Dulux: The Invincibles

To celebrate Dulux Weathershield’s most weather-durable paint, advertising agency Boys & Girls went in search of Ireland’s most weather-durable people – meet ‘The Invincibles’.

Shot in Myrtleville beach, Co.Cork, ‘The Invincibles’ explores the story of Tom Bermingham, Mairead Ni Mhaoileóin and Tom McCarthy, three open water
swimmers who are dedicated to the water all year round – rail, hail or shine. ‘The Invincibles’ gave us an opportunity to tell a story that could live beyond the confines of a traditional TV commercial,” stated Creative Director Laurence O’Byrne. “But even though it’s not TV, the same principles apply – find the idea, and craft it into something special.”

The short documentary is the first in its kind for Dulux and very different territory for Weathershield, telling the story of what in truth is a very functional product in a way that drives emotion & admiration.

Owned social platforms became the driving force behind the campaign using both Facebook & Twitter as the launch pads. Using video teasers and stunning imagery, the target audience were directed to a bespoke landing page which not only gave our Invincible’s a home, it also allowed Dulux tell the Weathershield story from another perspective, giving further merit to it’s product benefits and marketing leading product.

In order to complete the customer journey with a cohesive link between campaign and product, we took the creative idea in store with various POS elements across national and independent stores.

Video of Dulux Weathershield – The Invincibles

Burger King lança creme dental do Whopper

A semana de piadinhas e pegadinhas de primeiro de abril já começaram e um bastante divertido foi o produzido pelo Burger King da França. A rede de fast food publicou em seu canal no YouTube um comercial do “Whopper Toothpaste“, um creme dental para aqueles que não querem parar de sentir o gosto do principal […]

> LEIA MAIS: Burger King lança creme dental do Whopper

Maybe Watch This New 'Game of Thrones' Promo Instead of the Mike Flynn Show


Ad Age “Media Guy” columnist Simon Dumenco’s media roundup for the morning of Friday, March 31::

What can you expect in today’s media scan? Let me quote an expert: “I will say it’s everything. It’s the highs and lows, brightness and darkness, alpha to omega, a quiet-loud-sad-happy tragiredemptive circus of emotion, anguish, and grace. I hope people feel it all come together and have that rush you feel when the roller coaster finally coasts back to the platform.” OK, actually that’s showrunner Scott M. Gimple describing this Sunday’s season finale of “The Walking Dead” to Entertainment Weekly’s Dalton Ross. But it more or less appliies here too! Anyway, let’s get started …

1. At 9:37 p.m. ET last night, a “Breaking News” alert from The New York Times landed in our email inbox: “Michael Flynn wants to talk to congressional investigators examining the Trump team’s ties to Russia. But first he wants immunity” — linking to a story by Mark Mazzetti and Matthew Rosenberg headlined “Michael Flynn Offers to Testify Before Congress in Exchange for Immunity.” Naturally, that’s one of the stories dominating the morning news cycle — along with a certain flaming freeway. (For that story, check out “7 things to know about the fiery I-85 bridge collapse” via The Atlanta Journal-Constitution.)

Continue reading at AdAge.com

Post-Workout OJ Smoothies – This Delicious Greek Yogurt Smoothie is made with Florida Orange Juice (GALLERY)

(TrendHunter.com) The Florida Orange Cinnamon Smoothie requires only a handful of healthy ingredients, with the recipe serving two: one and a half cups of Florida orange juice, six-ounces of low-fat vanilla-flavored…

R/GA Expands Its Relationship with Samsung to Include Broadcast TV Work

R/GA has moved further into “traditional” agency turf by way of multinational tech conglomerate Samsung.

Multiple parties have confirmed that R/GA significantly expanded its global remit for the Korea-based company starting in late 2016. Earlier this week, the client’s North American CMO Marc Mathieu confirmed to Adweek that R/GA would be working on its “most ambitious marketing campaign yet” to promote the new Galaxy S8 phone along with W+K and design agency Turner Duckworth. (And then there was the Leo Burnett spot promoting Gear VR. Lots of moving parts here.)

The R/GA ads in question are not “live” yet, but they’re broadcast. And they play on nature themes.

Back in January, we posted on the client moving its global social media business to Bob Greenberg’s agency and away from Big Spaceship, which closed its Seoul office in December after losing AOR status. R/GA has been working with Samsung since it won a digital AOR review in 2013; the business had previously been with Razorfish for less than a year.

