Pokmon Go Goes Viral With No Big Marketing Blitz


Social feeds over the weekend were inundated with millions of posts about the new mobile game Pokmon Go. The number of players outstripped servers’ capabilities. Everyone from Wiz Khalifa to the New York City transit system had something to say about it.

Hey #PokemonGO players, we know you gotta catch ’em all, but stay behind that yellow line when in the subway. pic.twitter.com/wjyfHBzalS

NYCT Subway (@NYCTSubway) July 11, 2016

Continue reading at AdAge.com

Ant Farm, 22squared, Y&R Build up Creative Leadership


Ant Farm has named Cary Sachs to the newly-created post of president, Television and Streaming. Most recently, Sachs was chief marketing officer and SVP at Pongo. His clients include Freeform, Twentieth Television, Disney Channel, National Geographic Channel, NatGeo Wild, Disney XD, GSN and Freemantle, as well as the Fox, ABC and CBS television networks. Sachs began his career with New Wave Entertainment, and was later lead editor and then director of comedy promotions at Studio City Productions. Years later, he joined Trailer Park, where he became VP and co-founder of Trailer Park TV.

22squared has hired Bryan Lee as creative director. He joins 22squared from BBDO Atlanta, where he spent the past two years creating work for AT&T and Toys R Us, among other clients. Prior to that, he was at CP & B in Boulder, where he was part of the creative team that crafted the “Captain Obvious” campaign for Hotels.com and work for Best Buy, including a spot at the 2012 Super Bowl. He has also produced digital campaigns for Bud Light and Kraft.

Continue reading at AdAge.com

Nike Reminds Us That Serena Williams Is Still an Underdog

You know who had a great weekend? Serena Williams.

Imagine for a moment that you are the undisputed champion of your discipline and you still have to deal with dumb people talking shit about you all the time. That’s Serena.

The theme of this short film is that she remains, as always, an underdog.

From the release:

Work ethic of an underdog. Willpower of a champion. This is Unlimited Serena. In her words, “There’s no day that goes by that I feel like losing.”

It’s the latest work for Nike from Dirty Robber, which played the roles of both creative agency and production company on the campaign. The team had the short ready to go just moments after Williams won her record-tying 22nd Grand Slam women’s title over the weekend.

It’s the latest in a series of similar shorts that the company has produced for Nike. Here’s another one starring British distance runner Mo Farah, who reminds us that success in competitive sports is less about magic than practice.

Serena already has over 3 million views on Facebook.

Nike Creative Director: Tad Greenough
Creative agency/Production Company: Dirty Robber
Directed by Gotham Chopra
Creative director: Martin Desmond Roe & Nick Frew
Exec Prod: Jason Puris
Exec Prod: Chris Uettwiller
Editor: Josh Hegard
DP: Andrew Wheeler
Nike Creative Director: Tad Greenough

Books of The Times: Review: ‘Not Pretty Enough’ Charts the Rise of Helen Gurley Brown the Sex Guru

This biography of the Cosmopolitan editor and “Sex and the Single Girl” author traces her path from Arkansas-born secretary to glittering media czarina.

A Fraud? Jonah Lehrer Says His Remorse Is Real

As Mr. Lehrer tries to come back with a new book four years after he was discovered plagiarizing, he is facing criticism as well as support.

Revolutionary Video Streaming Applications – Stremio Sets the Bar for the Future of Video (GALLERY)

(TrendHunter.com) Though there are countless apps for streaming video content, few have come as close to revolutionizing the entertainment industry as Stremio. More than just a content aggregator, Stremio expertly…

More on Adweek’s Bill Grizack Cover Story

You may have already seen the story this morning, but our parent publication’s most recent cover feature starred one Bill Grizack, agency con man and convicted felon.

We’re not going to reproduce the whole piece here because it is 3,000 words long, but since the story started on this blog we will include some of its key sections in the interest of facilitating discussion on the case.

We’ll start from the true beginning of Grizack’s fraud: late spring/early summer 2012, when he claimed to have won the Coke and Jack Daniel’s contracts. At the time, his then-employer The Variable (formerly PAVE Advertising) was pitching various other agencies to collaborate on Brand Forensics, the software product that may or may not have provided clients with data insights based on search engine results.

The Variable visited the Winston-Salem offices of Mullen, seeking a partner for the Brand Forensics project. Adweek acquired an internal email, dated June 5, 2012, in which [Variable partner and former McKinney ACD Joe] Parrish expressed his excitement about the meeting, writing: “McKinney has been our most profitable client for the past two years. We work well with other agencies. And Mullen’s network has more money than McKinney’s. This is an attempt to gain a local partner with deep pockets.” Parrish then reassured staffers: “No one is more wary of big agencies than yours truly.”

