Campbell Cleans Up Its Act With Wellness-Focused Soup Line


Campbell Soup Co. has learned the road to wellness can be a bumpy one.

Earlier this month, the company reduced its sales forecasts based upon issues within its Campbell Fresh unit, including a drought that hurt crops and a decision by the company to harvest carrots too early. “The performance of our Campbell Fresh business, driven predominantly by execution issues, is disappointing,” CEO Denise Morrison said in a statement. But she added that the company isn’t deterred on its freshness path: “We have taken and are taking steps designed to ensure the business performs to its potential.”

Wellness has been a hallmark of Ms. Morrison’s tenure, during which Campbell acquired brands such as Bolthouse Farms and Plum Organics. During speeches, the CEO often refers to her company’s purpose as “real food that matters for life’s moments.”

Continue reading at AdAge.com

Paws Chicago: Instant Mother, Instant Father

Print
Paws Chicago

Adopt a pet today.

Advertising Agency:Ogilvy & Mather, Chicago, USA
Chief Creative Officer & CoChairman:Tham Khai Meng
Chief Creative Officer:Joe Sciarrotta
Executive Creative Director:Chris Gotz Global
Creative Director:Nicolas Mejia, Luis Gabriel Ramirez
Associate Creative Director:Gonzalo Palavecino
Director Of Design:Gabe Usadel
Executive Group Director:Annie Grey
Executive Content Producer:Adele Testore
Executive Print Producer:Lorin McDonald
Photographer:Jota Velázquez
Retoucher:Rodrigo Geisse, Anonimo Studio

Heineken: The Tutorial


Film
Heineken

The Formula 1 Circus arrives in Monaco. David Coulthard tells a complete stranger, the lucky owner of the last two Heineken, from the terrace of an exclusive club. Emotions, dreams and reality are perfectly mixed, as in every race and on each circuit. Until the unexpected final.

Advertising Agency:Publicis, Milan, Italy
Global Chief Creative Officer:Bruno Bertelli
Executive Creative Director:Cristiana Boccassini, Luca Cinquepalmi, Marco Venturelli
Associate Creative Director Art Director:Francesco Epifani
Associate Creative Director:Paolo Bartalucci
Copywriter:Paolo Bartalucci
Strategic Planner:James Moore
International Group Account Director:Lorenza Montorfano
Account Manager:Silvia Ghiretti
Head Of Tv:Silvia Cattaneo
Producer:Helen Kenny, Karen O’Brian
Director:Nicola Fuglsig
Dp:Kasper Tuxen

Top 60 Personal Care Ideas in September – From Botanical Foot Creams to Watermelon Seed Oils (TOPLIST)

(TrendHunter.com) Some of the most innovative September 2016 personal care products that are new on the market include beard oils for men that take inspiration from cocktail bitters, edible sleep powders and anti-…

Robert Timberg, Who Chronicled the Scars of Vietnam, Dies at 76

A Marine combat veteran who became an author and journalist, he is known for the books “The Nightingale’s Song” and “Blue-Eyed Boy.”

Kia "Tecmo Bo" (2016) 1:10

Bo Jackson promotes the Kia Sorento SX Limited V6 in this 8-bit video game in which he is able to dominate in Tecmo Bowl, that iconic video game from my days of yore. This spot premiered during last night’s NFL game. Fun spot. But….
*sniffs*
*looks around*
*sniffs again*
Yup. It smells like Hummer who had a similar concept. Except it involved the Atari game Asteroids.

Commercials: 

Country: 

Kia "Tecmo Boys" (2016) :30 (USA)

Bo Jackson and Brian Bosworth make an appearance in this nostalgia grabbing spot featuring the iconic video game Tecmo Bo (that originally featured Jackson). As if that weren’t self-referential enough, the spot recreates a famous play in which Bo Jackson ran over Bosworth at the goal line.

Nice moment when Bosworth says “Thanks for not running me over,” And Jacson responds “You mean, again?”