According to our sources, R/GA added broadcast TV to its expanding list of Samsung responsibilities for the first time beyond the digital and social media work. Beyond the Galaxy S8, R/GA will also be creating future campaigns to promote the client’s kitchen appliances division.

These wins happened around the same time as the social media transition, but it’s not clear whether there was a formal review because no one has spoken to us on the record.

An R/GA spokesperson deferred to the client for comment. Samsung PR has not responded in any way, shape or form to multiple emails and phone calls made over the past several weeks.

This is somewhat understandable given that the company has larger things on its mind including the launch of the new phone and the arrest of vice chairman and de facto CEO Jay Y. Lee, who is accused of colluding with now-former Korean president Park Geun-hye in a bribery scandal that led to her impeachment and removal from office. Yesterday, officials placed her under arrest on corruption charges.

Samsung also hopes that the Galaxy S8 will help eliminate all memory of the exploding phones that ultimately led to $3 billion or more in losses last year by the company’s own estimate.

Expect to see a lot more R/GA Samsung work to come.

Watch: Should the ad industry use quotas and targets to tackle gender inequality?

Campaign asked industry leaders at Creative Equals Future Leaders Conference whether quotas and targets should be used to tackle gender imbalance.

New-look Sunday Times launches ad campaign and Classic FM tie-up

News UK is introducing a new-look Sunday Times this weekend featuring a streamlined design with easier navigation between sections and a higher story count per page.

The 'Brand Safety' Narrative Tearing Up YouTube Is Amusingly Wrong


True story. Years ago there was a strip joint named the Diamond Club in the village abutting my suburban Westchester town. An unwelcome presence, public pressure eventually brought it down. One day, a high-profile member of our community led a protest outside the club. Let’s call her Mrs. Cleaver. Unbeknownst to her, Mr. Cleaver happened to be inside the club at the time. As he was about to exit, he saw the commotion, the picket signs — and his wife — outside. Ingeniously, Mr. Cleaver managed to quickly pay his way out the back door, circle around the property, grab a sign and discretely join the protest. That was some sweet footwork right there. Mr. Cleaver quickly turned vice into virtue, and rejoined the ranks of the righteous.

Which brings me to the digital ad placement flare-up, and the manner in which leading agency voices have begun to deftly reframe the resulting narrative on terms more favorable to their interests. If there were an award for this kind of thing, it should be called a Cleaver.

Let’s review. Last month, The Times of London published the results of an investigation that basically confirmed that cat food ads can occasionally appear next to ISIS videos. The findings were alarming, and the thrust of the article was clear: since those who post nasty content may be eligible to receive a share of the revenue generated by ads appearing in, near, or before the crap they have published — unwitting advertisers are inadvertently underwriting, enabling and incenting bad actors to further promulgate their nonsense. Not cool.

Continue reading at AdAge.com

Irish Examiner: Trapped

Irish Examiner: Trapped

The Irish Examiner runs a special survey focused on teenage mental health.

Signature: Pure elegance

Video of Signature. Pure elegance (Official video)

Essay: Luck and the Death Penalty

This 2002 essay by the playwright Arthur Miller was meant to assist a campaign to abolish the death penalty in Illinois.

Boom Times for the New Dystopians

Is a fresh crop of doomsday novels channeling the country’s collective anxieties?

Friday Morning Stir

-Carl’s Jr’s sexy ads may have stopped working, but surely this Paris Hilton-starring spot that Allenby Concept House made for SodaStream will do the trick. (We don’t know because we didn’t actually watch any of it.)

-On that note, Americans now trust ads more than the corrupt MainStream Media, and Mashable wonders who can blame them. We agree: the only things less trustworthy than tech blogs are ad agency gossip blogs.

-Oh, also: Coca-Cola says 30% of its own ads don’t really work.

-Happy pre-April Fools’ Day. Here are a bunch of brands desperate for your attention.

-Campaign wonders whether the CMO is headed toward oblivion like the the global chief creative officer. Don’t get excited—this will not mean fewer agency reviews.

-One anonymous creative director tells Digiday that the biggest change in agencies is the rise of people like our friend Bill Grizack: “It’s become about decks…nothing ever gets made.”

-In More Schadenfreude News, YouTube stars are angry that their videos aren’t making as much money as they used to.

Mães cruzam o mundo para dar carona aos filhos em pegadinha do Uber

Ação emocionante comemorou o Dia das Mães no Reino Unido

> LEIA MAIS: Mães cruzam o mundo para dar carona aos filhos em pegadinha do Uber

Are You Mistakenly Trusting Consumers?