Remember that Parrish had been a member of McKinney’s creative department who left in 2010 to become a partner at PAVE. He was able to bring the two agencies together over their shared Qwest/CenturyLink account following the merger of those two companies.

For whatever reason, Mullen does not appear to have had any interest in Grizack’s allegedly “revolutionary” insights. Regarding that software, one former Griz co-worker described it as a rudimentary version of Google Analytics while a creative who got hired to work on one of the fake accounts told us: “During my time [at McKinney], not a single person I ever spoke with regarding the algorithm could explain how it worked or the benefit of its use.”

We have no direct knowledge of Brand Forensics, so we can’t speak to its validity. But we did interact with several people who worked at these agencies when it was operational, and all expressed some degree of skepticism. Grizack’s own summaries of the product very closely (and, we might argue, predictably) resembled this description of what he did during his next job at Egg Strategy: “We have created new technology that let’s [sic] Egg observe consumers in their natural habitat and use that insight to drive strategy for some of the world’s largest brands.”

We also got this take on the day he (allegedly) got caught:

According to a source, Grizack’s undoing came in the form of two disposable “burner” phones. One day in early 2013, when Grizack was not in the building, an unnamed employee who had become frustrated with his delays called the number listed on the Coca-Cola contract. A cellphone rang in Grizack’s office. He then attempted to contact Brown-Forman. Again, a cellphone rang.

From one of his former co-workers:

“At first, he is truly amazing. He talks fast and smooth, and sometimes you walk away thinking, what just happened? He knew the names of everyone’s children and spouses, and he asked about them. He was quite likeable.”

Believable. Here are a couple of additional bits and pieces we’ve received since completing the story. First there are Grizack’s Dailey Advertising business cards via a so-far anonymous Twitter user who seems to have worked with him there.

We also received a copy of his resume from someone who interviewed him for a job in California late last year.

Here’s the bio section. (Don’t bother looking for the portfolio. We already tried.)

william grizack

Note the skill set from a guy who studied mechanical engineering in undergrad:

william grizack skills

And the personal interests:

william grizack personal interests

The most interesting part, though, may be his description of the work he did after leaving Dailey:

william grizack september

This is the first we’ve heard of Grizack working on Audi, MediaX and Thomson Reuters. The blurb also indicates that he spent several months working with Venables Bell & Partners in some capacity, though earlier statements implied that he’d joined the indie shop mere weeks or days before entering his guilty plea in North Carolina.

Of course one has to ask whether any of these claims have any validity … which leads to the central question in this case that keeps bugging us: was Bill Grizack both a malicious fraud and a competent or even excellent strategist? Are the two not mutually exclusive?

A lot of this information has already appeared in past Spy posts. And as we noted in the Adweek story itself, some big questions in the case remain unanswered. If we could talk to the man directly, we would ask him how he managed to keep his con going for 8 months with no interactions from the “clients” and whether anyone else knew what was really going on.

We might not be able to answer these questions as soon as we’d like, because Grizack’s lawyer told us that he would not be available for comment at any point in the foreseeable future. But something tells us that a man who so obviously relishes attention will eventually want to “set the record straight.”

Regardless, we will continue following this story and updating it whenever possible.

Carmichael Lynch Revisits Its Own Past in New Subaru Campaign

If the footage in Carmichael Lynch’s new “Proud to Earn Your Trust” spot for Subaru looks familiar, there’s a reason. The agency recycled pieces of old ads in its ongoing “Love” campaign for the brand to deliver the message in the ad, which exists in 30 and 60-second iterations.

“Maybe it was here,when you hit 300,000 miles” begins the voiceover at the opening of the spot, “or here, when you walked away without a scratch,” the spot continues, going on to list times when drivers appreciate their Subarus most.

Re-using old material may feel a bit easy, but the message seems to excuse the approach, as it actually serves the narrative. It also makes, we imagine, for a pretty cost-effective ad.

“Over the past eight years, we’ve seen our Love campaign resonate incredibly well with consumers, who often feel a personal, emotional connection to the brand and the stories we’ve told,” Alan Bethke, senior vice president of marketing at Subaru of America told Adweek.

Davidoff: Love the Ocean

Amazon Hires Former Moxie Chief Creative to Lead Its North American Ad Team

We’ve all heard quite a bit about Facebook and Google poaching creative executives out of their natural agency environment. The most prominent recent example was Andrew Keller, formerly of CP+B, who became global creative director for the Menlo Park network just over six months ago without even leaving the Denver area.