Commercials: 

Country: 

Verizon | LTE A / Not "good enough" (2016) :30 (USA)

1stAveMachine and agency Mccann teamed up to create this for Verizon, summing up that America is “not a land of good enough”. It’s not the “good enough canyon”. 420 monitors build out the US map to show that Verizon covers America with great, not “good enough”.
Commercials: 

Country: 

Mercedes-Benz "Parting" (2016) :30 (USA)

Mercedes makes every car to be eye-catchingly beautiful, meticulously engineered, and also able to back up in a choreographed line. They also in the case of the 2017 CLA, have an attractively lower price point.. The best or nothing indeed.
Commercials: 

Country: 

Mercedes-Benz "Perception" (2016) :30 (USA)

Mercedes gets its drift on. Twice. To highlight the CLA and GLA which retail for under $33,000. Very exciting. Don’t worry, no pigeons were harmed during the making of this film. Although I wouldn’t mind
if they were because everyone knows they are rats with wings.

Commercials: 

Country: 

Super-Pharm "Toiletico Fantastico" (2016) 1:11 (Israel)

Super-Pharm takes us on a magical night at a circus that celebrates, well, bathroom stuff. It’s charming and delightful and silly and I wish my bathroom were like that.
Commercials: 

Country: 

Piccirillo and Pearson Unleash Yard Dog

New commercial and branded content production company launches with six veteran filmmakers.

LOS ANGELES—Executive producers Joe Piccirillo and Beth Pearson have launched Yard Dog TV, a production company and “creative incubator” focused on producing impactful, innovative advertising content. Based in Los Angeles, the company debuts with a roster of six directors, Tom De Cerchio, Mark Dektor, Ron Hamad, Vic Huber, Alexander Paul and Joe Windsor-Williams, and plans to pursue creative opportunities across the United States and internationally.

“A commercial production company is all about the talent it represents,” says Piccirillo. “Success depends on the director and agency working together in creative harmony to lift the project to its fullest potential. Beth and I share a commitment to nurturing the creative process and are very excited about the filmmakers we are working with. Each brings a distinctive voice to his work.”
Piccirillo and Pearson bring a wealth of experience. After beginning his career as a director and cinematographer, Piccirillo became an executive producer and has helped guide the careers of both established and emerging commercial directors while collaborating with many of the country’s top advertising agencies.

Pearson offers a deep background as an executive producer and top line producer, and brings invaluable knowledge of the current marketplace of emerging formats. Her credentials in automotive advertising are particularly strong, including work for Jaguar, Ford, Lexus, Toyota, Chrysler, RAM, Infinity and Nissan, among others. “Few people know the car business like Beth,” notes Piccirillo. “She brings an incredible insight of production experience and strong relationships.”

Yard Dog’s directors offer a diversity of experience, aesthetics and skill sets. De Cerchio is a comedy performance specialist. Dektor is a director/cameraman who works masterfully with documentary style material, real people and testimonial. Hamad is a visual storyteller with a gift for capturing natural and emotional moments. Huber is a director/cameraman with extensive credits with top automotive brands. Paul is an acclaimed international director specializing in both automotive and visual storytelling. Windsor-Williams is a photographer turned director whose imagery is noteworthy for its luxury style and superlative artistic execution in the automotive arena.

“Each of our directors is a seasoned professional who knows what it takes to produce stand-out work in the constantly changing world of commercials and content creation,” Pearson says.
While acknowledging the high level of competition, Piccirillo and Pearson believe that there is room for a company with a passion for storytelling and an honest commitment to helping its directors thrive. “We believe that success begins by building an environment of trust; trust in your directors, and trust in your agency partners. Applying our collective experience, we will work side by side with our directors and clients to push boundaries and make every project shine.”

Yard Dog is located at 1265 S. Cochran Ave., Los Angeles, CA 90019. Call 310.209.8992.

www.yarddog.tv

Adland: 

CATS cover Clapham Common station in #CatsNotAds – no ads at all

What a glorious day, CATS who kickstarted a campaign to replace ads with cats in the tube have delivered and covered Clapham Common in cats. What a novelty, a kickstarter that actually delivers. Surprise!

