Sesc: The square
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No Spoilers Talk Show #37, nova edição do podcast do Spoilers, os colunistas Denis Pacheco, Fernanda Sgroglia, Leticia Arcoverde e Leonardo La Terza se reuniram para um pouco sobre a relação cada vez mais próxima do cinema com a televisão. Em edições passadas, já falamos sobre como a TV se alimenta de filmes e cria suas próprias versões, mas hoje […]
> LEIA MAIS: Spoilers Talk Show #37 – A TV precisa do cinema?
Outdoor, Direct Marketing
MilitaryWithPTSD.Org
“The Speaking Fireworks,” a headphone system created by MilitaryWithPTSD.org, along with advertising agency Area 23, employs cutting edge audio-interference technology to help bring American war veterans with PTSD back to the vibrant shows that celebrate their sacrifices for our freedom. Loud noises that sound similar to the blasts from artillery and other machines of war are one of the most common trigger of the crippling effects of PTSD.
Through an immersive sound experience, the technology detects and transforms the loud reports from the firework blast into statements of gratitude. The statements are crowdsourced and can be recorded by the public on TheSpeakingFireworks.com.
The technology is currently a working prototype, with the partnership hoping to manufacture the product and make it affordable and easily available to any veteran that needs it. The partnership will be joining with Global Giving to crowdsource different stages of the project.
Advertising Agency:Area 23, New York, USA
Executive Creative Director:Tim Hawkey
Vp:Bernardo Romero, Jesse Kates, Ronnie Caltabiano
Creative Directors:Bernardo Romero, Jesse Kates
Associate Creative Director:Ronnie Caltabiano
Copywriter:Tim Hawkey, Jesse Kates
Art Director:Bernardo Romero
Designer:Bernardo Romero
Director:Stefano Ferrari
Executive Producer:Anna Lopez
Video:Ronnie Caltabiano
Sound Editing:Ronnie Caltabiano
Technology:Biz&Sys
Development:Biz&Sys
Colorist:Out of the Blue
Sounds Design and Mix:Sonido
Outdoor
Mary Free Bed Rehabilitation Hospital
We’ll put you back together.
Advertising Agency:Extra Credit Projects, Grand Rapids, USA
Creative Director:Rob Jackson
Art Directors:Chad Hutchison, Jackie Foss
Film
Marriott
Advertising Agency:Grey, New York, USA
Chief Creative Officer:Andreas Dahlqvist
Executive Creative Directors:Leo Savage, Jeff Stamp
Senior Creative Directors:Asan Aslam, Noah Will
Acd:Brian Mekjian, Ryan McCarthy
Art Director:Brian Mekjian, Garam Park
Copywriter:Ryan McCarthy
Designer:Robert Jencks
Project Manager:Rachel Moser
Managing Director:Chris Ross
Account Directors:Nadine Falco, Ilisia Shuke
Senior Account Executive:Suzie Wyman
Executive Strategy Director:Tony Lederer
Strategy Director:Rogério Colantuono
Executive Production:Townhouse
President:Bennett Mccarroll
Head Of Integrated Production:James Mcpherson
Executive Producer:Kim Kietz
Producer:Alexander Kramer
Music Producers:Benjamin Dorenfeld, David Lapinsky
Production Company:B-Reel
Director:Tom Malmros
Director Of Photography:Christian Haag
Editor:Brand New School
Music:Heard City
Sound Design:Heard City
Outdoor, Print
Matrix FM
Advertising Agency:Nova MCP, Assis, Brazil
Creative Director:Eddie Silva
Copywriter:Eddie Silva
Art Directors:José Carricondo, Vinícius Gonçalves
Photographer:Vinícius Gonçalves
Film
AAA
AAA is known for providing the best emergency roadside service. But what most people don’t know is they also offer auto insurance. Insurance from the people you trust to rescue you at the roadside. So, when you drive AAA-insured, you drive happy.
And who gets the most enjoyment out of driving in cars? Dogs.
