
This text is excerpted from “So, What’s the Big Idea?” by Steven Heller, an essay contained in Taschen’s reissue of “Mid-Century Ads,” from the Bibliotheca Universalis series, along with the ads that follow.
“We don’t want to take credit for everything, but two of every three raincoats sold last year had ‘London Fog’ stitched on the inside pocket” Don Draper, “Mad Men,” Season 3, Episode 1
If the advertisements in this mammoth volume were the sole artifacts a historian used to examine and analyze the turbulent Sixties, a picture of American culture would emerge that bears scant resemblance to social and political realities of the times. Where are the blacks, Latinos, and Asians? Viewed from this vantage point, the Sixties had no civil rights to protest, Vietnam War, or sex, drugs and rock and roll — at least not in any meaningful way. The advertisements here, exhumed from the crypts of Madison Avenue as mummified in the mass magazines of the day, were sanitized, homogenized, and cauterized, which is not to say that they did not have style, taste, or humor, or that they do not represent the zeitgeist in a jaundiced way.
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