Glimpse are behind the cat-tastic idea. They are a creative collective who have not yet become cynical, they want to use their powers for good. “Glimpse” is what they want to show us, a glimpse of the world getting better.

Back in February we asked ourselves to “imagine a world where friends and experiences were more valuable than stuff you can buy”. The team began thinking about crowdfunding to replace Tube adverts with something else. Beautiful forests? Time spent with family? Hmmm. We wanted this to become famous, so we needed something the internet would love. Frame it that way and the answer’s obvious. Cats.

I take back the “cynical”, you’re wired like the rest of us adkids. The group who wants to give us a break from advertising on the underground are advertising themselves, naturally. Wanting to be famous and pushing the viral-on-the-internet “CAT” button for maximum exposure, just like Truth did. Still, we like cats, so moving on now that Glimpse have the soap box – what is the message here?

It’s important to say that we’re not against advertising. We need creativity more than ever, to open our eyes to new ways of looking at the world and thinking about our place within it. We want agencies and brands to be mindful of the power they wield and to use it to encourage positive values in society. Things like empathy and tolerance, community and togetherness deserve to be at the heart of our culture. In these dark times, visionary artists are already using these values to illuminate a path to a better future. Imagine a world where the creative industry used its enormous power to make these values feel aspirational and relevant to millions of people.

Ok, so lead by example do great work etc. Cats. Cats is the message. Cats are hot again, especially if they sing like Temptations “don’t you forget to treat me”. To be fair, it works quite well when dogs sing too. We’re suckers for animals. Can we trend baby elephants next? While I do agree that media changes the world (I’ve said as much in probably a hundred odd articles here over the years), and advertising should lead by example, be mindful, aspire to do good and be better – we have to be honest. Ethicswashing is a now thing. Promoting values just to generate goodwill, just to sell product, is exactly the kind of sleezy that makes people dislike advertising.

Glimpse also have a snapchat filter near Clapham Common that will turn you into a cat because everyone has to have a snapchat filter these days it’s the law. Points for going the extra kitty-mile though.

Cats have taken over the advertising space at #ClaphamCommon station. Here’s a tour @BBCLondonNews #cats pic.twitter.com/Sdtsr8WopI— Hannah Gelbart (@hannah_gelbart) September 12, 2016

Adland: 

Mudanças na contagem de caracteres do Twitter chegam na semana que vem

Twitter

Se você quer mais caracteres para poder publicar seus tweets, pode comemorar. Segundo informações obtidas pelo The Verge, a tão aguardada mudança na contagem de caracteres do Twitter será implementada já na semana que vem. A mudança, segundo o site, acontece no dia 19 de setembro e a partir daí a contagem de 140 caracteres […]

> LEIA MAIS: Mudanças na contagem de caracteres do Twitter chegam na semana que vem

Lionel Shriver’s Address on Cultural Appropriation Roils a Writers Festival

There was a backlash at an event in Brisbane, Australia, after Ms. Shriver said it was acceptable for white writers to appropriate minority culture in their work.

Making of mostra a beleza dos efeitos práticos de “Mad Max: Estrada da Fu?ria”

efeitos_especiais_madmax

Há quem diga que “Max Mad: Estrada da Fúria” não tem lá muita história. Dá pra discordar, claro, mas se tem algo que ninguém pode criticar são os efeitos especiais práticos usados no filme. No vídeo acima você pode conferir um pouco do making of explosivo que trouxe realismo e ainda mais emoção para a […]

> LEIA MAIS: Making of mostra a beleza dos efeitos práticos de “Mad Max: Estrada da Fu?ria”

Canada Aviation and Space Museum: The Starfleet Academy Experience

Canada Aviation and Space Museum: The Starfleet Academy Experience
Canada Aviation and Space Museum: The Starfleet Academy Experience
Canada Aviation and Space Museum: The Starfleet Academy Experience
Canada Aviation and Space Museum: The Starfleet Academy Experience
Video of Intercepted & decoded message / Message intercepté et décodé

Video of Something *B*I*G* just fell out of the sky in Ottawa!!!!

