Lowdown: Venus Williams Serves an Ace for American Express


The Lowdown is Ad Age’s weekly look at news nuggets from across the world of marketing, including trends, campaign tidbits, executive comings and goings and more.

It’s that time of year again. The US Open began serving up matches to spectators on Aug. 29 and sponsor American Express has created a “Pro Walk” in the fan experience portion of the stadium. The site replicates the player locker room and walk to court and includes virtual cameos from Pete Sampras and Monica Seles. Fans will also get earpiece radios with commentary during the matches. In addition, American Express also tapped Venus Williams for a series of digital short videos.

Timed to the US Open, AmEx is also airing new spots for its Blue Cash Everday card starring longtime spokeswoman Tina Fey. In one, Ms. Fey talks with comedian Michael Che over breakfast about possible ideas for TV shows.

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Consultant/Ex-Droga5 Producer Gets Real on Why Agencies Are Having ‘a Tough Time’

Lindsay Slaby is a professional brand/agency consultant who also happens to be a veteran of various shops including AKQA, Cramer-Krasselt, The Barbarian Group and Droga5, where she was an executive producer.

A few days ago, she ran a fairly exhaustive LinkedIn post headlined “A tough time for ad agency positioning” that seeks to explain why, after speaking to “over 50 different US groups,” she believes that many people who work at American agencies are “[not] feeling comfortable in their current skin.”

It’s a checklist of concerns/complaints that will feel very familiar to the kind of people who might visit this blog as well as anyone who has ever bothered to peruse the comments:

  • Lots of talent has left the big agencies in recent years
  • Those agencies are now struggling to make themselves stand out in the marketplace
  • Search consultants’ pitch lineups include both very small and very large shops … which leads to some confusion
  • This fact is complicated by the growing number of “boutique” shops that don’t want to compete directly with their predecessors, instead taking their business piece by piece

The most obvious point is that the work has changed: more content at a faster pace and less reliance on that One Big Idea Campaign. But you already knew that. Slaby writes, “This has led to fear,” describing the existential angst as “palpable” at the big shops … and, we might add, in the comment threads on this blog.

She argues that agency leadership currently has one of two responses to search consultants: “get me out of here” or tell me exactly what to say to this would-be client, “because I really don’t know.” Seems that even managing directors are asking about “good jobs” at smaller shops.

This is all a bit gloom-and-doom, but Slaby goes on to list trends she’s witnessed within five different classes of agencies ranging from the mid-sized “we do everything!” operations to the activation agencies that trade reporters can’t quite figure out. There’s a bit of advice there too.

In short, she thinks:

  • Mid-sized agencies need to focus on the “integrated” point by highlighting communications and media planning services at pitch time
  • Smaller shops (which are almost always founded by veterans of the bigger ones) should emphasize their principals’ experience and expertise, explaining how they can help clients grow while remaining very compact and low-cost themselves
  • The former “digital only” banner ad/web design agencies have to decide what they want to be now that they’ve been forced to grow up: Activation? Production? Tech? CONTENT?!

We’re going to skip the activation agencies because they are completely impossible to cover, no matter how hard PR tries to work it. We do hear, though, that they are doing a lot better than the legacy shops because every big brand now feels like they need such a unit on the roster. Plus, live events.

The digital-and-creative agencies, though. They apparently need to figure out whether they want to make “experiences” or “products” instead of ads. We know where CP+B would like to go, given the number of “How Domino’s Became a Tech Company That Delivers Pizza” headlines we’ve seen over the past year or so.

None of this will come as news to people in agency leadership positions, but Slaby did a comprehensive job of summing up all the trends. It’s also kind of telling that almost all of the many responses to her piece come from fellow consultants, ad tech people and brand evangelists or whatever the hell they’re calling themselves these days.

So don’t worry, you probably won’t be going out of business at this moment! In the meantime, the stock image search results for “consultant” are exactly what you would expect, and they are glorious.

Will Travis Assumes U.S. Executive Chairman, Global Head Growth Officer Duties at Sid Lee

Sid Lee promoted Will Travis, who has served as senior partner and CEO of its New York and Los Angeles offices for the past four years, as U.S. executive chairman and global head growth officer, The Drum reports. In the role, Travis will be tasked with formulating the agency’s expansion strategy while collaborating with other members of kyu, the “strategic operating unit” of Japan’s Hakuhodo DY Holdings, which purchased Sid Lee last July

“The expansion that we have requires somebody to oversee at the high level internationally, because the brands are more international. It’s a good role for me to be able to help elevate our larger global client base,” Travis told The Drum, adding the agency is looking at Seoul, South Korea and Shanghai, China as possible locations for expansions into the Asian market. 