Now another massive tech company has begun to more aggressively encroach upon creative agency turf. Amazon Media Group hired Anthony Reeves, former chief creative officer at Publicis Groupe’s Moxie, to run its North American advertising unit. The retail giant also promoted Steve Susi, a former creative director with Critical Mass, Ammirati, etc., to lead its European team. He will soon relocate to London for the job.

An Amazon spokesperson confirmed the changes this week. Reeves’ title will be executive creative director at Amazon Media Group North America, and he will be based in Seattle.

This means that Reeves will lead future creative efforts on behalf of clients who pay to advertise with Amazon and entrust the retailer’s in-house team to handle the work as it appears on the site and elsewhere. As in the case of Facebook, Amazon’s team positions itself as a partner to both agencies and clients.

The work created by the Amazon team runs the gamut from banner ads on Amazon.com to its most recently visible work, the Minions branded boxes that went out with millions of orders last year. An Amazon spokesperson told us that the Media Group looks to work with clients and agencies in order to push existing boundaries and think big about future projects.

As a current job listing for an account executive position puts it:

“Amazon Media Group operates at the intersection of eCommerce and advertising, offering a rich array of digital display advertising solutions with the goal of helping our customers find and discover anything they want to buy. We help advertisers reach Amazon customers on Amazon.com, across our other owned and operated sites, on other high quality sites across the web, and on millions of Kindles, tablets, and mobile devices.”

Reeves has already spent more than two decades in the agency world, starting his career as a copywriter at Grey, BBDO, Ogilvy and others in his native Australia. In 2009, he made his way stateside to work as ECD and VP of creative at FCB’s Hacker Agency, where he handled the AT&T account and contributed to the winning pitches for such accounts as Western Union, Netflix and Chipotle.

He then moved to Moxie in late 2012 as EVP, creative and remained there for more than 2 1/2 years, earning the CCO promotion in September of 2013. According to his public profiles, he led the Creative, Experience, Content, Design, Studio, Social, Strategy and Future Experience teams, working with clients like Verizon, Coca-Cola, BB&T, Nike and Georgia Pacific until March 2015. At that time, agency CEO Suzy Deerling appears to have pushed Reeves and various other employees out, writing in an internal memo that he would be going on “extended leave” and that the creative leads on Verizon and other core accounts would effectively make up for his absence.

Reeves then co-founded Structure, a creative services consulting company that uses “operational excellence to fuel creative performance.” Since June 2015, he has served as global chief creative and marketing officer for 2XU, an Australian sporting goods company. (Reeves has a connection to the company, having helped BWM/BMF win a related pitch back in 2008.)

Susi joined Amazon in late 2012 after working in-house at American Express and spending time with agencies including Critical Mass, Belong Group, Rauxa and many other direct marketing favorites.

The Amazon spokesperson did not elaborate on the significant of the Reeves hire and the Susi promotion, but one can surmise that the e-commerce giant aims to double down on its creative ad services in order to better collaborate with its many, many clients.

Facebook may be the leading distributor of online video, but people still go to Amazon when they want to buy things. And that’s what advertising is ultimately all about.

Azamara Club Cruises Embarks on Social Media Agency Review

Add Azamara Club Cruises to the long list of cruise lines who have launched reviews since Royal Caribbean’s review announcement in February of 2015. The “the upmarket cruise line delivering longer stays, more overnights and night touring” has launched a review in search of a social media agency partner.

The brand (which is itself part of the Royal Caribbean stable) is seeking an agency to collaborate with existing agency partners to evolve its social media strategy, continue building its online presence and help reach annual revenue targets via its social content. Scope of the work includes development and execution of strategy across social media platforms  such as Facebook, Twitter, Instagram, Pinterest and YouTube, the  optimization of platforms, reporting, community management and blog syndication. 

Azamara’s agency roster has recently included Charlotte’s big agency for creative and Current Lifestyle Marketing for PR. The brand has also earned media coverage for such projects as a “sex-themed cruise” complete with “naked passengers and erotic activities.”

In addition to Royal Caribbean, whose review concluded with the selection of Mullen Lowe as its lead creative agency in May of 2015, Norwegian Cruise Lines concluded its own review the following month with the appointments of BBDO as its lead creative agency and OMD as its media buying and planning agency. A month after that, Celebrity Cruises launched a review seeking a new creative AOR, selecting VB&P for the role two months later. Carnival Cruise Lines’ luxury unit Seabourn Cruise Line then appointed Figliulo & Partners as its agency of record this past November, following a review.

Agency responses in the current review are due by July 15.