To launch AAA’s ‘Insurance Month’, we created a Facebook campaign called ‘Dogs In Convertibles’. The films show dogs sitting in the backs of convertibles- cheeks wobbling, hair blowing, slobber slobbering. They’re in a state of complete bliss. The kind of feeling you get when you drive with AAA Insurance.
Advertising Agency:Muh-Tay-Zik | Hof-Fer, San Francisco, USA
Executive Creative Director:John Matejczyk
Art Director:Jeremy Diessner
Copywriter:Adam Arber
Photographer:Chris Wilson
Producer:Megan Ubovich
Film
Audi
Advertising Agency:DDB, Barcelona, Spain
Production:Blur
Director:Marc Corominas
Director Of Photography:Juanmi Azpiroz
Editor:Ramón Morejón
Posproduction:Metropolitana
Color:Marc Morató
Flame Artist:Xavi Bertran
Supervisor VFX:Xavi Bertran
Flame Artists:Manu Rastrollo, Ivan Iniesta, Lluïsa Cuchillo, Paula Sinoga
CGI 3D:Marcial Aparicio, Nico Roig
Sound:Bso
Online
Audi
Director:Shynola
Editor:Shynola
Vfx:Shynola
Music:Mark Pritchard, Beautiful People, Warp Records
Starring:Sonya Cullingford, Chihiro Kawasaki
Choreographer:Ryan Chappell
Director Of Photography:Ben Fordesman
Producer:Lisa Joseph
1st assistant director:Ezra Sumner
Wardrobe:Becky Seager
Hair:Charlotte Kraftsman
Makeup Artist:Charlotte Kraftsman
Colourist:Scott Harris, Unit
Online
Automobile Club of Romania
URL: http://plimba-ursul.ro/en/
Advertising Agency:Publicis, Bucharest, Romania
Online
Mts
While the world was using LTE and testing 5G, Ukrainians just got their hands on 3G. A thrilling speed race tests prosaic 3G speed. Watch the smartphone falling from the highest monument in Europe while uploading the picture on facebook. What will be faster?
Url: http://3gspeed.mts.ua/#en
Advertising Agency:Isd Group, Kiev, Ukraine
Creative Director:Viktor Shkurba
Art Director:Viktor Shkurba
Strategy Director:Mikhael Traverse
Creative Group Head:Ihor Tulub
Lead Designer:Sergey Komlev
Technical Director:Alexander Savin
Lead Developer:Aleksey Nasirov
Account Manager:Svetlana Mironchuk
Producer:Svetlana Mironchuk
Head of Analytics:Vladimir Bilets
Cameraman:Sergey Rud
Aerial Photography:Andrey Khris
Executive Producer:Evgeniy Gurkovsky
Makeup:Tatiana Horoshun
Stylist:Svetlana Tsilyk
Music:Inna Shevchenko
Sfx:Inna Shevchenko
Outdoor, Print
Bridgestone
Advertising Agency:Plataforma, Montevideo, Uruguay
Creative Director:Gastón Rosa
Art Director:Federico Hurst
Copywriter:Lucas Russi
If like me you haven’t had enough coffee this morning, let me try to explain another way: They are scraping data from the internet in the form of historical pictures and matching them with Reuters news feed headlines in an attempt to make a connection between the past and now. Or rather, to see if the artificial intelligence can make a connection and present a specific point of view. When I tried it, I was met initially with a black and white illustration with a Tweet on top of it. Clicking on it, brings the view to Twitter. The hero image as it were keeps changing. So I went from French castle building to the Amazon Echo news story. Interesting juxtaposition with another story about the iPhone 7 which came up next in the queue.
While they are calling the work a film, it is less a film than it is a series of images, with one ever-changing hero image. Watching it for as long as I did, I can’t say the AI is doing a better job than we are at understanding the past, let along the present and future. At least not yet. As an art project it’s a nice backdrop to the somnolent feeling of the song.
Dentsu developed a bespoke artificial intelligence program to generate the film. The AI employed machine learning techniques as a way of “learning,” from the past and associating it with current events.
The experience works only on desktop, not mobile, but that makes sense. Beyond the technology, you really want to experience it on as big a screen as possible. In fact, I really wish this were a proper installation somewhere. Pretty cool either way, though.