Before joining Sid Lee in 2012 following a sabbatical, Travis spent nearly a year and a half as CEO of Dentsu America, leading the agency whose accounts included Toyota, Canon and Philips. Before that he spent over a year and a half in a senior vice president position with the agency, leading all new business and marketing activities in New York and San Francisco. Before joining Dentsu he spent over a decade with ATTIK, serving as president. 

Travis’ appointment follows Sid Lee’s announcement last week that it would close its Amsterdam office to consolidate its European operations at Sid Lee Paris. At the time we posted that story, agency reps told us they hadn’t determined what to do with the employees of that office. Multiple sources now claim that they’ve all lost their jobs.

McCann's AI Creative Director Couldn't Top a Campaign By an Actual Human


A human just beat McCann Erickson Japan’s AI creative director in a challenge for the most effective campaign. Still, there’s bad news for creatives worried computers might one day replace them: The race was pretty close.

Back in June, the agency created two commercials for Mondelez brand Clorets Mint Tab and asked ordinary people to vote online on which one communicated the product message better.

One ad was dreamed up by Mitsuru Kuramoto, a creative director who is also a TV writer. The other was suggested by AI-CD , a project conceived by millennials who work at the agency. The human won 54%-46%.

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Obama to Guest-Edit Wired Magazine

When President Obama takes over the November issue, it will be, by Wired’s estimation, the first time a sitting president has guest-edited at a magazine.

Facebook Tells Advertisers to Speed Up Sites or Don't Bother Asking for Clicks


Facebook wants advertisers to get faster.

The social network is going after one of the biggest concerns in mobile advertising by telling brands to build better mobile web experiences that load more quickly. Facebook has repeatedly found that people don’t stick around for pages that take too long to display — 40% click away if a page takes three seconds to load, according to Facebook.

On Wednesday, to speed up the process, Facebook said it was introducing new technology that “pre-fetches” the contents of an advertiser’s mobile website, meaning it stores its contents in Facebook servers for faster access when a consumer clicks on the ad.

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General Mills Insists That Its Future Agencies Meet Specific Diversity Quotas

Yesterday, General Mills CMO Ann Simonds revealed to AdAge that the company has some very specific diversity requirements for its creative review: it wants its agencies’ creative departments to be staffed with at least 50 percent women and 20 percent people of color. Regarding the new quotas, she added, “we are very excited about that. If you are going to put people you serve first, the most important thing is to live up to it and make it a key criteria.”

Simonds is leading that review — which was launched a little over a month ago and originally thought to be closed — along with CCO and former Fallon chief strategy officer Michael Fanuele. Fanuele told AdAge the goal of the review is to find “one core agency to handle the bulk [of the work] but to supplement with other partners, which might be technology platforms or media partners,” or, put another way, “an anchor agency supplemented with a roster of interesting partners.”

According to our sources, the review is now down to three unnamed finalists from a pool including 72andSunny, McCann, Deutsch, Mother, Ogilvy and a Publicis “holding company solution.”

Fanuele told AdAge that McCann pitching as an IPG holding company solution remained a possibility, saying, “The clay is still wet on the proposal,” and “This an exercise in finding the right partners, not the right model.”

The fact that the diversity requirements specifically target agency creative departments is telling. It speaks to recent discussions spurred by groups like the The 3% Conference, whose most recent survey found that just 11.5 percent of agency creative directors are female.

The significance of the diversity requirements and the possibility it may impact other brands in the future is not lost on Simonds. “It feels like a first,” she said. “I think it’s rare and it is important.”

So far there’s no word on how, exactly, General Mills plans to enforce these requirements … or how quickly the agencies in question are scrambling to meet them.

Nonfiction: The End of Intervention: Two Books Explore the American Catastrophe in the Middle East

Lawrence Wright’s “The Terror Years” and J. Kael Weston’s “The Mirror Test” examine the effects of terrorism in the Middle East and the American obsession with it.

A Hollywood Agency Opens an Art Space, but It Won’t ‘Function Like a Gallery’

United Talent Agency will open a 4,500-square-foot exhibition and event space in downtown Los Angeles on Sept. 17.

How to Navigate the Programmatic Contextual Maze


Ask 100 marketers to describe “contextual advertising,” and you are likely to get 400 vague, optimistic answers about the “right message at the right time and place to the right person.” Ask 100 startup CEOs and you’re likely to get 1,000 black-box answers that will confound you.

