Converse Blows Up Chuck II to Show Off the New Sneaker's Snazzy Insides

Converse’s Chuck Taylor II All-Stars debut with a bang, literally, in the Nike brand’s “Ready for More” campaign touting its highly anticipated line extension.

Ad agency Anomaly and visual-effects firm Framestore produced an explosive spot that shows a Chuck II high-top flying apart in super-slow-motion, impressively revealing the comfort technology within. As bits of rubber and canvas drift in all directions, the camera lingers on the padded sockliner, non-slip tongue and perforated suede lining, with each component identified for viewers.

Ultimately, the sneaker comes back together like new, which probably wouldn’t happen if you blew one up for real. (Still, I’d be glad to give it a try.)

It’s a cool, memorable way to expose the soul (along with the sole) of the reboot. I prefer its destructive simplicity to the bombast of a 30-second online spot that offers throbbing guitar riffs and cascading imagery of city skateboarders, motorcyclists, painters and rock bands, all wearing Chuck IIs. Reminds me of Dr. Martens’ anti-establishment appeals, with fast beats and flashy editing standing in for substance.

Of course, Converse does have street cred in the creative community. Its footwear has long been popular with artists and musicians. Anomaly’s recent “Made by You” push for classic Chucks scored by exploring the unique worlds of such individuals, showcasing both average folks and celebrities. This approach would have been a fine fit for the Chuck II, and hopefully the campaign will eventually step in that direction.

For now, we’re stuck with hipster clichés and a voiceover extolling, “More good stuff. More bad stuff. More your stuff. Whatever it is—more you!”

Sorry, Chuck, but it’s all a tad II much.

Campanha coloca descendentes em “contato” com seus ancestrais

ancestry

Empresa usa tecnologia para descobrir nossas raízes por meio do DNA

> LEIA MAIS: Campanha coloca descendentes em “contato” com seus ancestrais

Brainstorm9Post originalmente publicado no B9
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Compactor: Messi

The impossible is possible.

Advertising Agency: 3A Worldwide, Rio de Janeiro, Brazil
Creative Director: Henrique Carvalho
Art Director: João Ricardo Santos
Copywriter: Rafael Guedes
Illustrator: Marcelo Mendes
Published: July 2015

Compactor: Di Caprio

The impossible is possible.

Advertising Agency: 3A Worldwide, Rio de Janeiro, Brazil
Creative Director: Henrique Carvalho
Art Director: João Ricardo Santos
Copywriter: Rafael Guedes
Illustrator: Marcelo Mendes
Published: July 2015

Compactor: Bolsonaro

The impossible is possible.

Advertising Agency: 3A Worldwide, Rio de Janeiro, Brazil
Creative Director: Henrique Carvalho
Art Director: João Ricardo Santos
Copywriter: Rafael Guedes
Illustrator: Marcelo Mendes
Published: July 2015

Microsoft Windows 10 Shines a Light on the Future of Advertising


Microsoft arguably didn’t see the transformative power of the internet coming and missed the boat with mobile, but the launch of Windows 10 from Microsoft this week shows remarkable clarity and consistency on the future of the internet and the opportunities it creates for marketers.

Micosoft’s Windows 10 is a software platform designed to pull content from anywhere onto everything. It’s about a single app store with apps that work on every screen. It’s about responsive design, where everything is optimized to the user’s context. In short, it’s about a philosophy of thinking about devices as relatively dumb screens through which we pull optimized content — it’s a world of thinking of media or the devices we use to consume it as a context, not as a channel.

This can have profound effect on marketing. Instead of looking at the world in terms of devices and aligning budgets and ads around specific devices — whether it’s a smartphone, tablet or TV — marketers can now start to embrace this new world where virtually all media is digital, and start creating ideas around these new contexts for advertising.

Continue reading at AdAge.com

adidas Originals "#OriginalSuperstar with Pharrell" (2015) 1:00 (USA)

Recently, adidas Originals dropped a spot featuring a bunch of super star celebs insisting they weren’t superstars. Now adidas Originals brings us a choddy, in which a bunch of superstars tell us they aren’t doing what they do for applause or appraisal but just for themselves alone. Pharrell has handpicked these “superstars,” who each read a line in a manifesto in one long montage. There are some great graphic treatments which keep it visually interesting.

By the way, those stars in question are musician Pusha T, Grigoriy Dobrygin, a Russian actor/director, Yoon, a designer from Japan, VJ Mian, VJ/designer from China and Smithe, a Mexican illustrator. And of course, Pharrell.

The spot is atmospheric, dark and set to the kind of moody orchestral music that feels at home in a Jason Bourne movie. It’s quite a stark contrast between the Originals house party campaign that ran from 2008 till around 2013 or so. Those spots all featured celebrities from all walks of life, too, but they were usually hanging out with cool kids in houses and street corners. And while that campaign was all style and no substance, at least it was fun. It felt like anyone could join in the fun. And the tagline reflected that: Celebrate Originality.