To promote the world premiere of Star Trek: The Starfleet Academy Experience at Canada Aviation and Space Museum, Acart Communications developed an immersive campaign using multiple tactics. It began with a mysterious, unbranded, “UFO” video that was featured on local TV news, and argued over on Reddit, and on Social Media. Next, the museum released an “intercepted transmission” of a Starfleet Shuttle in trouble. At the same time, an experiential installation of a crashed shuttle nacelle appeared in various locations, with two Starfleet science officers examining it with tricorders and two security officers guarding it. (Those curious enough to ask about it were handed metal cards with the campaign URL, joinstarfleetacademy.ca.) This scene was the subject of a “paid” front-page takeover on Metro Ottawa, with a news story entirely in Klingon (which one Redactor successfully translated). Next, a replica of Kirk’s Captain’s Chair toured malls and events, allowing the public to don a captain’s uniform and read authentic Kirk lines into a moderated Twitter feed, https://twitter.com/jimmykirk2370. Finally, the main campaign creative was released on street-level posters and bus wraps. All creative was approved by the Star Trek intellectual property owner, CBS.

Entries Open for the Ad Age A-List and Creativity Awards


Each year Ad Age honors the best and the brightest of the agency and marketing worlds with our reports including the Agency A-List, our Marketer A-List, Women to Watch and the Creativity 50. This year, we are taking our awards program to the next level with the expansion of the Ad Age Agency A-List into the Ad Age A-List & Creativity Awards.

As part of the A-List, we’ve introduced additional honors, such as in-house agency of the year. Also, Creativity’s Top Production Company honors will become part of the A-List program.

While the platform will continue to showcase the top agencies and creative innovators of the year, it will also honor the most creative individuals, the best work and the most promising companies in the advertising, marketing and tech worlds. See the full list of categories below and the descriptions here.

Continue reading at AdAge.com

Phenomenon Introduces Wilson’s Connected Football with ‘Legends’

Los Angeles Phenomenon launched a new spot for Wilson, promoting the sports gear brand’s new “smart” Bluetooth connected football. When synced with the accompanying app, the pigskin allows its users to run professional routes and provides details such as velocity, spin rate, distance and whether the ball was caught or dropped. We imagine that last one could even help players avoid some backyard disputes.

The features are demonstrated via a scene of a group of guys pretending to be the Green Bay Packers and the Seattle Seahawks while playing a pickup game in a remote field. An announcer delivers the play by play as they face off using the features of the connected ball. The spot concludes with the tagline, “The Stadium is Everywhere.” 

While undoubtedly on the cheesy side, the spot shows several of the Bluetooth connected football’s features in a seamless way. It also both stars, and should appeal to, its target demographic. The effort follows on the heels of Phenomenon’s recent spot promoting the Roger Federer co-designed Pro Staff RF 97 racket. According to Adweek, the agency’s “The Stadium is Everywhere” campaign will continue to unfold during the NFL season, with Seahawks quarterback Russell Wilson making an appearance in a future spot. 

Monday Odds and Ends

Digital production and design company Jam3 parodied that recent Spike Jonze Kenzo ad (video above)/ 

Partners + Napier launched a national OOH voter registration PSA campaign for OAAA entitled “Vote to Count.”

-AdAge thinks less than stellar political advertising might be contributing to the struggles of the Hillary Clinton campaign. Does that mean you can blame Droga5 if she loses?

Culver City-based production company Sanctuary added Mike Andrews to its directorial roster

-Viamedia appointed Becky Jones as chief marketing and people officer

-Branding and design firm Landor hired Nancy Frank as executive director of new business development for North America, based out of its New York office.

Bicoastal/international production company O Positive added Spencer Riviera to its directorial roster