There lies the core conundrum. Everybody wants “contextual advertising” but no one knows how to get there with all this techno-babble black-box confusion. This leaves marketers scrambling to figure it out amid a plethora of platforms with their glossy contextual promises that may fall short of what a marketer really needs.

So let’s deconstruct the contextual equation recognizing that “contextual tech” covers a wide swath of ad tech. I’ve confined this highly simplified schema to those technologies that directly drive the “right time/place/message/person” model in the programmatic world for advertisers, leaving out many branches of the ad-tech tree. From this very focused, programmatic perch, we have an excellent view into the highly variable contextual tech landscape:

Continue reading at AdAge.com

Wednesday Morning Stir

-Deutsch brought back Larry Culpepper for Dr. Pepper’s latest college football campaign (video above). 

Wendy Clark talks McDonald’s with AdAge: “we feel fairly compensated.”

Copywriter Andrew Boulton reminds us all that “Writing ceases to be a pleasure as soon as you are paid for it.”

Gene Wilder lent his voiceover talents to this 1960s Alka Seltzer ad.

BBH Asia Pacific welcomed creative director Aste Gutierrez.

Paul Simons thinks clients should remember that “a ‘fresh perspective’ doesn’t always require an agency pitch.”

-WHITE64 partner, creative director Matt Walker explores “4 Ways Agencies Can Add Meaning to Corporate Social Responsibility Programs.”

Dads Feel Sad About Their Post-Baby Bodies in Latest Comedy From Bonds Underwear

Is it worthwhile to make an ad about dad bods way after that meme peaked?

Probably not, but that didn’t stop Australian underwear brand Bonds from making a commercial where dads talk about the changes their bodies underwent after their kids were born—in a spot pegged to that country’s upcoming Father’s Day on Sept. 4. 

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Female-Focused Streetwear Lookbooks – This Japanese Editorial Shows Women Flaunting Baggy Styles (GALLERY)

(TrendHunter.com) ‘FPAR,’ an urban clothing label that was founded by Tetsu Nishiyama, joined with ‘PRODISM’ magazine—resulting in a Japanese editorial that features female-only muses…

Recycled Metal Car Replicas – This Artistic Display Was Created by 50 Different Artists (GALLERY)

(TrendHunter.com) These car replicas were built to scale in a collaboration between 50 artists over a period of five years.

The display can be found in the ‘Gallery of Steel Figures’ in Pruszkow, Poland&#…

Microsoft Sings a Weird Ditty About Why Macbooks Suck, Just for Fun

Microsoft is still getting catty with Apple. This time, in song.

A new ad for the Surface Pro 4 pokes fun at the Macbook Air, continuing one of the Windows giant’s favorite traditions of recent years—mocking Siri, and other aspects of Apple products, in its marketing.

Unlike previous commercials, though, this attack—from M:United and Reset director Daniel Warwick—comes in musical form, with a man praising the Microsoft tablet and berating the Apple laptop in pop honky-tonk rhymes that might leave you laughing, or else curled up on the floor in the fetal position crying in pain.

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General Mills Only Wants an Ad Agency Staffed with 50% Women and 20% People of Color

Category: Beyond Madison Avenue
Summary: General Mills — the US food manufacturer behind brands like Lucky Charms, Cheerios, Pillsbury, and Yoplait — has some very specific requirements for its creative agency review.

The company is in the process of asking ad agencies to pitch for its creative…

McDonald's Win Is Only the Beginning for Wendy Clark and Omnicom

Category: Beyond Madison Avenue
Summary: Wendy Clark was almost speechless. Almost. And only for a minute.

But according to the DDB North America CEO, she and Omnicom staffers who’d been working on the pitch for the McDonald’s creative review had arrived for a Monday morning meeting with the “understanding it was going to be a commercial terms discussion.”

Knock-Down Furniture – Shel Han's Line of Wooden Moveables Can be Assembled Without Excess Parts (GALLERY)

(TrendHunter.com) Shel Han is a designer that offers millennials a simple way to set furniture up and take it down with a range of wooden moveables that can be put together without excess parts or the need for tools….

Letter of Recommendation: Letter of Recommendation: The Useless Machine

An executive toy that’s more like a battery-operated koan about humans and technology.

Feature: Once a Bucknell Professor, Now the Commander of an Ethiopian Rebel Army

Why Berhanu Nega traded a tenured position for the chance to lead a revolutionary force against an oppressive regime.