer:Myles Payne, Erica Thompson, Dani Zeitlin, Zach Rice, Vicky Ferraro
Head of Content:Alex Chamberlain
Line Producer:Martha English
Editorial:Work Editorial
Editor:Ben Jordan
Assistant Editors:Trevor Myers, Theo Mercado
Post Production:Blacksmith
Executive Producers:Charlotte Arnold, Megan Sweet
VFX Shoot Supervisors:Daniel Morris, Melissa Graff
2D Leads:Daniel Morris, Melissa Graff
2D artists:Iwan Zwarts, Margolit Steiner, Jacob Slutsky, Caio Sorrentino, Tuna Unalan, Trace VFX
3D Tracking:QL Beans
Designer:Min Liu
Color:Mpc
Colorist:Adrian Seery
Music:Q Department
Creative Director:Drazen Bosnjak
Sound:Gramercy Park Studios
Audio Engineer:Chris Afzal
Sound Designer:Chris Afzal
Associate Producer:Laura Goehrke

Under Armour: Misty Copeland – Unlike Any


Film
Under Armour

Advertising Agency:Droga5, New York, USA
Creative Chairman:David Droga
Chief Creative Officer:Ted Royer
Executive Creative Directors:Felix Richter, Alexander Nowak
Senior Copywriter:Doug Hamilton
Senior Art Director:Kia Heinnen
Art Director:Castro Desroches
Junior Copywriter:Diana Perez
Chief Creation Officer:Sally-Ann Dale
CoDirectors of Film Production:Jesse Brihn, Bryan Litman
Senior Producer:Rebecca Wilmer, Bianca Escobar, Sari Resnick, Guin Frehling
Film:Rebecca Wilmer, Nathan Pardee
Producer:Nathan Pardee, Snu Nagaraj, Jenna Gabriel
Music Supervisors:Ryan Barkan, Mike Ladman
Business Affairs Manager:Mairéad Murray
Director Of Interactive Production:Niklas Lindstrom
Director Of Art Production:Cliff Lewis
Art:Bianca Escobar
Director Of Print Services:Rob Lugo
Global Chief Strategy Officer:Jonny Bauer
CoHead of Strategy:Harry Roman-Torres
Group Strategy Director:Will Davie
Strategist:Newman Granger
Head Of Communications Strategy:Colleen Leddy
Communications Strategy Director:Hillary Heath
Senior Communications Strategist:Kathryn Ruocco
Chief Intelligence Officer:Amy Avery
Data Strategist:Kaveri Gautam
Executive Group Director:Julian Cheevers
Group Account Director:Shane Chastang
Account Director:Lucy Santilli
Account Supervisor:Kate Tyler Monroe
Associate Account Manager:Megan Haggerty
Group Project Manager:Bill Wilson
Senior Project Manager:Carolyn Brafman
Production Company:Agile Films
Director:Georgia Hudson
DoP:Zoe White
Executive Producer:Myles Payne, Erica Thompson, Dani Zeitlin, Zach Rice, Vicky Ferraro
Head of Content:Alex Chamberlain
Line Producer:Martha English
Editorial:Work Editorial
Editor:Cass Vanini
Assistant Editors:Trevor Myers, Theo Mercado
Post Production:Blacksmith
Executive Producers:Charlotte Arnold, Megan Sweet
VFX Shoot Supervisors:Daniel Morris, Melissa Graff
2D Leads:Daniel Morris, Melissa Graff
2D artists:Iwan Zwarts, Margolit Steiner, Jacob Slutsky, Caio Sorrentino, Tuna Unalan, Trace VFX
3D Tracking:QL Beans
Designer:Min Liu
Color:Mpc
Colorist:Adrian Seery
Music:Q Department
Creative Director:Drazen Bosnjak
Sound:Gramercy Park Studios
Audio Engineer:Chris Afzal
Sound Designer:Chris Afzal
Associate Producer:Laura Goehrke

Newsweek: Olympic Drunk, Humanitarian Invasion, Victory Resignation, Galaxy Explosion

Print
Newsweek

Some news needs a week.

Advertising Agency:Y&R Prague, Czech Republic
Regional Chief Creative Officer:Jaime Mandelbaum
Executive Creative Director:Tereza Sverakova
Creative Director:Dora Pruzincova, Atila Martins
Art Director:Jan Siller
Retouch:Jan Siller, Monika Zahem, Jan Kroupa, Viliam Pangrac
Copywriter:Jaroslav Kratochvila
Photographer:Pavel Hejny
Agency Producer:Tomas Tomasek
Executive Managing Director:Tomas Dvorak

iPhone 7 "The Rock x Siri Dominate the Day" (2017) 3:30 (USA)

Dwayne Johnson, I.E. The Rock is crosses off his life goals list with the help of Siri, including being a Lyft Driver and flying himself to Rome to paint a fresco, start a fashion line, cook with Chef Ludo, play traditional Asian instruments at a concert, taking a selfie from space, and sorry I don’t care who you get to use Siri, because Siri is stupid. This spot all but acknowledges it, because the only way you could make Siri interesting is to pay a mega celebrity to use it in all kinds of hyperbolic ways. The Rock is a great cast choice, however, as he’s likable enough to keep this spot from being yet another “rich person plays hooky from work” execution we’ve seen ad nauseam.
Also did anyone else notice that during the fashion show, The Rock looked like the evil speaker from Apple’s 1984 spot? If that was a nod to the past, I hope it was ironic. Considering how giant Apple is today, I’m afraid it’s not.
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Bmw "Leftover Art" (2017) 1:37 (The Netherlands)

BMW asks “What to do with your left shoe.” Why? Easy– they were creating awareness that they now offer free automatic transmission on every new BMW. Research showed their urban demographic was buying the less expensive manual stick shift version.

So in other to spread the word, Leftover Art was born. They tapped Dutch designer duo Annebel & Esther, to repurpose some old left shoes and make them into something new. The birdhouse was a particularly fun idea, but there was also a fan that turned itself on when the room was getting too hot a lamp, planter and more The designers are based in Rotterdam and just graduated from the Willem de-Kooning Academy.

Neat idea but without the accompanying press release explaining the purpose I wouldn’t have known it was for BMW or why BMW was even doing it. I wonder if they had an exhibit/ Always feels like when it comes to things like art, making it experiential is a nice touch.

Commercials: 
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Chiltern Railways "Really Big Deal" (2017) :30 (UK)

How do you let people know that Chiltern Railways Family Travelcard is a really big deal? You record a radio spot with the voice over guy reading the script as he descends ArcelorMittal Orbit, the world’s biggest slide. Quite silly but hey, how else are you gonna get people to pay attention to radio? Love the fact they filmed it, too.
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Chiltern Railways has some really big deals

Summer– it’s a really big deal. So big in fact, your Chiltern Family Travelcard starting at just £25 will get you return travel, two for one entry at top London attractions and unlimited bus and tube travel. Considering how bloody expensive the tube is these days, that is a really good deal indeed.

Commercials: 
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