Now it’s as if adidas Originals has gone from being the the center of the party who welcomes all to being this moody kid who sits in a dark corner, holding you at arm’s length, demanding you treat him with Respect™ because he is a Serious Artist™, but don’t start putting expectations on him because he does what he wants, and whatever you do, don’t ever call him a Superstar.™ That’s more like Selfhate Originality.

Micro Dwelling Festivals – Small Homes are Celebrated at Canada's Tiny House Festival (GALLERY)

(TrendHunter.com) While micro-sized dwellings used to be inhabited by only some of the most passionate environmentalists, the tiny house movement is showing the average person how practical, affordable, portable and…

Life-Like Disney Princes – This Series Transforms the Iconic Disney Princes into Realistic Images (GALLERY)

(TrendHunter.com) Melbourne-based artist Jirka Väätäinen, recently released a new series that envisions what the iconic Disney princes would look like in real life. While the Disney princesses have undergone many…

Qual fonte de energia você escolheria para recarregar o celular?

power-behind-plug

No Brasil não pensamos muito em como a energia é produzida, até por que a maioria vem de hidrelétricas na América do Sul. Mas nos EUA há uma grande dependência em termoelétricas que usam carvão e outros combustíveis fósseis. A NRG, distribuidora americana de energia, fez uma campanha chamada Power Behind the Plug para alertar […]

> LEIA MAIS: Qual fonte de energia você escolheria para recarregar o celular?

Brainstorm9Post originalmente publicado no B9
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NRG: The power behind the plug

The campaign seeks to illustrate how people react when they actually take a moment to think about where their power comes from. The goal of the film and campaign is to encourage every American to actively and consciously think about energy, how electricity is generated and their energy choices.

Advertising Agency: Droga5, New York, USA
Creative Chairman: David Droga
Chief Creative Officer: Ted Royer
Executive Creative Director: Neil Heymann
Creative Directors: Rick Dodds, Steve Howell
Copywriter: German Rivera Hudders
Art Director: J.J. Kraft
Chief Creation Officer: Sally-Ann Dale
Head of Broadcast Production: Ben Davies
Executive Broadcast Producer: Matt Nowak
Head of Integrated Business Affairs: Dianne Richter
Sr. Integrated Production Business Manager: Matt Friday
Global Chief Strategy Officer: Jonny Bauer
Head of Strategy: Chet Gulland
Group Strategy Director: Harry Roman
Strategy Director: Dan Wilkos
Sr. Communications Strategist: Elsa Stahura
Communications Strategist: Parks Middleton
Social Strategy Director: Tom Hyde
Senior Social Strategist: Calvin Stowell
Social Media Manager: Kimmy Helling
Senior Data Strategist: Seth Mills
Data Strategist: Michelle Pliskin
Group Account Director: Matt Ahumada
Account Director: Kristoffer Aldorsson
Account Manager: Michelle Villarreal
Project Manager: Connor Hall
Designer: April Pascua
Senior Interactive Producer: Benny Goldman
Production Company: Stink
Director: Kosai Sekine
DOP: Dimitri Karakatsanis, Michael Svitak
Executive Producer: James Cunningham
Producer: Scott Pourroy
Editorial: Lost Planet
Editor: Charlie Johnston
Executive Producer: Kristyn Wagenberg
Producer: Taylor Colbert
Post Production: The Mill
EP/Head of Production: Sean Costelleo
Producer: Mandy Harris
Colorist: Michael Rossiter
VFX Supervisor: Jade Kim
2D Lead Artist: David Forcada
2D Artist: Heather Kennedy
Music: Hiroko Sebu / A Place Called New York
Sound: Jodi Levine / Heard City
Sound Design: Tim Barnes

How YouTube Stars and Their Fans Feel About Branded Videos


YouTube stars carry a lot of clout with their audiences, and advertisers are increasingly trying to piggyback that influence to push their products by paying the stars to incorporate a brand into their videos.

Ad Age interviewed several stars and fans about how they feel about these sponsored videos — including what works and what doesn’t — during VidCon, a digital video convention held in Anaheim, California, last week.

Continue reading at AdAge.com

Gallery Doctor: um app para quem tem preguiça de organizar fotos do celular

gallery-doctor

Todos nós tiramos dezenas ou centenas de fotos com o celular ao longo do uso. Então é certo que algumas delas vão ser menos do que ideais, mas por nossa preguiça em conferir quais manter e quais deletar, as fotos ruins acabam ocupando espaço no smartphone. A MyRoll, startup localizada em Israel, quer capitalizar nessa […]

> LEIA MAIS: Gallery Doctor: um app para quem tem preguiça de organizar fotos do celular

Brainstorm9Post originalmente publicado no B9
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Adidas: Audience of one