If you’re ever “lucky” enough to be part of a clinical trial for a proposed medication or treatment, you’ll be told that you’ll have a 50% chance of being administered the actual drug being tested, and a 50% chance that you’ll be receiving something that looks like the medication without the active chemical in it. You’ll simply take that pill you’re assigned, as a part of your routine each day, and make regular visits to a doctor to determine whether the condition you’re trying to affect is improving.

Clinical trials using control groups — half the patients get real medicine; half get a placebo — are usually set up as a “double-blind” test. Not only you, the patient, have no idea whether or not you’re receiving the actual treatment being tested; neither does the doctor who is performing the regular evaluation of your progress. These precautions are taken because, sometimes, the idea of receiving treatment can actually create physical — or, at a minimum, perceived — improvement. Even the doctor evaluating you isn’t immune to experimenter bias, and might “see” signs of improvement that aren’t actually there, if they believe you’re receiving some sort of treatment.

What’s baffling to me is that while we’re all aware we can be fooled by this placebo effect, we seldom apply our understanding of it to market research — especially as it pertains to creative or concept testing.

Continue reading at AdAge.com

E.ON: Energy in new colours


Film
E.On

Advertising Agency:MullenLowe, Budapest, Hungary
Creative Director:Gabor Havasi
Art Director:Bálint Monori
Copywriter:Attila Zöld
Planner:Miklós Váradi
Account team:Olivér Pallós, Daniel Rossprim
Creative Producer:Márk Éry
Production Company:Argus
Director:Áron Mátyássy

Guinness: Shores

Online
Guinness

Social post for Ireland beating England in the final game of the 6 Nations rugby competition.

Advertising Agency:BBDO, Dublin, Ireland
Creative Directors:Steve Jones, Martin Loraine
Art Director:Clayton Homer
Copywriter:Dillon Elliott
Retoucher:Kevin Brooks
Additional Credits:Priya Shial

MeUndies: Pandamonium


Online
MeUndies

Underwear brand, MeUndies, has tapped the Los Angeles based creative agency, Where It’s Greater, to produce the campaign for their new collaboration with restaurateur, and TV personality, Eddie Huang.

The collaborative collection, which is entitled “Pandamonium,” features men’s and women’s underwear with an all-over black and white panda print – an homage to Haung’s self-given nickname, “The Human Panda.”

Explains Where It’s Greater’s founder, Dan Hall, “Eddie is a hilarious guy, as anyone who follows him on social media knows, and we really wanted to capture that in the campaign. Stylistically, we sought to model the creative after the pieces in the collection, but without actually shooting black and white. So, we used a stark black backdrop and put Eddie in a bright white robe. Not only did that create a great visual contrast, it really puts Eddie front and center – exactly where he should be.”

The campaign was produced, shot, and edited entirely in-house at Where It’s Greater’s own Los Angeles studio, and is slated to run across print, digital and outdoor media.

Advertising Agency:Where It’s Greater, Los Angeles, USA
Creative Director:Andrew Teague
Art Director:Dan Hall
Photographer:Dan Hall
Additional Credits:Erica Torres-Ness, Andrew Litten

The Survivors Trust: The most provocative fashion show ever


Media
The Survivors Trust

The Guilty Clothes collection was created in order to provoke society.

Advertising Agency:Marvelous, Moscow, Russia
Chief Creative Officer:Artem Sinyavskiy
Creative Group Head:Marat Shakirov
Strategy:Bulat Ayupov
Copywriter:Alina Dmitrieva
Art Director:Elisey Soloviev
Designers:Svetlana Solovieva, Kristina Koroleva, Margarita Nikolaeva
Additional Credits:Zarya Production, Yana Sadovnikova, Irina Stroeva

INfluencia x Gloryparis: Let's Win a Cannes Lion's Share


Online
INfluencia x Gloryparis

We would like to submit our campaign for the INfluencia periodical “Buff your brain” to the Cannes Lions. In order to do so, we need your help. To participate in the Cannes Lions is every agency’s dream, but it can also be yours. By supporting us in this journey you will get your share of the Lion. We will melt the trophy down in order to reward everyone who supported us. In being credited, you will be able to brag about winning, (or so we hope!), a Cannes Lion this year. This is a way for the agency to thank everyone that was involved in this adventure!

Advertising Agency:GloryParis, Paris, France
Creative Director:Hugues Pinguet, Arnaud Le Bacquer
Art Director:Gabriel Bonnefond
Additional Credits:Client : INfluencia