General Mills: Tiny Toast – seagull

General Mills: Tiny Toast – sheep

General Mills: Tiny Toast – birds

Twitter to Live-Stream Both National Conventions

Partnering with CBS, Twitter will stream the Democratic and Republican National Conventions. Both streams will be available to nonusers.

Another Brand Names a Celebrity As Its Creative Leader

“Chief Creative” is the new “celebrity spokesperson.” You already knew this, and the trend is hardly new. But it must be working (we think?) since more clients keep hopping on the bandwagon.

Bacardi appointed Kasseem Dean, better known by his stage name, Swizz Beatz, as “Global Chief Creative for Culture for Bacardi with oversight for the entire Bacardi portfolio of brands.”

The goal of the apppointment, according to a press release, “is to develop partnerships, activations and ideas that further incorporate the Bacardi brands into the worlds of music, art and film.” Dean will also represent Bacardi and its various brands at cultural activations in the U.S. and in developing markets as part of the deal. It’s almost like his celebrity led to the hire or something.

Bacardi worked with Swizz Beats last December on a three-day cultural experience at Art Basel 2015 in Miami, where he performed along with his wife, Alicia KeysDMX, Wiz Khalifa, DJ Khaled and others. Remember that Keys served in a similar creative director role for Blackberry a few years back. She may or may not have sent a promo tweet from an iPhone while holding the title; she claimed she was hacked, and a grand total of zero people believed her.

Anyway, here are the quotes.

“For Bacardi, having Swizz as a partner represents an opportunity to sell more than just bottles and cocktails. It represents a convergence of our brands in lifestyle and cultural experiences,” said Bacardi Limited CEO Mike Dolan. “Consumers are identifying with brands that fit their lifestyle in culturally relevant ways and Swizz is the perfect partner to identify and forge these new consumer connections.”

“Besides having amazing brand recognition, great-tasting products and leadership that pushes boundaries, Bacardi has a deep heritage in music, film, culture and the arts, so they’re a great partner to help bring my vision to life,” added Beatz, possibly while sipping on Cruzan. “Also, I wanted to partner with a company that, like Bacardi, has a long history of giving back to the community through its philanthropic activities. As the Bacardi Global Chief Creative for Culture, I will be involved in all aspects of the product—from brand marketing and advertising to innovation and selling platforms—areas to which I will bring a new, fresh perspective.”

Where will Beatz take his rum? Who can even guess?!

Em comercial da BBC para os Jogos Olímpicos, o Rio de Janeiro é uma grande selva

BBC

Animais selvagens se transformam em atletas no filme de animação

> LEIA MAIS: Em comercial da BBC para os Jogos Olímpicos, o Rio de Janeiro é uma grande selva

Brainstorm9Post originalmente publicado no B9
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Nike celebra mulheres indianas que quebraram convenções através do esporte

Nike

“Da Da Ding” quer impactar nova geração de atletas femininas na Índia

> LEIA MAIS: Nike celebra mulheres indianas que quebraram convenções através do esporte

Brainstorm9Post originalmente publicado no B9
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Jordan Spieth's Olympic Exit is a Blow to Coke


Coca-Cola suddenly has a hole in its Olympic marketing plans after it was confirmed today that Jordan Spieth is sitting out the Rio games because of apparent concerns about the Zika virus.

Mr. Spieth’s exit was made official by International Golf Federation President Peter Dawson. The golfer cited “health reasons,” according to the Associated Press. Other big-name golfers that have previously said they are sitting out the games include Jason Day, Dustin Johnson and Rory McIlroy. They cited Zika concerns, according to AP.

Mr. Spieth was among several athletes that Coke planned to make as faces of the brand throughout the games. As part of Coke’s “six pack” of athletes, he was slated to be featured prominently in Olympic marketing, including packaging, retail and digital advertising, according to a description of the program published last year. He was added to Coke’s Olympic roster after signing a multiyear endorsement deal with the brand in January.

Continue reading at AdAge.com

PANI: Childhood Soundtracks


Online, Mobile
PANI

September 9 is Costa Rica’s National Children’s Day. This year, PANI (National Children’s Welfare Agency) wanted people to not just celebrate the day, but to remember their childhood. We used something that’s been with us since we were kids: music. We launched Childhood Soundtracks, a very special website were you could login with Facebook and receive an unique Spotify playlist with songs from your childhood times, based on your Facebook age. People on social media loved the idea, just as much as they love music.

Advertising Agency:Repúblika Independiente, San José, Costa Rica
Creative Director:Juan Luis Valerio, Mauricio Fallas
Art Director:Ricardo Quesada
Copywriter:Ricardo Quesada
Programmer:Harold Soto