Advertising Agency: Johannes Leonardo, New York, USA
Chief Creative Officers: Jan Jacobs, Leo Premutico
Executive Creative Directors: Tom Martin, Julian Schreiber
Creative Directors: Matthew Edwards, Wes Phelan, Ferdinando Verderi
Senior Account Supervisor: Dominique Dalton
Account Director: Sam McCallum
Account Executive: Gulru Soylu
Head of Production: Cedric Gairard
Print Executive Producer: Maria Perez
Producers: Loretta Rae, Peisin Yang Lazo
Production Coordinator: Dustin Grant
Designer: Mike Vickers
Designer: Zoonzin Yoonjin Lee
Production Company: Elastic
Director: Patrick Clair
1st Assistant Director: Rick Lange
Director of Photography: Bob Chappell
B Unit Director of Photography: David McFarland
Art Director: Alexander Delgado
Production Supervisor: Laurie Devine
Line Producer: Ron Cosentino
Executive Producer: Jennifer Sofio Hall
Lead Animation & Compositing: Raoul Marks
Designers: Jeff Han, Kevin Heo, Paul Kim
2D Animators: David Do, Peter Murphy, Yongsub Song, Sam Sparks
Head of 3D: Kirk Shintani
3D Artists: Aaron Baker, Joe Chiechi, Jose Limon, Joe Paniagua
Online Artists: Dan Ellis, Kevin Stokes
Flame Assist: Gabe Sanchez
Associate Producer: Danny Hirsch
Producer: Carol Salek, Heather Johann
Color A52
Colorist: Paul Yacono
Color Assistants: Chris Riley, Erik Rojas
Color Producer: Anna Vegezzi
Editorial LA: Rock Paper Scissors LA
Editor: Damion Clayton
Assistant Editor: Alexa Vallejo
Producer: Jared Thomas, Shada Shariatzadeh, Ashley Bartell
Executive Producer: Angela Dorian
Editorial NY: Rock Paper Scissors NY
Editor: Dan deWinter
Assistant Editor: Michael Shugarman
Producer: Jenny Greenfield
Executive Producer: Eve Kornblum
Sound Design: Q Department
Sound Mix: Sonic Union
Audio post mixer: Steve Rosen

Adidas: Grigoriy Dobrygin

Advertising Agency: Johannes Leonardo, New York, USA
Chief Creative Officers: Jan Jacobs, Leo Premutico
Executive Creative Directors: Tom Martin, Julian Schreiber
Creative Directors: Matthew Edwards, Wes Phelan, Ferdinando Verderi
Senior Account Supervisor: Dominique Dalton
Account Director: Sam McCallum
Account Executive: Gulru Soylu
Head of Production: Cedric Gairard
Print Executive Producer: Maria Perez
Producers: Loretta Rae, Peisin Yang Lazo
Production Coordinator: Dustin Grant
Designer: Mike Vickers

Adidas: Pusha T

Advertising Agency: Johannes Leonardo, New York, USA
Chief Creative Officers: Jan Jacobs, Leo Premutico
Executive Creative Directors: Tom Martin, Julian Schreiber
Creative Directors: Matthew Edwards, Wes Phelan, Ferdinando Verderi
Senior Account Supervisor: Dominique Dalton
Account Director: Sam McCallum
Account Executive: Gulru Soylu
Head of Production: Cedric Gairard
Print Executive Producer: Maria Perez
Producers: Loretta Rae, Peisin Yang Lazo
Production Coordinator: Dustin Grant
Designer: Mike Vickers

Adidas: Smithe

Advertising Agency: Johannes Leonardo, New York, USA
Chief Creative Officers: Jan Jacobs, Leo Premutico
Executive Creative Directors: Tom Martin, Julian Schreiber
Creative Directors: Matthew Edwards, Wes Phelan, Ferdinando Verderi
Senior Account Supervisor: Dominique Dalton
Account Director: Sam McCallum
Account Executive: Gulru Soylu
Head of Production: Cedric Gairard
Print Executive Producer: Maria Perez
Producers: Loretta Rae, Peisin Yang Lazo
Production Coordinator: Dustin Grant
Designer: Mike Vickers

Adidas: VJ Mian

Advertising Agency: Johannes Leonardo, New York, USA
Chief Creative Officers: Jan Jacobs, Leo Premutico
Executive Creative Directors: Tom Martin, Julian Schreiber
Creative Directors: Matthew Edwards, Wes Phelan, Ferdinando Verderi
Senior Account Supervisor: Dominique Dalton
Account Director: Sam McCallum
Account Executive: Gulru Soylu
Head of Production: Cedric Gairard
Print Executive Producer: Maria Perez
Producers: Loretta Rae, Peisin Yang Lazo
Production Coordinator: Dustin Grant
Designer: Mike Vickers

Adidas: Yoon

Advertising Agency: Johannes Leonardo, New York, USA
Chief Creative Officers: Jan Jacobs, Leo Premutico
Executive Creative Directors: Tom Martin, Julian Schreiber
Creative Directors: Matthew Edwards, Wes Phelan, Ferdinando Verderi
Senior Account Supervisor: Dominique Dalton
Account Director: Sam McCallum
Account Executive: Gulru Soylu
Head of Production: Cedric Gairard
Print Executive Producer: Maria Perez
Producers: Loretta Rae, Peisin Yang Lazo
Production Coordinator: Dustin Grant
Designer: Mike Vickers

Kabbalistic Synthesizer, a ‘sonification’ of live macrocosmic phenomena

87k

The synthesizer simultaneously synthesises variations in the Earth’s magnetic field with cosmic rays and Jupiter’s noise storms continue